The death of a major character is approaching the flash. While the idea of someone close to Team Flash dying in Season 8 isn’t new – showrunner Eric Wallace has previously teased that the events of Season 8 will drastically change Team Flash going forward and the title of an upcoming episode is literally “Funeral For a Friend” — TV line confirms that a major character will die in “Death Falls” next week. According to the outlet, the character’s death will come despite Team Flash’s best efforts to stop Deathstorm, though the exact person who will die remains a surprise.
Of course, after this week’s “Death Rises,” fans have already started speculating that the flash possibly preparing to kill one of the last remaining members of the original Team Flash, specifically Caitlin Snow (Danielle Panabaker). This week’s episode saw Deathstorm’s (Robbie Amell) plan revealed, with that plan being to make Caitlin his bride in order to end his own loneliness. He even managed to go so far as to kidnap Caitlin to start the process, but she wasn’t quite ready yet, but given the amount of grief that seems to be inside Caitlin after the encounter, as well as the physical pain she is experiencing, it is safe to say that the transformation is underway.
Killing Caitlin would be a blow to Team Flash, one that would certainly suit the permanent changes Wallace teased for the season after “Armageddon.”
“We’re going to explore that and work through that throughout the season, but we’re still sticking to our graphic novel format,” Wallace said of Iris’ time-sickness. “So ‘Armageddon’ was the first graphic novel of Season 8, and then we have our first interlude episode as we like to call them – those are more standalone episodes, and we’ll have a few. And then our next graphic novel will kick off in the middle of the season with a brand new Big Bad. And there will actually be another one at the end of the season. We’re going to try something new this year with three graphic novels. We’re gonna see how much action we can put into Season 8. It’s going to be a very wild ride, but I have to warn people that what happens emotionally is going to change Team Flash permanently. And I’m not kidding.
the flash airs Wednesdays at 8/7c on The CW. “Death Falls” will air on May 4.
DALLAS (AP) — Ford Motor Co. said Wednesday it lost $3.1 billion in the first quarter, weighed down by its investment in an electric vehicle startup, and its revenue tumbled as a chip shortage limited supply of pickup trucks and SUVs in North America.
Company executives walked away from the loss and turned to results that ruled out the lower value of its stake in Rivian. Ford said it made $2.3 billion in pretax profit and was still on track to meet its annual target for the metric.
Chief Financial Officer John Lawler said the quarter produced mixed results.
“Clearly the demand for our new products is very strong,” Lawler said, “but we continue to have chip supply issues, which has limited us, and particularly here in North America, it hit us disproportionately on our large vehicles.”
The chip shortage has caused Ford and General Motors to close several North American plants for a week or two at a time, including plants that build popular full-size pickup trucks.
Ford said it sold 966,000 vehicles in the first quarter, down 9% from a year earlier.
Lawler said the company also faced inflationary pressures from suppliers, but was able to recoup them thanks to rising vehicle prices. He said he couldn’t rule out “additional pricing” if inflation continues to run high.
The first quarter loss of $3.11 billion compared to a profit of $3.26 billion in the same period last year. Revenue was down 9% from a year ago to $34.48 billion. Ford said it earned 38 cents per share in the past quarter after adjusting to exclude one-time items.
Analysts had expected Ford to earn an adjusted 37 cents per share on revenue of $34.53 billion, according to a FactSet survey.
The Dearborn, Michigan-based company maintained its goal of achieving annual earnings before interest and taxes of $11.5 billion to $12.5 billion.
The shares rose 3% after hours trading after gaining 1% in the regular session.
Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Dinosaurs may be gone, but they’ve been on screen for over a century, from movies like Brute force and Gertie the dinosaur in the 1910s paved the way. Creatures got a massive resurgence in popularity with Steven Spielberg’s masterpiece jurassic park, reviving the profitability of the dinosaurs. Countless memorable images have depicted the prehistoric creatures to some degree, with many becoming more beloved and entertaining moviegoers that moviegoers can’t get enough of. From heartwarming animated tales to adrenaline-pumping adventure films to live-action monster movie adaptations, the big screen has been home to some spectacular dinosaur creations.
Whether you’re in the mood to watch John Goodman and Rick Moranis help bring the famous Stone Age family The Flintstones to life, or embark on a heartbreaking adventure in the animated comedy The Ice Age: Dawn of the Dinosaurs, there is bound to be a prehistoric image to satisfy your needs. With Jurassic World Dominion roaring in theatersgearing up to hit theaters this summer and the dinosaur craze is set to come back strong, what better way to prepare for its release than to gorge on fantastic movies that showcase dinosaurs in all their glory. Here are the best dinosaur movies that aren’t the jurassic park movies.
We are back! The story of a dinosaur
Based on the Hudson Talbott children’s book of the same name, the 1993 animated comedy adventure We are back! The story of a dinosaurtells the dazzling tale of a time-traveling scientist who travels back to prehistoric times and feeds four funny dinosaurs with a magic cereal that increases their intelligence; the anthropomorphized creatures land in modern New York City where they go on a series of hilarious adventures.
The heartwarming film features an impressive voice cast including John Goodman, Jay Leno and Martin Short, and should have capitalized on the dinosaur craze in pop culture after jurassic park came out six months early, but didn’t have much box office impact (despite Steven Spielberg producing both films). We are back! earned praise for its vocal performances and animation, brilliantly blending traditional and computer animation, but was largely overshadowed by the enormous jurassic park.
The Ice Age: Dawn of the Dinosaurs
Ray Romano, John Leguizamo and Denis Leary star in the 2009 animated adventure comedy The Ice Age: Dawn of the Dinosaurs, which takes place in a lost tropical world buried under the ice and once again focuses on three entertaining heroes: the woolly mammoth Manny, the ground sloth Sid and the saber-toothed tiger Diego. The friends attempt to rescue Sid after he is taken by a female Tyrannosaurus after stealing her eggs.
Related: Ice Age Film Franchise Characters, Ranked
The third part of Ice Age film franchise, the hit picture was decided on as a “more hypothetical adventure” and added the element of dinosaurs and a secret world to the series, with Blue Sky Studios describing it “like finding the giant ape in King Kong or a Shangri-la in the middle of the snow. The Ice Age: Dawn of the Dinosaurs went on to have the highest-grossing opening for an animated film, and its success led to two more popular sequels in the franchise: 2012 Ice Age: Continental Drift and 2016 The Ice Age: Collision Course.
The land before time
Following the adventures of a group of young dinosaurs living in prehistoric times, the 1988 animated adventure drama The land before timecenters on a “Longneck” named Little Foot who is orphaned when his mother is killed by a vicious Tyrannosaurus, and flees famine and trouble to seek out the Great Valley. On his inspiring journey, Little Foot encounters a group of mismatched dinosaurs who become his close companions and friends, who also wish to reunite with their families in the Sacred Valley.
Don Bluth’s animated film explores the issue of prejudice between different species and the hardships they endure, with Don Bluth having explained, “…we had another idea that none of these dinosaurs get along , they all hate each other. From birth, they are taught not to associate, it’s racism. The land before time received rave reviews for its stunning animation and engaging message, and went on to generate 13 direct-to-video sequels.
Based on the beloved 60s TV cartoon series, the 1994 family comedy The Flintstones brings the iconic Stone Age family and their pet dinosaur Dino to life, following well-meaning but dimwitted factory worker patriarch Fred Flintstone as he lends money to his neighbor and friend near Barney Rubble, so he could adopt a baby. After being promoted on the back of Barney’s favor, Fred finds himself embroiled in the schemes of his greedy boss.
John Goodman takes on the epic role of Fred Flintstone, beautifully capturing the essence of the character while starring alongside Elizabeth Perkins, Rick Moranis and Rosie O’Donnell; the veteran actor beat out other stars like John Candy, Chevy Chase and Bill Murray for the coveted role. Audiences and fans of the cartoon were congratulated The Flintstones for its faithfulness to its source material, visual effects, costume design and performances, and it went on to be a box office hit, eventually inspiring the 2000 prequel titled The Flintstones at Viva Rock Vegas.
Journey to the Center of the Earth
Adapted from the classic sci-fi novel by Jules Verne, the 2008 sci-fi action-adventure film Journey to the Center of the Earthdepicts the harrowing quest of Professor Trevor Anderson, his nephew Sean and their guide Hannah as they become trapped on an expedition to Iceland and discover a mystical and dangerous lost world at the center of the earth. As the brave trio travel deeper and deeper inside the planet on their only escape route, they find themselves encountering strange places and wondrous creatures, including terrifying dinosaurs.
Related: Batgirl Star Says Brendan Fraser Was a ‘Huge Teddy Bear’ On Set
With Brendan Fraser, Josh Hutcherson and Anita Briem, Journey to the Center of the Earth takes audiences on an incredible adventure, masterfully merging modern visuals and technology with the beloved old-school storyline and thrilling moviegoers in the process. Fraser is in all his charming, swaggering glory, with NewsBlaze proclaiming, “The playful strength of Brendan Fraser’s personality rules, 3D or not 3D, one of the few funny guys who could catch a dinosaur’s attention in mode assault, in the center of the earth or anywhere else on the planet.
Walt Disney’s jaw-dropping 2000 animated film live-action and by computer Dinosaurtells the story of a young orphanIguanodon who is raised by a family of lemurs on a tropical island and must embark on an arduous trek to sanctuary after a devastating meteor shower destroys his family home. With a budget of $127.5 million, Disney’s picture would have been the most expensive computer-animated film at the time and became the fifth highest-grossing film of 2000, with $350 million in the world.
Dinosaur received praise for its beautiful opening sequence and outstanding animation, but was ultimately criticized for its lack of originality and similarities to The land before time; nevertheless, the animated film led to numerous exhibitions and a video game and was a smash hit with the release of a home video in 2001.
Famous Peter Jackson directed the 2005 epic adventure monster movie King Kong, which is set in 1933 and centers on an ambitious filmmaker who coerces his cast and crew to travel to the mysterious Skull Island to create their image. On their journey, the group encounter frightening prehistoric creatures living on the island as well as the legendary massive gorilla known as Kong, whom they capture and bring to New York.
In the cinematic marvel, Naomi Watts, Adrien Brody and Jack Black headline the gripping film, and in one heartbreaking scene, their characters narrowly avoid a dinosaur rush; an epic confrontation takes place between Kong and two T. rexes, with the giant gorilla protecting Ann Darrow from Watts. King Kong won three Oscars and grossed over $500 million, acclaimed for its stunning special effects, direction and dynamite performances.
The good dinosaur
2015 Disney and Pixar animated adventure film The good dinosaurwonderfully explores an alternate history where non-avian dinosaurs never died out, and focuses on a young and sheepishApatosaurus named Arlo who makes an unlikely human friend on his quest to return home after being swept downstream by a rainstorm. The studios and director Peter Sohn wanted to find out what dinosaurs would represent in the President’s day, with filmmaker Bob Peterson revealing, “It’s time to make a movie where you get to know the dinosaur and get to be with a dinosaur.”
The good dinosaur features nature as the antagonist to main character Arlo and pays homage to the western genre and its themes, character development, and beautiful North American landscapes. Despite a lackluster box office performance, the animated film received rave reviews from critics, with the Los Angeles Times describing it as “antique and unexpected as well as homiletic, filled with subversive elements, goofy creatures and some of the most beautiful landscapes ever seen in a computer-animated film.
The 90s are one of the most influential sources of nostalgia in modern pop culture. It was a time of transition for media – technology began to propel animation forward, and the decade gave way to some of the most recognizable fictional characters of all time. It was a simpler time: Disney shows were goldmines, Saturday morning cartoons were sacred, and kids couldn’t wait to get home and pop their favorite movie into the VHS player.
In terms of the best films of the 90s, it was an unforgettable decade for animation. As computer animation began to blossom and creators found more effective ways to turn storyboards into immersive experiences, we saw a slew of incredible films that are still popular today. Let’s revisit some of the best animated movies of the 90s and see how they stack up.
Related: Best 80s Animated Movies, Ranked
At one point, you might not have believed that animation and live action could mix on screen. Walk in space jam! Released in 1996, we see Michael Jordan as he chooses to retire from his illustrious basketball career. However, things take an unexpected turn when the Looney Tunes win and beg his help in a basketball game against a team of alien monsters. The premise is as far-fetched as it gets, and the way the creators lean into the chaos is honestly spot-on.
The beauty and the Beast
A tale as old as time, The beauty and the Beast is one of the most endearing love stories in animated history, and we’ve all seen it again and again since its release in 1991. Unbeknownst to the prince-turned-dumb, the charming Belle yearns for more than sedentary life in his small hometown. When Belle volunteers to take her father’s place as a prisoner of the Beast in an enchanted castle, the two gradually build a friendship that will blossom into true love, strong enough to break a decades-old curse.
The Prince of Egypt
Something about the 1998 animation style The Prince of Egyptmakes us catch our breath again. This fascinating take on the story of Moses is presented in a new light: we see him growing up as the adoptive brother of Ramses, who will inherit the kingdom of Egypt. Their relationship is at the forefront of the story, and we see them take different paths as Moses begins to fight for the freedom of the Jewish people.
A more adult entry on the list, perfect blue came out in 1997 and left audiences captivated and bewildered for years. We meet Mima, a J-pop idol who is going through an identity crisis after starting a rocky acting career. When some of her colleagues are murdered, she realizes that her mental instability may be affecting her more than she lets on. The mystery will keep you on the edge of your seat until the very end, and seeing Mima reclaim his own is a victory we can all appreciate.
Long confused as part of the Disney Princess List, 1997 Anastasia is actually a Don Bluth film that focuses on the young Grand Duchess of Russia. Young Anastasia barely escapes a curse from the sorcerer Rasputin, though she develops amnesia in her attempt to break out of the palace; at 18, she goes on an adventure to find her long-lost family. Our titular heroine is absolutely adorable, and her coming-of-age story is filled with heart, genuine love, and a dazzling animation style.
The Nightmare Before Christmas
Tim Burton fans can explain the unbridled fun and whimsy of the 1993 holiday movie The Nightmare Before Christmas. We first meet Pumpkin King Jack in Halloweentown after a big party, but quickly learn he’s disenchanted with his predictable lifestyle. When he mistakenly wanders into Christmastown, he falls in love and decides to take charge of the holiday for himself. His fellow Halloween harbingers get involved in the festivities, and it’s impossible not to sing along to their songs. The claymation is truly charming, and the creepy denizens of Halloweentown are surprisingly wholesome.
Related: 5 Best Tim Burton Movies, Ranked
toy story was a milestone for Pixar in 1995, and it continues to be a fan favorite around the world. Of all the toys in young Andy’s room, Woody was always the favorite – until Buzz Lightyear showed up. After they go missing, we follow Woody and Buzz as they travel home before moving day. The voice cast is nothing short of phenomenal, and many of the franchise’s most quoted moments come from this film.
It’s hard to pick a favorite Studio Ghibli movie, but the one from 1997 Princess Mononoke is easily one of the best. Prince Ashitaka finds himself cursed by a demon while defending his village, and he quickly ventures west in hopes of finding a cure. Along the way, he encounters many unforgettable characters, including the namesake wolf princess herself. The film offers a crucial lesson in deforestation and neglect of the planet, and Ashitaka’s relationship with San is nothing short of wonderful.
The iron giant
Although it performed poorly at the box office, The iron giant is now a beloved classic that took viewers on an adventurous emotional roller coaster when it was released in 1999. The story features Hogarth Hughes, a bright young boy who befriends a massive alien robot during war cold. It doesn’t take long at all for the Iron Giant to wow viewers, and the ending is still enough to leave us in tears. No wonder he was nominated for so many awards!
The Lion King
Is there anyone who wouldn’t start following the opening notes of “Circle of Life” in The Lion King? This 1994 Disney rendition of Hamlet has it all – a rich and colorful world populated by memorable characters, an engrossing story, a gorgeous soundtrack, and voice talent for days on end. Watching young Simba as he struggles to come to terms with the death of his father to finally return home as the king his pride needs still gives us chills.
Doctor Strange: Things to know before watching Multiverse of Madness
About the Author
Hannah Shorts (57 articles published)
Hannah has been a professional writer since 2018. An alumnus of The Art Institute of Nashville, she has written hundreds of articles for all kinds of clients. She’s created pieces on video games, comics, music, and everything in between; now she uses her skills to create original articles for MovieWeb. When she’s not writing, you can find her perfecting recipes in the kitchen or replaying her favorite video games.
[Warning: This story contains spoilers from the series finale of FX’s Better Things.]
When FX and Pamela Adlon announced in October that the fifth season of better things would be the last in the series, the writer-director-comedy star said, “It’s going to be a wrap on Sam Fox (for now).”
Fans of the series may be keeping their fingers crossed on the “for now” part of the equation, hoping that Sam, Max (Mikey Madison), Frankie (Hannah Riley) and Duke (Olivia Edward) might come back to our TVs sooner than later, but if Monday’s (April 25) series finale was truly the end of the Fox clan, it was a thoroughly satisfying conclusion.
We had another fantastic pre-credit music video, Sam got new artwork for his upstairs landing and there was a wedding that brought back many of the show’s beloved supporting characters. for another celebration and some Monty Python. Then, at the end, Sam envisioned his place both in the social universe of his family and friends “village” and in the universe as a whole, with shooting stars, northern lights and, if you hold on to ‘at the end, a very unusual and inexplicable event.
Adlon joined The Hollywood Reporterit is Top 5 TVs podcast for a broad and wonderfully digressive conversation about the show’s journey in our second standalone Showrunner Spotlight podcast, following our January season recap with the creators of Showtime’s yellow jackets.
Listen to the full interview.
Adlon was the last in-person guest for Top 5 TVs in March 2020, sparking many nostalgic memories of the changed world.
In the interview, Adlon tells hosts Lesley Goldberg and Daniel Fienberg that she knew season five would be the show’s last before she started writing it and although she suspects FX would have let her do more if she was asked: “It feels good to finish showing her feeling good and not falling apart towards the finish line. It was a very mutual decision.
She recognizes that every day she experiences new things that go into her “notes” folder that could have been better things storylines, but “I wanted the story to go on as if the stories were going on. I don’t consider that to be the end for better things, which is how I live my life. People are like are you grieving? I felt like people wanted me to be sad and have this moment. The truth is that it has been seven years of my life. When I started this show, my life was very different. All my children lived at home, there have been many scorched earth moments over the years. I lost a lot of people, I had to make adjustments in terms of pivots and big life changes.
It’s been a tough season to put together, and Adlon discusses the various production challenges amid COVID-19 (and why COVID wasn’t part of the season). The series’ final song choice, “Always Look on the Bright Side of Life,” recalls Monty Python’s use of “Galaxy Song” in the season five premiere, a nod to old fans, new and future.
Adlon said: “When we end on ‘Always Look on the Bright Side of Life,’ it was saying goodbye to the fans, goodbye to the people who watch this show, goodbye to the people who haven’t discovered the show yet. show. Because I know what my show is and I always knew it was a marathon and not a race. Eventually people will catch up with it. It’s still not there and it hasn’t many eyeballs of these giant giant shows that have so many eyeballs and people talk about hating watching a show they’re watching which is so much the opposite of what’s happening with better things. I would take the sighting of hate, multitudes of eyeballs. Look over here! There is something for every taste !
In the 78-minute conversation, Adlon talks about bringing his own genealogical experience to Find your roots in the season explains how the baseball cards became a key part of the season arc and she talks about how the night sky in the final shots came together and what this unidentified flying object means to her.
Oh and what comes next for Adlon? She drops some clues.
Listen to the full Top 5 TVs Special Showrunner Spotlight episode, above. Top 5 TVs is a weekly TV podcast hosted by Goldberg (West Coast TV Editor) and Fienberg (Chief TV Critic) that features news, analysis, reviews and interviews with new and established showrunners. Subscribe here.
Netflix is stacked with fancy TV shows. There’s so much quality it’s hard to know where to start.
Here are our picks for the best fantasy shows on Netflix. If you’re after fantasy movieshead here.
Arcane is so good.
Based on League of Legends characters and lore, Arcane is just an absolutely beautifully animated show about family, trauma, and the impact of poverty. Just a surprisingly good sight to watch.
The Dark Crystal: Age of Resistance (2019)
Based on the 1982 cult classic, The Dark Crystal: Age of Resistance was pretty good for an exercise in nostalgic baiting. Unfortunately, production fees caused Netflix to cancel it before we got a second season. That doesn’t mean you can’t check out the first one.
The Witcher (2019—)
When I first heard that Henry Cavill had starred as Geralt in The Witcher TV show, based on a novel that became a wildly popular video game, I thought, “That can’t be to be good.”
Then I watched the first episode and thought, “This is not Well.”
But then, ultimately, the show was somehow good? Then it became a phenomenon. It is now one of the most popular shows on Netflix.
Shadow and Bone (2021—)
Shadow and Bone is based on a series of young adult fantasy novels written by Leigh Bardugo. There’s a feeling that this show wasn’t enough as good as some might have hoped, and didn’t enough go as mainstream as some expected. But that doesn’t mean you shouldn’t check it out.
OK, let’s do this one more time…
i can’t believe i have Three TV shows based on video games on this list! But again, Castlevania is very Well. A dark fantasy spectacle based on the video game of the same name, Castlevania is super popular, captivating, and spectacularly well-animated. Give it a chance, even if you’ve never heard of the game.
A BBC TV show based on Arthurian legends, Merlin adds a Doctor Who aesthetic to the fantasy genre.
It’s a little dated, sure, but Merlin has a cult following thanks to fantastic performances. Don’t expect Game of Thrones-level production values.
Chilling Adventures of Sabrina (2018-2020)
Based on Sabrina’s children’s sitcom The Teenage Witch, The Chilling Adventures of Sabrina reinvents itself as a dark drama focused on the occult. Miraculously, it works.
Prepare for a weird ending, but this show delivers.
Read more: Best fantasy movies on Prime Video
Hellbound is a dark fantasy show about supernatural creatures that lead people to hell. If you’ve just finished Squid Game and are craving more Korean TV, look no further. This rules.
Sweet Tooth (2021—)
Sweet Tooth is a fantasy drama based on the comic book of the same name. After a pandemic — stay with me here — hybrid babies are born, half-human, half-animal.
As one might expect, a schism appears. Some people cannot handle the emergence of this new hybrid and blame them for the pandemic. The show has been renewed for a second season, so now is a good time to catch up.
We officially called it the second best show on Netflix. Is it a fantastic show? Kind of. It certainly contains some weird fantasy elements and, regardless, is worth your time. The story centers on Prairie Johnson, a woman who returns home after being missing for years. The twist: She used to be blind, now she can see.
Anything that comes from this weird twist just gets weirder and weirder. Give it a shot.
As a Scottish man, I am both grateful for Outlander and resentful of him.
It made Scottish men cool again, but also gave people ridiculously inflated and unfair expectations of us. We can’t hope to compete with Sam Heughan, who plays the main character Jamie Fraser. Ridiculous.
Outlander is a strange time travel show whose main character, Claire, is transported back in time from World War II to 1743 Scotland. It’s definitely romance novel nonsense, but it’s self-aware romance novel nonsense. It is built for binging.
Avatar: The Last Airbender (2005-2008)
Avatar: The Last Airbender has to be one of the best animated shows already. Aang is the last titular airbender, a type of messiah who can control the four main elements: air, fire, water, and earth.
But even trying to describe what makes Avatar so charming, smart, and surprisingly heavy is pointless. Do yourself a favor and watch it.
The Legend of Korra (2012-2014)
I can’t put Avatar on the list without adding The Legend of Korra.
Set in the same universe, years after the events of the original Avatar, The Legend of Korra is a much more adult take on the series, dealing with surprisingly mature themes. It is dramatically underestimated. Look at this.
Demon Slayer (2019—)
Weekly Shonen Jump
Can I get away with adding anime to this list? Sorry, I do.
If you’re an anime fan, chances are you’ve already watched Demon Slayer, or at the very least are aware of its existence. Right now, it’s probably the most popular anime on the planet. Demon Slayer is basically a show about a guy who kills demons. The twist: His sister is also part demon, and they travel together. It’s beautifully animated and the fight scenes are ballistic.
Attack on Titan (2013-2022)
Since we’re doing anime now, might as well do Attack on Titan.
Attack on Titan is an anime set in a vaguely medieval universe where humans are constantly threatened by humanoid, skyscraper-sized “Titans” who eat humans.
It’s absolutely insane. You should watch this.
The Dragon Prince (2018—)
The Dragon Prince is often compared favorably to another legendary show on this list – Avatar.
That’s about the praise you can get for an animated fantasy show.
Movies coming in 2022 from Marvel, Netflix, DC and more
WASHINGTON (AP) — The Supreme Court has denied an appeal by parents to block a new admissions policy at a prestigious northern Virginia high school that a lower court ruled discriminates against Asian American students. .
The high court on Monday did not explain its order allowing Thomas Jefferson High School for Science and Technology to continue using its admissions policy while the Fairfax County School Board appeals the lower court’s decision.
Judges Samuel Alito, Neil Gorsuch and Clarence Thomas said they would have granted a request from parent group, Coalition for TJ, to suspend the admissions policy.
In February, the group persuaded U.S. District Judge Claude Hilton that a new policy that boosted representation of blacks and Hispanics amounted to impermissible “racial balance” at the selective school near the nation’s capital. It is often ranked as one of the best public high schools in the country.
Asian American students made up over 70% of the student body. Under the new policy, used to admit the school’s current freshman class, Asian American representation dropped to 54%. Black students increased from 1% to 7% and Hispanic representation increased from 3% to 11%.
Hilton had ordered the new policy stayed, but the federal appeals court in Richmond, Va., said it could be used while the case continues in court.
Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Ahead of its 100th anniversary in 2023, Disney is releasing the six-part Disney+ documentary series “Sketchbook” to spotlight six of their top artists as they show viewers how to draw some of the most iconic characters in Disney history. ‘business. However, the show goes beyond an educational resource as the artists discuss the collaborative process behind the animation and the many people involved in creating a character like The Genie from “Aladdin” or Olaf from “Frozen “.
In addition to the new show, this renewed commitment to hand-drawn animation has come in the form of a 12-month training program led by Walt Disney Animation Studios Chief Creative Officer Jennifer Lee and President Clark Spencer. The six animators chosen from more than 2,000 applicants will be mentored by 2D animators Rachel Bibb, Mark Henn (who draws Simba from “The Lion King” on “Sketchbook”), Randy Haycock and 2D director-animator Eric Goldberg (who is featured in the show’s Genie episode) as they focus on animating and cleaning up characters and effects. In an interview with IndieWire to promote the behind-the-scenes docuseries, Goldberg shared his excitement for a renewed interest in hand-drawn animation:
“I’ve been a long-time advocate for training people to hand-draw, and as CG movies became more and more popular, that idea became less and less important to the studio. But now we have an atmosphere and a group of people who recognize that it’s part of the legacy here, and having content that requires hand-drawn animation is absolutely brilliant, thank goodness we have people who can do both here, but commit really to train a new generation is a wonderful thing and I think perfectly appropriate for [us].”
Unfortunately, while Goldberg says upcoming 2D projects “run the gamut from legacy to originals to hybrids and will include features and series,” he doesn’t go into detail on where and when we’ll see the beloved animation style next. I don’t want to give the impression that I’m in the “I’ll believe it when I see it” camp because, as a lifelong Disney fan, I’m rightfully excited to hear these new developments, especially since they are just in time for the 100th anniversary. However, I will keep the excitement level around five for now until something is announced. At that point, I’ll be more than happy to go up to eleven.
An intimate educational documentary series, “Sketchbook” takes us to the offices and into the lives of talented artists and animators. Each episode focuses on a single artist teaching us how to draw a single iconic character from a Walt Disney Animation Studios film. As we learn the stages of drawing these characters, we also discover that the artists themselves each have a unique story to tell about how they got to Disney and the character they got. selected. From the creators of “Chef’s Table,” this exclusive experience will give viewers of all ages a new understanding of how these beloved characters come to life on screen while introducing them to a new cast of real-life characters along the way. .
Disney’s “Sketchbook” will premiere April 27, 2022 on Disney+.
Christina Haack has a new husband, Joshua Hall, and fans will get to see more of him in the HGTV star’s all-new upcoming show, Christina in the countryside. Hall’s family are no strangers to reality television — her sisters have appeared on several shows. This is where fans may have seen Hall’s sisters and the surprising bond one of them has with Haack’s ex-husband, Tarek El Moussa.
Christina Haack’s husband Joshua Hall to appear on her upcoming reality show ‘Christina in the Country’
On April 7, Christina Haack revealed in an Instagram post that she had a new series called Christina in the countryside coming to HGTV “late 2022”. She is also filming season 4 of Christina on the coast.
“Excited to share what we’ve been working on behind the scenes. ‘Christina In The Country’ has officially been picked up by @hgtv for 6 episodes,” said the Flip or Flop shared in his caption. “It feels good doing what I love with who I love. Josh and I have the most creative and supportive producing partners and we can’t wait to create fun content. Expected to air late 2022. Life is beautiful 🙏🤍”
Haack’s new husband, Joshua Hall, is working with her on Christina in the countryside. The couple started a production company together called Unbroken Productions, and they co-produce both shows with HGTV.
Hall left an enthusiastic comment on Haack’s post. “You mean I spend more time riding a RZR and sweating it down south?? OK. 😁,” he wrote. “It’s an honor to work with such an amazing team, keep it up!”
The sisters of Christina Haack’s husband, Joshua Hall, have appeared on several reality TV shows
While Christina Haack’s husband Joshua Hall will soon be making his reality TV debut on HGTV, his two sisters are no strangers to reality TV. Jessica Hall and Stacie Adams have both appeared in several reality series (per The List).
Stacie Adams was on two seasons of MTV The hills, where she was known as “Stacie the bartender”. She was also on Bravo Vanderpump Rules as one of Scheana Shay’s bridesmaids.
Jessica Hall also appeared on The hills. His best friend is the former The girls next door star Kendra Wilkinson and Hall were on Wilkinson spin-off shows Kendra on top and Kendra.
One of the HGTV star’s husband’s sisters has a surprising bond with her ex, Tarek El Moussa
Along with appearing on several reality TV shows, one of Christina Haack’s husband’s sisters, Joshua Hall, had an intriguing connection to Haack’s ex-husband, Tarek El Moussa.
Jessica Hall is good friends with Heather Rae Young, who stars in the Netflix reality series sell sunset. El Moussa married Young after divorcing Haack.
Jessica Hall is so close to Young that the two friends had their own podcast titled Flashbacks. Ancient Bachelorette star DeAnna Stagliano apparently replaced Young on the podcast in February 2021, and the show is now titled Flashbacks with Jessica Hall and DeAnna Stagliano.
RELATED: How fans reacted to Tarek El Moussa allegedly calling Heather Rae Young ‘hotter and richer’ than ex-wife Christina Haack in Verbal Tirade
moon knightThe introduction of the Egyptian Ennead allowed Marvel Studios to expand its visual effects, designing stellar models for Khonshu and Taweret, two gods of the ancient pantheon. Although both characters are entirely computer generated, Meghan Kasperlik and her costume design team created costumes for both characters for production reference.
“The Khonshu costume is a fully functional costume,” Kasperlik tells us. “Taweret’s costume is also designed and produced from head to toe. Both Khonshu and Taweret are made in-house, so that was really exciting.”
The costume designer adds that Taweret’s design is her favorite thing she’s worked on for the show, teasing her “incredible” design in future episodes.
“The Taweret costume that we just saw very, very briefly, the costume itself, there’s so much detail in there,” she adds. “There’s the helmet with the birthing dance and the birthing prayer from ancient Egypt, because Taweret means birth mother. Every one of the hieroglyphs on the front that you can barely see at this point is amazing.”
Kasperlik concludes: “But there are hieroglyphics there and under all the ornamentation she has a phenomenal skirt that you can hardly see, but my team cut those strips by hand and then sewed them with a way so amazing. I hope it’s one of those costumes that gets on display because it’s just…in person, it’s amazing.”
A member of the Ennead, Taweret is the goddess of childbirth and fertility. Across four episodes, the character appeared in a single scene. She is voiced by Antonia Salib.
four episodes of moon knight are streaming now on Disney+, and new episodes will be released every Wednesday.
ABUJA, Nigeria (AP) — More than 50 people were killed and scores injured when an explosion rocked an illegal oil refinery in southeastern Nigeria, state officials and police said Saturday.
The death toll could be over 100, according to a report by the Lagos-based Punch newspaper. The fire reportedly spread to neighboring properties.
