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Netflix Cancels Ibrahim X. Kendi’s ‘Antiracist Baby’ Animated Film


Netflix is ​​canceling several animated projects, including Ibrahim X. Kendi’s “Antiracist Baby,” as the streaming service was forced to cut costs and lay off workers due to dwindling subscriber numbers.

Ava DuVernay’s animated project “Wings of Fire” also received the ax, according to Variety, which cited sources as saying the decision was creative rather than financial.

Netflix recently announced that it was laying off 150 workers, or about 2% of its workforce, after reporting low revenue in the first quarter of this year.

The streaming service lost 200,000 customers during that time – the first time in a decade that the company hasn’t added paying users.

Kendi, a Boston University professor and best-selling author, is controversial because of his advocacy of “anti-racism.”

“Antiracist Baby,” which is based on the book also written by Kendi, was intended to be a series of animated vignettes set to music for preschoolers.

His bestseller, ‘How to be an anti-racist,’ became a hit following protests that erupted following the fatal arrest of George Floyd, a 46-year-old black man, in Minneapolis two years ago .

“Antiracist Baby,” which is based on the book also written by Kendi, was intended to be a series of animated vignettes set to music for preschoolers.

Kendi has drawn controversy for past statements about white people.

Last month, he called Republicans “a party of white supremacy.” In an op-ed for The Atlantic, he wrote that the GOP used “dog whistles” to market itself as the “parents’ party,” dismissing it as a “myth, big myth.”

Kendi also claimed the GOP had “harbored white supremacists” as they spearheaded “the greatest domestic terrorist threat of our time” with the Jan. 6 siege on Capitol Hill.

In September 2020, he faced calls to be fired after suggesting Supreme Court Justice Amy Coney Barrett was a “white colonizer” who uses her two adopted Haitian children as “props.”

“Some white colonizers ‘adopted’ black children,” he wrote. “They ‘civilized’ these ‘savage’ children in the ‘superior’ way of white people, while using them as props in their images of denial throughout their lives, while cutting off the biological parents of these children from the picture of humanity.”

Is Riot making a VALORANT TV show?


A lot League Legends fans had high hopes for the game’s Netflix animated series, Esoteric. The show exceeded everyone’s expectations and it also became a global hit in the process. Esoteric reached #1 on Netflix in 38 countries and the second season of the series is confirmed to be in production.

League isn’t the only Riot IP with a rich lore, however. VALORANTS has built its lore from the ground up since its 2020 release. From cutscenes to artwork, VALORANTS has hooked its fans on the lore of the game.

Considering the number of stories in the VALORANTS the universe expands each season with new agents, it is natural to wonder if VALORANTS can deliver an epic TV show like Esoteric.

Will be VALORANTS get a TV show?

Although Riot did not reveal anything officially, VALORANTS might have his own TV show in the future. In the May 19 “Ask VALORANTSblog, the game’s creative director, David Nottingham, commented on the matter. “Esoteric was amazing,” Nottingham said. “We would be lying if we claimed to have no hope and dream of ever delivering something of this magnitude in the VALORANTS Universe.”

Nottingham also added and reminds fans not to expect anything too soon. The main focus of the developers will continue to be on the game for the foreseeable future.

When does a VALORANTS Will the TV show be aired?

With mysteries second season in the works and Nottingham asking fans not to expect anything anytime soon it’s almost guaranteed there won’t be any VALORANTS show in 2022. For a VALORANTS TV show to thrive, fans will likely have to wait Esoteric to conclude first.

Would like to the VALORANTS Will the TV show be on Netflix?

A VALORANTS The TV show isn’t even confirmed yet. But considering Riot is on good terms with Netflix, the streaming service probably has a better chance of securing streaming rights for any potential. VALORANTS TV show.

This article will be updated if more information is revealed about a potential VALORANTS Pin up.

Woman seriously injured in Garden City road rage incident, Roeper schools closed, breast milk struggles


A suspected road rage incident in Garden City resulted in gunfire and at least two vehicles crashing Thursday night. A driver not involved in the chaos, but who was hit, has been hospitalized, while police are questioning the second driver as a possible suspect.

A third car was involved, police say, but the make and model have not yet been released as the investigation continues.

Garden City Police received calls that two cars were driving recklessly on Middle Belt northbound near Cherry Hill. When officers responded, they received a call stating that shots had been fired and there had been an accident in Middle Belt and Maplewood.

A black Dodge pickup truck with visible bullet holes hit a blue subcompact sedan that was an innocent bystander.

“They provided emergency medical attention to one of the drivers,” said Sgt. Bruce Shippe, Garden City Police. “She was parked in a vehicle – not part of this situation.”

The driver of the sedan, who suffered extensive damage to the reading end, was rushed to hospital. His condition is not known.

Witnesses Jill Murray and Debbie Green say they heard 10 gunshots before seeing the accident.

“We ran outside and literally saw this car crash,” Murray said.

The driver of the truck initially fled on foot, but is currently being questioned by the police.

“He ran fast, fell on the street, got up and kept running, behind the blue building (next to it),” Murray said. “And then (he) came back.”

Witness Randy Taylor spoke to the driver of the black Dodge Ram who claimed he was being chased by the shooter.

“(I said) ‘Are you okay?’ (he had) blood and stuff like that, he said ‘I need my phone,'” Taylor said. “I said ‘What was going on here? I heard gunshots.’ He said, “They were chasing me. That’s why I was on the phone, 911.”

Shippe says a third car was involved, which is still at large but has not yet been able to provide a description.

If you have any information about the incident, call Garden City Police at (734) 793-1700.

Birmingham school closed after posting compares Barack Obama to monkeys

On Wednesday, FOX 2 learned of a startling assignment at a prestigious private school that compared former President Barack Obama to primates. Thusday, the school was closed and we learned that the teacher had been placed on administrative leave.

the Roeper School is facing a wave of controversy after students in a high school biology class were given an assignment titled ‘an introduction to primates’ and former President Barack Obama’s photo was listed. The assignment asked students to select from the photo gallery which ones were primates.

“There is no excuse,” Karzanis said. “Do your due diligence! Look at the same or the handout you’re handing out. Did she think it was okay in 2022 in an awakened school?” FOX 2 learned that the lesson was from Duke University in 2010 and a link to the PDF was on the University’s website but disappeared Thursday afternoon after we asked questions.

After our story aired, the school sent a letter to parents warning them that classes would be canceled on Thursday due to alleged threats against the Roeper community. The school reported the threats to the police. The school sent another apology email to parents and students and offered advice if needed. He also promised more training on racial bias for teachers.

Volunteer bandage drive at Beaumont in Royal Oak

Eve Collon is no stranger to a needle stroke. When she was in first grade, she was diagnosed with a blood disorder, which meant numerous blood tests. “So I had a lot of blood draws and they were taking different vials and I also had infusions,” she said. “So after that I was left with a nudge, and they were giving me a choice of dressing, so that was always something to look forward to.”

It’s not a big gesture. But it brought a little color and joy to her life during a difficult time for a teenager. Now a volunteer at Beaumont, Collon has turned to the cartoon characters and bright colors that adorn some bandages. into something bigger. What was just a “little