The fire started on Friday evening and quickly spread to two fuel storage areas of the illegal crude oil refinery, causing the complex to be ‘engulfed in a rapidly spreading fire’ in the area said Declan Emelumba, the Imo state information commissioner.
The immediate cause of the explosion and the extent of the deaths, injuries and damage are under investigation, Emelumba said.
Political cartoons about world leaders
Several videos posted on social media showed a gruesome scene, with people’s charred remains reduced to skeletons and ashes. The Associated Press has not been able to independently verify them.
“A lot of people died. The people who died are all illegal operators,” said Michael Abattam, spokesman for the Imo State Police Command.
The Imo state government was looking for the owner of the refinery where the explosion occurred and declared him wanted, an official said.
Illegal refineries are common in Nigeria, where shady commercial operators often avoid regulations and taxes by locating refineries in remote areas, out of sight of authorities.
Nigeria is Africa’s largest crude oil producer, but it has very few official refineries and as a result most gasoline and other fuels are imported, creating an opening for illegal refinery operators.
The practice is so widespread that it affects crude oil production in the oil-rich region of the Niger Delta.
Copyright 2022 The Associated press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Apparently, even Lionsgate knew the “Divergent” sequels were a failure – the studio didn’t even bother to complete the franchise.
Following the mega-success of “The Hunger Games” franchise, all other dystopian young adult sagas were turned into a series of films (“Maze Runner”, “Ender’s Game”, “The Host”), but the only one that came relatively close to replicating that success was “Divergent,” which was released in 2014.
“Divergent” starred Shailene Woodley as Beatrice, a 16-year-old who lives in a society divided into five factions based on personality traits, but Beatrice has multiple traits and is known as “Divergent.” Confused? Naturally, perhaps that’s why the first film barely had a cultural impact and has a low 41% on Rotten Tomatoes.
However, two more sequels were produced (“Insurgent” from 2015, which has 28%, and “Allegiant” from 2016, which has 11%). As was the custom in the 2010s, the final book in the series was to be split into two films, “Allegiant” and “Ascendant”, but the reception of “Allegiant” was so poor that the conclusion of the franchise has been cancelled.
So, we wonder: Did we really need “Insurgent” and “Allegiant” if there was not a fourth and final film? The answer is no.
by Judd Apatow theBubble. Picture: Laura Radford/Netflix
It wasn’t an April Fool’s joke, though now it feels like one: on the first of the month, Netflix released not one but two feature films by marquee American directors with moderate (that would be satire calamitous pandemic by Judd Apatow The bubble) to non-existent (spellbinding time capsule by Richard Linklater Apollo 10½: A Childhood in the Space Age) promotional campaigns. The latter is surely one of the service’s best additions of the year so far, and it’s in respectable company with a goofy, hard-to-resist coming-of-age image about young metalheads and a southern cop thriller. -hard-nosed korean. Beat the annual April showers, stay indoors and catch the latest Netflix Original movies:
God bless Richard Linklater. His third rotoscope-animated feature (moving to a looser, lighter place after the philosophically heavy waking life and A dark scanner) barely holds up like a film. It’s closer to a hundred-minute monologue, detailing how awesome it was growing up in late ’60s Texas. Anyone not inclined to roll their eyes at this obsessively watched exercise in nostalgia will be wowed by the level of commitment to the bit; the narrator (Jack Black, an apparent stand-in for the filmmaker himself) churns out dozens of TV shows, records, and other cultural ephemera, setting the stage for this time and place. Linklater praises a happy moment with golden sentimentality even as he acknowledges the corporal punishment and lax security standards that seem insane in retrospect. But he’s non-judgmental, more interested in cataloging the ways unsupervised children entertained themselves before the insularity of the computer and smartphone.
Everyone has reacted to the upheavals of the pandemic in their own way. Some of us have learned how to make the perfect stew or how to make macrame; Judd Apatow assembled a production crew in a well-appointed English mansion to precipitate order into existence for this bewildered and unfunny-for-the-moment reaction. A misplaced sense of duty to make the weary masses laugh clearly motivated his follow-up parody of the filming of a fake blockbuster and the cast of pampered actors are gradually losing their marbles in a world of 14-day isolation periods and sanitization regulations. Put aside the problems of rhythm and writing (dear Lord, another TikTok interlude?), and there is always the fundamental problem that, in such a difficult time, the last thing ordinary people care about is the inconvenience and boredom of showbiz guys. The movie even admits it, and yet that realization wasn’t enough to convince anyone to stop and rethink the unfortunate approach to the material.
The first Italian teen crying trilogy draws to a close in this final installment, which lacks any meaningful narrative challenges for cystic fibrosis survivor Marta (Ludovica Francesconi). The film begins as she emerges from the medically induced coma used as a cliffhanger for the last one, but once she is cleared by her doctors, writers Roberto Proia and Michela Straniero struggle to come up with something with a comparable gravity to do. Their best shot is “navigating the choppy waters of real estate,” as Marta searches for an apartment with her boyfriend while her former roommates work out an Airbnb scheme. The emotional core of the film is about Marta mending fences with the grandmother who wasn’t around enough when she was orphaned at age 3, but the mishandling of the tone leaves those scenes just as insignificant as the relationships with owners and the search for guarantors. . Once the stakes have been set for life or death, you can’t go back to the agony and ecstasy of improving your credit score.
The uncanny preponderance of Polish-language crime thrillers in the Netflix Original catalog dictates finding some form of novelty in each successive instance, and director Cyprian T. Olecki doesn’t seem up to the challenge. The hook for his inexcusably overlong gangster photo sends an undercover informant into the ranks of his brother’s soccer hooligan team to free him from drug trafficking charges. This puts him on the path to a crisis of conscience between his obligation to the law and his loyalty to his family, a setup so done to death that there is a 30Rockjoke about it. While the brutal gallows humor and hearty fight scenes are better than most, it’s too predictable to hold anyone back for the two-plus hours the film demands, and the muddled digital cinematography only gives us not much to look at while waiting. What should have been the distinguishing factor – the unique role that organized crime plays in Polish society – is decontextualized and ironed out in a vast inner struggle like any other.
As the movies say, there are few jobs as psychologically demanding as being a ballerina. by Jota Linares Black Swan The riff begins with the suicide of a prima donna and then shows us the cocktail of internal and external pressures that could very well lead the next big face to a similar fate. National Classical Ballet’s new talent, Irene (María Pedraza, a Netflix favorite for her roles in Money theft and Elite) immediately begins to see why his predecessor jumped on it as his own eating disorder and associated insecurities combine with the constant battery of emotional abuse from draconian instructor Norma (Mona Martínez). She finds solace only in the company of junior dancer Aurora (Paula Losada), with whom she forms a dark and illusory bond of comfort. It’s all captivating enough on paper, but Linares’ use of neither camera movement nor color conveys the visceral sense of mental distortion that has made previous entries in the unsteady ballerina canon stick with the times. landing.
Metalheads have a bad rap as violent ne’er-do-wells with tastes for everything from wanton destruction to murder (it happened, like, once), but Peter Sollett’s movie fury investigates the pathos behind headbutts and pentagrams. In the bond between lifelong best friends Hunter (Adrian Greensmith) and Kevin (Jaeden Martell), their band roster soon expanding to include singer Emily (Isis Hainsworth), metal’s anti-everybody ethic serves as a pillar around which they can organize their own mini-community. Screenwriter and former The iron Throne Showrunner DB Weiss leans towards the juvenile in his attempt to divide the difference between his characters’ childhood and adulthood, so they articulate their solidarity through silly language that often strays into a ballroom anathema. corn to the true metal mentality. Ultimately, however, there is a trace of authenticity in the way Hunter translates his own personal frustrations into music that empowers the powerless.
The location of the Chinese city of Shenyang, just north of the border with North Korea, makes it a hotspot for espionage, as spies from both countries, as well as South Korea, Russia and Japan, jostle to get ahead of each other’s plots. South Korean prosecutor Ji-hoon (Park Hae-soo, best known for the popular series squid game) gets an assignment to clear up some corruption charges in Shenyang, but falls into a much grander plot aimed at the covert ops group he’s supposed to be working with. He and the team’s leader, Kang-in (Sol Kyung-gu, the star of Lee Chang-dong’s Peppermint candies), must earn each other’s trust if they are to survive the traps, sabotages and tortures that await them in this neon playground. With this vibrant backdrop, they form the expected rapport and fight the expected fights, though predictability isn’t an issue in either case due to the accomplished execution. Both actors bring gruff credibility to their archetypal personas, the spotted tough guys who populated American cinema in the ’70s.
Netflix is already canceling several shows and movies after its recent subscriber and financial issues.
According to The Wrap, the streaming giant has unplugged many Netflix shows in development. The company’s animation department has been hardest hit by the issues currently plaguing Netflix, which has suffered a decline in market value and subscriber base since the start of the year.
Yesterday (April 21) we reported on Netflix’s announcement that it had lost 200,000 subscribers since the start of 2022. Additionally, the streaming company’s recent pullout from Russia due to the war in Ukraine cost him an additional 700,000 viewers (per Reuters). Netflix estimates it will lose another two million paying customers before June 2022 – news that has knocked the company’s market value down by $50bn (per BBC).
As it counts with its first loss of subscribers in more than a decade, as well as a huge drop in the valuation of its shares, Netflix has apparently decided to proactively fight against further financial instability. And that means canceling several projects in development.
According to The Wrap’s report, the director of creative leadership and development for Netflix original animation – Phil Rynda – was fired, along with numerous members of his staff, earlier this week.
Not only that, but the streaming giant has also canceled numerous in-house animation projects, including an adaptation of Roald Dahl’s The Twits. A highly anticipated animated series based on Jeff Smith’s beloved comic book series Bone, as well as Lauren Faust’s Toil and Trouble, were other productions unceremoniously dropped by the streamer.
But it’s not just the highly anticipated Netflix series that have been scrapped. Netflix movies, including Bright 2, a fantasy film sequel starring Will Smith, have also been dropped by the streaming company, according to What’s on Netflix. Bright 2’s cancellation is likely to have closer ties to the 2022 Oscars slapgate incident, which saw Smith physically assault Chris Rock live on stage. We previously reported that Netflix and Sony pulled out of Will Smith projects in development following the incident. But, according to Lucas Shaw, Bloomberg reporterNetflix claimed Bright 2’s cancellation had little to do with Smith’s Oscar showdown.
It’s unclear how many Netflix TV series and movies are similarly scheduled for the chopping block. However, it looks like some of the streamer’s biggest hits – Stranger Things, The Witcher, Arcane, and Squid Game to name just four – are all safe.
It looks like new movies and shows in development are in danger of falling through the cracks. But, as we’ve seen before on Netflix, the streaming giant isn’t averse to unplugging fan-favorite productions if deemed necessary. We’re looking at you, Archive 81 and The Dark Crystal: Age of Resistance.
We’ve reached out to Netflix for additional comment on the above and will update this story if we get back to you.
Analysis: Tough Times Ahead for Netflix
These are certainly tough times for Netflix. Sure, the streaming company is still the biggest such service in the world, but there’s no denying it’s been rocked by recent subscriber losses and a major drop in market share.
Netflix faces increased competition from Disney Plus, Prime Video and HBO Max. The streaming trio also offers value for money and high-quality entertainment for viewers, so Netflix no longer has full control of the streaming market as it once did. Add to that the growing influence of Apple TV Plus in the streaming industry – Netflix’s recent Best Picture Oscar nomination is sure to have caught the eye of Netflix executives – and Netflix’s dominance. in the streaming market decreases over time.
The skyrocketing cost of living in some countries, such as the UK, has also had a negative effect on Netflix’s subscriber base. As food, fuel and energy prices rise around the world, households are having to make tough choices about where to spend their money. If it’s a decision between feeding your family/heating your house or continuing to pay for Netflix, there’s no contest: Netflix will lose every time.
And then there’s the company’s decision to crack down on password sharing between households. Netflix recently announced that it will no longer turn a blind eye to subscribers freely sharing their account information with family or friends who live elsewhere. To prevent this, Netflix has started testing a new paid feature “Add Extra Member”, whereby account holders can pay an additional $2.99 per month to allow people living at another address to use their account. . Based on the reactions of several Reddit users over the past few days and weeks, it’s a move that’s proving very unpopular.
Whether Netflix can recover from these setbacks remains to be seen. Yes, the streamer’s 220 million global subscriber base means it should be fine for now. Netflix also hopes that these issues are only temporary and that Netflix’s next big hit will entice users to come back in the future and start paying for the privilege of re-watching its content.
There’s no denying, however, that Netflix must navigate choppy waters right now. His next steps could be crucial in determining whether he can win back viewership support, or if things will only get worse from this point on.
Every season, young justice increasingly incorporated the DC Comics universe into its larger story to help convey the idea of a living, breathing world. Thanks to its arc-based storytelling, the current season of Ghosts has expanded the scope of the comic book story it draws in, like the Legion of Super-Heroes and Jack Kirby’s New Gods. But it’s the way the show brings in those elements that can always make for a nice surprise, and that approach has made The Young Justice always fascinating universe to explore during its four seasons.
This week’s episode has an…interesting take on DC history, to say the least. In its B-plot, it tells an intriguing story about the Legion and its members Chameleon Boy, Saturn Girl, and Phantom Girl, who have traveled to the present day to secretly aid modern-day heroes while pursuing their own enemy from the future. . But the episode’s A-plot takes its own hit by pulling another show from DC’s animated pantheon into its orbit.
The current arc focuses on Rocket as she, Forager, and Flash travel to New Genesis for a peace summit between the New Gods and the Green Lanterns. This week’s episode, “Encounter Upon the Razor’s Edge,” introduces us to the two Summit Lanterns, Kilowog and Tomar-Re, familiar to many Green Lantern fans. As they fly through space, they fly towards a blue lantern distress beacon and see no one but… Razer, a character from Green Lantern: The Animated Series.
A history lesson, before going further. It’s easy to forget, but during The Young Justice original tenure on Cartoon Network, it aired alongside the CG The Green Lantern series. Hal Jordan and Kilogwog were the show’s two big protagonists, but its real protagonist was arguably Razer, its Red Lantern with a heart of gold. When it aired its final episode in 2013, it ended with him searching the galaxy for his love Aya, who he was convinced was still alive somewhere among the stars. After Razer as he took flight was a Blue Lantern ring, something the show teased earlier when Razer asked Saint Walker for advice on how to control his rage. (Razer voice actor Jason Spisak, recited the Blue Lantern Oath following the show’s cancellation.) But over the years, it’s never felt like Lantern could get a surprise second chance at life the way young justice did.
Picture: WB Animation/HBO Max
With the appearance of Razer, young justice incorporated the The Green Lantern series – or at least a sufficiently similar version of the events of this show – in its canon. In real-world context, most of “Razor’s Edge” is about continuing the redeemed Red Lantern story that was left unfinished nearly a decade ago. The episode was written by Lantern co-showrunners Jim Krieg and Giancarlo Volpe, and this shared history they have gives Razer’s story an extra power that otherwise might have been lacking. In the same way that previous arcs managed to successfully convey that the veteran heroes we grew up with have been through so much, the same goes for Razer. Seeing Kilowog embrace his old friend in a big hug at the start of the episode, then seeing Razer later initiate a hug before bidding him goodbye, was truly touching. And it doesn’t hurt that Spisak and Kevin Michael Richardson are back to voice their respective characters from the Lantern Pin up; Spisak’s performance really sells the exhaustion he has from repeatedly failing to find Aya over the years. Even if you didn’t watch the original series (or understandably forgot how it ended), the episode provides enough information about him to make you realize why he would be lost in doubt and despair.
When Metron agrees to give Razer back his red ring in exchange for the blue ring, it was clear that the episode worked on a certain angle, as they wouldn’t have brought it back just to back off. Metron revealing that he intentionally provided Razer with false clues on his journey is enough to piss Razer off and become a Red Lantern again. The rampage of New Genesis and the accidental injury of a female Forager (who we know to be female because she’s pink, as opposed to the male, red Forager we’re used to) is enough to snap Razer out of his haze of rage and to demand his Blue Ring on his back. But rather than just ending up with him relearning how to hope again, the episode does something quite interesting and lets him wield the blue and red rings, complete with a magical girl-style transformation sequence. If you know this character’s backstory, it looks both incredibly appropriate for him and also ridiculously cool, and in all of his different costumes in this episode, he just looks Well in the artistic style of this show.
Picture: WB Animation/HBO Max
Lanterns able to wield different rings simultaneously is old hat in the comics, and some like Hal and Kyle Rayner were able to wield all seven rings to become the White Lantern. young justice never focused on the lanterns until now, so it’s fascinating to see them using that character – a wildcard, in that he wasn’t born from the comics and came from a show different – to convey this concept. the The Green Lantern The series touched almost the entire spectrum over its two seasons – the Orange Lantern Larfleeze appeared for one episode, as did the Star Sapphires, and a handful of episodes featured yellow fear crystals. Kilowog even jokes about Razer finally becoming a “rainbow lantern,” which feels like planting a seed for a bigger story involving the rest of the color spectrum in potential future seasons.
For now, Razer is a Double Lantern and happily continues his search to find Aya. With how many characters young justice juggles and how certain storylines will play out in the background until they are fully brought to light, it may be a while before we see Razer again. But even if we didn’t, getting him here in the short amount of time that we did is proof enough that eventually everything will be fine.
Want more news from Gizmodo? Find out when to wait for the lastwonder and star wars versions, what’s next for theDC Universe in Film and TVand everything you need to know about Dragon House and The Lord of the Rings: The Rings of Power.
Editor’s note: The release dates in this article are based in the US, but will be updated with local Australian dates as soon as we know more.
Why doesn’t Mike Durant want to debate? Does the cat have its tongue?
When it comes to debates, interviews and personal campaigns, Durant is speechless. It’s one thing for an incumbent ahead in the polls to avoid debates and avoid unscripted posts. It’s weak, flabby and boring, but pretty much the norm these days.
Related: And just like that, Mike Durant sold his soul to Trump – al.com
Related: Mike Durant changes his mind on 2020 election, now says Biden didn’t win – Reuters
Related: Katie Britt wonders why Mike Durant won’t engage in debates
But a political newbie like Durant should be eager to tell his story and let people know who he is and where he stands. So what’s the deal with this foreign GOP Senate nominee reluctant to speak out loud in public but winds up with a lead over opponents Katie Britt and Mo Brooks?
It may not be a cat that has Durant’s tongue, but someone does. Under key.
Who is behind the mask? If Durant doesn’t reveal himself to voters during a debate, we can only speculate.
RELATED: Trump’s curse in Alabama: Who’s the next loser? – al.com
RELATED: Mo Brooks gets disturbing phone call about Trump’s endorsement – Reuters
RELATED: Mo Brooks: Trump’s ‘Coup Klutz Clown’ during the attack on the Capitol on January 6
Learn more cartoons and moreby JD Crowe
‘High-stepper’ Kay Ivey went all out – al.com
‘Don’t Say Gay’ Gender Identity Law Turns Alabama Classrooms into Verbal Landmine for Teachers
Anti-transgender laws: Alabama is attacking its most vulnerable – al.com
Ketanji Brown Jackson: Finally, a supreme role model for black girls
Critical Race Theory: The GOP’s Crutch and Weapon
Poor Kay Ivey. She thinks Joe Biden is a candidate for governor of Alabama – al.com
Election year? Invisible Kay Ivey is here… somewhere – al.com
Alabama GOP Lawmakers Play Witch Doctor With Transgender Kids
Alabama’s real state motto: “We dare to defend our whites” – al.com
Kay Ivey and Alabama lawmakers: ‘Let them eat the Black History Month cake’ – al.com
JD Crowe is the cartoonist for Alabama Media Group and AL.com. He won the RFK Human Rights Award for Editorial Cartoons in 2020. In 2018, he received the Rex Babin Memorial Award for local and state cartoons by the Association of American Editorial Cartoonists. Follow JD on FacebookTwitter @Crowejam and Instagram @JDCrowepix.
The beauty and the Beast was a huge risk for Disney, but the rewards were eternal.
After 30 years, the original animation The beauty and the Beast is still a staple of American animation for its stunning artwork and box office success, becoming one of three animated films to be nominated for Best Picture at the Oscars.
The beauty and the Beast was a smash critical and financial success, confirming that Disney’s Renaissance was a monster to be reckoned with. While you can see the film’s lasting impression at Disney theme parks as well as your local theater, Collider has found that its most significant imprint is left on American animation, especially when it comes to change the direction of Disney’s animated stories.
Switch to darker scenarios
The success of The beauty and the Beast allowed to embrace darker and more dramatic stories. Romantic and Gothic elements have been given the opportunity to flourish, creating a contrast that appeals to all ages.
The two most notable movies to come out of this revelation were Pocahontas and The Hunchback of Notre Damethe latter being directed by Gary Trousdale and Kirk Wise, who also directed The beauty and the Beast. Both movies focus on very real issues and might be heavy concepts for kids to grasp, but proved that successful animated movies don’t have to focus on light-hearted love stories.
Part of this fit was also inspired by something The beauty and the Beast did not do. Despite being Disney’s first animated title to earn a Best Picture nomination, it lost the award to Thesilenceofthelambs. Disney decided it was time to focus on serious romance fare in the hopes that they would one day land the Best Picture Oscar.
Jeffrey Katzenberg, the president of Disney at the time, thought that Pocahontas was the animated film that would win Best Picture, partially influenced by Kevin Costner dance with wolves sweeping the Oscars in 1991. The company’s focus shifted from youth entertainment to Oscar glory.
Break away from the way villains were coded
The beauty and the Beast also remodeled the design of the villains. Villains were often designed with physical disabilities and other elements that eschewed conventional beauty standards to mean these characters could not be trusted. This led to unfortunate connotations of what “good” people are supposed to look like, and Disney desperately needed to change that mold.
Gaston broke that mold between his gorgeous biceps. He was an enemy designed to intentionally resemble the hero of a classic Disney movie: sculpted jaw, brawn, community-loved, and undeniably charming. But the beauty of the character is only on the surface.
Portraying Gaston as a reinforced villain The beauty and the BeastThe core message of , that a person’s inner qualities are where their true beauty lies. Unfortunately, Gaston’s awkward goon LeFou was coded into the traditional Disney villain mold, falling back on the idea that a “good guy” wouldn’t be friends with someone who looked like a specific way.
Gaston’s character designs proved successful, and Disney was inspired to codify their animated villains in a new way.
Judge Frollo, an ordinary man who wields considerable political power, was the antagonist of The Hunchback of Notre Dame rather than the physically deformed Quasimodo. The conventionally attractive Clayton would hunt Tarzan and his animal friends in Tarzanand the incarnation of colonialism in the form of a handsome general would terrorize the heroes of Atlantis: The Lost Empire.
Even though Disney strays completely from the villain mold, there are still antagonists who are encoded with Gaston’s physical good looks.
Mix of hand-drawn animation and CG
The most remarkable way The beauty and the Beast Transformed Disney Animation was the way it mixed computer animation and hand-drawn animation for the iconic ballroom dancing sequence. It wasn’t the first time Disney had blended these two types of animation together, but the fusion had never been more prominent and seamless than in this gorgeous sequence. Ballroom dancing brought together the past, present, and future of American animation for a truly magical moment.
In later years, CG and hand-drawn animation would be brought together even more in different ways with the entrance to the Cave of Wonders at Aladdin come to life and the wildebeests rushing into The Lion King.
Even in modern Disney computer-animated titles, the lingering influences of The beauty and the Beast may be seen. Moana used Eric Goldberg’s hand-drawn animation to create the animated tattoos on Maui’s body.
It’s hard to imagine what the American animation landscape would look like without the existence of The beauty and the Beast. A film once considered a risk has proven to have an incredible impact on Disney’s business and animation goals. The tale as old as time will persist forever, leaving a ripple effect on animation until the end of time.
Tell us your favorite moments or sequences from The beauty and the Beast in the comments below!
Henry Gilroy (“Star Wars: The Clone Wars”, “The Amazing Spiderman”, “How to Train Your Dragon”) has joined the animated film project “Young Captain Nemo” as producer, showrunner and screenwriter, as that producers Rainshine Entertainment and Malaysia’s Animasia is expanding the adventure into a movie series franchise.
The project, based on the “Young Captain Nemo” children’s literature franchise, was announced last year with Jeffrey Reddick, screenwriter and creator of the “Final Destination” film franchise, adapting the books for the screen.
The film will be self-produced by Rainshine and Animasia, who will both invest from their balance sheets and raise funds from a wide variety of investors, instead of going to a major film fund or streaming platform for the funding. The budget was not disclosed.
Casting for the voice actors has begun and the big names could be settled within three months, before production on the first film is expected to begin in the fall of this year. Delivery of a finished film is expected within 18 to 24 months.
The first in a trilogy of action-adventure animated films, “Young Captain Nemo” focuses on Gabriel Nemo, a young modern-day descendant of Jules Verne’s famous literary character, Captain Nemo, in the classic novel. “20000 Leagues Under the Sea”. Gabriel and his friends use the advanced Nemotech submarine to explore, battle sea monsters, and protect the earth’s oceans.
The producers of the first film are Donna Ebbs, Edmund Chan, Gilroy, Neeraj Bhargava and Saahil Bhargava. The executive producers are: Ah Loong, Reddick, Kiran Nithyanand, Marlene Sharp, Pranab Punj and Ryan Gagerman. Benjamin Grubbs is named consulting producer.
The second and third films will follow each other in quick succession and will be completed over the next 3-4 years.
The underlying novels were written by bestselling author Jason Henderson and published by Feiwel & Friends, an imprint of Macmillan. In May 2020, Rainshine’s children and family unit Kinsane Entertainment acquired the film adaptation rights.
Rainshine, which bills itself as one of India’s premier content studios targeting the global market, has offices in Mumbai, Los Angeles and London. Animasia, based in Kuala Lumpur and Los Angeles, has produced contract animation for major groups such as Disney Channel, Netflix, Cartoon Network and Nickelodeon, and directed “The Nine Lives of Claw” and “Bola Kampung” under its own banner.
The film is part of a larger plan to turn the “Young Captain Nemo” brand into a franchise that includes a trilogy of films, three seasons of spin-off TV series, a metaverse property, NFTs, social causes, games P2E, Web 3.0 /DAO interactions, music and soundtracks, live merchandise and commerce.
The companies have called the franchise a “Web 3 initiative,” which uses a blockchain platform (RainBlox) to provide transparency in funding, production and distribution.
“Young Captain Nemo empowers audiences to play a bigger role than just being a fan. They can now watch, play, invest, buy, and vote – connecting to an immersive 360° experience – seamlessly intertwined by blockchain,” the companies said in a statement.
“We are so excited to introduce a young person of color as the protagonist in an animated franchise where kids around the world can see heroes like themselves. By combining world-class talent with the best technology, we are creating a one-of-a-kind experience where fans can own part of the franchise through our proprietary platform, RainBlox,” said Neeraj Bhargava, Founder, President and CEO. by Rainshine.
Andy Serkis(Venom: let there be carnage) directs an animated adaptation of George Orwell’s classic short story farm animal for Aniventure and his company The Imaginarium. Production is underway at Cinesite, which is currently celebrating its 30th anniversary as the world leader in animation and visual effects.
The dystopian fable published in 1945 shows a group of farm animals rebelling against their human owner, hoping to create a society where they can be equal, free and happy. He was nominated by Time magazine as one of the 100 best English-language novels between 1923 and 2005, and won Orwell a Retrospective Hugo Award. It has already been adapted for radio and stage, with John Halas and Joy Batchelor mounting a film adaptation in 1954, and John Stephenson adapting it into a TNT TV movie in 1999.
Nicholas Stoller (storks, Captain Underpants) adapted the screenplay for Serkis’ long-gestating film, previously edited at Netflix, which he will produce with Adam Nagle (Paws of Fury: The Legend of Hank), Dave Rosenbaum (hitpig) and Jonathan Cavendish from Imaginarium (Mowgli: Legend of the Jungle).
“The arduous journey to bring this extraordinary story to the screen was finally rewarded with the opportunity to partner with the brilliant team at Aniventure and Cinesite,” said Serkis. “Together, we hope to make our version of Orwell’s masterpiece ever-relevant, emotionally powerful, humorous and accessible to all ages. A tale not just for our time, but for generations to come.
“Since 1945, when George Orwell first published farm animal, the story has remained relevant and a key instrument for understanding how the world works,” Nagle added. “Andy has had a particular talent for creating unique and memorable characters over his remarkable career and we are delighted to be working with him, Jonathan and Cinesite to adapt farm animal for a modern audience.
Serkis is an Emmy and Golden Globe nominated actor, filmmaker and performance capture pioneer, who has previously directed feature films including Venom: let there be carnage, Mowgli: Legend of the Jungle and Breathemost recently appearing as Alfred in Matt Reeves The Batman.
Aniventure was established in 2014 to create original animated content with high production values. Over the past eight years, the company has acquired and created a wide range of content for development and production, with two films (Riverdance: The Animated Adventure and Paws of Fury: The Legend of Hank) complete and with distribution.
Serkis and Cavendish’s Imaginarium is a next-gen storytelling production company, whose sister company is performance capture studio, Imaginarium Studios. His TV shows include Croquemitaine Mushroom for Sky, Death and the Nightingales for the BBC and the next half bad for Netflix. Other movies include The ritual for Netflix, and the next one by Taika Waititi The next goal winswith Michael Fassbender and Elisabeth Moss.
Serkis is represented by CAA, Principal Entertainment LA and Johnson Shapiro Slewett & Kole; Stoller by UTA and Ziffren Brittenham.
More recently we have taken paper and a faithful black felt pen spend a few minutes making one of beloved cartoonist and educator Lynda Barry’s all-ages cartoons.
Barry started uploading these videos early in the pandemic, for “friends back home who are about to turn four or five or six or seven or whatever age really.”
Each demonstration begins with an oval. There is no prologue. Just dive in and copy Barry’s slow, refreshing hand movements, captured in a DIY God shot.
Less than four minutes later, voila! A smiling crocodile! (It’s magical how a facial expression can be changed with a single line.)
The soundtracks of these small exercises without narration are an additional treat. We have always admired Barry’s musical taste. It’s a real mood booster to cover a cheetah in spots to the sound of a marimba orchestra.
Now that you have a Cheetah under your belt, you’re ready to upgrade to a ScorpionLeopard, one of Draw with Lynda B‘s “strange animals”.
Barry offers some commentary as these cryptids take shape.
We suspect her pioneering work with a group of four-year-olds in the drawbridge at the University of Wisconsin program leads him to anticipate the kind of burning questions a preschooler might have about these beasts. His experience in the classroom is evident. While others might think a steady stream of brilliant chatter is necessary to keep very young attendees engaged, Barry’s thoughtful words develop in real time with his drawing:
It’s a tough animal. He has a big stinger on his back. He’s a tough…angry animal.Put the eyebrows like this. It makes them look angry. What kind of teeth do you think this animal has? I don’t think they have small teeth. I think they have big fangs.
Indrajit Nattoji, director and famous artist of Aafat-e-Ishq, born in Kolkata, has imagined a unique musical animation film. Titled “Nadam” (Sound), it is an experiential introductory film for the Indian Music Experience, the first permanent interactive museum of Indian music in Bangalore.
As ‘Nadam’ goes for international recognition, an elated Indrajit Nattoji shares how he explored the vast world of Indian music in this immersive experimental animation work.
Giving insight into the international acceptance of his musical project, the filmmaker said, “Several film festivals have watched Nadam online and invited us to participate. Tokyo International Short Film Festival was one of them, where he has won an honorable mention in the Best Short Film category!Nadam is also a winner/nominee in three categories at the Indie Short Fest 2022 (Los Angeles International Film Festival) He is also in the Official Shortlist of the 12th Dada Saheb Phalke Film Festival- 2022.
Sharing more details about the short film, he says, “Nadam (Sound) is an experiential introductory film for the Indian Music Experience (IME) museum. It is one of three film installations for IME. circular projection, presents a dynamic insight into the uniqueness and diversity of Indian music. The story follows a young girl (Shruti) who wakes up disturbed and frightened by the sounds of the night. Her mother comforts her and shows her that every sound is a musical note. She then proceeds to take Shruti on a beautiful audio-visual journey, showcasing the diverse origins and eclectic evolution of Indian music.
The characters in “Nadam” were artistically rotoscoped and hand-painted by the director himself while wearing different hats as creative director, producer and cameraman.
Explaining how the idea for this short film shaped Indrajit, he adds, “The museum includes high-tech multimedia exhibition galleries, a sound garden, a learning center for music education and several performance spaces. My mandate was to create cinematic installations for the museum, which would play in the designed museum spaces and interactive exhibition galleries. And tell this story simply as a captivating story for a child. I wrote the story and created a mood board, and the IME team loved the idea. Nadam’s story is inspired by my family – my granddaughter and my wife. I grew up in a home where music and art were essential aspects of everyday life, and this project was an opportunity to explore and merge the two. The film is for my late mother, who introduced me to this beautiful musical journey.”
Meanwhile, her second work for IME is another unique piece “Samay Chakra” which features the various classical Hindustani ragas or musical temperaments in the 24 hour cycle. The installation theater is a 360 degree rear projection projecting the audiovisual image vertically onto the horizontal suspended circular screen so that visitors can view the film looking upwards. The film is a looping video allowing visitors to view part or all of the duration.
The superhero genre has grown over the years as it has grown in popularity with the general public. With this growing popularity, the genre expanded into stories, like The boys, which challenge and question what the reality of a world full of superheroes would look like through a more cynical lens. Comics are at the heart of superheroes, making animation a perfect medium for these stories, and lately, more mature animated superhero stories have found their way onto the screen.
A perfect example is The Boys Presents: Devilish which takes the same gore, violence, farcical humor and cynicism as the live-action series, but explores it through multiple animation styles and storylines. The Illuminerdi had the opportunity to participate in the WonderCon 2022 roundtable The Boys Presents: Diabolical interviews with Executive Producer Simon Racioppa and Supervising Director Giancarlo Volpe. We asked Simon Racioppa, who is also an executive producer on Invincible, what the animated medium can bring to the superhero genre that live action can’t, and he talked about how this medium enables certain things that can be too much for live action.
“Scope, I think that’s a big deal. Obviously like Diabolical or Invincible, to do either of these shows live, the budget would have to be ridiculous, too high to do them. Even with budgets like you see on The iron Throneand other great shows I just feel like we should change the subject so much to fit Invincible in a TV show if it wasn’t animated. Animation was really the only medium to tell this story and do it right. So I think that’s what it does. It’s making a truer adaptation of certain material than you could if you were to do it live.
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Considering the violence and the blood in The boys live-action series, it’s hard to imagine what lines they won’t cross, especially with the “Herogasm” episode promised in season three. However, Racioppa’s point on Invincible and even some of the most disgusting ideas The Boys Presents: Devilish, like the Awkwafina episode, are a strong argument for animation allowing for more violence and grotesque story beats. Simon Racioppa was then asked if he thought animation made this gore and violence more palatable to audiences.
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“I feel like if you had the budget and took a few Diabolical episodes or you took episodes of Invincible and you shot them live, I think they might be nasty. Since you can’t, they would just be grotesque gores. But because we were able to do it in animation, there’s a bit more detachment between them, so you can take it in a different way.
This is probably a question for a psychologist to dig up an answer to. But I feel like you can watch something that’s animated and experience it in a different way than if it was live action. And probably someone much smarter than me could answer that question on a better level. That’s my kind of reading about it. So it allows us to push the limits a little further than you could in live action.
There is a certain level of detachment of animation from live action, which allows for crazier possibilities that would probably be too much for live audiences to handle. This question was also posed to Giancarlo Esposito who has worked on many animation projects over the years.
“One of the things I found out, I’ve said this before, is that I’ve never been terrified of a cartoon. It’s interesting because there are people who say that “They were. But I’ve watched movies where I was like, ‘I don’t know if I want to end this.’ You feel like you’re just making the hairs on the back of your neck stand on end So there’s clearly something a little softer or safer about animation.
We were trying to overcome that. Especially on gory scenes. But there’s a certain point where there’s only so much more blood I can add to the shot. I said to our designers, for example, when this poor woman got her jaw ripped out, I was like, ‘I’m not going to insist on somebody pulling a reference to draw this. And, I’m not going to check, I have no desire to, I’m actually quite disgusted. So, it was like, as long as it looks okay, let’s go.
Animation is a great medium for the superhero genre, even outside of the horrific, gory, and more disturbing nature of series like The Boys Presents: Devilish and Invincible. projects like Into the SpiderVerse and What if…? proving that this medium can be the perfect way to fully show the possibilities of superheroes. This brings us back to Simon Racioppa’s point about animation allowing for truer adaptations. That’s not to say live-action movies and TV series aren’t fantastic and integral to the genre’s popularity. Hopefully with projects like Into the SpiderVerse, What if…?, Invincibleand The Boys Presents: Devilish prove what animation can bring to the table more superhero stories will be explored through animation.
The Boys Presents: Devilish is available now on Prime Video. The boys Season 3 is slated to premiere on Prime Video on June 3, 2022. Do you think the gore, violence, and loathing are more palpable in animation than in live action? Do you want more animated superhero movies and series? If so, which ones do you want next? Leave your thoughts in the comments below or on our social media and check back with The Illuminerdi for more on The boys.
KEEP READING: THE BOYS PRESENT: EVIL SUPERVISOR DIRECTOR IMAGINES AWKWAFINA’S AREOLA SMELLS LIKE BABY POWDER AND GIVES SEASON 2 UPDATE: EXCLUSIVE
When it comes to adaptations, few Marvel properties have had a tougher time than the Fantastic Four. Despite being Marvel’s “first family,” with their original comic book dating back to 1961, the Fantastic Four struggled through a time when seemingly every other Marvel hero or team had become a big-screen sensation. We’ve released three Fantastic Four films produced by 20th Century Fox over the past 20 years, but not all three have left a lasting impact. We also know that a new Marvel Studios movie reboot is on the way, but, in the meantime, let’s take a look back at an underrated adaptation that did these characters really well: Fantastic Four: World’s Greatest Heroesthe sadly short-lived cartoon from French animation studio MoonScoop that aired on and off throughout the second half of the 2000s.
Where the previous Fantastic Four cartoon from 1994 (just titled The Fantastic Four) tended to directly adapt plots from relatively unchanged comic book issues, The world’s greatest heroes struck the right balance between staying true to character dynamics and the upbeat tone of classic comics while building its own take on the characters and storylines. Some basic comic book locales are used here (like Doctor Doom launching the Baxter Building into space and Hulk and the Thing getting into a fight), but the way they play out feels specific to the show’s world. This makes The world’s greatest heroes a great entry point for newcomers to the franchise while also being a treat for long-time fans who already know these stories and characters so well.
Fantastic Four: World’s Greatest Heroes also incorporates a complete visual overhaul of the property, incorporating many anime influences into its character design and animation style. Exaggerated proportions, such as Thing’s incredible width or the way most of the main characters feel weirdly tall and angular, fit the superhero’s pulpy tone well and help make the storytelling consistent with the visuals. The team’s costumes, which feature the classic “4” logo on a bright orange background, are a highlight. (And the fact that the same logo is simply spray-painted on the Thing’s chest is particularly inspired.) There were undoubtedly risks involved in redesigning characters in this way, but everyone is still immediately recognizable as himself, and each character feels visually distinct and memorable. According to the Season 1 DVD Special Features, the art team wanted to push the boundaries of their reimagined designs even further by giving Susan Storm bubblegum pink hair, but that idea was apparently rejected by Marvel, who insisted on keep her blonde.
The characters are the real star here. Although not exploited as deeply as they would be in more modern comics, The world’s greatest heroes stays true to the essence of the main four by building on the core concept of “a collection of sitcom family archetypes turned superheroes” that has been the property’s foundation for decades. The show often constructs humorous storylines built around the Four’s domestic life and the petty feuds they have between superheroics. While Reed and Susan’s potential romance is only hinted at, Johnny and Ben’s friendship/rivalry dynamic (illustrated in the excellent episode “Doom’s Word is Law”), the contrast between scientific intellect of Reed and his interpersonal distraction, and Susan’s role as the aggrieved glue that holds the team together is intact. The show also creates a much more involved role for HERBIE, Reed Richards’ virtual intelligence assistant originally created for the 1978 cartoon. The new Fantastic Fourwhose neurotic personality adds many hilarious complications to the proceedings.
In terms of structure, just about every episode of The world’s greatest heroes is a self-contained adventure. While some villains are obviously recurring (Doctor Doom appears in 9 out of 26 episodes!), episodes never truly form multi-episode arcs, with minor references to previous episodes being the extent of continuity management. It’s clear that the show’s narrative style is reminiscent of the ’60s era under Stan Lee and Jack Kirby, where most of the stories in the early issues of the Fantastic Four comic would be relatively self-contained with respect to this particular issue. This makes the show easily digestible for newcomers and casual watchers, as you don’t have to watch the episodes in the correct order to enjoy it. You are free to enter and exit as you please while working your way through it. This structure was also useful because the episodes were broadcast extremely out of service, although the correct production order was restored on home video releases.
It also makes it easy to recommend a handful of specific episodes if you’re just looking to test the waters. The first (in production order, anyway), “Doomsday”, is about as succinct an introduction to the basic Fantastic Four setup as you’re likely to get anywhere, providing a basis for the four main characters, the tone of the series, and their biggest villain, Doctor Doom…all in just about 20 minutes. If you’re interested in seeing the Fantastic Four interact with other characters from the wider Marvel Universe, you can watch “Hard Knocks,” which provides the aforementioned showdown between Hulk and The Thing, or “Shell Games,” which features an appearance from Iron Man, who must team up with the Fantastic Four when Doctor Doom hacks his armor. “The Cure” is a great examination of why The Thing’s desire to be “just Benjamin Grimm” is sympathetic but ultimately wrong again, and “Out of Time” has one of the most shocking moments in the series when a member of the Fantastic Four is erased from existence, forcing the remaining heroes to figure out what to do without them.
Unfortunately, like Spectacular Spider-Man, Wolverine and the X-Menand Avengers: Earth’s Mightiest Heroes, Fantastic Four: World’s Greatest Heroes was canceled before it had time to build its audience. There was never any mention of some of Fantastic Four’s most important characters and storylines, such as the Inhumans, Reed and Susan’s marriage and subsequent children, or the arrival of Silver Surfer and Galactus. It doesn’t represent all of what the Fantastic Four could be in an adaptation, but it’s still a gem in its own right for fans and new faces to enjoy.
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PHILADELPHIA (AP) — Tyrese Maxey has Sixers fans screaming “Maxey! Maxey! Maxey!” after every electrifying game – and he’s crammed in a season’s worth in the breakout game of his young career. He wowed whirlwind layups, connected on 3-point Curry-range and did whatever he wanted at all times dismantling the Raptors.
He even tossed the ball he autographed as the 76ers game star into the stands – where a fan made a two-handed catch.
Everything worked out for Maxey.
Maxey scored 21 of his postseason-high 38 points in the third quarter and he hit five 3-pointers to lead Philadelphia to a 131-111 win over Toronto in Game 1 on Saturday night.
“I think the only thing I’ll remember is that we won,” Maxey said.
Philly will remember much more.
James Harden had 22 points and 14 assists in his first Eastern Conference playoff game as a Sixer. NBA scoring champion Joel Embiid had 19 points and 15 rebounds. They combined to make just 11 of 32 shots from the ground.
Tobias Harris scored 26 points for the Sixers, trying to get past the second round for the first time since 2001.
They host Game 2 on Monday.
The opener belonged to Maxey. Maxey, 21, is the youngest Sixer to score at least 30 points in a playoff game.
“I’ve seen growth, man,” Harden said. “I’ve seen him go up and down and not really have consistent minutes last year in the playoffs to start and play a huge part in a championship contending team.”
Maxey was cool and confident in the third as he swept a late-period 32-footer for a 20-point lead that sent his teammates to the bench into a frenzy. The Raptors were stunned and had no answer for him: Maxey made 7 of 8 total shots, both 3s and all five free throws in 12 minutes.
“He just doesn’t play with anxiety,” coach Doc Rivers said. “There’s not much that bothers him.”
Pascal Siakam scored 24 points for the Raptors, who lost rookie Scottie Barnes to an ankle injury to compound what was already a miserable night. OG Anunoby scored 20 and Fred VanVleet added 18.
“Collectively, as a team, we just haven’t matched the intensity,” Siakam said.
The Sixers took control in the first 24 minutes and Maxey pressed the gas in the third against a team that won the season series 3-1 (with Embiid and Harden in the lineup for the final two).
Maxey, the 6-foot-2 bundle of energy in his second season out of Kentucky, led the fast start early with a pair of quick 3s and 10s that put the Sixers riding to a double-digit lead.
The Sixers are the team of Embiid and Harden, and as it goes, so are the Sixers. But Maxey gives the 76ers a Big 2 3/4 and was more than just a capable backup for traded Ben Simmons.
Maxey emerged as a reliable scoring option – 18.7 points and 48% on 3s after the All-Star break – and had been on target since the whistleblower against Toronto. He made 6 of 10 shots and his 15 first-half points were just about equaling his playoff record last season in Game 6 against Atlanta.
Oh yes. Atlanta. The Hawks series still had Philly on edge this week as the stench of three home losses and a second-round exit as the No. 1 seed floated into this season.
The Raptors moved closer to 11 in the third but Harden — the bold trade deadline acquisition made for those moments — buried a 3 and a layup.
Harden then threw a two-handed rebound pass from midfield which Maxey caught in stride for a high-flying reverse layup. The Sixers trailed by 18, Toronto called a time out and the Philadelphia crowd went wild.
The Sixers outshot the Raptors 29-10 on quick runs.
“He runs. You have to reward him,” Harden said of his top spin pass. “He was running so fast and we had the opportunity to capitalize on the transition.”
The Raptors didn’t seriously challenge until the end of the first half. Embiid was hit with a flagrant after hitting Barnes on a drive. Barnes made 1 of 2 free throws and the Raptors scored his miss to shoot at 48-42.
Embiid, however, made the Raptors pay moments later. He sneered over a bucket and forced VanVleet (who fouled in the fourth) to his third foul. Embiid converted the three-point play for a 57-42 lead.
Maxey took it from there.
“He’s been doing this all season,” Embiid said. “It’s just one game. We have to do it three more times.
Barnes grabbed his left foot and was apparently in pain after Embiid stepped on his foot in the fourth. He needed help with the locker room. Barnes, a top rookie of the year contender, has averaged 15.3 points in 74 games. … F Left Thaddeus Young with sprained left thumb. Coach Nick Nurse said x-rays of both players were negative.
Nurse, who led the Raptors to the 2019 NBA championship, thought five fouls against Embiid wasn’t enough.
“I don’t care if you’re 5-foot-11 and 160 pounds, if you beat him on the spot and he crushes you, that’s a foul,” Nurse said. “I thought he threw three or four elbows to the face. He got called for one. We’ll stay in there.
Raptors: Only had two offensive rebounds in the first half. … Chris Boucher also committed a fault.
76ers: Rapper Meek Mill and boxer Floyd Mayweather Jr. sat on the court. … Had no turnovers in the first half. Turned the ball over on the first possession of the second half. and only made three in total. … Matisse Thybulle scored three points in 19 minutes. He will not be available for Games 3 and 4 in Toronto as he is not fully vaccinated.
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Every major studio has movies that were box office disasters among their titles, only to find new life years later. Disney has its share. Pinocchio and Fancy both lost money before becoming timeless classics. Before being a 90s cult movie and a hit musical, News was a bomb. And it’s perhaps inevitable that the studio most associated with animation will hold the record for the most expensive traditional animated feature – and one of the biggest flops in movie history.
treasure planet earned just $37 million on its initial release against a budget of $140 million (plus millions more in marketing), a performance so poor it hurt Disney’s stock value. Yet even during its inauspicious theatrical run, the film garnered respectable reviews and a slew of award nominations. Home video spread the good word of treasure planetas it has for so many initially unsuccessful films, and it currently enjoys an enthusiastic cult following despite Disney’s determined lack of interest in making anything of it.
the treasure planet sect is the one I wish I could join. The idea of putting the classic swashbuckling adventure among the stars was a longtime passion project for the writers/directors Ron Clements and John Musker, and the passion is evident on screen. For the construction of the world, the film is a faultless one. The sci-fi element could so easily have resulted in a cold, high-tech environment that we’ve all seen a million times, but a 70/30 ratio for traditional animation versus CG animation s is reflected in the balance between treasure islandthe 18th century frame and all the futuristic tune-ups. Rarely has outer space seemed as rich, warm or ancient as here. Putting humans, cyborgs, and aliens side by side is more standard sci-fi fare, but Pirates are a delightfully sinister collection of intergalactic scoundrels. The music is magnificent, the staging of the RLS Legacy the travel and action sets are top-notch, and treasure planet is one of the best blends of 2D and 3D animation to date.
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And yet – it doesn’t work, as a film or as an adaptation of Robert Louis Stevensonis the novel. The change of scenery has nothing to do with it. What tweaks were needed to the plot to allow for the marriage of desert island romance and interstellar adventure are expertly made, and I’d say the title treasure is even more impressive when it’s done the spoils of a thousand worlds instead of around £700,000. It’s the changes unrelated to the setting that make the difference.
Martin runsDisney’s BEN-JAMIN is among Disney’s less successful efforts to cast a comedian as a sidekick. The dog-and-cat romance between Dr. Doppler and Captain Amelia always seemed too pat, there only to have a romance. Jim Hawkins’ transformation from a quiet boy who finds wit and courage on the journey to a surly teenager indulging in early 2000s teenage clichés goes against the very idea of adventure. of a young boy, and he was a writer of change Terry Rossio later judged to be the film’s fatal mistake.
But the biggest change for me, the one that costs treasure planet most is what he does to that legendary buccaneer Long John Silver. Transformed from a one-legged man to an alien cyborg, he is the film’s most colorful character, just as he is in the novel. Glen Keane yielded one of his many masterpieces in character animation with Silver, enhanced to remarkable effect by CGI cybernetics. Brian Murray gave his all in his vocal performance. His Silver is loud, charismatic and always the most important voice in the room. His size, vaguely urchin features, and avuncular personality make him easy to love.
With the exception of the robot bits, that’s all true for Silver in treasure island also. Jim, Squire Trelawney, and the reader are all won over by her charm (and, for the characters in the book, her good food). Jim in particular bonds with Silver, who acts as a strong mentor to him. That’s why the revelation that Silver is a pirate, leader of a plan to seize the treasure and murder the entire crew, is so profound. This is one of the main conflicts of the novel: the dichotomy between Silver’s genuine charm, intelligence, and charisma with the reality of who he is. And who he is, he’s a villain, the book villain.
Silver may have more sense and tact than his fellow pirates, he may keep a wife and well-managed financial assets, he may be easy to love and have a real soft spot for Jim Hawkins, but he’s a ruthless opportunist in life. soul and a very serious danger to Jim and the rest of the crew of the Hispaniola. Realizing the truth about Silver is essential to the majority of Jim in treasure islandand while he retains enough sympathy for the thief to wish him some material comfort in memory, he does not forget Silver’s wicked nature.
treasure planet removes almost all of that. Son Silver is still a pirate, still the leader of an intentional mutiny, but he’s been slowing down almost from the start. He cut such a lovable figure – and the rest of the pirates are so macabre in comparison, especially the original character Scroop who some of Silver’s worst deeds are outsourced to – that it’s hard to believe he could be their leader. It was a struggle for Stevenson’s Silver to keep the hackers in line, sure, but there was no doubt he had enough violence and grit to challenge them.
Worse is the change in Silver’s relationship with Hawkins. treasure planet Jim suffers from abandonment issues, and the friendship between him and Silver from the novel is transformed into a type of father-son bond in the film. Silver is packed with nautical-themed talk to inspire Jim to strive for greatness by showing him the ropes of sailing. It is Silver’s influence more than anything else that makes Jim a responsible man. Silver redeems himself when he gives up the treasure to save Jim’s life and even gives up the small loot he managed to collect for him.
This version of Jim and Silver’s relationship has its fans, and I won’t deny that it creates a very safe and warm heart in the film. But I’m afraid that’s what’s wrong. On the one hand, it’s so safe because it’s so predictable; from their first scene together, you can guess what all the major beats in Jim and Silver’s relationship will be and when they’ll happen in the movie. As endearing as their scenes together at the beginning and end of the film may be, the extent to which Silver influences Jim also detracts from the film’s notion of his teenage portrayal of Jim Hawkins learning to chart his own course. Silver’s lessons and his own personal assistance are such a necessary component of Jim’s actions that their period of estrangement in the middle of the story feels more like an odious detour of misunderstanding in their relationship than the consequence of a serious betrayal.
But the biggest problem is what this relationship costs treasure planet in the journey from book to film. The novel’s main source of menace and ambiguity became the film’s main source of sentimentality without any additional changes to remedy the loss of the old element. There is never any real sense of danger in treasure planet where Jim is concerned because he and Silver are so bonded. Past adaptations of treasure islandincluding waltz disneyThe 1950’s own production, featured a movie-exclusive moment where Silver threatened to kill Jim and was unable to do so – but this came at the end of the story, after Jim had withstood all the tests thrown at the betrayal and Silver’s deception, and he was not associated with a redemption arc that removes Jim’s ultimate ambivalence towards his mentor and enemy.
Adventures can be sentimental, of course. I like a lot of that kind. And treasure planet is not the first adaptation of a book to drastically alter themes and relationships. The question is whether the change is of comparable quality, and I’ve never been able to see that in treasure planet Money. Stevenson’s pirate dichotomy is one of Treasure Island most appealing to readers. It’s a bigger challenge, especially for kids, to deal with a character who can be so charming and yet so deadly, and it’s a bigger challenge to leave Jim with mixed feelings about Silver and of his adventure. treasure planet Silver is cuddly and comforting, but there’s no defiance, no ambiguity about him or the impact of the trip on Jim to pose to an audience.
This may or may not have had an impact on the film’s box office performance; you never know exactly what elements make or break an image. But it has an impact on treasure planet ability as a story to respond to the potential of its concept.
How ‘Atlantis: The Lost Empire’ Almost Changed Disney Forever
About the Author
William Fischer (85 articles published)
William Fischer is a writer, artist, and filmmaker from Nebraska, currently studying animation in Ireland while writing for Collider. His art and short stories have appeared in “Intergalactic Medicine Show”, “Bards and Sages Quarterly”, and “Another Realm” e-zine. Outside of the arts, William enjoys cooking, baking and fencing (Olympic saber and rapier).
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The Chris Idihero-produced animated film premiered on the streamer on Friday, April 15, more than a year after it hit theaters nationwide.
Confirming the news, the film’s social media handlers shared a message with the caption:
“The wait is finally over! Nigeria’s first feature-length animated film, Ladybuckit & the Motley Mopsters is now streaming on Netflix! This Easter, join a band of wonderful misfits on an extraordinary family adventure!
Starring Bimbo Akintola, Kalu Ikeagwu, Patrick Doyle, Francis Sule, Casey Edema, Oluchi Odii, Simi Hassan and Awazi Angbalaga, the film follows a precocious and self-centered little girl who finds herself in extremely unfamiliar territory.
There she meets a band of very unusual characters who change the course of her destiny.
“Ladybuckit and the Motley Mopsters” is written by Blessing Amidu, Stanlee Ohikuare, directed by Adebisi Adetayo and produced by Blessing Afidu and Nero Afiari.
CHARLOTTE, N.C. (AP) — Three primates suffered frostbite while enduring freezing conditions this year at an exotic animal farm operated by a North Carolina county commissioner who has been cited for multiple repeated by federal inspectors.
The latest citations, involving a black and white lemur, a de Brazza’s monkey and a capuchin, were issued in March by the US Department of Agriculture against Lake Norman Zootastic Park, The Charlotte Observer reported.
“The lemur’s hand was injured and remains contracted while the De Brazzas and the Capuchin lost the end of their tails,” according to a copy of the federal inspection report, obtained by animal welfare group PETA.
Scottie Brown, the Iredell County commissioner who owns the park outside Charlotte, did not respond to a telephone message from the newspaper on Thursday.
In another case, the inspector saw a young howler monkey “hugging a live electrical cord that was connected to a heating pad inside its enclosure”. It could have hurt or killed the monkey, the inspector wrote.
The USDA also cited Zootastic for treating animals without a veterinarian present, allowing visitors unsupervised access to some animals and failing to document its purchase or disposal of at least a dozen animals, according to inspection reports.
Federal officials ordered Zootastic to fix all issues by the end of March, but did not fine the park for the violations.
In August 2021, a USDA inspector found maggots had eaten the flesh of three wolves and exotic squirrels showing signs of “self-trauma,” according to the newspaper.
An exotic Prevost tricolor squirrel, native to Southeast Asia, had a superficial wound that Zootastic did not report to its attending veterinarian, the inspector noted in his report.
The squirrel recently had its tail amputated at a veterinary hospital “due to apparent ongoing self-trauma,” the inspector wrote. Another Prevost squirrel had had its tail amputated for the same reason, the inspector wrote.
As of summer 2021, the USDA had inspected Zootastic 27 times since 2014, agency records reviewed by the Observer show. Inspectors cited the zoo for various animal welfare violations during 14 of the visits, according to the documents.
In 2016, the USDA fined the zoo $7,450 for nine infractions, including a poorly constructed enclosure that let a kinkajou escape. A zoo cub killed the rainforest mammal, inspection records show.
Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
ALBUQUERQUE — Opened in June 2017, Red Planet Books and Comics is the only Native American comic book store in the world and one of six Native-owned bookstores in the United States. Our mission has always been to select and recommend the most dynamic and authentic native-centric books, graphic novels, comics, games and toys to a wide audience. We recognize that representation matters and that there’s always room for more stories, especially Indigenous ones, so here’s a list of eight great reads for those who want to dabble in some of the best literary work the world has to offer. has to offer.
ATo scream edited by Elizabeth LaPensée (Native Realities Press, 2022)
Featuring the work of over 30 Indigenous and Indigenous artists, writers and illustrators, A scream brings together more than a dozen stories of native wolves, werewolves, and rougarous. Edited by Elizabeth LaPensée and published by Indigenerd! Entertainment, this anthology received overwhelming support during its Kickstarter launch and will be available for distribution in May 2022.
A classic of Indigenous children’s literature, this incredible tale by Acoma Pueblo poet and scholar Simon Ortiz is an incisive and dynamic account of the history of the Indigenous peoples of North America. Illustrated by Aboriginal artist Sharol Graves, this book is a must-have for all libraries and children’s libraries.
With nearly 10 original works and numerous awards, Indigenous children’s author Traci Sorell has been a leader and inspiration in Indigenous children’s literature. We are always here is a brilliant work that addresses historical and contemporary Indigenous issues through the eyes of Indigenous youth. Frane Lesac’s vibrant illustrations and powerful writing help Indigenous and non-Indigenous students understand the complexities of Indigenous history, community, resilience, and healing.
Bryant Young left the acting world and got into writing for young adults and, boy, did it turn out to be a great path for him. His debut novel, winner of the AILA Middle Grades Reader Award, tells the story of an ordinary Navajo boy who must cure a water monster and thus learns that he may be more than ordinary, he may not be than a hero. Young’s novel is one of the original publications of Heartdrum Press, the Native American imprint of HarperCollins, and hints at a bright future for Young and his next works.
What happens when a Lipan girl from this world meets a Cottonmouth child from the monster world? That’s what Newbery Honoree Darcie Little Badger explores in her new book. Little Badger has long been at the forefront of writing Indigenous futurisms for young adults and this book, again, does not disappoint. If you want a story of monsters, magic, and family centered around Native Texas, this is the book for you.
Memorial walkby Stephen Graham Jones (University of New Mexico Press, 2021)
From master horror writer Stephen Graham Jones, Memorial walk is a motorbike graphic novel that tells the story of Cooper Town who only gets three days off from the military to take care of his late father’s business. Illustrated by Marvel cover artist Maria Wolf, the graphic is an adrenaline rush from start to finish.
Looking for some good old fashioned native black? Look no further than David Heska’s award-winning debut novel Wanbli Weiden. Set in and around the Rosebud Sioux reservation, the action follows Virgil Wounded Horse as he seeks justice in a world where it doesn’t often happen for native people. Weiden’s book has won every award…seriously, it’s been listed for over 20 awards and for good reason. It’s a tour de force of detective fiction and one of the best reads of this decade.
star hunt by Cherie Dimaline (Harry N. Abrams, 2021)
Cherie Dimaline is back with a sequel to the story she started in marrow thieves. An AILA Young Adult 2022 Honor Book, star hunt take where marrow thieves left with a new cast of characters and a desperate new adventure that will take readers on a dystopian journey.
Video games offer a truly remarkable escape from reality, guiding players through beautiful worlds to explore and get lost in. Another medium that does this well is cartoons, especially Saturday morning cartoons. These weekend cartoons have covered many different genres, styles, and stories. There is an important connection between many video games and anime, namely the visuals. Many games, both AAA and indie, often feel like a Saturday morning cartoon.
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Colorful characters, vibrant worlds, lighthearted storylines and a playful tone, Saturday morning cartoons, while diverse, generally do a great job of exciting their respective fans week in and week out. The following video games would be perfect for a Saturday morning cartoon, mainly thanks to their lively and dynamic visuals and graphics.
Super Mario Odyssey
Super Mario Odyssey is easily one of the best 3D platformers out there, and not just as a mario Title. While everything mario the title could easily be turned into a Saturday morning cartoon, it’s Super Mario Odyssey this would really take the cake as it fleshed out a massive world full of unique and quirky locations.
Mario’s incredibly familiar trope of needing to save Princess Peach from Bowser is still alive and kicking Odyssey, these are the universes and characters that could make it a great Saturday morning cartoon. Imagine each episode taking place in a new world with New Donk City or Cap Kingdom taking center stage. Plus, Cappy is just a downright adorable character.
For all who have seen adventure buddies In action, it’s clear this game is crying out to be turned into a Saturday morning cartoon. For strangers, adventure buddies features a brave young boy who, along with his pet (Mr. Rock) and crazy, tongue-twisting giraffe (Sparkles), must rescue his father from the clutches of the evil Mr. B.
If this setup alone doesn’t appeal to anime fans, it’s hard to know what will. Adding to the craziness is that Mr. B wants to turn old people into hot dogs, for reasons. This thoroughly enjoyable platformer is both charming and action-packed and would make a great cartoon to enjoy on a Saturday morning with a bowl of sugary cereal.
Legends of Rayman
Legends of Rayman is a super-refined platformer that focuses on speed, precision, and tracking musical beats. Featuring Rayman, Globox, the Teensies and a host of other wacky characters, Legends of Rayman sees the player explore a magical fantasy land filled with devious traps and tricky stages.
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It’s pretty easy to see Legends of Rayman to be turned into a Saturday morning cartoon, and not just because of the gorgeous art style. The characters and worlds in this game are filled with detail and charm. More, Legends of Rayman is all about friendship and adventure, something many cartoons feature in spades.
poi is an underrated and much overlooked 3D platformer that plays much like Super Mario 64. This polished indie game deserves a lot more love than it gets, mostly thanks to its two spunky young protagonists, its fun and responsive platformer, and its stellar music that still manages to get players ready for adventure.
poi sees the player help an aging adventurer complete his mission through a colorful Milky Way galaxy. The sense of playfulness and brevity here is impeccable and could easily translate into a short weekend cartoon.
child of light
Another game on this list that features the beautiful hand painted Ubisoft art that is featured in Legends of Raymanamong other things, is Child of Light. Child of Light is a dark and moving adventure RPG starring Aurora, a late 19th century Austrian princess who must travel through the harrowing dream world of Lemuria to rescue her father, the King, from the Queen of the Night.
Child of Light is unique in that it unfolds like a Metroidvania mixed with nuanced turn-based battles. This fantasy game can lean into the emotional side of a narrative, however, its art, memorable characters, and enchanting world could easily make for a great Saturday morning cartoon.
Kirby’s Epic Yarn
Kirby’s Epic Yarn doesn’t seem to be getting the attention it so badly deserves, especially given the nature of its thread and craft-like visual and gameplay elements. This game asks Kirby to explore stunning locations that are all made up of threads, buttons, seams, and many other handcrafted macguffins.
RELATED: Awesome Cartoons From The 2000s That Were Forgotten In Time
This is a pure and simple Kirby end-to-end game with a lighthearted story filled with friendship, kindness, and adventure. The whole thread-like element alone could make for a cartoon that stands out from many others, mainly because it’s an aesthetically pleasing change from traditional cartoons.
For a slightly darker Halloween-themed cartoon, à la Tim Burton, Pumpkin might do the trick. The holder Pumpkin is charged by the devil to stop a powerful wizard. This twisted and often chilling tale eschews traditional good versus evil cartoon prompts in that Pumpkin actually fights on the side of evil.
Despite a somewhat darker and darker premise and setup, this 3D action platformer offers plenty of moments of brevity, humor, and Halloween shenanigans that wouldn’t feel out of place in something like The Nightmare Before Christmas. Perhaps, Pumpkin could be turned into a seasonal Halloween cartoon.
Yoku Island Express
For fans of colorful Metroidvanias, look no further than Yoku Island Express. This charming island-themed Metroidvania stars Yoku, a lowly dung beetle who finds himself inundated on a tropical island paradise with his mission pretty clear; to deliver mail to local residents.
Okay, yes, this premise is very silly, but it makes for a very unique narrative premise that ensures players are always guided through the island in an enjoyable way. The twist this game gives players is that it plays out like a pinball game. Yoku can roll his ball in typical fashion, however, it’s the times when the game switches to a pinball zone that really sets him above similar Metroidvanias. Its light and engaging world and characters could make for a great weekend cartoon.
MORE: Awesome ’90s Cartoons That Were Forgotten in Time
The Most Iconic Anime Tomboys, Ranked
About the Author
Geoffrey Martin (15 articles published)
Geoffrey is a games list editor for Game Rant and TheGamer where he writes about all aspects of the gaming industry with a specialty in indie games, lesser-known platforms and gaming experiences. Geoffrey brings a fun, positive and lighthearted writing style! Geoffrey is also the creator of The Indie Gaming Guild, an indie gaming YouTube channel which you can check out here: https://www.youtube.com/c/TheIndieGamingGuild
Alternative and surreal comedy has flourished in recent years due to the opportunities presented by a changing media paradigm. While its narrative-driven incarnation has only just found a proper niche over the past decade, it first entered the mainstream in the 1990s with comedy sketch series such as Mr. Show and soon risen The children in the room. However, it’s MTV’s almost forgotten foray into form, the state, thatinadvertently paved the way for a transition to the now familiar situation comedy format. Following the conclusion of The states three seasons in 1995, founding troupe members Michael Ian Black, Michael Showalter and David Wain began performing as the perpetually clad trio “Stella” in 1997. With a set that included live material and pre-recorded segments , Stella continued even as her members’ career blossomed. After a 2004 episode of Comedy Central Presents presented their number, a pilot for Stella the series was commissioned by the network and a 10-episode season launched in the summer of 2005.
A mix of esotericism, non-sequences, and the occasional fourth wall peek (and wave) on camera, Black, Showalter, and Wain played exaggerated versions of themselves. The back of the series DVD collection notably cites a Hollywood journalist description of the three as “The Marx Brothers on acid”. Intended to be more mainstream and accessible than their previous (and less graphic) comedy, it was ultimately for nothing because Stella was not renewed for a second season, a combination of high budget and low ratings. Nonetheless, Stella opened the door to live-action absurdism to enter the stilted sitcom format, a direction that spread to many other series in the years to come.
RELATED: The Shrink Next Door: Ferrell and Rudd lead a heartbreaking and funny series
by Stella the episodes featured concise and descriptive titles (“Camping”, “Vegetables”, and “Roman”, to name a few) and are mostly what they seem, minus a few odd turns along the way. road. In the episode “Paper Boys”, Michael, Michael, and David have become paperboys. That is, after accidentally hitting and hospitalizing a child with his car. In “Meeting Girls”, they go to a New York bar to meet women. Once the Michaels find partners, a picnic the next day leads to the whole group living in the trio’s apartment the next day, with Black taking on the role of father to his girlfriend (future hunger games star Elizabeth Banks) the children and Showalter are thrust into a dysfunctional and abusive “Lifetime” style relationship. When they try to make amends with David, he – and the apartment – have been completely renovated with two new roommates already moved in. And of course, the episode ends with a last-minute rush to an airport to stop David from boarding. a plane to Italy.
Banks, who co-starred with the trio in Wain’s feature directorial debut Hot and humid American summer, was just one of many notable guest stars set to star in the Stella Sandbox. Others included a colleague Wet Hot co-stars Paul Rudd and Janeane Garofalo, Sam Rockwell, Alan Ruck (later to collaborate with Showalter on stall)Edward Norton and Josh Charles, as well as former State his castmates Joe Lo Truglio and Ken Marino. Rudd and Lo Truglio appeared as the cruel coworkers of Amy, a neighbor of the trio, who humiliate Michael, Michael, and David at Amy’s office party (in an episode aptly titled “Office Party”). A redemption solution presents itself when they decide to sneak into the company picnic and beat Rudd and Lo Truglio in the competitions. To avoid recognition, they acquire fake mustaches from sleazy Rockwell mustache dealer Gary Meadows, whose supply is kept in a hidden compartment of his house (with many faint fake mustaches bearing strangers spotted everywhere) .
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Stella aired at a defining moment for Comedy Central. Long-lasting series South Park and The Daily Show with Jon Stewart had become critical and ratings darlings, known for their razor-sharp social and political commentary. Modest successes like Renew 911! (created by and featuring many The state co-stars) supported programming bolstered by Dave Chappelle’s groundbreaking comedy series Chappelle show. Unfortunately, just like the third season of Chappelle show should start like by Stella Frontman, star and creator Dave Chappelle found himself in need of a break from the network. The added pressure on Comedy Central and Stella, coupled with a higher price per episode and a less accessible comedic bent than other series airing at that time (such as the first Spirit of Mencia), means that by Stella the dice were cast after the season finale in August 2005. Despite the official announcement of the cancellation, when the series was released on DVD in the fall of 2006, it still bore the “Stella: Season 1.“This DVD remains the most reliable way to view the series, which has only rarely been available for streaming in the years since.
While by Stella brand on television was minor, the impact it left in its wake, intentional or not, is massive. It paved the way for similar series such as Flight of the Conchords,The Sarah Silverman Program, Workaholic and Big city — not to mention a myriad of FX and Adult Swim series, including Wain’s own co-creation children’s hospital – to create similar bizarre worldscapes glimpsed from the perspective of altered, surreal versions of their creators. With the Stella the trio’s subsequent output, including such disparate works as an upcoming feature film Bob’s Burgers, another period, or the Oscar-winning film directed by Showalter Tammy Faye’s eyestheir little-seen show is a work worth reappraising and seeking for fans of the alternative comedy live-action cartoon and Stella themselves.
The Director of The Dropout Explains the Drama’s Absurdity and Collateral Damage
About the Author
George Morrow (35 articles published)
George Morrow currently lives in southern Ontario, Canada, and studied creative writing in British Columbia. He has contributed writing and column to several publications, wrote and illustrated his own 250-page graphic novel “TDSA: The Teenaged Defending Squad of America” (available now from major digital retailers), and had a suggestion to have it printed in the “Captain America: America’s Avenger” Marvel Handbook. He’s read way too many comics and watched way too many movies and TV shows.
The University of Edinboro’s award-winning animation program once again ranks among the best in the United States, having received two major national rankings and being named one of the best in Pennsylvania.
Animation Career Review, which publishes regional and national rankings of animation and game design schools, ranked the University of Edinboro #5 in the list of Top 5 Animation School Programs in Pennsylvania in 2022 and the #14 program in the Top 25 Animation Schools & Colleges on the East Coast.
“Our continued ranking is a testament to the talent of our students and the dedication and mentorship of our professors,” said Suzanne Proulx, Associate Professor and Chair of Edinboro’s Art Department. “It should be noted that similarly ranked programs are found at top art schools and private universities. Our animation teachers are active practitioners who work for Sesame Street, Disney and Nickelodeon, projecting their independent animations and winning international awards.
Students in Edinboro’s Bachelor of Fine Arts in Applied Media Arts program can focus on traditional animation, computer animation, or film and video. Graduates of the program have landed careers at Disney Animation, Pixar, and Discovery Channel as animators, filmmakers, directors, and producers. Alumni names can be spotted in the credits of films such as “Zootopia”, “Frozen” and “Star Wars: The Clone Wars”.
Animation students at Edinboro have access to the latest tools in the field of animation, including professional studio/field cameras and video cameras, lights and sound recording equipment, video editing systems not linear, large green screen area and 2-D and 3-D computer animation workstations.
In 2021, Leah DeJohn, Abigail Frisch, Beau Henry, Tyler Kratz and Luke Shay, known as The Miraculous 112 – who created “The New Normal” for the national competition 24 HOURS Animation – completed their submission in one time 12-hour record, which was #1 in the United States. The team placed fourth overall out of 208 teams that participated in the 19th year of the competition.
At Edinboro, faculty, staff, and students promote a 100-year history of teaching visual arts and arts education. Additionally, the art department is accredited by the National Association of Schools of Art and Design (NASAD), which sets national standards for excellence in the field.
Students have access to everything they need to pursue a rewarding career in animation. Start with basic concepts like the 12 Principles of Animation and progress to advanced production concepts that will allow you to produce and direct your own animated shorts.
Animation Career Review analyzed 199 colleges and universities for the 2022 rankings, using criteria such as academic reputation, admissions selectivity, employment data, depth and breadth of program faculty, value when it comes to tuition and debt and graduation rate.
To learn more about Edinboro’s Applied Media Arts major and the full range of art programs, visit art.edinboro.edu.
Photo: Leah DeJohn, Abigail Frisch, Beau Henry, Tyler Kratz and Luke Shay, known as The Miraculous 112, finished in the top five worldwide in the 24 HOUR National Competitive Animation Competition in October 2021.
NEW YORK (AP) — Tiger Woods may not have won the Masters golf tournament, but his emotional return from injury was certainly a winner for the television networks that followed him.
CBS’ final round coverage of the venerable tournament on Sunday averaged 10.17 million viewers, the highest of any golf show since the corresponding day in 2019 – the last time Woods won the coveted green jacket. , the Nielsen company said.
ESPN’s coverage of the first two rounds of the Masters averaged 3.3 million viewers, the most for its Masters coverage since 2018, the network said.
ESPN’s viewership peaked at 4.6 million just as Woods finished his second round on Saturday, Nielsen said.
CBS topped the broadcast networks last week in prime time, averaging 4.2 million viewers. ABC had 3.6 million, NBC had 3 million, Fox had 1.7 million, Univision had 1.4 million, Ion Television had 1 million, and Telemundo had 860,000.
Fox News Channel led the cable networks, averaging 2.32 million viewers. TBS had 1.52 million, TNT had 1.2 million, HGTV had 1.17 million, and ESPN had 1.13 million.
ABC’s “World News Tonight” won the evening news ratings race, averaging 7.9 million for the week. NBC’s “Nightly News” had 6.7 million and the “CBS Evening News” had 4.8 million.
For the week of April 4-10, the top 20 primetime shows, their networks and audiences:
1. NCAA Men’s Basketball Championship: North Carolina vs. Kansas, TBS, 9.54 million.
2. “60 minutes”, CBS, 9.27 million.
3. “Chicago Fire”, NBC, 7.4 million.
4. “The Equalizer”, CBS, 6.68 million.
5. “Chicago Med,” NBC, 6.61 million.
6. “Blue Bloods”, CBS, 5.93 million.
7. “Chicago PD”, NBC, 5.71 million.
8. “American Idol” (Monday), ABC, 5.6 million.
9. “Survivor,” CBS, 5.583 million.
10. NCAA Men’s Basketball Championship: North Carolina vs. Kansas, Turner, 5.578 million.
11. “American Idol” (Sunday), ABC, 5.47 million.
12. “Magnum PI”, CBS, 5.31 million.
13. “NCIS: Los Angeles,” CBS, 5.26 million.
14. “FBI”, CBS, 4.81 million.
15. “America’s Funniest Home Videos,” ABC, 4.76 million.
16. “This Is Us,” NBC, 4.74 million.
17. “Station 19”, ABC, 4.52 million.
18. “Law & Order: SVU,” NBC, 4.33 million.
19. “Grey’s Anatomy”, ABC, 4.21 million.
20. “Young Sheldon,” CBS, 4.07 million.
Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Michael Bay–three syllables that have become synonymous with action, style and Transformers. As a director, he’s been steadily churning out stunning footage every year or two since the mid-’90s. He’s also a prodigious producer responsible for original and rebooted horror movies, including The Texas Chainsaw Massacre, Friday 13 (2009), as well as The purgeand A silent place franchisees. Bay’s filmography is full of lens flare, explosions, and American idealism. Whether it’s his films from the 90s or his contemporary creations, they are filled with humor, hope and many weapons. His new movie, Ambulanceis no exception. Ambulance is based on a Danish image of the same name. The official description describes Ambulance as,
In one day through the streets of Los Angeles, three lives will change forever. In this fast-paced thriller from director-producer Michael Bay, decorated veteran Will Sharp, desperate for money to cover his wife’s medical bills, seeks help from the one person he knows he shouldn’t—his adoptive brother Danny. A charismatic career criminal, Danny instead offers him a score: the biggest bank robbery in the history of Los Angeles: 32 million dollars. With his wife’s survival at stake, Will can’t say no. But when their getaway goes awry, the desperate brothers hijack an ambulance with an injured cop clinging to life and EMT ace Cam Thompson on board. In a never-ending high-speed chase, Will and Danny must evade a massive city-wide law enforcement response, keep their hostages alive, and somehow try to… another of not killing each other, while performing the craziest escape LA has ever seen. .
With Bay’s penchant for funding remakes, it’s no surprise that he stepped in and made one himself. The overly long trailer offers arguably too much insight into the picture, but it shows a flashy and dramatic chase movie starring two hot actors as the main rogues. Collider’s review called the American remake one of the best Michael Bay films in years. For who’s playing who in the latest Bay, check out our cast and character breakdown below.
Related:Michael Bay, Gareth Evans & Patrick Hughes Are Remaking ‘The Raid’ For Netflix
Danny Sharp (Jake Gyllenhaal)
Jake Gyllenhaal leads the picture as Danny Sharp. Danny is the spark that ignites the flame. He lures his desperate brother into his bank robbery scheme with promises of over $30 million. Gyllenhaal embodies this opportunistic criminal with an electricity and humanity that makes him as exciting as he is likeable. In a conversation fora profile with SquireGyllenhaal co-star Yahya Abdul-Mateen II said Gyllenhaal made the setting his playground.
“There were times when he took Mike’s camera [Bay] then you look around and Jake shoots the scene,” he said. “I had never seen anything like this before. I’m curious about these things, but I would never ask the director if I could shoot a scene.
Curiously, this is the second consecutive Danish remake in which Gyllenhaal stars. He led the Antoine Fouqua (training day) American remake of The guilty, which was released on Netflix last year. With double-digit acting projects lined up, expect to see more of Jake’s face in the next two years. The next step for Gyllenhaal is the action thriller The interpreter from Guy Ritchie. In fact, Gyllenhaal seems to be in his action star phase lately, having signed on to star in the Sam Hargrave-comic book movie made Prophet in addition to playing in the long gestation Relay redo Doug Liman assume the role created by patrick swayze in 1989.
Will Sharp (Yahya Abdul-Mateen II)
Yahya Abdul-Mateen II, Will Sharp, is Gyllenhaal’s brother. Will is the right hand of the crew. He is a man driven to desperation by excessive medical debt thanks to the privatized health care system of the United States. When his wife’s surgery comes with a $230,000 bill, he heads to his brother Danny for cash. Will accepts his brother’s offer to help with an armed robbery that has a 50% chance of success – if the statistical information at the opening of Against all odds is precise. Yahya has had a hell of a ride over the past four years. After appearing in Aquaman, We, black mirrorand The servant‘vitiatedhe played the role of Dr. Manhattan in HBO’s watchmen series. Just last year he led Nia Da Costait is candy man and played in The Matrix Resurrections bring your own visionthe emblematic role of Morpheus. Fans can expect to see Yahya Abdul-Mateen II reprise his role as the villainous Black Manta in Aquaman and the Lost Kingdom when it hits theaters in March 2023.
Cam Thompson (Eiza González)
Eiza Gonzalez shares the ambulance with Jake Gyllenhaal and Yahya Abdul-Mateen II as EMTs whom the brothers take hostage when they rip off the vehicle. González may not be famous yet, but she’s worked with some of the industry’s most exciting directors, including Edgar Wright (baby driver), Robert Rodriguez (Alita: battle angel), Adam Wingard (Godzilla vs. Kong), and David Leitch (Fast & Furious Gifts: Hobbes & Shaw). She plays Cam Thompson, a paramedic who is having a bad day when she is taken hostage. It was announced that González had been chosen for Extrapolations an Apple TV+ series on climate change plus a roster of killer talent, including Gemma Chan (Eternals), Marion Cotillard (Anette), Kit Harington (The iron Throne), Tobey Maguire (Spider–Male), David Schwimmer (Friends), Meryl Streep (put on‘t Search), and Whitaker Forest (Black Panther). She will also direct the big-budget Netflix series The three-body problem from The iron Throne showrunners David Benioff and DB Weiss.
Captain Monroe (Garrett Dillahunt)
Garrett Dillahunt plays Monroe; the captain of the LAPD’s Special Investigations Section who is on the trail of the two bank robber brothers. Dillahunt is a fantastic talent that has arisen through a few Steve McQueen pictures (12 years of slavery), looper, There is no country for old peopleand many more shows and movies.
Anson Clark (Keir O’Donnell)
Keir O’Donnell plays the FBI agent assigned to investigate the Sharp brothers and their crew. O’Donnell is a versatile dramatic and comedic actor featured in This‘s Always Sunny in Philadelphia,Legion, drunk storyand wedding crashes.
Related: “Ambulance’s Jake Gyllenhaal, Eiza González & Yahya Abdul-Mateen II on Michael Bay’s Shooting Style, Drone Shots & THAT Surgery Scene
To know more Ambulance, check out this featurette detailing how they pulled off the wild cinematography for the picture. Speaking of capturing some of the drone footage in the film, the drone operator said:
“When I fly the drone, I act like Superman, in a way. I try to get these really unique angles and shots. I fly what’s called an FPV drone, and FPV stands for view We’re wearing a set of goggles over our face, and when I’m flying the drone, I’m actually flying it with a VR headset on. I can see exactly what the drone is seeing in real time. It’s a whole new arena to fly, and it allows us to fly over some really crazy places and get some really awesome shots that you can’t get with any other camera or drone.
Check out How to Watch Ambulance to find out if it’s streaming alongside its theatrical release. Ambulance hit theaters on April 8, 2022.
‘Sonic the Hedgehog 2’ cast and character guide: who’s who in the upcoming Speedster video game release?
About the Author
Drake Lupton (37 articles published)
Drake Lupton is new to the Collider team. He’s a feature writer who loves movies, games, music, comics, sports, and esports. He’s had the privilege of writing about gaming and esports for separate publications, but he’s excited to contribute to the conversations surrounding film and TV happening at Collider. He encourages anyone looking for something to watch to follow his Twitter account for a near-constant chronicle of recently visited cinema.
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The effect on the realm of entertainment that resulted from the Covid-19 outbreak is documented. The epidemic ended the production of television and film and also the closing of cinemas has affected the way that people take in films. Although Los Angeles has officially opened for film production, as well as cinemas slowly permitting filmgoers to come back the actual situation is quite different.
Studios owners were reluctant to resume production for television due to the fear of legal liability but film production has remained unaffected because of travel restrictions, making it prohibitively expensive or even impossible to film films on the move. After a long time span of 6 months Matt Reeves’ Batman resumed production at Warner Bros. Studios in London. After only three days of work Batman’s main character, Robert Pattinson tested positive for coronavirus. The production was later shut down.
Virtual Production As A Solution
In the past three months, each major studio has reviewed its production schedules. One thing that has emerged is that the use of virtual production could be the solution to the issues facing Studios. Virtual production refers to the use of characters or sets that are virtual in television and film. It is available in a variety of types and was first created to accompany James Cameron’s Avatar in 2009 and was later applied for The Mandalorian.
Avatar is a great example of how HTML0 has contributed to pushing digital production even further. A decade or even a few months later, this is all the rage.
Projecting these digital sets onto the walls of the soundstage equipped with LEDs inside Los Angeles means that Jon Favreau who is the creator of the movie The Mandalorian, can transport his cast members into the deserts of Tatooine and then to the restaurant in the forest of the planet Sorgan within minutes. The advantages are evident and there is the absence of travel and complete control over the place of the film. Filmmakers are adept at working faster as well as being more flexible. They can be able to follow the rules for COVI-19.
Live-action is a live-action that doesn’t provide any financial benefit from making use of technology. It’s simply a matter of efficiency of creativity as well as conformity as well as logistical benefits. In an animation context, this is exactly the case.
Virtual Production In Animation
A skilled animator working for an animation studio with the highest quality (such as Pixar, Dreamworks, or Disney Animation) is able to create two minutes of films each week. The fact that the process requires a lot of labor is the main reason behind the cost of these films which can be as high as $200 million or more.
The majority of work that is done isn’t particularly imaginative. It’s animating the motions of characters in the space and ensuring it’s in touch with the surroundings. A simple gesture such as a person hitting a button might need an expert animator to work for the entire week to complete.
A key aspect of productions using virtual films is the way it interacts with motion capture techniques that are used in every major action film. When actors perform performing in a costume that is covered in dots and their movements are recorded and converted into a format that is suitable for creators to use to create images. A combination of technology for motion capture as well as virtual production allowed the Navi to walk throughout the universe of Avatar Pandora and also allowed The Hulk and Thanos to move around in The Avengers films. Avengers movies.
Digital production lets filmmakers visualize their characters as well as their surroundings in real-time as they collaborate with the actor on their stage.
The same technology can be used to generate motion for animated characters. As opposed to animators sweating at their computers and creating Violet of The Incredibles running across the space, a stuntman wearing the same outfit that records motion may be able to walk through the space. After the motion has been recorded, it can be turned into an animated figure, and then the character could be used in Animation. Through this method, an animator can create over 20 hours of video per week, as opposed to 2 seconds worth of films each week. This means that the cost of high-quality animation will fall drastically in the coming years.
Toy Story 4 (2019) was estimated to cost 200 million dollars for the production. The humanoid-like characters in the film make it ideal for an animated film that is virtual, which may reduce the budget for production.
According to PaydayNow, there are a variety of options that could be employed to raise funds to fund the Animation project, such as but not limited to grants and tax incentives, pre-sales and private investors, gap financing crowdfunding, placement of products, and fiscal sponsorship. The tricky part is deciding the one that is most suitable for your needs.
Mark Andrews, the Academy Award-winning director of Brave The Brave director Mark Andrews said that “Animation is locked in the 2D method which was the norm back in the day. The pipeline is separated, which makes the need to transition between 2D into 3D difficult from the start. With no context or context back and forth repetition, you’re creating the same film or series two times. The technology is now in place that lets storytellers bypass 2D completely and move straight into 3D which could save enormous amounts of money and time. But, nobody has yet tried it! “
In the context of this new reality along with the many animators who are on their payroll Animation studios are forced to decide between reducing their staff by approximately 80 percent, and still producing 2-3 films annually or keeping the workforce and boosting the production rate by five times.
Studios should make the second option. The demand for animation is unstoppable. Animation is among the most profitable the market films, and those made with animation could fetch millions to studios. If you see costumes for Halloween such as Elsa or Minion make sure you know that these characters are the result of animation. In addition, the fierce competition between streaming companies has dramatically increased the appeal of animated films, and it is becoming difficult to keep up with.
Instead of releasing the same number of films every period of time, Pixar along with its present personnel could create one or two movies that can be screened in theaters, three or two additional films that could be adapted for Disney+, and one or two seasons of television programming that can be adapted to Disney+. Additionally, the lower cost of production may lead to more risk-taking by studios. A $200 million movie needs to catch the attention of the public to be able to compete in the cinema. If you can imagine a 30 million-dollar animated movie? The possibilities are endless. Beyond Infinity and Beyond.
Pittsburgh Penguins star Evgeni Malkin has been suspended four games for cross-checking Nashville’s Mark Borowiecki in the face.
The NHL’s Department of Player Safety announced the suspension Monday after holding a hearing with Malkin about the game. In a video explaining the suspension, the league called Malkin’s cross-check “retaliatory and aggressive.” .
Malkin initially only received a four-minute double-minor penalty after hitting Borowiecki in the mouth with his stick late in the second period on Sunday.
“It’s an emotional game,” coach Mike Sullivan told reporters after the game. “It’s physical, and sometimes that kind of thing happens. It was a physical game, especially in front of the net in the areas where that happened.
“Obviously we don’t want our best players in the penalty box, but these guys are competitive guys and they push back. We would prefer them to be on ice. They give us a better chance when they’re on the ice, that’s for sure. But one of the things we love about Geno is how competitive he is, and so when you get an emotional game like the one we had today, those things happen.
This is Malkin’s second suspension after a one-game high-batting ban in 2019. It cost him $190,000 in salary.
He is eligible to return on April 23 against Detroit.
The Penguins beat the Predators in overtime to snap a four-game skid. They have lost seven of their last 10 games and are in danger of losing third place in the Metropolitan Division and finding themselves in an Eastern Conference wild card spot.
Malkin missed the first 34 games of the season due to knee surgery. Since making his season debut on January 11, the 35-year-old Russian center has scored one point per game with 17 goals and 20 assists in 37 games.
More AP NHL: https://apnews.com/hub/NHL and https://twitter.com/AP_Sports
Copyright 2022 The Associated press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Global 3D Engineering Animation Market: By Technique (3D Modeling, Motion Graphics, 3D Rendering, Visual Effects), By Component (Hardware, Software, Services), By Deployment (On Premise, On Demand), End Use (Media & Entertainment, Architecture & Construction, Education & Academics, Manufacturing, Healthcare & Life Sciences, Government & Defense, Others) and By Region – Global Industry Sizing, Growth, Trend, Opportunities and Forecast (2021-2027 )
The 3D Engineering Animation Market report covers an in-depth analysis of market dynamics, business models, segmental/regional analysis, and respective market shares and strategies adopted by key market players operating in the world. It involves in-depth analysis of factors influencing the global market and market statistics indicating market share/growth analysis by region and segment. The report study will present one of the most comprehensive market analyses, capturing all aspects of the 3D Engineering Animation market.
Get Full Sample PDF Copy of Report: https://www.marketstatsville.com/request-sample/3d-engineering-animation-market
3D Engineering Animation Industry Outlook
The global 3D Animation market size was valued at USD XX Billion in 2020 and is projected to register a growth of 11.70% CAGR from 2020 to 2027. The expansion of the media and entertainment industry and the growing use of media are key adopters contributing to the growth of the 3D animation market. The growing trend in 2D and 3D animation is to implement 2D overlays with motion. A big budget is there for commercial videos and small-scale digital ads, offering promising growth opportunities in the market.
Factors affecting the 3D Engineering Animation industry over the forecast period
The entertainment industry makes heavy use of VFX (visual effects) to create visually enhanced images using animations and computer graphics. 3D animation software plays a vital role as it helps to bring out real effects where it is used.
In the 3D technical animation market, the skill level is low.
These are opportunities for the advent of stereoscopic 3D games using 3D animation technology and the emerging use of 4D and 5D technologies to drive the animation market.
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Impact of COVID-19 on the 3D Engineering Animation Market:
The outbreak of the COVID-19 pandemic has significantly affected the global 3D engineering animation market. Due to pandemics, there is a decrease in the growth of high cost advanced technologies due to disruption of supply chain and business investment. In the COVID-19 situation, Nickelodeon had announced the launch of the KidsTogether initiative, Cartoon Network, to create public service announcements to help with pandemic education.
The report outlines the global 3D Engineering Animation market research based on technique, component, deployment, and end use.
On the basis of technique, the 3D engineering animation market has been segmented into –
On the basis of component, the 3D technical animation market has been segmented into:
On the basis of deployment, the 3D engineering animation market has been segmented into:
On the basis of end-use, the 3D technical animation market has been segmented into:
Media and entertainment
Architecture & Construction
Education and academics
Health and life sciences
Government & Defense
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3D Engineering Animation Market: Regional Outlook
Based on region, the 3D technical animation printing market has been segmented into five geographical regions, namely North America, Asia-Pacific, Europe, South America, Middle East and Africa. In 2020, North America held the largest share of the global 3D engineering animation market, followed by Europe. It is further estimated that Asia-Pacific will dominate the global 3D engineering animation market during the forecast period.
Key Competitors in the Global 3D Engineering Animation Market include-
The global 3D engineering animation market has a large number of players across the globe. Leading 3D Engineering Animation manufacturers operating in the global market are-
Arise Engineering Services
GAWWK LTD (KINESOMANIA)
Total OutSource, Inc.
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The 3D Engineering Animation Market report provides an in-depth analysis of macro-economic factors and market attractiveness of each segment. The report will include an in-depth qualitative and quantitative assessment of the industry/regional outlook with the presence of market players in the respective segment and region/country. The information concluded in the report includes the entries.
3D Engineering Animation Market Report Covers Comprehensive Analysis on:
Market Segmentation and Regional Analysis
10 year market size
Supply and demand analysis
Product life cycle analysis
Porter’s Five Forces and Value Chain Analysis
Analysis of developed and emerging economies
Factor analysis of the market and forecasts
Opportunities, risks and market trends
Conclusion and recommendation
More than 15 company profiles
Regional Analysis of 3D Engineering Animation Market Includes:
North America (United States, Canada, Mexico)
South America (Brazil, Argentina, Colombia, Peru, Rest of Latin America)
Europe (Germany, Italy, France, United Kingdom, Spain, Poland, Russia, Slovenia, Slovakia, Hungary, Czech Republic, Belgium, Netherlands, Norway, Sweden, Denmark, Rest of Europe)
Asia-Pacific (China, Japan, India, South Korea, Indonesia, Malaysia, Thailand, Vietnam, Myanmar, Cambodia, Philippines, Singapore, Australia and New Zealand, Rest of Asia-Pacific)
The Middle East and Africa (Saudi Arabia, United Arab Emirates, South Africa, North Africa, Rest of MEA)
3D Engineering Animation Market: Target Audience
3D Engineering Animation Makers
Manufacturers of surgical equipment and 3D engineering animations
Manufacturers, Distributors and Healthcare Providers
Trade publications and magazines
Government authorities, associations and organizations
Every movie genre has had its ups and downs throughout its history and animated movies are no exception. Since the beginning of animation in the late 1800s in France, animated films have come a long way, especially in the United States.
RELATED: 10 Highest Rated Animated Movies Of All Time, According To Rotten Tomatoes
Some may not see the merit of animation, many assume it’s juvenile, but thankfully there are creators who have invested themselves in their craft and shown the impact animation can have on His public. This division of creativity is why some animated films have done nothing for the genre. However, today there are more works of art than embarrassments.
ten Snow White and the Seven Dwarfs Was the Movie That Started It All (Reimagined)
Although viewers may have their own criticisms when it comes to Snow White and the Seven Dwarfs, the Disney classic is more than deserving of recognition. Above all, it was the first animated feature of its time, proving that animation is a powerful tool in the art of cinematic storytelling.
At the time, even the Oscars praised the film, presenting Walt Disney with a statuette of honor, accompanied by 7 mini statuettes. The film was a stepping stone for the genre, which had a long way to go in 1937.
9 Shark Tale design was way behind when it was released (didn’t reinvent)
Aside from the character development, dialogue, and pacing issues of the film, the one issue viewers keep coming back to when it comes to shark story is the design of the movie animation. Dreamworks already had access to some great animation talent, so the reason for these unsettling color and character design choices is very upsetting.
This is by far one of the studio’s worst films, which is frustrating since this team also created films like The Prince of Egypt and How to train your dragon.
8 The Nightmare Before Christmas Made Stop-Motion a Pleasure to Watch (Reimagined)
Although Tim Burton and his production team did not invent stop motion animation, they have proven that this art form is worth it because The Nightmare Before Christmas was the first stop motion film to be widely successful. Burton broke with his time at Disney to create a new look for children’s entertainment, something darker and more symbolic that captivated all ages.
RELATED: 5 Anime Moves With Too Many Sequels (& 5 That Need More)
The film also served as a rare competition for Disney, being complete with original looks and music. It was a rarity among animated films outside of Disney at the time. Although it won few awards after its premiere, this film is by far one of the most beloved and iconic animated films in history.
7 Bee Movie became nothing more than an internet meme (didn’t reinvent)
Although produced by one of the most successful animation studios, which brought us The Prince of Egypt, bee-movie was nothing more than a joke. The animation is adequate for its time, but the constant “bee” the puns and bizarre pacing changes reveal that the studio hasn’t really thought through everything.
It’s definitely not the worst animated movie, but it’s fun to poke fun at, which is why meme-makers jumped at the chance for another juicy meme to terrorize the internet with. It is the legacy of bee-movieno more no less.
6 The Prince of Egypt Proved Compelling Animated Films Are Worth the Cost (Reimagined)
It didn’t take long to The Prince of Egypt to transcend viewer expectations, thanks to all the hard work that has been poured into this passionate project. Not only did the animation set the bar high for artistry when the film premiered, but the writing, voice acting, and overall execution are phenomenal and haven’t aged much today.
The film put Dreamworks Studios on the map, allowing for greater competition in the industry, and showcased the immense talent that underpins the studio’s endeavors. In hindsight though, this film would never have been the success it was had it not been for the big budget that underpinned all the work. A total of $60 million was spent on the film, the highest budget of any animated feature film. Certainly, the producers have no regrets about the expense.
5 Food fight! Announcing the wrong kind of anime experience (didn’t reinvent itself)
Became a legendary disaster that lasted more than a decade, food fight the excuse is theft and rushed production. Even though the creators may have suffered from the birth of this mutated project, it’s hard to forgive them for what was presented at the end.
Originally, they compared their film to toy story in the sense that they brought non-animated characters to life, but they failed to consider the emotional heart of their story. The movie comes across as a big cash grab involving all the biggest food brands combined with the weirdest dialogue and innuendo. At this point, it doesn’t matter what the animation looked like, although that’s another reason the movie is considered a sin.
4 Toy Story introduced the world to CGI (reimagined)
The film industry invented many ways to bring the most unreal characters and visuals to life, but that was all to change after Pixar. toy story has been freed. The 3D technology used to create the film not only reinvented animated films, but all of the films took Pixar’s example of using CGI.
Disney would try to compete with Pixar with its film Dinosaur in 2000, and Dreamworks would follow the CGI trend with most of their movies. Today, most animated films are in 3D, but the first and most successful was toy story. Live-action films have become so accustomed to Pixar’s pioneering technology that it has become standard practice for the entire industry.
3 Norm Of The North is an embarrassment to modern animation (has not reinvented)
Given how far animated movies have come, it’s honestly surprising that a movie like Northern Standard was even produced, and even more shocking that it did as well as it did at the box office. The plot is convoluted and follows the Polar Bear Norm, the laughing stock of the Arctic because it cannot hunt for food. For some weird reason, he chose to travel to New York to convince people not to move to his Arctic home —yes, you read that right.
The animation is atrocious, but not as bad as food fight, which does not say much. As for the voice acting and the music, there isn’t much to say. It has the lowest Rotten Tomatoes ratings at 9%, which is better than the 0% it started with.
2 Spirited Away puts Studio Ghibli and the anime on the US radar (reimagined)
In the early 2000s, everyone in the United States thought they knew what animation could be, but what viewers didn’t realize was that there was a whole world of stories to tell and many ways to tell them. It’s only one way Studio GhibliTaken away as if by magic reinvented animated films.
RELATED: 10 Most Wholesome Studio Ghibli Movies, Ranked
At a time when this genre was limited to light content for children, the Japanese classic made its Oscar debut, winning Best Animated Feature in 2002 to the surprise of most viewers. They were introduced to a darker, more symbolic way of storytelling for all ages that hadn’t been seen since. The Nightmare Before Christmas. He introduced the genius of Hayao Miyazaki to the United States and inspired a generation of creators.
1 Spider-Man in the Spiderverse Brings Animation into the Future (Reimagined)
First, Spider-Man: Into the Spiderverse may have only resonated with Marvel fans, but the film was more than just entertainment for this group alone. For those who have watched the movie, it was a monumental achievement in animation.
Along with its compelling story and fascinating characters, Sony has challenged the status quo. Animation fans had long missed the era of hand-drawn 2D animation, but rather than look to the past or follow the trend of 3D technology, the two were merged for the first time in a feature film. The creative and inventive style of this film is one of its many strengths and makes it the complete package as an animated masterpiece.
William Byron knew when he took over the #24 Chevrolet for Hendrick Motorsports that Martinsville Speedway was more than a little special.
If he had any doubts, a field trip with car owner Jeff Gordon made it clear.
“When I was a rookie, Jeff was like, ‘Hey, let’s go up to Martinsville together.’ It wasn’t even a question, it was, ‘Hey, let’s ride together to Martinsville. I want to show you some things,” Byron said after becoming the first multiple NASCAR’s Cup Series winner of the season at the track Saturday night.
Gordon showed Byron around the 0.526 mile oval, shared some pointers and saw the trip pay off when Byron finished second in a race there against Martin Truex Jr.
Byron had three more top 10 finishes on four subsequent visits, then put it all together on a cold night when the weather made tire wear a non-factor. He also showed some chop as the favorite, hanging on to the lead in a two-lap dash to the finish with Joey Logano trying to push him out of the way.
Victory in a race he led for 212 laps added a second grandfather clock trophy to his run; he won the first of the Truck Series two nights earlier.
And that has impressed the boss, who attributes the success to the chemistry Byron has with team leader Rudy Fugle, and possibly some of his own tutelage.
“I’ve just seen this team evolve,” said Gordon, who has won nine times on the track. “They’ve brought some great race cars. They’ve led laps. Now they’ve already won two races this year, and I think more will come.”
During the race, Byron and teammate Chase Elliott helped Team Hendrick achieve 10,000 laps led on the shortest track in the series, becoming the first organization to manage this at any track. The team won 27 races there, with seven-time champion Jimmie Johnson joining Gordon with nine of them.
The runway was also the destination of a plane that crashed in fog on a mountain in 2004, killing eight members of the organization, including the son of team owner Rick Hendrick, Ricky, and two members of crew one day when Johnson, unaware of what had happened. , visited a solemn Victory Lane.
It was that 2018 trip with Gordon, however, that came to the fore in Byron’s mind as the race unfolded, with him among the dominant cars.
“It’s definitely special, and he’s got, what, 93 wins and that much time,” he said of four-time series champion Gordon. “We’ve got a lot of clocks to run but it’s cool to get that advice from him. Those little things I learned from him in my rookie year that I haven’t really used for a few years , then as soon as I got to the front, I was like, okay, that makes sense.
Showing it by withstanding Logano’s challenge and leading as many laps as he has only makes Gordon more excited about the future of 24.
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Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Not content with conquering Hollywood, Marvel has invested heavily in the television industry in recent years. Some of the MCU’s biggest stars have brought their characters to television, while Marvel has also taken the opportunity to introduce less established characters.
RELATED: All The MCU Movies Ranked From Worst To Best
Disney+ features new shows every few months, like the current broadcast moon knight, which has been omitted from this list because it is not yet complete. With so many shows to watch, here’s a guide that separates the mediocre from the wonderful.
Inhumans (2017) IMDB Rating: 5
A train accident on arrival, Inhumans been wonderfirst major flop of mcu. The series follows a royal family from outer space, who are forced to flee to Earth after a military coup. Each member of the family has a unique power, such as the leader Black Bolt who can cause destruction with his voice, and their giant dog Lockjaw, whose power is to be the best boy.
The show holds a staggering 11% on Rotten Tomatoes and has been criticized for being boring, having weak characters, and being noticeably low-budget.
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iron fist (2017-2018) IMDB Rating: 6.5
After being presumed dead for 15 years, the billionaire olive tree queen Danny Rand returns to New York to recover his father’s business. After spending the last decade and a half training with Buddhist monks, Danny calls upon the mystical power of the Iron Fist to fight crime.
While the other Defenders shows have received varying levels of positive reception, opinions on iron fist were mixed. The fight scenes are enjoyable, but Danny is a less interesting protagonist than Matt Murdock and Jessica Jones.
The defenders (2017) IMDB Rating: 7.3
The culmination of the Defenders saga, The defenders gathers Daredevil, Jessica Jones, Luke Cage and Iron Fist to battle the villainous group The Hand. Although each hero comes from a different background, they are brought together by a common desire to protect their city.
RELATED: Every Marvel Netflix Series, Ranked By Season
Although not as epic as The Avengers, it’s always fun to see these four heroes together and the banter and fights that ensue. All the actors bounce off each other well, and the blasted Iron Fist shines best as a team.
The Falcon and the Winter Soldier (2021) IMDB Rating: 7.3
Following the retirement of Steve Rogers, The Falcon and the Winter Soldier finds Sam Wilson/Falcon (Anthony Macky) struggling with the concept of becoming Captain America. When new enemies emerge, Sam joins forces with Bucky Barnes/The Winter Soldier (Sebastian Stan) to save the day once again.
RELATED: The 13 Best The Falcon and The Winter Soldier Moments
The series is very similar to the mcu movies, which is to its detriment because it looks like an action movie spanning six episodes. The show still succeeds however due to the winning chemistry shared between Mackie and Stan, and the time given to their characters who are usually relegated to supporting roles in the movies.
Luke Cage (2016-2018) IMDB Rating: 7.3
The third hero introduced in the Defenders saga, Luke Cage (mike colter) first appeared in Jessica Jones before receiving his own show. Luke Cage follows the indestructible hero with a heart of gold who fights to protect his city.
Led by the likeable Colter and boasting an excellent supporting cast, the show manages to be socially conscious and explore the characters and environments of the mcu had largely ignored until now. Although nearly impossible to kill, Cage is never dull and easy to invest in his journey from convict to hero.
What if…? (2021-) IMDB Rating: 7.5
An anime series that follows alternate storylines in the mcu and the resulting implications. These storylines explored include Peggy Carter being Captain America instead of Steve Rogers, T’Challa becoming Star-Lord, and a zombie apocalypse.
RELATED: Every What If…? Episode ranked worst to best
Many actors reprise their roles, including Chadwick Boseman, Hayley Atwelland Benedict Cumberbatchhelping to keep it connected to the pre-established characters that audiences know and love.
Agents of SHIELD (2013-2020) IMDB Rating: 7.6
Marvel’s first attempt at a TV show set in the MCU, Agents of SHIELD follows a team within the agency who face new threats and enemies in each episode. Led by Agent Coulson (Clark Gregg), the series also introduced famous comic book characters to the MCU for the first time, like Ghost Rider.
While the series began with mixed reviews, subsequent seasons bridged the gap between the show and the mcu and improved in quality. The greatest example is the destruction of SHIELD in Captain America: The Winter Soldierwhich has a major impact on Agents of SHIELDthe plot.
Hawk Eye (2021) IMDB Rating: 7.7
Following the titular character in retirement, Hawk Eye finds Clint Barton (Jeremy Renner) called to help the young Kate Bishop (Hailee Steinfeld) after inadvertently putting herself in danger. Only wanting to spend Christmas with his family, Barton is instead forced to confront his dark past as a Ronin.
Losing his hearing from his years as an Avenger, Hawk Eye shows the consequences of a heroic lifestyle on someone who isn’t a literal god or super-soldier. Renner and Steinfeld are a winning combination, and the developing master/student dynamic is the beating heart of the enjoyable action series.
Jessica Jones (2015-2019) IMDB Rating: 7.9
Jessica Jones (Kristen Ritter) is a private detective working in New York. Possessing super strength, Jones gave up his life as a superhero after a traumatic experience with the villainous Kilgrave (david holding).
Suffering from PTSD after this ordeal, the series explores dark subject matter over its three seasons and is a more mature story than most other MCU offerings. Ritter and Tennant are fantastic in the lead roles, with Tennant’s absence in later seasons felt as the show never manages to recapture the magic of its villainous turn.
Wanda Vision (2021) IMDB Rating: 8
Wanda Vision find Wanda Maximoff/Scarlet Witch (Elizabeth Olson) living a peaceful life in the suburbs with her husband Vision (Paul Bettany). How this storyline unfolds remains a mystery as the series skips time periods and explores each era of television.
The show is anchored by strong performances from the two leads, whose chemistry has been a highlight of the films. Kathryn Hahn shines as a friendly neighbor who seems to know more than she is letting on. A delicious series that mixes humor and drama, Wanda Vision also explores the theme of mourning.
Loki (2021-) IMDB Rating: 8.3
Finally giving the fan-favorite character his moment in the spotlight, Loki begins with another universe’s version of the character sent to the Time Police. Facing being erased from existence, Loki is forced to join forces with Agent Mobius (Owen Wilson) and help fix the timeline.
Sometimes feeling more like Doctor Who than the MCU, Tom Hiddleston is a joy to watch as he navigates multiple timelines and universes in his quest for freedom. Eventually, he crosses paths with other versions of himself, including Alligator Loki, the tallest of them all.
The Punisher (2017-2019) IMDB Rating: 8.5
The Punisher follows Frank Castle (Jon Berntal) as he tries to get out of his crusade as a vigilante. Soon he is drawn into a plot that offers new information about his family’s death, and his quest for revenge begins again.
The Punisher has always been a violent property for Marvel and this series is no exception, as Castle shoots, stabs and gouges his eyes out to find the truth. Bernthal is fantastic in the lead role, perfectly encapsulating the rage that still lives beneath Castle’s stoic exterior.
daredevil (2015-2018) IMDB Rating: 8.7
daredevil follows Matt Murdock (Charlie Cox), a lawyer by day and a crime-fighting vigilante by night. Left blind after a childhood accident, Murdock quickly develops heightened senses that aid him on his journey to justice.
The pinnacle of Marvel television, daredevil earns a spot among the greatest television shows of all time. Murdock’s struggle with his vigilantism and his faith is a great story, and Cox is superb as a character. Vincent D’Onofrio also excels as the villainous Wilson Fisk, with both actors seen as irreplaceable in the eyes of fans.
NEXT: 10 Best MCU Moments On Disney+, Ranked
America Chavez Creator Reveals Marvel’s ‘Offer Insult’ For ‘Doctor Strange 2’
About the Author
Ty Weinert (7 articles published)
Ty is an Australian writer, based in sunny Queensland. He is a big movie buff, seeing most of what’s new in movies, and especially loves the horror genre. Ty also loves live music, video games and all dogs.
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BOSTON (AP) — David Carle was a freshman in Denver when he was diagnosed with a heart condition that ended his playing career. The Pioneers honored his scholarship anyway and kept him on the team as an assistant coach.
Now a head coach at just 32, Carle rewarded the school for their decision in Saturday night’s Frozen Four Finals by guiding Denver to a 5-1 win over Minnesota State and their ninth NCAA hockey championship. , a record.
“Denver hockey and college have done a lot for me,” Carle said, his suit still soaked from the sports drink his players poured him during the postgame on-ice celebration. “This responsibility does not fall to me lightly. I owe a lot of what I have in my life to this place. This program is very special; it means the world to me.
Ryan Barrow and Mike Benning scored within three minutes of each other to give Denver the lead, and the Pioneers woke up with five third-period goals to rebound from a 1-0 deficit. Massimo Rizzo added another goal with 6:26 remaining, and Brett Stapley and Cameron Wright had empty-scorers 30 seconds apart.
Magnus Chrona stopped 27 shots for the Pioneers (31-9-1). They won their first championship since 2017 and improved to 9-3 in title matches, including the last four in a row.
“You come to Denver to win national championships,” said Barrow, a fifth-year senior who set a school record by playing his 168th game.
“I came the year after they won,” he said. “You hear all their stories about winning the national championship and imagine yourself winning one yourself. I can’t tell you how many times I watched the pump video from 2017 of them winning the ‘natty’ It will be sweet enough to look at mine now.
Two nights after eliminating Michigan in the Frozen Four semifinals, Denver joined the Wolverines as the only schools with nine championships.
“It was definitely a goal, getting to nine,” said Carle, who is the fourth-youngest coach to win an NCAA title. “The ultimate goal is to get to 10, I’ll tell you. Winning Thursday against Michigan, the team at nine, was a huge step in that direction. And obviously, tonight is an even bigger step.
The game pitted the two best offensive teams in the country against each other, but from the moment Boston Bruins goaltender Tuukka Rask dropped the first ceremonial puck, the focus shifted to defense.
Minnesota State (38-6) took a 1-0 lead on Sam Morton’s first-period goal and prevailed — beating Denver 18-8 in the first 40 minutes. It was still the only goal until five minutes into the third, when Barrow slipped a rebound from Benning’s shot through the legs of Hobey Baker Award winner Dryden McKay.
Forty seconds later, Morton was kicked out for tripping; he had just returned to the ice and crossed the defensive zone when Benning hit him once into the net to give the Pioneers the lead. Benning also had two assists in the semi-finals, including the overtime winner, and was selected Frozen Four’s Most Outstanding Player.
Rizzo made it 3-1 and, when McKay was called out for an extra skater with about 3:30 to go, Stapley and Wright clinched him.
McKay made 15 saves for Minnesota State, which led the nation in wins and has won 18 in a row since Jan. 14.
“Once we gave up on the first one, I thought we started losing a bit of oil and couldn’t stop the bleeding,” Minnesota State coach Mike Hastings said. . “It’s a place we haven’t been to in a while, and I don’t think we handled it very well. They smelled blood in the water and they were incredibly aggressive and they were rewarded for it.”
Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
For many MCU fans, the next Doctor Strange in the Multiverse of Madness isn’t just a broader look at Marvel’s vast multiverse, it may be their first look at America Chavez. Played by Xochitl Gomez, the gay teenager is incredibly strong and has the power to jump between universes via star-shaped portals. After his first appearance in 2011 Revenge #1 by writer Joe Casey and artist Nick Dragotta, the character has become a fan favorite over the past decade, appearing in his own short solo comics and team-up books like The Ultimate 2 and Young Avengers.
In an interview with The Hollywood Reporter, Casey opened up about the feeling of seeing his creation now catapulted to blockbuster status. Like several other comic creators, he wasn’t really properly compensated financially, outside of his pay rates when he created the character with Dragotta. “Marvel paid me nothing for America Chavez,” Casey said, “not just to appear in the strange doctor sequel, but in many anime TV episodes, for the many action figures they made of her, for the video games she appeared in. Apart from Multiverse, the character appeared in marvel rising cartoon series, and has appeared in recent Marvel video games, including Lego Marvel Super Heroes 2, Contest of Champions, and lego marvel avengers.
Once he learned of Chavez’s future on the big screen, Casey reached out to Marvel for paperwork for that compensation, but said it was a “paltry” offer. A specific figure was not given, but previously it was reported that Marvel would only pay comic book creators US$5,000 ($6,941) to adapt their work into blockbuster movies and TV series. big budget, and would offer creators an invitation to the premiere. As of this writing, Casey hasn’t received a counter offer, and while conversations are still ongoing, he definitely feels like Marvel has blocked him.
For Casey, the problem with Marvel is less about him specifically, and more about the premise of the issue, so the publisher can’t do that to other creators. “If I’m in a position where I can afford not to take their insult from an offer, and be able to talk about it, maybe the next guy – where that kind of money could be life-changing – would get a good deal of getting that money. He’s not bitter and he knows what a problem this has been in the comics industry for decades. (Before 2011 he knew about Marvel’s issues and told himself he wouldn’t create a character for the company, but ultimately “couldn’t resist.”) “It’s not about the money, it’s not even about of respect. I would never expect to be respected by a company.
But he hopes that by shedding more light on the matter, like other comic book creators before him, the comic book publisher will give a better deal to its creators whose content they keep mining. “Marvel owns America Chavez, and that’s unchallenged on any level. But there are still systemic flaws in the way creators aren’t respected or rewarded.”
Doctor Strange in the Multiverse of Madness hits theaters on May 6.
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Animation is by no means a new art form. The history of animation stretches before the invention of motion pictures, first achieving commercial success in 1832. It was made by showing drawings of a character’s steps moving in rapid succession, which gives the illusion of continuous movement. Devices have been used to have this effect, although anyone can create an animation of this shape using nothing more than a notepad and pencil.
Things have evolved since then, but the principles have remained essentially the same. However, animation has several advantages over live cinema, which some animators take full advantage of. It’s even been suggested that we may be entering a new renaissance in animation.
The benefits of animation
Animation is a valuable tool for storytelling and illustrations because it’s so flexible. When animating, stories can be told in a much more unique way than would be possible with live action. Animators aren’t subject to the same laws of physics or logic that a filmmaker would be. Because of this, animation is often better suited for telling certain stories.
Animation is not necessarily cheaper to produce than live action, as there is still a lot of design and labor involved in an animated feature. However, it shines when used in shorter projects, such as commercials or explainer videos.
While a live action production requires actors, directors, set designers, equipment and a physical space to play, an animated production can be created and edited using a single computer. Yes, most animations include voice actors, but voice can be recorded quite easily.
The rebirth of animation
When most people refer to the American Animation Renaissance Age, they are usually referring to the period that began in the late 1980s and ended in the 1990s. This period, sometimes also called the Disney Renaissance, saw a huge increase in critically acclaimed animated films.
These films were hugely popular and still carry weight as classics of popular culture today. Who has never heard of Ariel, Belle, Aladdin, Simba or Mulan? These films all had the same 2D Disney art style and featured musical numbers throughout. Towards the end of this period, however, populated animated films changed to a 3D art style, which is still popular today.
These great animation giants are still producing successful and, in some cases, very high quality animated productions today. These productions are avant-garde and generally well thought out. However, that’s not necessarily where the most exciting progress in animation takes place.
For starters, while Western production companies are still producing many of the most commercially successful animated films, international animation is creeping into the public eye. It’s not an entirely new thing. Studio Ghibli has enjoyed international acclaim since its inception in 1985.
However, for a long time, anime and other international animations were considered niche genres in the United States, rather than mainstream productions. That wasn’t necessarily a bad thing, as it meant that these animated films and series weren’t bound by the same unwritten expectations and rules as more well-known productions. This allowed for a certain freedom that allowed filmmakers to experiment with the medium of animation.
Although international acclaim and a mainstream audience have probably curtailed that creative freedom, these productions are still capable of creating more unique things. You can find some of the most popular animated movies on Featured Animation and compare them to popular American animation.
As it is increasingly clear that the public is ready to accept something different, small independent studios are taking advantage. This is arguably where the true renaissance of modern animation is taking place.
These small studios are not tied to the same traditions or limitations as the big productions. They can explore different animation styles and different stories, resulting in truly unique and beautiful movies. Animation doesn’t have to be “something for kids”, but can also be an ideal medium for adult storytelling with adult characters.
In addition to new and interesting stories, smaller studios are using animation to raise concerns and spread messages. For example, last year the dWeb released a movie called “What is Our Future?” to portray a potential future resulting from decentralization. This film, and others like it, share new and interesting thoughts, adding to the conversation about the future.
One of the ways indie studios shine is that they aren’t afraid to use unusual and beautiful art styles. Most major studios have a recognizable “house style”, which means you can immediately identify a character or style.
For example, Disney characters, whether rendered in classic 2D or modern 3D, tend to have semi-realistic proportions, detailed hair and clothing, and exaggerated features. They evoke realism, but have a distinctly cartoonish style. Disney has recently tried to diversify some of its character design (compare the female characters in Frozen with those in Encanto), but the style is still clear.
But independent studios don’t have a “house style” to restrict them. They can experience the medium in interesting ways. For example, an animated biopic titled “Loving Vincent”, which is about Vincent Van Gogh, is the first fully painted animated production, and hopefully not the last.
The popularity of these new artistic styles and ideas did not go unnoticed by major studios. Some more stylistic and unusual methods have crept into mainstream animation media, with stunning results. The combination of funding and imagination tends to work very well.
A recent example is the movie “Spider-man: Into the Spiderverse”, which featured a fantasy style reminiscent of comic books. Rather than using traditional CGI, it was animated using new rendering styles combined with hand-drawn elements. The result is an explosive and unique film. Granted, the plot and characters don’t cross any boundaries, but it’s a good sign for the future of animation.
Animation has the potential to tell stories in ways that live action cannot fully capture. If even bigger and more established studios are willing to experiment with this medium, then animation could make even more artistic and technological advancements.
WASHINGTON (AP) — A landmark confirmation from the Supreme Court that suffered a flawed process. The collapse of a bipartisan compromise for more pandemic funds. The departure of a stalwart of the fading gang of House Moderate Republicans.
Party-line battles on Capitol Hill are as old as the republic, and they steadily escalate as elections approach. Yet three events from a remarkable week illustrate how the short- and long-term trajectories of Congress point to heightened partisanship.
THE BATTLE FROM THE SENATE TO THE SUPREME COURT
Democrats rejoiced Thursday when the Senate, by a vote of 53 to 47, confirmed Ketanji Brown Jackson as the first black female judge. They rejoiced in a bipartisan stamp of approval from the trio of Republicans who backed him: Sens. Susan Collins from Maine, Lisa Murkowski from Alaska and Mitt Romney from Utah.
Yet by historical standards, the votes of the three opposition parties were paltry and underscored the recent trend of Supreme Court confirmations to become tests of loyalty to party ideology. That’s a departure from a decades-old norm where senators might not like a candidate’s judicial philosophy but defer to the president’s pick, barring a disqualifying revelation.
Murkowski said his support for Jackson was partly “rejection of the corrosive politicization” of how both sides view Supreme Court nominations, which “gets worse and detached from reality with each passing year.” “.
Republicans said they would treat Jackson with respect, and many did. Their questions and criticisms of him were pointed and partisan, with Senate Minority Leader Mitch McConnell, R-Ky., saying “the Senate sees itself as a co-partner in this process” with the president.
Still, some potential 2024 GOP presidential candidates appeared to be using Jackson’s confirmation to court hard-right support. The senses. Ted Cruz, R-Texas, and Josh Hawley, R-Mo., falsely accused her of being unusually lenient toward child porn offenders. Sen. Tom Cotton, R-Ark., suggested she might have defended the Nazis at the Nuremberg trials after World War II.
Senate Judiciary Committee Chairman Richard Durbin, D-Ill., said some Republicans “have gone too far, as far as I’m concerned, to the extreme,” reflecting “the reality of politics on Capitol Hill.” . Cotton was “fundamentally unfair, but that’s its tradition,” Durbin said.
PAST SUPREME COURT BATTLES
Senate approval of high court nominees by voice vote, regardless of holding roll calls, was the norm for most of the 20th century. Conservative Antonin Scalia won the Supreme Court 98-0 in 1986, while liberal Ruth Bader Ginsburg won approval 96-3 seven years later.
There were fierce battles. Democrats blocked the nomination of conservative Robert Bork in 1987 and unsuccessfully opposed the rise of Clarence Thomas in 1991 after he was accused of sexual harassment.
The rancor intensified in early 2016. McConnell, then the majority leader, prevented the Senate from even considering President Barack Obama’s choice of Merrick Garland to replace the late Scalia. McConnell cited the next presidential election nearly nine months away, infuriating Democrats.
Donald Trump was elected and eventually filled three vacancies in the face of near-unanimous Democratic opposition.
They clashed with Brett Kavanaugh after he was accused of sexually assaulting a woman decades earlier. They voted solidly against Amy Coney Barrett after Trump and McConnell rushed for her nomination when a vacancy occurred weeks before Election Day 2020, a sprint Democrats called hypocritical.
THE FIGHT AGAINST COVID SPENDING, TRANSFORMED
Senators from both parties agreed Monday to a $10 billion COVID-19 package that President Joe Biden wants for more therapies, vaccines and testing. With BA.2, the new omicron variant, washing across the country, it seemed on the verge of being approved by Congress.
Hours later, negotiators led by Senate Majority Leader Chuck Schumer, D-N.Y., and Sen. Mitt Romney, R-Utah, appeared caught off guard when their compromise went off the rails. Republicans wanted to add an extension to an expiring crackdown on migrants crossing the Mexican border that Trump imposed in 2020, citing the pandemic’s public health threat.
Many Republicans were skeptical that more COVID-19 money was needed. But their demand for an immigration amendment has turned a fight over how much to spend on a disease that has killed 980,000 Americans into a battle over border security, tailor-made for upcoming GOP political campaigns.
Immigration is dividing Democrats and Republicans believe the issue may further bolster their chances of winning control of Congress in the November election. Playing defense, Schumer postponed debate on the COVID-19 bill.
The Democrats deserved blame for being outmaneuvered. House Democrats rejected a $15 billion deal in March, dismissing compromise budget savings to pay for it.
And in obviously deaf political timing, the Centers for Disease Control and Prevention announced last week, just as negotiators were finalizing their latest compromise, that Trump-era immigration restrictions would expire on May 23.
It gave Republicans an irresistible political gift to pursue.
Rep. Fred Upton, R-Mich., announced his retirement Tuesday. He is the fourth of 10 House Republicans who voted to impeach Trump last year to say they will not seek re-election.
Upton attributed his departure to running in a new district, but that didn’t stop Trump from proclaiming, “UPTON QUITS!” 4 down and 6 to go. The House impeached Trump for inciting supporters who attacked the Capitol on Jan. 6, 2021, but the GOP-led Senate acquitted him.
Now in his 18th term, Upton’s departure subtracts another moderate from a GOP that has shifted to the right in recent years, especially when it comes to showing loyalty to Trump.
The pro-business Upton, 68, has been a driving force on legislation spurring pharmaceutical development and has worked with Democrats on legislation affecting energy and the auto industry. His work across the aisle and his affability have put him in the ever-shrinking group of Republicans who are drawing praise from Democrats.
“For him, bipartisan and compromise are not off-limits words,” said Rep. Debbie Dingell, D-Mich.
PARTY DIFFERENCES, BEFORE AND NOW
Pitched battles are now common over bills funding federal agencies and expanding the government’s borrowing power. When those disputes are resolved and federal shutdowns and defaults are averted, lawmakers hail as triumphs what is their most rudimentary job — keeping government functioning.
Despite divisions over COVID-19 money and Jackson, there has also been cooperation.
Congress on Thursday voted by an overwhelming majority to ban Russian oil and to downgrade trade relations with that country following its invasion of Ukraine. There are advances in bipartisan trade and technology legislation, and a $1 trillion bipartisan infrastructure measure became law last year.
Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
PARIS (AP) — As war blazes east of the European Union, French voters will cast their ballots in a presidential election whose outcome will have international implications. France is the second-largest economy in the 27-member bloc, the only one to have a veto in the UN Security Council and its only nuclear power. And as Russian President Vladimir Putin continues the war in Ukraine, French power will help shape Europe’s response.
Twelve candidates are vying for the presidency, including incumbent and front-runner Emmanuel Macron who is seeking a new term amid a challenge from the far right.
Here’s why the French elections, which take place in two rounds from Sunday, are important:
Political cartoons about world leaders
Russia’s war in Ukraine has given Macron an opportunity to demonstrate his influence on the international stage and restore his pro-NATO image in electoral debates. Macron is the lone frontrunner to back the alliance while other candidates have differing views on France’s role in it, including abandoning it altogether. Such a development would be a serious blow to an alliance built to protect its members in the Cold War then incipient 73 years ago.
Despite NATO’s declaration of “brain death” in 2019, the war in Ukraine prompted Macron to try to infuse the alliance with a renewed sense of purpose.
“Macron really wants to create a European pillar of NATO,” says Susi Dennison, Senior Fellow at the European Council on Foreign Relations. “He used it for his shuttle diplomacy on the conflict in Ukraine.”
On the far left, the candidate Jean-Luc Mélenchon wants to leave NATO purely and simply, affirming that it only produces quarrels and instability. A NATO-skeptical President Melenchon could be a concern, particularly for Poland, which has a 1,160 kilometer border with territory now controlled by Russia.
Several other candidates want to see either a decrease in engagement with the alliance or a complete withdrawal. Although unlikely, France’s departure from NATO would create a deep chasm with its allies and alienate the United States.
Observers say Macron’s re-election would mean a real likelihood of increased cooperation and investment in European security and defence, especially with a new pro-EU German government.
Under Macron’s leadership, France’s defense spending has increased by 7 billion euros ($7.6 billion) with the goal of raising it to 2% of gross domestic product, which leaders including Putin , watch closely. During his second term, Macron would almost certainly want to build a common European response to Ukraine and fend off Russian threats.
This election could reshape post-war French identity and indicate whether European populism is rising or declining. As populist Viktor Orban won a fourth consecutive term as Hungarian prime minister days ago, eyes have now turned to France’s resurgent far-right candidates, particularly National Rally leader Marine Le Pen who wants to ban the Muslim headscarf in the streets, and halal and kosher butchers, and drastically reduce immigration from outside Europe.
“If a far-right candidate wins, it could create a sort of alliance or axis in Europe,” said Dennison, of the European Council on Foreign Relations. “Le Pen has been tweeting pictures of herself shaking hands with Orban for the past few days. She stands for a Europe of strong nation states.”
This axis could include Polish President Andrzej Duda, a right-wing populist and ally of Donald Trump. It alarmed observers.
“Over 30% of French voters currently say they will vote for a far-right candidate. If you include Melenchon as another extreme, anti-system candidate, that’s almost half of the total voting population. is unprecedented,” Dennison said.
Far-right candidate Eric Zemmour has dominated French airwaves with his controversial views on Islam in France and immigration.
However, even the centrist Macron ruffled Muslim countries two years ago when he defended the right to publish caricatures of the Prophet Muhammad. It came during a tribute to a teacher who was beheaded by a fundamentalist for showing the cartoons to his students as part of a free speech lesson.
The United States often touts France as its oldest ally — and from Russian sanctions to climate change and the United Nations, Washington needs a reliable partner in Paris. France is a vital transatlantic friend for America, especially for its status as the only permanent member of the UN Security Council in continental Europe with the right of veto.
Despite bitter discussions between the US and France last year over a multi-billion dollar deal to supply Australia with submarines – which saw France humiliated – President Joe Biden and Macron are now on good terms.
“Macron is obviously the only candidate who has a history and credentials in dealings with the United States. All the others would be starting from scratch at a time of great geopolitical uncertainty,” Dennison said.
Unlike Macron, an Élysée in the hands of Zemmour or Le Pen would likely mean less concern for issues that the US sees as a priority like climate change. “They might not prioritize the high economic cost of maintaining the Paris Climate Accord and the potential to limit global warming to 1.5%,” Dennison added.
MIGRATION ON THE CONTINENT
In light of a huge influx of migrants into Europe last year, France’s stance on migration will continue to have a significant impact on countries on its periphery and beyond. This is particularly true due to its geographical location as a stopover point for many migrants traveling to the UK.
A migrant ship capsized in the English Channel last November killing 27 people, sparking a row between France and the UK over British responsibility. Observers consider France not particularly open to migrants in a European context and see Macron as relatively tough on migration.
But Le Pen or Zemmour would likely usher in tougher policies than Macron if they emerge victorious, such as cutting social benefits for non-French citizens and capping the number of asylum seekers. Some candidates have backed Trump-style construction of border fences.
Follow the AP’s coverage of the French elections at https://apnews.com/hub/french-election-2022
Copyright 2022 The Associated press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
The limitlessness of animation has given way to the endless possibilities that have dominated the world of television since 1949, when cross rabbit was considered a pioneer of the genre. Over the decades there has been a demand that has matched the popularity of mainstream animation. Syndicated stations quickly tackled the trend of producing animation for cable and contributed to the relentless airing of cartoons. Large corporations saw the animation industry as a lucrative outlet and began to invest, later calling for two-dimensional forms of animation to later evolve into computer animation and similar media. Despite the exponential growth and impressive scale of innovation that animation has undergone, there is still interest in creating new content for the traditional format.
VIDEO OF THE DAY
Avatar: The Last Airbender first aired on Nickelodeon and ran for three seasons. Considered one of the best animated shows of the 2000s, The last air Master depicts a war-torn and divided quadrilateral of nations. Among them live Benders, those who are gifted with the natural ability to control a singular element – water, earth, fire or air – although there is only one master of them all: the Avatar. 12-year-old Avatar Aang is discovered by Sokka and Katara of the Southern Water Tribe, and from there they join him on his journey to perfect his Mastery and end the Nation’s rule. fire. The series was inspired by an array of Asian cultures, customs, practices and beliefs, honoring pan-Asian diversity through an original perspective. It has been hotly debated whether The last air Master can fully claim to identify as Western anime due to anime’s Japanese origins, but the distinctly identifiable art style used throughout the series consists of a hybrid of Western and Eastern influences. The series has always maintained its popularity, which saw a resurgence after the cartoon was relocated to Netflix, leading to a revival of the Avatar fandom. With the deeply adored series swept across the world of popular culture once again, there’s been excitement about the possibility of a new anime series emerging in the years to come.
Related: 5 Little Known Facts About Avatar: The Last Airbender Characters
Why is Avatar: The Last Airbender so popular?
The infinity of its world-building and the timeless tone of the storytelling gifted Avatar: The Last Airbender with the ability to age gracefully. There’s a general plot around the world itself, filled with unusual creatures and fascinating human abilities. The series taps into narrative tropes while being able to do more than just include them. Avatar: The Last Airbender managed to become a really gripping, undeniably interesting cartoon. Core Gaang developed into complex and relatable characters, and the series allowed everyone to have memorable and important identities for themselves. Drawing aesthetic and thematic influences from China, Japan, Inuit and Indians, while carefully honoring these cultures, The last air Master depicted people who were otherwise not seen in cartoons of the time.
The series embraced identity and encouraged self-acceptance in every corner of cartooning. The focus is on understanding that people are not one-dimensional and there is more to them than what resonates on a superficial level. Likewise, the incredible depth the series goes into in exploring the intricacies of the Avatar Airbender universe reminds audiences that there is so much more to it than the world we may know. It welcomed natural curiosities and promoted the idea that we only bend to our own will. There’s not a moment when the show undermines its audience or its own intelligence because it’s a cartoon series. Its unwavering spirit isn’t broken because it’s been deemed a “kids show,” which is why so many people entering adulthood can reflect on such a loving relationship with the show.
How many Avatar Airbender Universe anime series are there?
Avatar: The Last Airbender was an introductory pilot that solidified as a foundation for the future of the Avatar Airbender universe. While the pilot series was only granted three seasons, fan demand for more justified the saga not being scrapped altogether. A long-talked-about fourth season still finds itself scouring the internet intermittently, though those rumors have remained as they are. Nickelodeon is out The Legend of Korra as a direct fallout from Avatar: The Last Airbender in 2012, and the second series ran for four seasons. The secondary cartoon honored the first by heavily incorporating its predecessor into its plot. Character cameos and their influential presences helped shape Korra’s universe as she was introduced as the newest Avatar. Currently, there are only two anime series in the Avatar Airbender universe.
That being said, Netflix has announced that it will be developing a live-action adaptation of Avatar: The Last Airbender. Original creators Michael Dante DiMartino and Bryan Konietzko were initially on board the project, but have since left due to creative differences. The announcement naturally instilled a sense of skepticism, especially since the first attempt at live action, that of M. Night Shyamalan. The last air Master film, was a flop and collectively rejected by longtime fans. Nonetheless, Netflix has begun filming the series, and announcements of the full cast have, if nothing else, suggested a step in the right direction.
Related: Reasons Netflix’s Live-Action Avatar: The Last Airbender Series Might Succeed (& Why It Might Fail)
Will there be a new anime series in the franchise?
Nickelodeon has since stated that the newly formed Avatar Studios will continue to create new and original content for the Avatar Airbender universe. Following up with the news, they shared that DiMartino and Konietzko have once again joined forces to create the series’ first animated feature. “We are in the early stages of developing and exploring what we call an entire Avatar Airbender universe,” Brian Robbins, CEO of Nickelodeon and Paramount Pictures, said in an interview with Deadline. “Mike and Bryan are hard at work, and I think that universe will definitely encompass a theatrical movie, an animation, definitely multiple TV series, and probably multiple movies. I think we’ll be ready very soon to tell the world what’s coming next. first, but we’re not there yet as we’re only in the early stages of creative development.
The statement promises that there will indeed be a new anime series set in the Avatar Airbender universe. It’s reassuring to those who have dreamed of Nickelodeon revisiting the world that resonated with such significance to its fan base. The likelihood that several films have the potential to develop further as additional titles are produced has the possibility of developing the upcoming animated and television series that are believed to tie Paramount Pictures to some degree . Additional details have been slim, although one thing is certain: Avatar will come back.
Northman’s Early Reactions Call The Viking Epic A Masterpiece
About the Author
Annie Banks (64 articles published)
Annie Banks is a professional entertainment journalist and film critic based in suburban Chicago, Illinois. Banks is currently pursuing degrees in journalism and marketing, and through a lifelong love of pop culture and entertainment, she’s made her way around the world. entertainment media. From comics to video games, she loves everything. Banks has interned at the Illinois Press Foundation, Washington Journalism and Media Conference, and has cited work on Rotten Tomatoes as an accredited tomatometer reviewer.
A vampire must escape New York and the monster hunters who pursue it. Some spoilers ahead!
Cover by Aaron Campbell and Tim Daniel
Written by Tim Seeley and Aaron Campbell Illustrated by Jim Terry Colored by Triona Farrell Lettered by Crank!
The year is 1871 and a handsome vampire whose current existence has been turned upside down by a team of monster hunters in New York. Knowing that she must leave the city and return to her ancestral soil in New Mexico; she and her trusty familiar Dooley embarked on a journey through the wild frontier, a still-shaping and recently torn United States.
In the final years of the American Civil War, a young Confederate soldier tasked with burying the dead after a battle hears a ringing sound coming from a nearby grave. Believing someone will be buried alive, he digs up the coffin to find a beautiful young woman. Giving this man, Dooley O’Shaughnessy, no further information, she asks him to accompany her to New York. Fast forward ten years, the story quickly becomes one of continuing the turn of the 20th century and exactly what Dooley, his fellow vampire Constance Der Abend, was up to the last decade. There is a certain fun and gory vigilantism on foot.
Although the trappings of this issue, and presumably the upcoming series, look a lot like a low-budget 1970s horror movie, as the story progresses it’s clear that the inspiration and execution are not as close as one might expect. As most of the variant covers for this premiere take the cult B-movie route, the story as a whole features an interesting mix of that vibe and a tighter, more polished end product. There’s still plenty of ironic fun to be had on every page, but the tone is tighter than that. All of that is far more useful than a short-string midnight movie you’d see at the drive-in, or these days on Shudder. There are a few slightly bigger ideas at play and a brighter look overall. Obviously comic book art doesn’t have to depend on all the factors of a movie and can easily be better than something with a low budget, but having something that looks grainy, dirty and schlocky would have been nice .
Seeley and Campbell cleverly use this era to lightly push this period of post-Industrial Revolution capitalism, early American classism, and social class crimes. In just a few pages, they comment on class, wealth, work, racism, and more. While there are many other forms of media that stick their toes into such social commentary just for fear of digging deeper and walking away from these ideas, “West of Sundown” #1 gives us some samples and backs up. not out of fear, but knowing how much it will serve this particular story. We’re getting just enough to set the table and that’s all that’s needed right now. This tells us about Constance’s motives; which inspires him to choose his victims. Like a combination of Robin Hood and Sweeney Todd, she takes those wealthy citizens who make life worse for everyone, drains their blood, and melts them in a bath of lye in a hole in the ground. All with the help of Dooley telling him who will make the best victim. Incredible.
So while she’s clearly there for herself, Constance at least knows she can do good by weeding out bad individuals so she can feed herself. She never lies to herself or Dooley that her self-preservation is really what drives her. It is Dooley, however, who is unsure of his true purpose. Sure, he helps find his victims, but is that all he is? Is that all he’s good at after a decade of being his trusty assistant? It’s this revelation, about halfway through the issue, that both raises questions, but is also quickly dismissed for further study. After injecting herself into the upper strata of society seemingly quite easily, Constance is having the best time of her life and may have gotten a little sloppy. After the masquerade ball that opens the main part of this story, Constance and Dooley return home to find their house has been burned down, setting them on a new path to Constance’s ancestral land in New Mexico. There are plenty of allusions to classic vampire tales like “Dracula” or a number of cult vampire and monster movies from the 60s and 70s. It’s all a delicious mishmash of references, without feeling uninspired. or lazy. Everything is fun and has its own tradition to develop and explore.
Jim Terry’s artwork is fun, slightly cartoonish, yet a strong enough effort that it never felt underproduced like many indie horror comics. Sometimes it feels a little too well done rather than leaning into a glorious schlock. Finely illustrated panels and layouts give it a slightly cinematic feel and energy, and its pace never stops. His work helps the already strong script really shine. And as awesome as Triona Farrell’s color work is, it would have been a lot of fun to get some muted tones and distortion on the pages to give it a real cheap film grain look. But that’s just picking. Everything is superb and fits perfectly with the story that Campbell and Seeley have decided to tell.
I was pleasantly surprised throughout most of this issue, it didn’t quite go the way I expected. Took risks in some areas, while playing it safe in others. I wish it had hit more grit and gore, but it’s still a fun, violent, smartly made vampire thriller. It doesn’t break new ground in vampire lore or the horror genre as a whole, so those familiar with these things shouldn’t expect to be rattled, but it’s safe to say it’s a read fun and a stronger premiere issue than even the most seasoned fans might expect.
Final Verdict: 7.5, A gory, fun vampire game with some solid twists that even the most jaded horror fan might not see coming.
The number of Americans filing for first time unemployment benefits fell to 166,000 last week – the best reading in more than 50 years and one that shows a labor market that has essentially recovered from the two-year shock of the coronavirus pandemic.
The number, reported by the Labor Department on Thursday, compares to a revised figure of 171,000 last week.
The four-week moving average was 170,000, down 8,000 from the previous week’s level.
However, the government has revised the way it estimates seasonality in the data, which it says could lead to larger one-off revisions than usual.
Economic political cartoons
Still, the reading will do nothing to dissuade the Federal Reserve from raising interest rates at a hasty pace throughout the year as it shifts from prioritizing jobs to fighting inflation. .
This process is already underway, with the central bank raising interest rates by 25 basis points last month and markets forecasting a 50 basis point hike next month and in June.
The Fed is also expected to start reducing the $9 trillion it has on its balance sheet, at a monthly rate of $95 billion starting in May.
Both of these measures should have the effect of tightening the money supply and making borrowing more expensive, thereby slowing the economy.
“As the Fed reduces its bond holdings, the Treasury will need private investors to buy more government bonds to refinance federal debt and fund new borrowing,” Comerica’s chief economist wrote Wednesday. Bank, Bill Adams. “All other things being equal, an increased supply of bonds tends to lower bond prices and raise bond yields. But, while monetary policy will push up long-term interest rates, the business cycle will lower them.
“Economic growth will slow as inflation eats away at consumers’ purchasing power and businesses finish restocking,” Adams added. “Oil prices will likely stabilize once the Russia-Ukraine conflict subsides. As economic growth slows and commodity prices come back down, wage growth and inflation are also expected to slow. factors should mainly offset the reduction in the size of its bond holdings by the Fed, limiting the rise in longer-term interest rates.
Kate Walsh returns to Grey’s Anatomy. Walsh announced on social media on Wednesday that she would return to the long-running ABC series as fan-favorite Dr. Addison Montgomery in the next episode on May 5. Walsh first appeared as Addison, the ex-wife of Derek Shepherd (Patrick Dempsey) in the Season 1 finale.
“I’m back in uniform and that can only mean one thing…” Walsh captioned a video of herself that she shared on Instagram. She did not share specific details about the upcoming appearance.
After creating the character in Season 1 of Grey’s, Walsh continued the series through Season 3 before moving on to headline his own spin-off, Private Practice. This series ran for six seasons on ABC between 2007 and 2013. Walsh has previously appeared on Grey’s previously this season, after showing up for a two-episode arc in February. This arc saw Addison return to Seattle to perform a groundbreaking uterine transplant and finally make peace with Derek’s death.
Created by Shonda Rhimes, Grey’s Anatomy is currently in its 18th season on ABC. The series debuted on March 27, 2005, and is the longest-running scripted primetime show currently airing on ABC. The network recently revealed that the long-running medical drama will wrap up its 18th season with a two-hour finale on Thursday, May 26 at 8 p.m. ET. The series was renewed for season 19 in January after series star Ellen Pompeo signed on for at least one more season. Pompeo, Chandra Wilson and James Pickens Jr. are the only three cast members on the show to star in all 18 seasons.
“Grey’s Anatomy is a real phenomenon, appreciated by audiences around the world. Whether they catch it live on ABC, stream it on Hulu or stream it worldwide on Disney+ or Star+, it’s clear fans can’t get enough of Shonda Rhimes’ brilliant creation.” said Dana Walden, President of Entertainment, Walt Disney Television, in a press release, “We have tremendous confidence in Shonda, Krista Vernoff, Ellen Pompeo and the entire creative team to unlock new, never-before-seen stories that will continue to focus on modern medicine, to tackle the issues that shape the world around us, and to resonate deeply with loyal fans for years to come.”
“I couldn’t be more excited that we can continue to tell the stories of Meredith, Bailey, Richard and all the other doctors at Gray Sloan Memorial for another season,” said Grey’s Anatomy designer Shonda Rhimes. “It’s a true testament to Krista Vernoff, the cast, the crew and all the writers who keep audiences hooked week after week. And it wouldn’t be possible without the generations of incredible fans who have supported Grey’s Anatomy for so many years.”
“Grey’s Anatomy has a global impact that cannot be overstated. Grey’s touches, and sometimes changes, hearts and minds around the world through the depth of connection people feel with these characters,” said executive producer and showrunner Krista Vernoff. “I’m excited to work with our amazing writers to imagine where we go from here, and I’m forever grateful to our partners at Disney and ABC for enabling us to tell bold stories with real impact.”
Grey’s Anatomy stars Ellen Pompeo as Meredith Grey, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Kim Raver as Teddy Altman, Camilla Luddington as Jo Wilson, Caterina Scorsone as Amelia Shepherd, Kelly McCreary as Maggie Pierce , Chris Carmack as Atticus “Link” Lincoln, Jake Borelli as Levi Schmitt, Richard Flood as Cormac Hayes, and Anthony Hill as Winston Ndugu. Rhimes serves as the series’ executive producer. Betsy Beers is also an executive producer. Debbie Allen, Meg Marinis and Mark Gordon serve as executive producers, along with Ellen Pompeo for season 19, with Zoanne Clack serving as medical advisor and executive producer. ABC Signature, part of Disney Television Studios, produces Grey’s Anatomy.
DETROIT (AP) — Toyota customers will soon no longer be eligible for U.S. federal tax credits for the purchase of electric or hybrid vehicles.
The automaker expects that before the end of June it will hit a cap of 200,000 vehicles on credits, Bob Carter, head of Toyota’s North American sales, said Wednesday. After that, the credits will be phased out over the next year, reaching zero, as Tesla and General Motors have done before.
The lack of credits is problematic for automakers switching from petroleum vehicles to batteries in a bid to reduce emissions, meet government fuel economy standards and fight climate change. Nissan is about 30,000 vehicles away from hitting the cap, with more to follow as more electric vehicles are introduced.
Tesla, the world’s top seller of electric vehicles, and GM are already at a price disadvantage to other automakers without the credits, and Toyota soon will be. Additional tax credits for electric vehicles are included in President Joe Biden’s Build Back Better spending bill, which is stalled in Congress.
Toyota hit the ceiling largely by selling plug-in gasoline-electric hybrid vehicles. The company’s RAV4 Prime small plug-in SUV with 42 miles of electric range nets the buyer a $7,500 credit, the largest available. The Prius Prime plug-in, with 25 miles of electric range, gets $4,500. Toyota had previously offered an all-electric RAV4, but it didn’t sell well and was cancelled. It’s rolling out an all-electric model called the bZ4X this summer with 250 miles per charge.
The Build Back Better bill would give electric vehicle buyers a $7,500 tax credit through 2026 to boost sales. But the following year, only electric vehicles made in the United States would be eligible for the credit. And the base credit increases by $4,500 if the vehicle is manufactured in a US plant that operates under a union-negotiated collective bargaining agreement. Only GM, Ford and Stellantis vehicles would qualify.
Carter, in a conference call with reporters, said Toyota had lobbied against the extra credit only for unionized factories, calling it unfair to nonunion workers. “It just has to be a level playing field,” Carter said. “We are not anti-EV credits.”
Democrats backing electric vehicle credits from the United Auto Workers say supporting union jobs is good for the economy and communities because unions have helped build the middle class.
GM CEO Mary Barra said automakers that offer electric vehicles early shouldn’t be at a disadvantage.
Restoring appropriations is “an issue that Congress really needs to address,” Carter said.
Toyota plans to offer 30 fully electric vehicles from its Lexus and Toyota brands by 2030.
Copyright 2022 The Associated press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
The first dubbed cartoons began in 1950, and since then the dubbing field has been filled with talented actors. A good voice actor can add more to their character than personality and life, a good voice actor can play more than one character and still make each one entirely distinct.
Related: The 10 Most Confusing Anime Shows, According To Reddit
Often, that’s exactly what voice actors need to do – add distinction to a limited voice pool. Dubbing is a very fast-paced industry where one person can star in dozens of projects a year, which makes it very different from live-action work, which might see an actor on a single project for years at a time. But who are the most common, prolific and famous voice actors?
ten Tara Strong – 1,331 roles
Tara Strong is a leading comedienne who has worked in the animation industry for over two decades. After his early debut in the 1997 series The New Adventures of Batman as Barbara Gordon, she found a home for herself working in animation. She began working largely with Cartoon Network soon after.
Strong is best known for her vocal flexibility, voicing many cute and bubbly characters, as well as darker, raspier-voiced ones. His most iconic roles are Bubbles from The PowerPuff Girls and Raven from the original Teen Titans series. With over 1,000 voice roles behind her, she continues to shine in television, film and video game roles.
9 Rob Paulsen – 1,332 roles
Like Yakko’s voice in the Animaniacs, Rob Paulson began a lifelong role that continues to provide him with a steady paycheck. That said, Rob isn’t resting on his laurels, continuing to provide voices for over 1,000 characters.
Paulson’s career spans over 40 years, allowing him to build a truly impressive record of characters and roles. From Pinky and the Brainis pink to Teenage Mutant Ninja Turtleis Donatello and Raphael (in different series), Paulson is one of the most prolific voice actors today.
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8 Seth Green – 1,354 roles
While many fans might recognize Seth Green more easily for his role as Oz in buffy the vampire slayer or Scott Evil in the Austin Powers series, he spent much of his adult career building a solid repertoire of voice acting roles. His biggest role to date is that of Howard the Duck in the Marvel Cinematic Universe and What if…?.
Related: 10 Best Movies Based On Anime TV Shows, According To IMDb
Outside of this major role, Seth Green has nurtured a love of geekdom via Robot Chicken, which he co-created and plays with friends Matthew Senreich and Mike Fasolo. Many of his recurring voice roles come from this sketch-and-bit-based show, but Green has also been a longtime voice actor on american dad with another famous Seth: Mcfarlane.
7 Fred Tatasciore – 1,602 roles
Fred Tatasciore is unique for being a voice actor who voices video game characters more frequently than animated films and TV shows. Tatasciore’s tendency for explosive, masculine voices has landed him many roles in the video game industry, but perhaps most notable is that he voices Soldier 72 in Monitoring.
Beyond that, Tatasciore is a favorite of someone at Warner Brothers, having voiced many looney tunes characters over the years. In the most recent Looney Tunes Cartoons series, he voiced Yosemite Sam, Taz the Tasmanian Devil, Sam the Sheepdog, and other iconic characters.
6 Gray DeLisle/Griffin – 1,925 roles
Gray Delisle, who is sometimes credited as Gray Griffin, is a very distinctive voice actress that many fans of Avatar: The Last Airbender and Fairly Odd Parents would call recognizing. However, her range of voices and roles spans from the late 90s to today, and she has many roles that show off her incredible skills.
Since 2001, Delisle has been the main voice of Daphne Blake in most animated films. scooby-doo movies and TV shows. Additionally, she is one of the few voice actors to voice both DC and Marvel characters, being a frequent voice behind Catwoman and Captain Marvel in numerous films and video games.
5 Frank Welker – 2,048 roles
Frank Welker has shaped a career throughout his life and, at the age of 76, has created one of the greatest repertoires of voices and roles in existence.
Frank was one of the most recognizable voices in the scooby-doo franchise from the very beginning as Fred Jones, ceding the role to another only twice: in the 1988 series A puppy named Scooby-Doo in which the character was a child, and in the 2020 film Scoob! in which the studio opted for famous voice actors. That said, he’s voiced the titular Great Dane since 2002, including in the 2020 film. Outside of that role, he’s also very notable for his frequent appearances as Megatron in various Transformers animated series.
4 Tom Kenny – 2,078 roles
Tom Kenny’s voices are as iconic as the characters attached to them. As the voice of the titular character in Sponge Bob SquarePants, Tom Kenny provided an immense amount of personality and comedy to an already well-written and well-created show. Kenny has voiced the sponge in every film, television, and video game appearance.
But beyond his iconic portrayal of Spongebob, Tom Kenny has also voiced a number of other well-known characters, ranging from the Ice King to adventure time to the heroic dragon of spyro series. His recognizable nasal voices are just as well done as his deeper voices.
3 Jeff Bennett – 2,096 roles
Jeff Bennett is one of the most chameleon voice actors, adapting many different inspirations to his vocal repertoire. From his longstanding representation as a leader of Johnny Bravo to the man in the yellow hat in the animated film Curious George movies and shows, Bennett’s voice is as flexible as the medium itself.
Related: The Best Animated Movie From Each Of The Past 10 Decades (According To Letterboxd)
With over 2,000 roles behind him, Bennett has had a busy career. His first role was in the james bond jr animated series in 1991, and it exploded onto the scene afterwards. Unlike other voice actors, he hasn’t had as many long term stints with particular studios, bouncing from Disney, Cartoon Network and others.
2 Trey Parker – 2,131 roles
Trey Parker is uniquely positioned in the voice acting realm with his personal control over his own roles. As co-creator of South Park, Trey was originally responsible for providing most of the voice acting for the series. It may be surprising to consider now, but the low-budget series didn’t have much behind it, initially.
But since 1997, Trey has built his unthinkable number of voice roles, and he’s imitated, created, and satirized voices of all kinds through it. But that’s not the only source of his voiced roles – Parker has also produced and/or starred in a number of animated films, including his most notable role as the villainous Balthazar Bratt in Despicable Me 3.
1 Dee Bradley Baker – 2,296 roles
Perhaps the most diverse and prolific voice actor of all time, Dee Bradley Baker has racked up over 2,200 roles over his 30-year career. His very first experience was storytelling for the show Legends of the Hidden Templeas well as the voice of the rock god Olmec.
Since then, Baker has provided voices for star-studded productions and small animated shows. His hosting career began with Cow and Chickenvoicing the titular character’s father, but he quickly rose to voice actor stardom when he voiced Daffy Duck and Taz in the first space jam movie. Today, it is most often heard as the voice of animal characters, such as Eagle the eagle in Peacemaker or the Hammond hamster in Monitoring.
Next: 10 Great TV Voice Actors Who Deserve More Credit
following The Big Bang Theory: 10 Quotes That Prove Howard Was the Smartest
About the Author
Linden Hicks (25 articles published)
Linden is a creative writer with a passion for stories in all forms: video games, books, movies and TV, or just chatting with friends. He is an avid book buyer and wants to read someday. Linden likes to take his favorite things too seriously and then step back and poke fun at himself. His professional work has been diverse ranging from medical scribe to marketing so far.
Georgia wide receiver Dominique Blaylock is back healthy, finally. Two knee injuries have dogged him for the entire 2020 season and much of 2021, when he saw limited action, playing four games and making two catches.
Blaylock helped the scout team with practices last season. Blaylock had 18 receptions for 310 yards and five touchdowns as a rookie in 2019, before the first torn ACL ended his season in the SEC Championship Game. His 2020 season never started due to the second knee injury. But now Blaylock feels good and feels fast.
In a quick chat after practice last Thursday, Blaylock, the son of former longtime NBA point guard Mookie Blaylock, talked about last season, playing other sports, cooking and much more. Here is part of what he had to say:
Frisian: How often do you think about what this team accomplished in 2021? Is it an everyday thing or do you have to forget about it as you move on and prepare for next season?
Blaylock: It was obviously a great experience to win a national championship. Beyond the fact that we won a national championship and now it’s a new season, and obviously a lot of people have left and we have new guys coming in, it’s hard to get past the fact that we won a national championship because it hasn’t happened for a long time, but we have to know that it’s a new season and we have to think about it.
Frisian: How was last season for you, when you couldn’t be there as you would like?
Blaylock: One of my big roles on the team last year most people probably don’t like being a scout but I would go to the scout team last year and go have fun the low. I would try to give them (the defense) the best look to help them see what they are going to expect in the national championship or before the Michigan game. I just tried to play a big part in the scout team and help the defense.
Frisian: What other sports did you play growing up? What were you good at and what were you maybe not so good at?
Blaylock: One sport I liked to play was baseball. It was always fun and I was going to play ball in the yard once in a while, and I was going to swing a bat once in a while. I also played golf, golf is great fun. They were probably the two main ones.
Frisian: Considering your father’s playing career, was basketball ever part of your sports?
Blaylock: Basketball was not a sport I was very good at. I always shot the ball and always the airball, so that this sport would not be transmitted to me.
Frisian: Who’s the funniest guy on the team this year?
Blaylock: jackson meeks is a funny guy. He’s the funny one of the bunch (wide receiver).
Frisian: What’s the value of having someone funny around you who can keep things light during the long grind of a season?
Blaylock: I guess the thing we always talk about is the connection, and it’s always good to joke around with the team and the players here. If you have a good connection within the team, you will always be a good unit and you will have good communication within the team.
Frisian: What could you eat every day and never tire of it?
Blaylock: It would probably be spaghetti, spaghetti and meatballs.
Frisian: How are you in the kitchen?
Blaylock: I can make eggs but that’s about all [laughs]. I usually put some cheese in it and maybe some turkey, then after that I splash some hot sauce on it.
Frisian: When you think back to the player and the person you were when you arrived in Georgia, how much have you changed in the last few years?
Blaylock: I could say I’m still the clumsy kid I was back then. I still watch cartoons every day – I never watch regular TV shows, like reality TV, but I usually watch Cartoon Network or something like that.
Frisian: What are your favorite cartoons?
Blaylock: “Adventure Time” is one of them, it’s a good one, and “The Regular Show” is another. They are two good ones.
Frisian: If you could be good at anything for a day, just to experience it, what would it be?
Blaylock: If I could be really good at animation, like cartoons, I’d love to do it. I wish I could do movies or TV shows like them. I think that’s a really cool thing.
(This Q&A has been lightly edited for length and clarity.)
Deputy director of sports communication Jean Frierson is the UGA Sports Team Writer and Curator of the ITA Men’s Tennis Hall of Fame. You can find his work at: Frierson Files. He is also on Twitter: @FrersonFiles and @ITAHallofFame.
Rachel Zegler, star of Steven Spielberg’s West Side Story, is currently filming Disney’s live-action movie Snow White in London. However, she still finds time to attend various awards shows, including the Grammys, where she offered a character update on the red carpet.
Zegler says this version of the film will focus on Snow White as the hero; “It’s an iconic cartoon, it’s 85 years old and Marc Webb, our director, is so dedicated to making a hero princess for his daughter. I really love that feeling, and I hope it carries over to the ‘eternity. When we do live-action versions of these Disney cartoons, where women are considered a little less than the male characters, I think it’s possible to be a princess and a hero and I like to be both.
In case you need a reminder, we had an action movie Snow White in 2012, which saw an armored version of the character (played by Kristen Stewart) fight on horseback, with a sword. Although the film was not critically acclaimed, this latest release won’t be the first time we’ve seen a “Snow White hero.”
Disney’s Snow White, as it will be known, has faced a few challenges, not the least of which was the fire that erupted recently, though luckily no one was hurt. Game of Thrones and Cyrano star Peter Dinklage has also criticized the making of a big-budget Hollywood movie in 2022 that features an outdated depiction of dwarfs.
Joining Zegler in the cast are Gal Gadot as the Evil Queen and Andrew Burnap as Jonathan. It is slated for release in 2023. Other upcoming live-action Disney movies include The Little Mermaid and Pinocchio.
While waiting for more news on Snow White, discover our ranking of Disney princesses.
A A four-storey house painted green near the main bus station on the outskirts of Baku is where Roza Huseynova and her children have taken refuge. “Before coming here, I thought there were no good people in this life,” says Huseynova, 38, who escaped an abusive marriage last year.
“But my children and I have learned to feel joy, to laugh,” she says.
The shelter is run by Mehriban Zeynalova, 66. “I would never have received an ID card on my own,” says Huseynova. “My husband would never let me change my children’s school.”
Domestic violence is estimated to account for 5% of crimes in Azerbaijan and femicides are on the rise, but a culture of secrecy means the true statistics are unknown.
“When a woman is beaten, she is expected to remain silent and not reveal her family secrets,” explains Zeynalova.
There is often nowhere to go. In 2010, the law required the creation of state-run shelters, but little happened. The State Committee for Family, Women and Children admits as much, while adding that even most of the 13 charity-run shelters do not meet the proper criteria.
Zeynalova’s house is painted light green, with a garden and walls decorated with cartoon characters. It now houses 60 women and children.
The kitchen and classrooms are on the ground floor with offices for social workers and lawyers above. Women and children have dormitories on the second floor, while the attic has been converted into a play and activity area.
Zeynalova has moved her shelter five times over the years and there have been setbacks. Restrictions on foreign funding for charities and other organizations introduced in 2015 nearly resulted in closure, but Zeynalova borrowed money to buy land and build the first two floors. Then she appealed for help on the shelter’s Facebook page.
“One person brought bricks, another sand, the third wood, etc. “, she says. “I sold my car and some stuff to pay the builders.” In September 2020, the shelter was finished.
Now, the International Organization for Migration is paying staff salaries, while Zeynalova is appealing for donations via Facebook for bills and food. She uses her own pension and the allowance she receives as president of the Azerbaijani Foundation for Assistance to Victims of Human Trafficking.
Zeynalova herself was homeless for seven years, two of them on the streets with two children aged seven and six.
After leaving her abusive husband, she lost all her money to fraud and then the roof over their heads was taken away when the friend the family had stayed with died.
“We stayed with another friend, but one day he had guests and wouldn’t let us in until they left,” she says. “We were outside in the cold, and my daughter asked if we were ever going to turn on our own lights.”
Zeynalova moved her family between the houses of friends and relatives, then they slept in hotel yards or in the entrance halls of apartment buildings. Baku, on the Caspian Sea and licked by the Khazrian icy north wind, is a cold city in winter.
“One day, the door of an entrance hall was not open, the wind was so strong that I kissed the children and I screamed,” she says. “I was so helpless. It was tough times.
Her daughter Elnura, now 33, remembers all the entrances where they hid and the benches where they slept.
“Once, a man invited us to spend a night at his house,” she says. “My mother was afraid, not for her but for us. We barely survived. I could collapse from hunger.
While married, Zeynalova was invited to a meeting of a women’s rights organization but did not dare to go. In 1998, she obtained a position as a project manager in the same group, dealing with domestic violence. She slept in the office with her son, Khalid, but Elnura went to live with her grandmother in Ganja, 300 km west of Baku.
“They put two chairs together and slept on them until mum got her first salary and bought some folding beds,” says her daughter, who will not see her mother for five years.
In 2002, Zeynalova had saved enough for an apartment and sent for Elnura. “For us, it was more than an apartment,” she says. “It was ours.”
“Not only did she get back on her feet, but she helped others. For me, she is an example of remaining human. Even though she tried to do everything on her own, she kept this sense of humanity, her willingness to help,” explains Elnura, legal consultant for the shelter.
Almaz Makhmudova, 44, arrived there last July. She suffered more than 20 years of assaults and insults until the day her husband was arrested for a stabbing and she took her chance to leave.
She is especially grateful for taking care of her children. “Once my husband hit my youngest son, Aydin, and his chin broke. Treatment is ongoing, although we need expensive surgery. Otherwise, when he grows up, he will be disfigured. They have found a good doctor and will also cover the costs.
There is a rehabilitation process for each newcomer and legal, psychological and medical assistance if needed.
“Some are reluctant to talk, withdrawing into themselves,” says Yagut Mammedyarova, 61, a social worker who has worked with Zeynalova for 25 years. “Or, some say one thing the first time we meet and another the next.”
When trust is established and the woman feels stronger, she is helped to find a job.
Afsana Hasanova, 30, started working in a grocery store while staying in the shelter and fighting for justice to order her husband, a gambling addict, to return her three children. She finally made it and Hasanova was able to leave the shelter a few months ago and rent an apartment nearby.
“This refuge is the main reason I survived,” she says. “My mind was a blank sheet of paper when I came here. They gave me a chance to write on this paper again.
Comedian Seema Golchha (49) is never alone on stage. The Kathmandu-based performer is usually accompanied by her trusted sidekick Jack Denials, a fuzzy blue puppet who is elderly, married and often quite rude. Packing his wry humor into almost every set, Jack complements (both visually and aurally) Golchha’s performance by adding layers to it through his antics. Their typical act, inspired by the daily events of the artist’s family life, includes lively conversations between the two. You’ll find that most of the time, Jack keeps interrupting Golchha as she tries to crack a joke. Jack, however, is not the artist’s only companion. Over the years – she has been performing for about 10 years now – Golchha has featured Darwin the monkey, Ali the alligator and other vent figures.
Look who’s talking To delve into ventriloquism was not his first choice. The artist mentions that her childhood dream was to become a cartoonist. Despite many obstacles – she comes from a common conservative family and was a housewife before becoming a stand-up artist – her vision, as well as her attempts to make storytelling interesting for the children of her family, have been a strong impetus for Golchha to explore. this world. “Being able to give a voice to a cartoon character felt extremely satisfying to me. Making people laugh and making them think the puppet is another person is an amazing feeling,” the artist shares.
Golchha has not only performed in his home country of Nepal, but also in India, Thailand and other countries. She fondly remembers her gig at New York’s Gotham Comedy Club, where she shared the stage with American comedy legends Jay Leno and Jerry Seinfield.
In his comfort zone Over the years, Golchha has managed to carve out a niche for herself in the South Asian comedy circuit and is also one of the few female ventriloquists in India and Nepal. “When I started, I worried about what my family would think of my actions and the repercussions of what I say.” She also shares that as a member of a joint family, before, she always faced unnecessary guilt due to her travel schedules.
Stand-up comedy is a male-dominated space, and being a comedian is never easy here. Golchha says that although she has received immense love and respect, she still feels underrepresented. “I feel like a lot of people are still willing to pay more for male comedians. I find that ridiculous. Women can be just as funny, if not funnier,” she adds.
Talking about her upcoming show at Chat Gully Studio, Hauz Khas Village on Wednesday, Golchha promises to tickle your funny bones. She mentions that the show will feature the infamous Jack Denials with his new puppet – “chill” Granny.
CHECK IT OUT WHAT: “Live in Denial”, a solo exhibition by Seema Golchha WHEN: Studio Chat Gully, Hauz Khas Village WHERE: April 6; 5:00 p.m.
Raising the bar for the economic agenda ahead of the 2022 election
Tuesday 05 April 2022
By MBUI WAGACHA More from this author
Candidates who avoid Kenya’s acute exposure to the risks of debt distress ignore the sufficiency of “letting someone else off the hook” that we could suffer a hard landing.
A collaboration between political leaders and the CBK must lead to actions that, although initially painful and unpopular, can put Kenya back on the path to long-term prosperity.
An economist friend is currently likening Kenya’s economic outlook to that of a character in Hemingway’s novel The Sun Also Rises. When asked how he went bankrupt, he replies – “Gradually…then suddenly.”
In the electoral commitments of 2022, the macroeconomic balance sheet of the economy and the policy-mix choices to be made (between taxation and monetary policy) are decisive.
Candidates who avoid Kenya’s acute exposure to the risks of debt distress ignore the sufficiency of “letting someone else off the hook” that we could suffer a hard landing. Strict policies are never everyone’s cup of tea. A collaboration between political leaders and the CBK must lead to actions that, although initially painful and unpopular, can put Kenya back on the path to long-term prosperity.
THE CURRENT EVITE IS HIDING THE TRUTH: The economy must be rebuilt to revive growth and employment. No promises will change the image of the Standard, Saturday March 26, 2022. He captured in a cartoon a decrepit Kenya in the guise of a car stalled high on a tree.
To lower it and start pushing it into a garage, I suggest priority repairs at two speeds: a coordinated policy-mix; and rebuilding the budget process.
POLICY MIX: Any sectoral outlook that COVID-19 has worsened will depend on the economic recovery, in turn, depending on the major macroeconomic pivots that we achieve. Long-term evidence shows that in recovery, positive results can emerge with political credibility, as demonstrated by Kibaki’s presidency during the 2002-2011 period.
Not to hurt Uhuru’s credit for implementing the 2010 Constitution and decentralization, Kibaki fixed a broken economy not once but twice. On his table fell two main macro-political crises.
Moi’s handover of power in 2002 contained an economy plundered for 24 years by (Uh-huh…you guessed it) power based on dictatorship, money and ethnicity.
Picking up an economy buried up to its neck in public debt – a 64.1% to GDP ratio with much of the borrowing wasted or stolen, Kibaki’s main objective was to reduce debt, increase GDP and rebuild tax revenues through the resulting increase in production.
When the global financial crisis of 2008-2009 threatened his recovery trajectory, he delivered a lesson on how to rebuild an African economy from the ashes towards growth and jobs again.
Both phases used standard macro-policy tools. In the latter case, it was a relaxation of fiscal and monetary policy.
The year 2022 brings us back to the drawing board. Kenyans must speak out against the mediocrity of leaders who falter in creating a macroeconomic policy path that can get us out of the current economic mess.
Extreme repairs and extreme skills are needed to save the economy. Appointments of high officials in a big government based on patronage are a no, no, no matter how passionately the leaders wish to buy a voiceless acquiescence.
Certainly, no, no to the government that shuns Kenya’s abundant (and necessary) meritocracy and expertise.
Kibaki left the current regime with a public debt of 1.89 trillion shillings (less than 40% of GDP, having reduced it from Moi’s 64.1% of GDP).
Moi having smashed the GDP growth rate to 0.5% in 2002, Kibaki raised it to 8.4% in 2010 and funded around 90% of the national budget through the national treasury. This ruled out loans from the Bretton Woods institutions or the Eurobond.
Under the current regime, gross public debt has increased to around 79% of GDP by the end of 2021. Public debt has soared to 8.59 trillion shillings, up 6.7 trillion shillings, or more than 354% of the public debt that Jubilee found in Kibaki’s books.
Even taking into account inflation and COVID, if debt had really been applied to maximize production, Kenya would be doing much better today. But the Auditor General’s audits and the unanswered debt questions – Eurobond, SGR, Pandora saga, etc. – are riddled with questions suggesting leaks.
These entrust Kenya’s future generations with debt repayment without the benefits of the debt spent to expand our economic frontier.
In the past, I have shown in this column how the policy-mix between the budgetary component and the monetary component was articulated in each of the Kibaki crises, and how it succeeded in restoring growth to the private sector. How to discover the appropriate and relevant policy mix for 2022?
There are a limited number of options based on current economic weaknesses. Kenya’s highly unsustainable fiscal deficit must be reduced while reversing the crisis/recession that threatens long-term prospects.
An appropriate policy corresponds to the choice of a strict budgetary policy and a reduced government.
We have a GDP gap (uncaptured potential output through 2022 and 2023) and room for innovative fiscal consolidation while launching looser monetary policy in a mix that eases deficit pressures while shifting the government output growth to the private sector, i.e. rebuilding private investment and a measure of consumer spending to replace big government spending.
For this, we need to strengthen and work with a monetary authority (CBK) whose monetary policy transmission margin has itself been compromised by FinTech.
Capital injections from outside take a large share in regulated commercial banks, undermining liabilities that should help intermediation (not short-term borrowing for gambling). Lending can be extended to the private sector and adjustment to a sustained deficit can be achieved.
However, we must avoid an IMF-style counter-policy-mix that tightens both fiscal and monetary policies. It would be totally inappropriate, a double error worsening the economic slump, reducing investment and consumer spending. It’s called austerity.
Historically, the power of the above combination – looser monetary policy and tighter fiscal policy – has been strongly demonstrated by Democratic Party Chairman Bill Clinton in the United States. He found in his US presidency in 1992 a historic budget deficit of 4.5%, the second highest in the United States since World War II.
He had turned the deficit into a surplus in 1998 in a strategy of fiscal tightening aided by the monetary easing of Alan Greenspan who headed the Fed.
Demand has effectively shifted from government spending (or former Republican President Reagan’s tax cuts) to increased private sector investment and consumer spending to spur growth, jobs and increased income. Public revenue.
It is therefore a “changing” policy mix whose main effect is to shift the dynamics of production from the government to the private sector.
A different mix applies if the coming regime were to target and succeed with policies triggering a foreign direct investment boom. The government is cutting taxes, increasing concessional borrowing and even county transfers and at the same time helping domestic and foreign investors to drive the investment boom.
The job of the CBK in this case is to raise interest rates to combat the resulting inflationary pressures.
Because, in the face of capital inflows, the effect of a relaxation of public expenditure, in this case, is to channel and induce expenditure which “permits” to stimulate the demand for goods and services, from which it draws revenues to start solving its public debt crisis. Growth, employment and sustainable public finances would follow.
The potency of this blend has been demonstrated in Germany and the United States. It is a compromise between growth and high interest rates. During a large investment boom and/or large fiscal transfers (such as county revenue allocations), economic activity, employment and growth increase, but this could initially fuel pressures on the inflation and the budget deficit.
To dampen inflation, the central bank is tightening its monetary policy. German unification while in EMS was the best example. From the early 1990s, unification transfers and the investment boom in the two Germanies fueled demand/production in both areas.
The Bundesbank tightened its monetary policy and Germany was briefly left with strong growth and high interest rates. In a similar interaction during the 1980s, the Reagan/Volcker policy mix rejuvenated growth in a triumph of political and economic leadership where the Fed raised rates to counter inflation.
CONTROL OF PUBLIC FINANCES AT THE PO: An urgent priority is to control the haemorrhage of public finances. In a presidential system, budget execution is normally aligned with the pre-election agenda.
Budget execution is also aligned with the winning presidential candidate. This is why a Parliamentary Budget Office (PBO) exists to engage on the budget with the President.
The absence of an Office of Management and Budget (OMB) remains a monumental shortcoming in the presidency, with the result that the president laments the theft from public coffers at the rate of 2 billion shillings a day remotely while ‘He’s lost for answers and powerless to stop the rot.
To his credit, he filed a solution on November 23, 2015, endorsing an OMB thus:
“I instruct the chief of staff and head of the civil service to design a management and budget office under the presidency. The Presidency will produce a President’s Budget in conjunction with the Parliamentary Budget Office,” adding,
“This will ensure that I drive priorities, oversight and reduce influence peddling in budgeting as ministries and departments focus on implementation and service delivery. , that we in government should take better care of your money before asking you for more taxes.
On this week’s episode of the AIPT Movies podcast, Alex, Tim and Matt discuss the infamous French-Belgian body horror film, Titan! Is the film even weirder than expected? Is well-publicized mechanophilia just the tip of the iceberg? Additionally, the Oscars aired on March 27, and although AIPT Movies *sent* a special correspondent, they were unable to broadcast the ceremony live due to an unfortunate mix-up. Does the Special Envoy have any juicy behind-the-scenes details to share after the fact? Finally, Alex’s next film, Ninja 4: In the NinjaVerse, officially having version issues. Can Alex get real answers from one of his mysterious Producers? Listen now to find out!
The AIPT Movies Podcast brings you the latest movie news, reviews and more! Hosted by supposed “industry veterans” Alex Harris, Tim Gardiner and Matt Paul, the show gives you a behind-the-scenes look at three filmmakers with strangely non-existent filmographies. You can find Alex on Instagram and Twitter @alexharriscomix. Matt is a great artist who you can find on Instagram @no_wheres_ville. Tim can’t be found on social media because he doesn’t exist. If you have any questions or suggestions for the AIPT Movies team, you can contact them at [email protected], or you can find them on Twitter @AIPTmoviesPod.
You can find AIPT movies on Apple Podcasts, Spotify or wherever you get your podcasts. As always, if you like the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!
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fans of the Percy Jackson book series have been asking for a new show or movie for a long time. Finally, years after both feature film adaptations were met with mixed responses, the Percy Jackson franchise goes on television. Author and franchise creator Rick Riordan is working with Disney+ to develop Percy Jackson and the Olympians, an ongoing series that may follow several different book stories. As the start of production this summer draws closer, we’re getting some info on the show itself, including how many episodes will arrive with the first season.
Over the weekend, Riordan posted a new blog post on their website, talking about location scouting and designs for different things on the show. Pre-production is clearly in full swing. In the post, Riordan gave an update on the progress of the scripts, revealing that there will be eight episodes in total in the first season.
“Script work is also progressing well,” Riordan wrote. “We have almost completed the scripts for the first four episodes and are hard at work on the remaining four for the first season.”
Some fans were disappointed with the outcome of both Percy Jackson movies, but Riordan continued to assure fans that this series isn’t following the same path. According to the writer, it will be worth the wait.
“Having everyone together to align our visions for the show has been extremely helpful, and I think a lot of the confusion has been resolved (speaking for my own confused self, anyway!). The good news is that leadership is “all inclusive,” as they said, about doing this show and doing it right. A lot of them also have kids who grew up with Percy Jackson, so they get it,” said revealed Riordan last year. “They understand that there are millions upon millions of you waiting anxiously to see Percy Jackson come to life in a new way. We felt supported and heard, and I’m more confident than ever that this show is moving forward as it should. You have all made a difference. You always do. Showcase on social media, share your excitement for the show: Disney sees you. They heard you and they want to do good with you Percy fans. That, for me, is the number one priority, so I’m happy!”
Are you excited for the Percy Jackson series on Disney+? Let us know in the comments!
Beloved comedic actress Estelle Harris died at the age of 93. His son confirmed the news in a report to Deadline, and he was happily with his mother in her last moments. The actress died of natural causes at her home in Palm Desert, California. Most audiences would recognize Harris for her work as Estelle Costanza on NBC Seinfeldalthough she more than likely impressed viewers of all ages in one project or another.
Harris is survived by three children and three grandchildren. She started acting once her children grew up and she was often dubbed “the queen of commercials”. Her son, Glen, issued the following statement to announce the passing of his mother:
COLLIDER VIDEO OF THE DAY
“It is with the greatest remorse and sadness to announce that Estelle Harris passed away tonight. [April 2] at 6:25 p.m. Her kindness, passion, sensitivity, humor, empathy and love were virtually unmatched, and she will be terribly missed by all who knew her.”
Unparalleled is a great word to use to describe her humor and passion for her craft, as the actress has often left viewers angry with her work. She appeared in a few movies before Seinfeldwho understood Once upon a time in America and Stand up and deliver.
Related: The Best ‘Seinfeld’ Supporting Characters, Ranked
His television son Jason Alexander took to Twitter to honor her legacy, saying “one of my favorite people has passed away – my TV mom, Estelle Harris. The joy of playing with her and savoring her glorious laugh was a treat. I adore you , Estelle. I love you and your family. Serenity now and always.
Guest roles on various TV shows also make up a big part of his resume, with Harris appearing on shows like night yard, Married with children, Law and order, Crazy of youand Star Trek: Voyager. She was also a prominent comedian, appearing as the voice of Mrs. Potato Head in all three toy story suites, with toy story 4 serving as his final role. This did not mark all of her collaborations with Disney animated projects, as she also voiced characters in Kim possible, The proud familyand Timon & Pumbaa. Younger fans will also recognize her as the maid Muriel from The Suite Life of Zack and Cody.
Thank you Estelle, for always making us smile and laugh.
Chris Pine Explains Why ‘Star Trek 4’ Shouldn’t Chase Marvel and Tell a Smaller Story
About the Author
John Lutz (176 articles published)
John Lutz is a weekend TV and film news writer for Collider. He joined the team in the summer of 2021, but has been an avid fan and follower of the site for years. With a bachelor’s degree in journalism, John has always enjoyed writing, particularly for film and television, going so far as to do a minor in film studies. He manages all written content for the independent Post-Credit Brews podcast, in addition to being a co-host. John is an avid fan of MCU, action, and sci-fi films, but also appreciates a good thriller or the work of a true film auteur. His passion extends to television as well, and he’ll cause a riot if Bob Odenkirk doesn’t win an Emmy Award by the end of Better Call Saul’s run.
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This Saturday, Brett Hamil will be at the Fantagraphics bookstore in Georgetown for a signing session on the occasion of the release of his first graphic novel, “SK8 DAD SUMMER”. He will also sell and sign copies of “Bye Bye Teargas Jenny” and other comixes.
The South Seattle Emerald is committed to maintaining space for a variety of viewpoints within our community, with the understanding that differing viewpoints do not negate mutual respect among community members.
The opinions, beliefs and views expressed by contributors on this website do not necessarily reflect the opinions, beliefs and views of Emerald or the official policies of Emerald.
Brett Hamil is a writer, cartoonist and performer living in Seattle’s South End. He produces the weekly comedy show Syndicate of jokers and the political comedy talk show The Seattle Process. The Seattle Weekly (RIP) once called him “the city’s premier political comic.”” You can now order the first-ever Best of Sunday Comix collection, “Bye Bye Teargas Jenny”, 60 pages of cartoons covering the last two years of resistance, copaganda and liberal co-optation, at BrettHamil.BigCartel.com.
Before you move on to the next story …
Please consider that the article you just read was made possible by the generous financial support of donors and sponsors. The Emerald is a BIPOC-led nonprofit news outlet with the mission of offering a wider lens of our region’s most diverse, least affluent, and woefully under-reported communities. Please consider making a one-time gift or, better yet, joining our Rainmaker Family by becoming a monthly donor. Your support will help provide fair pay for our journalists and enable them to continue writing the important stories that offer relevant news, information, and analysis. Support the Emerald!
Disney Animation shares a side-by-side comparison of the original Encanto storyboards and the final product of “The Family Madrigal.”
Disney Animation has shared a look at some of the original storyboards from Encanto. The film, released in theaters on November 24, 2021, is the 60th feature film from Walt Disney Animation Studios. It follows Mirabel, the brave young girl of the Madrigal family, a magical family in a fictional Colombia, who all receive a magical gift – except for Mirabel. When the family and their home begin to lose their magic, Mirabel embarks on a quest to solve the problems at the center of her family.
Encanto was a mid-size box office hit, earning just over $250 million worldwide. However, it didn’t explode to its current popularity until it started streaming on Disney+ just a month after its original release on December 24, 2022. That’s when his original songs began appearing on the Billboard charts, with the set number “We Don’t Talk About Bruno” reaching No. 1 and becoming a go-to meme. The song was even performed at the Oscars despite not being nominated for Best Original Song (that honor went to the Spanish-language number “Dos Oruguitas”), with the Encanto-heavy ceremony culminating with the film winning the Oscar for Best Animated Feature.
VIDEO OF THE DAY
Related: Encanto Director Secretly Hinted Mirabel Got A Gift
On their official Twitter account, Disney Animation shared a video showing some behind-the-scenes magic on Encanto. This is a side-by-side comparison of the original storyboards of “The Family Madrigal” opening number and the final product of the actual movie. Watch the video below:
Seeing how much the animators had already worked on the world even when presented in much simpler sketch form without the characters being rendered in CGI is a sight to behold for the landmark film. The Head of History for Encanto was Jason Hand, who has worked with Disney several times in the past. It’s clear from the video above that by working in tandem with the animators, the story was able to come to life in such an imaginative and effective way, partly explaining why Encanto is such a sensation in the first place.
Additionally, Hand is a Disney veteran and, with him at the helm of Encanto‘s development, it makes sense that the story felt so completely formed even at such an early stage. They had many details already meticulously mapped out, right down to the iconic Mirabel glasses, which were drawn in color even on the largely black-and-white storyboards. It’s fascinating how once the full processing power of the Disney computers was added to the project, only minor things ended up changing, largely just the angle of the frame or which objects were on which side.
Next: Encanto: Each Character’s Power (And What They Can’t Do)
Encanto: each character’s power (and what they can’t do)
About the Author
Brennan Klein (766 articles published)
Brennan (he/him) is a senior writer at Screen Rant and a millennial who knows more about ’80s slasher movies than he has any right to. A former host of the Attack of the Queerwolf podcast, Brennan has been writing and podcasting about pop culture (especially horror movies) for a decade. Brennan’s interests also include the Muppets, worldwide bubblegum pop, and reading (particularly Jane Austen, Agatha Christie, Junji Ito’s manga, and magic realism novels). His favorite directors are Wes Craven and Pedro Almodóvar.
HBO Max subscribers are in luck this weekend with April, which means they have a great selection of new movies and TV shows to choose from on the streaming service. It will take viewers hours to sift through dozens of new movies and TV shows to choose from, which is why it’s essential to know only the best of the best. As a momentous awards season draws to a close, HBO Max has viewers covered whether they want to watch award-winning performances or standout visual effects. From biopics of treasured characters from history to sci-fi epics, here are the best movies and TV shows to watch on HBO Max this weekend.
Moonshot tackles fake relationships
When it comes to the romantic trope of fake relationships, Lana Condor just can’t help herself. Best known for her work in the To all the boys I’ve loved before trilogy, Condor returns to its young adult romantic comedy roots, but this time, in the space. The other half of this burglar duo is Riverdale‘s Cole Sprouse as a laid-back barista named Walt, who has an age-old dream of going to Mars, which isn’t so hard to achieve in Chris Winterbauer’s sci-fi world of Moon shot.
RELATED: It’s Time To Revive HBO’s Newsroom
Moon shot follows Condor’s character, Sophie, who is on her way to visit her boyfriend on a colonized Mars. When Walt sneaks into the space shuttle to visit his girlfriend, who is also on Mars, he assumes the identity of Sophie’s boyfriend to avoid being caught up in his scheme. For 35 days, the two have to share a bunker and end up exchanging flirtatious teasing. Anyone familiar with the trope knows where these situations lead, but regardless of its predictability, Moon shot is a fun space ride to get there.
Take champagne for death on the Nile
For fans of murder mystery movies, this is the perfect excuse to stick around on Saturday night. Death on the Nile acts as a sequel to the 2017 film Murder on the Orient Express and brings back the old-school genre that made Agatha Christie a household name. Kenneth Branagh returns as director and lead actor alongside Tom Bateman with an all-new cast, including Gal Gadot, Annette Bening and Russell Brand. The story may be a little lackluster, but its epic setting against the sandy deserts and pyramids of Giza makes up for it as Branagh’s character tries to uncover the mystery that cut short a couple’s honeymoon.
RELATED: Welcome to Derry: It Prequel Series in Development at HBO Max
Minx is having a feminist good time
Who knew HBO could get more erotic? HBO has definitely experimented with nudity in the past with game of thrones, Girls and even real detective, but never has a program been directly devoted to eroticism. With NaughtyHBO Max is taking a leap of faith and reminding subscribers that even though their service has Teen Titans and sesame streetthat’s not all for the kids.
Set in the 1970s, Naughty follows Joyce, who sets out to publish the first women’s erotic magazine with low-rent publisher Doug. The writing often backtracks in joke after joke, and the ’70s aesthetic strips away all the excessive genitalia that flaunts like a sundress in a shop window. But hey, what did people expect when they clicked on a show like this?
Julia is a delicious treat
HBO Max loves cooking shows, especially ones that feature celebrities, but what everyone really loves is a biopic on a cooking show. By telling the story of chef Julia Child, audiences can watch her rise to fame as she considers the world of television to be the next step in her career. The show was created by The Marvelous Mrs. Maisel producer Daniel Goldfarb, and it’s not hard to see the similarities between the two shows. Both series focus on women thriving in a time that is rooted against them. There are comedic moments here and there, but Julia manages to stay in her lane and not mirror Mrs. Maisel’s stand-up number. For gourmands in need of comfort, this is the show they need.
RELATED: Game of Thrones Prequel House of the Dragon Sets Premiere Date
Look deep into Tammy Faye’s eyes
Hot on the heels of Jessica Chastain’s first Oscar win, everyone should head to HBO Max and watch her eclectic performance in Tammy Faye’s eyes. Chastain stars as glamorous, eyelash beater Tammy Faye Bakker and depicts her journey from humble beginnings to her career as a televangelist. The Amazing Spider-Man‘s Andrew Garfield stars alongside her husband, Jim Bakker, with whom she created the PTL satellite network and a Christian theme park.
While the film is obviously heavy on religion and its impact on Tammy’s life and career, it also provides some behind-the-scenes insight into her life. There’s insight into her strained relationship with Jim, her arrest following a cheating scandal, her addiction to pills, and her support for the LGBTQ community. Over all, Tammy Faye’s eyes acts as a performance piece in the service of Chastain, who is swallowed up in wigs and heavy makeup, proving she deserved the Oscar long before this film.
Immerse yourself in the world of Dune
While Dunes isn’t necessarily a new movie on HBO Max, it’s still a movie people can’t help but rave about. Is it the influence of the novel on the science fiction community? Is it moviegoers who have a pretentious obsession with knowing the finer details of the movie’s overly complicated world? That doesn’t seem to matter in the grand scheme of things, as the Oscars gave him six wins. Clearly, director Denis Villeneuve did something right.
With a star-studded cast, including Timothée Chalamet, Zendaya, and Oscar Isaac, Villeneuve didn’t even have to try very hard to make this movie great, but he did it anyway. The film can be classified as an epic, with the synopsis of its hero’s journey and beautiful landscaping, but it also contains grounded character moments that stand out in the “volume” of the film. Even if the viewers do not fully understand what is happening in Dunesrest assured they will be sucked in by the visual aesthetic created by its award-winning score, cinematography and more.
KEEP READING: The Best New Shows on HBO Max (April 2022)
A Morbius Easter Egg Teases the Cinematic Debut of a Classic Spider-Man Villain
About the Author
Katie doll (128 articles published)
Katie is a writer and film and television enthusiast based in Tennessee. After earning a degree in creative writing and film studies, she looks forward to bringing her love for writing and film together through freelance writing. You can often find her watching her favorite TV shows and trying to start new ones (but sometimes failing) and ranting about movies on Letterboxd. Follow her on Twitter at @katiexdoll
Here is a very simple question. You don’t need a college degree to figure out the right answer, just common sense. Here we go: you have $305,000 in your budget to help solve the city’s homeless problem. One option is to hire three additional police officers to help evacuate these people from areas where they have pitched tents that protect them from the elements. That doesn’t solve the problem at all.
The other option is to take the $305,000 and use it to build at least 30 small houses on the city’s many currently empty properties, and offer them to people currently living in tents. Let’s do something useful, constructive and socially responsible with the money. Let’s start by looking for long-term solutions that are easy to implement and effective. We have a lot of people in this town who are able to set up simple structures. We have many large chain stores that could donate supplies and staff to guide volunteers. It’s time to go back to old Hamilton where things used to be and where City Hall wasn’t full of councilors whose middle name was NIMBY.
Message for smokers who litter
Thanks to Tyler Charlebois for his column in the March 24 Spec on cigarette waste in Hamilton.
Returning to Hamilton after years of working in Ottawa, it’s always a shock to see litter lying around in the streets, ditches and bushes. Am I the only one calling the town hall about this? Maybe it’s just an accepted part of life here. But those goddamn cigarette butts, as Tyler puts it, are particularly egregious.
I have rarely seen a smoker in Ottawa. I think they were ashamed to be seen smoking in public in this health conscious city. If you saw a smoker, you looked — it was like seeing a dinosaur! But in Hamilton, the message did not get through.
Smokers should be aware that it takes 15 years for each cigarette butt to decompose. So we see years of accumulated cigarette butts littering the outside of public buildings and along sidewalks. The leaching toxins affect countless other living things, including humans when they eventually enter groundwater.
If you’re a Hamilton smoker and don’t care about your own health, think about the environment you’re desecrating by your unconsciousness when you’re tossing. Not to mention the air pollution that this city just doesn’t need. Throw your cigarette butts in the trash and not on the ground.
Marion Shynal, Stoney Creek
Ford’s aspirations come first
Doug Ford has finally signed Ontario into the Canada Child Care Plan, the last province to do so! The delay in signing will deprive Ontario parents of certain discounts.
Parents will receive rebates in May, which is when Ford will campaign to be Premier of Ontario! What a disgusting display of Ford putting his second-term aspirations ahead of Ontario families.
Russell Pope, Stoney Creek
Bratina isn’t it
For the mayoral race in Hamilton, I know who I will not vote for. Bob Bratina presents himself as the veteran of the fund. I say no thank you. I vividly remember his time as mayor: deep division in council, dithering decision-making and visceral hatred for the TLR. How much did Hamilton lose because of his bad leadership without vision? It’s time to pass the torch to a new generation, one that is committed to public transit, cooperation and major projects. It’s not Mr. Bratina.
More MacKay locals please
For the past two years, I’ve hoped to see Graeme MacKay return to his mockery of local politicians. It was wonderful to finally see and appreciate his March 30 editorial cartoon, as he commented on Bob Bratina announcing his candidacy for mayor. Although I am glad that other Torstar newspapers have benefited from his state and federal commentary. I am delighted that he is once again allowed to make fun of our local politicians.
Your deaf and irresponsible
Scott Radley’s March 30 column is completely tone deaf and irresponsible. How could no one stop and think, “Should we use Russia’s invasion of Ukraine for heavy columns?” The answer is no.
People are dying every day. Major cities are attacked with missiles. Lives are destroyed.
War is not content, and this column tries to turn it into a kind of patriotic simile. I hope future coverage of the war in Ukraine will take a more compassionate approach.
Hell yes we would fight
Regarding ‘Would we fight like Ukrainians?’ (March 30): I’ve been asking myself this question and others since Russia invaded Ukraine 35 days ago. If Canada were invaded by a despot like Putin, would Canadians fight like Ukrainians? Damn yes! O Canada, we stand guard for you!
CHENNAI: Police officers of all ranks in Tamil Nadu have in the past cracked down on narcotics. Now, the Narcotics Intelligence Bureau – Criminal Investigation Department (NIB-CID) will employ two civilians in its fight against drug addiction: animated characters Tukker Pandi and DJ Rave. While Pandi will deliver dialogue from Rajinikanth and Vijay to urge people to stay away from drugs, Rave will speak specifically to young people, citing examples of movie heroes who have hunted down drug mafias. “Naan oru thadava rang, nooru thadava rang mathiri (If I say it once, it’s like saying it a hundred times),” Pandi says in one of the 40-second videos prepared by NIB-CID. Next, more addiction videos This reminds viewers of Rajnikanth’s punch dialogue. “Similarly, if you abuse drugs once, your 100 years of life are lost. So avoid drugs and live 100 happy years,” Pandi says, waving his dark glasses. While Pandi is dressed in a yellow shirt and veshti, Rave sports a punk look with spiky hair and pierced ears and eyebrows. “What is common in Vijay’s ‘Master’ movie and Ajith’s ‘Valimai’,” Rave asks. “No, it’s not Nayantara or Prakash Raj; these two heroes are fighting drug mafias. Join the battle against drugs.” The NIB-CID team has teamed up with animation experts and a social media team to come up with a series of these short videos with powerful messages using movie icons. “We cracked down on the peddlers; we thought these characters would help. We plan to come up with videos frequently, in addition to some memes on the subject,” said Mahesh Aggarwal, ADGP, crime. Rohithnathan Rajagopal, SP, NIB-CID said drug addiction is a silent pandemic.
I recently discussed which PlayStation games I would like to see made for TV, but you know what? It’s not my real heart, because even though I’m a huge Sony fanboy, my real heart belongs to Nintendo. This company has had its fair share of TV shows, including Pokemon (check out our list of the 12 best Pokémon from the original series, by the way), but also a number of other shows.
I count eight, in fact. Because if there have been other Nintendo cartoons adjacent over the years, like the awesome Dual Dragon and mega manI don’t consider them pure Nintendo shows, since these characters have appeared on other platforms. And, no, Sonic doesn’t count either, because even though it’s NOW on Nintendo platforms, if you’re a former 90s schoolmaster like me, then you’ll know that Sega and Nintendo were bitter rivals a the time.
So no. sonic cartoons do not be on this list. But you know what? I take back what I said earlier about mega mansince if the blue bomber did indeed have his own show, he was also on another, more Nintendo specific TV show too. Speaking of what…
8. Captain N: The Game Master (1989-1991)
I will give Captain N: The Game Master this (and only this): without it, we might never have had the awesome Sega Genesis title, child chameleonbecause the premise of this game is quite similar to that previous show: a teenager gets sucked into a video game and must save the day.
In this show, the teenager in question must face Nintendo villains like Mother Brain from metroid (which legitimately sounds like Audrey II from Little Shop of Horrors), King Hippo of Punch !!, and eggplant magician of Child Icarus. But fear not, as Captain N is aided by Simon Belmont from CastlevaniaMega Man from his titular series, Pit de Child Icarusand Princess Lana of, uh, Captain N: The Game Master.
You couldn’t make these characters less like their video game counterparts if you tried, though. I’ve already mentioned Mother Brain, but Simon Belmont is a pretty boy, Mega Man seems to smoke three packs a day, and Kid Icarus has this annoying tendency to add “icus” to the end of every sentence. Certainly, the series is cult, but it is mainly because of its faults, since Captain N is neither bad nor good, like the Powerglove. It’s just bad as bad. And it’s not good.
7. Donkey Kong Country (1997-2000)
donkey kong country is one of the first television series to be entirely computer generated, and guess what. This shows. The premise is simple: there’s a magical coconut that grants wishes, and Donkey Kong protects said coconut… That’s it.
It’s everything that surrounds this paper-thin story that puts this show so low on this list. Let’s talk about the songs first, because yes, there are songs on this show, and they’re not good. Like, at all. Then there’s the repetitive nature of each episode of King K. Rool trying to acquire the magic coconut, only to lose. That barely lasts for the series debut, let alone 40 episodes.
No, donkey kong country is by no means fun. And even though we’ll see DK in the next Mario movie again (isn’t it weird, by the way, that Donkey Kong is in the Super Mario Bros. movie?), that first misstep is a good indication of what do not to do with everyone’s favorite monkey in red tie.
6. Saturday Supercade (1983-1984)
Alright, I’m kind of breaking my own intro rule here, because Saturday Supercade included NON-Nintendo franchises like Trap!, Q*berand Frog cartoon segments, but I feel like I have to include it here because it also includes Donkey Kong (voiced by Soupy Sales!), Mario (voiced by Peter Cullen!), and Donkey Kong Jr. (voiced by Frank Welker!).
Honestly, the Donkey Kong and Donkey Kong Jr. cartoons were probably the best of the lot, although they really aren’t that great either. Saturday Supercade is old, and he feels it. Cartoons are all over the place like early 80s cartoons tended to be, and the games are so old you feel like you’re watching ancient history, which you kind of are. It’s by no means terrible, but it’s not incredibly compelling either. Its good.
5. The Adventures of Super Mario Bros. 3 (1990)
Give credit to the second Mario cartoon – at least it stayed pretty true to the source material. The Adventures of Super Mario Bros 3 featured in-game sounds, in-game objects, and the in-game Koopalings. In many ways, it was superior to the first Mario cartoon, Super Mario Bros. Super Show !
But, it was also missing a key element, which was that there were no live action segments. Of course, that shouldn’t matter in a ranking of the best Nintendos. cartoonsbut it is, because the live parts of Super Mario Bros. Super Show ! are probably ingrained in the minds of almost every Nintendo fan who has actually watched the series. (Seriously, ask anyone what they remember most from this series – the cartoons or the live action segments – and I’m pretty sure they’ll tell you the live action segments. ) Also, I don’t like Mario’s voice in this cartoon. No captain Lou Albano, no bueno.
4. Super Mario Bros. Super Show ! (1989)
Swing your arms, side to side. Come on, let’s play the Mario! The first Super Mario TV show is actually quite charming. Cartoons, which relate the adventures of the game Super Mario Bros. 2, are sandwiched between live-action segments featuring Captain Lou Albano as Mario and Danny Wells as Luigi. High quality art!
In addition, every Friday we also have episodes of The Legend of Zelda, which weren’t good, but at least it gave Link one of his most ridiculous catchphrases ever, “Well, excuse me, princess.” It wasn’t a perfect Mario show, but it was superior to the Mario 3 cartoon since it had live action segments, and it got the job done, so that’s all that matters.
3. Super Mario World (1991)
Although there are no live action segments either, I feel like Super Mario World is the best of the Mario cartoons, and here’s why: it’s the only one that feels truly unique. Set in a prehistoric setting and swapping Yoshi for Toad in the main roster, Super Mario World it is as if The Flintstones (Fleentstones?!) took place in the Mushroom Kingdom, and it really works.
Now, okay, the cartoons aren’t anything out of the ordinary, but I find these stories more engaging than the other two Super Mario cartoons, which is why that puts them so high on this list.
2. Kirby: Back home! (2002-2006)
Run for 100 episodes (!), Kirby: Back home! is crazy to me since its protagonist doesn’t speak. Instead, all of the other characters, including King Dedede, talk and tell jokes around Kirby, and it’s no wonder a show about a pink puffball that sucks up just about anything and absorbs their power, could be engaging for tons of episodes, and still works.
But it was, and Kirby: Back home! was a silly and fun show, and there really isn’t much else to say about it. I loved this series at the time both in action and in humor, and I still appreciate it today. It holds.
1. Pokemon (1997-)
I mean go now. Number one had to be Pokemon, law? Whether it’s the original anime or the current generation, each Pokemon anime series has brought something unique to the table with its vast array of pocket monsters and storylines.
Not only that, but Pokemon has spawned several great movies in the popular series. The plots are simple, yet effective, and all series engage in one way or another. No question, Pokemon is Nintendo’s best cartoon series ever, and it’s not even close.
But what is your favorite Nintendo cartoon? For entertainment combining video games and television, don’t hesitate to stop by here often!
Yesterday marked the 15th anniversary of one of Walt Disney’s most important animated films. It’s no secret that Meet the Robinsons is one of those films that I love more than almost anyone else on the planet, and consider one of the most explicitly underrated Walt Disney toons, especially in recent years. However, in retrospect, in terms of when it was released and what it was all about, it remains a skewed monument of hope through perseverance and the promise of a better future at a time when the studio needed such assurances. At a time when Walt Disney Animation was in the throes of a crisis, while DreamWorks Animation and Pixar were neck and neck in terms of Hollywood animation dominance, Meet the Robinsons was an impassioned call to, well, keep moving forward.
According to William Joyce A day with Will Robinson and featuring mostly voice-over artists (as opposed to celebrity voices with the exception of Angela Bassett and Adam West), the G-Rating is about a young orphan who ends up traveling to the future to meet, well, not of spoilers. This is a story that was neither a fairy tale princess story, nor an animated epic, nor a talking animal comedy. In what seemed strange then and now seems unthinkable, Meet the Robinsons was a new big-budget Walt Disney animated film that opened in theaters almost under the radar. It didn’t have the pomp and comparative circumstances that hosted an annual Pixar outing, nor was it treated as such a big event as the year before. Little chicken (the studio’s first 3-D/CGI toon and frankly an artistic low point).
Like the Pixar films of the time, Meet the Robinsons is about someone who yearns to live dangerously even though simply existing would bring less conflict. It’s the story of a young orphan scientist who needs to be loved by someone… anyone. It spins a dizzying time travel adventure and features an entire futuristic family of wacky but grounded human beings. It delivers laughs both through character interaction (young “Goob’s” encounter with the devilish Bowler Hat Guy is pretty wonderful) and by applying logic to its wacky storylines (“But I don’t need ‘a duck …”). The middle act contains most of the frenetic action, the first act stares unblinkingly at the pain of the orphanage, and the third act is all about the therapeutic power of forgiveness and overcoming the bad cards life throws at you.
Meet the Robinsons is not a princess fairy tale or a talking animal.
Our hero is Lewis (Daniel Hansen), a young orphan who discovers the future and makes peace with his past to embrace a possible happy ending. In terms of ideas and revelations, Meet the Robinsons does an interesting double bill with Pixar At the top. While At the top is about a suicidal old man who discovers he still has something to live for at the end of his life, Meet the Robinsons is about a young man desperately trying not to give up as he deals with one disappointment after another in the early years of his life. The fast-paced 94-minute film resolves its plot satisfyingly, rooted in the time-traveling semantics of its story and Lewis’ inherent intelligence. It’s funny and undeniably clever, while still being consistent for the youngest of viewers.
The Bowler Hat Guy, introduced as the evil clown (voiced by director Stephen J. Anderson), becomes the film’s most likable character, a bitter man who can’t let go of a perceived wrong done many years ago. It’s given a final moment of incredible grief and pathos, a moment that would probably play even better today when every great movie claims to be about trauma, grief and toxic reactions to real tragedy. Although he primarily plays jester foil, Bowler Hat Guy becomes one of the most complex and three-dimensional villains in the Disney library. At a time when Disney has mostly traded in larger-than-life villains for subtextual screeds about compassion and forgiveness (see: Encanto, Raya and the Last Dragon, Frozen II), Meet the Robinsons has his cake and eats it too.
Meet the Robinsons also contains one of the greatest animated epilogues of all time; a moving and emotionally wrenching montage of Rob Thomas’ “Little Wonders”. In March 2007 it was a claim (months after finding out I was about to be a father) that there was a possible pot of gold at the end of a terrifying rainbow . It retroactively became a celebration of Walt Disney’s re-emergence as an animation giant. Meet the Robinsons comes as a darkest pre-dawn statement that Walt Disney Animation only needed to keep moving forward. It would rightly happen a year later Little chicken and a year before the slow recovery (Bolt, the princess and the frog, Tangledetc.) which will culminate with the blockbuster release ($1.276 billion worldwide) of Frozen and the re-emergence of Disney as the powerhouse defining the zeitgeist.
Meet the Robinsons put Disney back on the path to its Frozen-era bustling resurgence.
“Keep Moving Forward” is the motto of Mr. Robinson, the patriarch of the futuristic clan. The origin of this phrase provides a nice grace note at the very end of the image, a note that is oddly appropriate for the time it was in. Although the film was not a box office success (169 million on a $150 million budget), it has gained a cult following over the past 15 years in part because of the scant attention it garnered upon its initial release. fitting into the mold of a then-or-now Disney toon and not being a theatrical success went hand-in-hand with its themes (before their time) about the value of taking risks and the importance of failure. Today, Disney seems too big to risk failing, but I digress.
Yes, unfortunately the film’s positive legacy is (arguably) discolored by the choices Disney has made with its recent monopoly power as an entertainment company and cultural force. Moreover, the last two years have shown constant evidence that making the right choices is not enough for a happy ending. Nevertheless, the film is the film and Stephen J. Anderson and Don Hall Meet the Robinsons remains one of Disney’s most underrated gems. It remains a sci-fi fantasy comedy that never loses sight of the pain at its heart while remaining filled with moments of unexpected goodness. Its exit was either ironic or appropriate as the latest speed bump on Disney Animation’s path to creative and business renewal. The way to Frozen starts with Meet the Robinsons.
Meet the Robinsons is not the most monetized of modern Disney movies. The Lewis and Bowler Hat Guy merchandise didn’t fly off the shelves and there was (thankfully?) never a straight-to-DVD sequel despite initial plans for it. It’s the very definition of, to quote that other Disney animated feature, a diamond in the rough. I would say that imagination and reflection Meet him Robinsons is quite worth the “Disney Classic” tag as the likes of The Lion King Where Moana. Plus, in terms of story, moral, and heartbreaking optimism, this was the movie Disney needed when it needed it. Of course, one of the main reasons I love the movie so much is that it was also the movie I needed when I needed it.
Former “Financial Fitness” host J. Daniel Pluff is back at WCNY with a new TV show.
“On the Money,” hosted by Pluff, is described as a financial news program focusing on people, companies, investors and interesting happenings in central New York. The series covers topics such as tax filing tips and real estate across multiple segments including “Common Cents”, “By the Numbers”, “Tech Bytes” and “Spotlight”.
“I’m trying to find some sort of financial connection,” Pluff explained in a phone interview. “Money is made, money is spent and lost.”
Pluff also focused on money-related topics with “Financial Fitness,” which aired on WCNY from 1992 to 2012, but he says the new show is faster.
“It’s really different,” he said. “It looks like a show that is not done locally. The production is really smooth and it’s been more work than I thought it would be, but we have so many interesting people coming onto the show.
The stories so far have focused on new tech startups in Syracuse; new initiatives like the Black Equity and Excellence Fund to help minority-owned businesses; high-end drone testing at Rome’s Griffiss International Airport; and a student-run investment fund at LeMoyne College’s Madden School of Business. This week’s episode includes a “Spotlight” interview with Onondaga County Executive Ryan McMahon and a report on the Salt City Market’s first anniversary with Meg O’Connell of the Allyn Foundation.
“It kind of works on the whole gamete,” Pluff said.
Pluff, who lives in Skaneateles, is a financial adviser with a degree from Syracuse University’s Newhouse School, worked as a stockbroker at Morgan Stanley, and served on the board of trustees of Upstate Medical University and the Central New York Community Foundation. In addition to “Financial Fitness,” he previously wrote financial articles for The Post-Standard and hosted “Central” on Fox 68 (WSYT-TV)
“On the Money” airs Thursday nights at 8 p.m. on WCNY.
Viewers can learn more about the show at wcny.org/onthemoney and submit ideas for topics or companies to feature by emailing [email protected]
KOCHI: Ajay Purushithaman (aka Ningal Malayali Ano) has created a unique artistic series. His current area of interest is toy face profiles, a very popular style in the world of NFT (non-fungible token) trading. With around 600 works in his collection, Ajay has created waves on various NFT platforms.
The artist has been a big fan of cartoons all his life. After completing class 12, he immediately joined a diploma course in graphic design and animation at an academy in Kannur. His inspiration? The release of the movie Avatar, an epic sci-fi that was released around the time.
“I started collecting toy faces in a very organic way. Before that, I was doing 2D illustrations and animations. When I heard about NFT, I released some of my new works, and it’s “These were toy face profiles. When they gained popularity, which I didn’t expect, I decided to stick with them,” says Ajay.
The 31-year-old quickly started producing 3D animations with his characters. Former U.S. President Donald Trump and North Korea’s Supreme Leader dance to a hit hip-hop track, Keanu Reeves as John Wick on the verge of revenge and most notable – the movie characters Bollywood Sholay evergreens dancing together.
Profiles of people of all ethnicities and colors, religions, tribes and genders get their adorable avatars at the hands of Ajay – fishermen, divers, gamblers, ninjas and magicians. “It’s hard to draw such a diverse set of characters as toy faces. The basics are pretty much the same. I have to find ways to channel my imagination into a limited space. I’m determined to create 1,000 characters in a similar style. It will be a real challenge for me,” says Ajay.
“Every day, after a busy day at work, I decide who I’m going to create that day. It’s my first decision before drawing. Since I started the series, I draw at least one character a day I will finish the collection at least by 2023, I think,” he quips.
Ajay, who currently works as an art director at a Bengaluru-based advertising agency, had been working from home since the pandemic began. “That’s why I was able to draw every day. Otherwise, none of this would have happened. After playing with my baby, I work when my family sleeps. Even if it’s as late as 3am, I only sleep after I finish my drawing,” says Ajay.
Her unique tag, Ningal Malayali Ano, is a hit among the artist community. “It is a great tool to connect with Malayalis across the globe. I am a living poster boy promoting Kerala,” he jokes.
universal art Ajay’s works have an overall quality. It’s this cosmopolitan attitude that makes her work sell out fast, even on international platforms.
Nobrow Press announced Thievesa new graphic novel by French designer Lucie Bryon. Thieves is the English version of Bryon’s famous graphic novel, Thief, released in France earlier this year. Nobrow will bring the fan-requested English version of the shōjo manga-inspired queer high school love story to the public on October 4, 2022.
The official description of Thieves reads: “Ella doesn’t seem to remember a single thing about the party the night before at a mysterious stranger’s mansion, and she certainly doesn’t know why she woke up in her bed surrounded by a nest She can’t stop thinking about her huge crush on Madeleine, who she certainly can’t talk to about her sudden penchant for kleptomania…but does Maddy have any secrets? mess of their chaotic personal lives in time to form a normal teenage relationship? That would be nice.”
Byron, a cartoonist and illustrator whose work has been published by ShortBox, Milan, BDKids, Kaboom Studios, Cicada Magazine and France Inter., Described Thieves as the comic she wished she could read herself when she was a teenager .
“Thieves is the comic I wanted to read when I was a teenager,” Bryon said in a statement. “A story of love, friendship, making mistakes and finding each other. I hope reading this book will bring joy and comfort to readers and keep their rebellious spark ignited.”
Niamh Jones, editor of Nobrow, describes Thieves as being “the epitome of ‘be gay, commit crime’ and says the story is one that will grace the shelves for years to come.
“I’ve followed and loved Lucie’s work for quite a while now, and I’m so thrilled that we’ve acquired her beautiful graphic novel and can bring it to the English-speaking world,” Jones said. “As soon as I opened the document, I fell in love with Lucie’s fantastic story and her hilarious characters. Anyone who picks this up will find themselves teleported straight into a manga-esque shōjo world that will leave you wanting more. This book is the epitome of “be gay, do crime,” and I know Thieves will grace bookshelves around the world for many years to come.
They don’t have kids like Nate Foster anymore. Armed with a need to dazzle and dazzle, Nate has an infectious energy and unwavering determination. Beneath an awkward exterior, there’s a star just waiting to be discovered. Instead of dreaming of TikTok stardom or reality TV stardom, however, the only thing the 13-year-old wants to be is the lead in his own big-budget Broadway musical. Where is the harm in that?
In the light-hearted but exhausting Disney+ original film Better Nate than ever, the answer is, of course, none. If the destination is obvious, the journey to it has just enough spark to make it mildly interesting, even when stereotypes about New York, sassy best friends and single aunts are out of the mothballs.
A star is (again) born
From the opening scene to the revival of “On Broadway” by George Benson, including the numerous references to Bad, it’s clear that Nate (Rueby Wood) loves the Great White Way. Stuck in small town Pennsylvania, Nate does his best to fulfill his stage dreams by trying out for the lead role of Abraham Lincoln. After failing to be cast even as a stunt double, Nate and his best (and only) friend, Libby (Aria Brooks), concoct a plan to make Nate’s dream come true: he’ll audition for the lead role of Stitch in an upcoming Broadway play. . production of Lilo & Stitch. After telling Nate’s working-class parents (Norbert Leo Butz and Michelle Federer, two married Broadway veterans in real life) and wrestler brother (High School Musical: The Musical: The Series‘ Joshua Bassett) that he’ll be spending the weekend with Libby, the middle schoolers hop on a bus to the Big Apple to chase their dreams.
Antics, of course, ensue, and the film has fun juxtaposing the harsh reality of New York City, with its bored Duane Reade cashiers and trash-covered streets, with the idealized version of Nate, who comes straight out of On the city. Needing an adult to sponsor his audition, Nate enlists his aunt Heidi (Lisa Kudrow), an actress who does more restoration than Shakespeare, to help him. Secrets are revealed, hearts are broken and mended, and would it surprise you if I told you that it all works out in the end?
beyond the stage
If the plot is routine, and it is, the direction manages to breathe enough life into the film to make it enjoyable. The director, Tim Federle, knows the material very well; After all, he wrote the young adult novel on which the screenplay is based. He nails Nate’s musical numbers, drawing inspiration from Sing in the rain for To rent without being too obvious about it, and infuses the film with a comic book energy that gives it a zip not normally seen in movies like this. And he clearly loves New York and Broadway too, both what they are in real life and what young dreamers like Nate imagine them to be. It’s the rare Disney movie that can crack a good joke about the struggling actors’ favorite neighborhood of residence (Queens).
The acting is what you’d expect from a Disney+ movie: all over the place and generally not very good. As Nate, Wood sells his character’s naivety and determination without being too cute. Short in stature and possessing a small voice still unaffected by puberty, Nate is constantly challenged by the big dreams he wants to achieve, and Wood is compelling enough to make Nate’s plight acceptable – you will. may the little boy succeed.
As Libby, Brooks struggles to rise above the “best friend” clichés that her character grapples with. Butz and Federer make enough of an impression in their brief screen time to make you wish they had bigger roles, and Bassett just isn’t convincing as a high schooler who apparently hates, but really loves, his brother. Worst of all is, surprisingly, Kudrow, who exaggerates his Phoebe mannerisms and makes his Aunt Heidi appear mentally unstable. It doesn’t help that she’s wearing one of the worst ’80s wigs you’ve ever seen.
Don’t Say Gay…Literally
Better Nate than ever is ultimately a disposable film, good enough for kids and bearable for parents, and it’s not particularly notable… except that it’s coming out right now. The Walt Disney Company is being criticized for its lackluster response to “Don’t Say Gay” in Florida. invoice. In defending his company’s politically neutral stance, CEO Bob Chapek mentioned Black Panther, Pose, Encantoand other products produced by Disney, saying “all [Disney’s] various stories are our corporate statements – and they are more powerful than any tweet or lobbying effort.
There is no doubt Better net than ever qualifies as one of these diverse stories. After all, Nate loves the theater, can recite a design women monologue by heart, has a rainbow-colored lucky bunny’s foot, and gently drops Libby, who secretly has a crush on him, telling her he doesn’t love her – nor any girl – this way. In other words, Nate is gay, and yet that word is never clearly spoken on screen. Don’t say gay indeed.
It’s 2022, and it’s ridiculous that a film directed by an openly gay man, based on a novel with an openly gay protagonist, and with a main character who loves musical theater and Bernadette Peters for god’s sake, has yet to convey his gay identity through winks and nudges. That’s why the reaction to Disney’s neutral stance has been so strong. It is no longer enough to be neutral. Nate is better off being gay and saying it loud and clear without tortured metaphors or veiled innuendo than having no identity.
Better Nate than ever premieres on Disney+ on April 1.
PPossessed of a truly short-lived subtitle – Mission Eggpossible – this German Easter-themed animation probably provides just enough frantic hi-jinks to keep little kids slightly engrossed over the holidays. But its scatty plot, about a group of master bunnies tasked with distributing Easter eggs and jealous foxes who wish to supplant them, was apparently concocted by someone slipping into a chocolate-induced coma.
Its difficulties are obvious as Ute von Münchow-Pohl’s film can barely rouse any interest in its own main character, the aspiring young bunny Max. Max has the honor of being the first bunny in town invited to join the Bunny Masters. But he makes a formidable enemy when he humiliates bad boy bunny Leo as – in the now obligatory social media shoo-in for children’s cartoons – the latter broadcasts live to his fans. Leo, a failed academy student, takes his grievances to the gang of forest foxes who want to take over the egg racket. But the disgusting leporid hides his true intentions from them: to destroy all the eggs entirely and, in the process, Easter himself.
Rabbit Academy’s animation has a perfectly hewn look that gives the characters and the sacred mountain on which the eggs roll in looping tracks eye-catching appeal. Too bad we can’t say the same about the script. The Monsters University-like setup is totally derivative, with a few waffles about the bunnie masters having to locate their own special power, a bit of kung fu style for head instructor Madame Hermione, and a sickly title track, Let’s Color the World. , which is sure to make even five-year-olds want to stick a pencil up each nostril and butt a table.
Max doesn’t have a story so much as a series of nagging moral checkpoints that sometimes contradict each other: find your own personal special power, but also, as one character berates: “Is ‘I’ your word? prefer ?” Try to avoid letting your kids get sucked down that assertiveness rabbit hole, and stay on Watership Down instead.
Have no trouble finding the best sci-fi TV series in the depths of First video — use this list to find the best of its kind. black orphan, The extent and Counterpart are essential viewings, but you can also find great alternatives exploring androids and alternate histories.
Read more: Best Fire TV Stick in 2022
Scroll down to see our top picks for the best sci-fi TV shows you can stream right now on Prime Video.
Tales from the Loop (2020—)
Screenshot Amazon Studios/YouTube/CNET
Not just another show about a small town where weird things happen, Tales from the Loop has layers beneath its beautiful surface. Based on a narrative art book by Swedish artist Simon Stålenhag, the series is beautiful to watch. Meticulous and symmetrical frames somehow give off a painterly feel. The interconnected city dwellers are equally nuanced, their stories exploring loneliness, aging, and the impact of technology.
Black Orphan (2013-2017)
In more ways than one, Orphan Black is Tatiana Maslany’s show. Before she becomes a household name thanks to Disney Plus’ upcoming She-Hulk, see her play no less than 14 characters in one series, including a hallucinated scorpion. Let that sink in for a second. Orphan Black weaves clever sci-fi concepts into a fast-paced, galloping thriller with more mystery and comedy in its stride. An essential sci-fi series exploring the debate between nature and nurture.
The Expanse (2015-2022)
Amazon rescued The Expanse from the realm of canceled television, bringing the series to six seasons. Thank goodness, because The Expanse is smart sci-fi with realistic characters, high production values, and a touch of detective noir. In a future where humanity has colonized the solar system, a plot threatens to ignite a cold war between the greatest powers. A band of anti-heroes find themselves in the center. Expect more space western themes in the still excellent later seasons.
The Flow (2019)
Screenshot Amazon Studios/YouTube/CNET
Black Mirror comparisons are inevitable with this British tech series gone awry. Set in futuristic London, The Feed centers on an implant that allows people to livestream their lives without having to press a button on a phone. No, absolutely nothing is wrong. An impressive cast includes David Thewlis and Michelle Fairley. While not as polished or deep as Black Mirror, The Feed is still worth a look.
Screenshot of Channel 4/YouTube/CNET
Humans may not be entirely original, but the assembled parts sing. A British family buys an artificially intelligent robot called a “synthesizer” to help them through their busy lives. This grounded approach to sentient and potentially dangerous robots is one of humans’ greatest strengths. At the center of the sweet: an innocent bond between the youngest daughter of the family and Anita, the elegant and efficient synth of Gemma Chan. A mystery draws the family into the origins of robots, which explore necessary philosophical themes such as humanity, pain, memories, and reality.
Electric Dreams (2017-2018)
Electric Dreams is aptly named, each episode of the anthology series is a vibrant, polished product purring to the ideas of its source material: the works of Philip K. Dick. As with most anthologies, some episodes are better than others, but if you fancy telling stories with Black Mirror-like setups, let that reverie slip away.
The counterpart features JK Simmons playing against JK Simmons. Get excited about it for a second. Set in Germany during a Cold War, the sci-fi thriller follows a lowly office grunt discouraged by his grim life. Then one day he switches to work and meets, but a better version of a parallel world. Secrets, tense action and a masterful dual-role performance from Simmons make Counterpart a must watch.
The Man in the High Castle (2015-2019)
The Man in the High Castle imagines an alternate history where the Axis powers (Rome-Berlin-Tokyo) win World War II. Based on a novel by Philip K. Dick, the series follows characters from the 1960s who live in a parallel universe, where Nazi Germany and the Empire of Japan control the United States. But there are impossible news images surfacing of a world where Germany and Japan are losing the war, causing some to rebel. To really hammer home its dystopia credentials, The Man in the High Castle is helmed by producer Ridley Scott. Fully realized and with a focused plot, it’s gripping television.
Movies coming in 2022 from Marvel, Netflix, DC and more
A play has been working on its Wano Country saga for quite some time now, and the anime strives to catch up with the manga with every episode it drops. Soon however, the series will take a brief interlude as the team plans to launch a new film. One piece: red is set to hit theaters this fall, and a new poster has gone live for the project.
As you can see below, the new poster focuses on a never-before-seen character. The visual was shown recently during a livestream in Japan, and it was there that the girl in this poster was called a mystery woman. She is seen wearing a delicate dress with an oversized bomber jacket filled with cute patches. And of course, her two-toned hair will remind shonen fans of Shoto Todoroki given her red-white aesthetic.
【ONE PIECE NEWS 配信中④】
8月6日(土)公開🎞 『ONE PIECE MOVIE RED』より、 〝謎の少女〟のカラービジュアル解禁！
The update doesn’t give any information on who this character might be, but it looks like she’s meeting Luffy. The livestream revealed a line of dialogue from the character, and she asks Luffy if he wants to stop being a pirate. It could mean that the girl is part of a different organization that is interested in Luffy. So for now, A play fans are unsure if this girl should be called a hero or a villain.
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Of course, netizens are already beginning to speculate about the woman’s origins, and her two-tone hair has sparked the interest of her family. Some fans are wondering if this woman could be related to Shanks, the leader of the Red Hair Pirates and one of the Yonko. After all, she has red hair and we know Shanks will play a big part in this movie. This girl could very well be related to Shanks in some way, and in fact, some fans go so far as to suggest that it could be his daughter.
What do you think of this latest update on One piece: red? Are you all caught up with anime these days? Share your thoughts with us in the comments section below or hit me up on Twitter @MeganPetersCB.
Realtor David Perkins was writing a book and wondering how to make it more appealing.
The answer came to him in a flash – notably the work of Oxford cartoonist Jim Needle.
Mr. Perkins is a member of the National Association of Estate Agents and his book was called Make No Mistake – An Estate Agent’s Guide to the Property Misdescriptions Act.
He guided his fellow real estate agents through the menagerie of laws governing home sales, pointing out the pitfalls and how to avoid costly mistakes.
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But even a captive audience might have struggled to navigate a 256-page, 18-chapter, and six-appendix tome.
Mr. Perkins commissioned Jim to create 60 cartoons to bring a wry smile to the reader as he absorbed the book’s serious points.
He recalls: “Jim was a very good local cartoonist – I had admired his work in the Oxford Mail – and thought a few strokes of the pen from him would help overcome the points I was raising.”
Mr Perkins, of Alvescot Road, Carterton, worked for Andrews and Partners in Carfax, Oxford, and had a distinguished career in estate agency, often engaging with government ministers.
In the foreword to the book published in 1993, Hugh Densmore Hardy, Chairman of the Parliamentary Liaison Sub-Committee, describes him as “a leading commentator on estate agency matters” and the book as outstanding.
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After outlining the rules set out by the new law, Mr Perkins warned that e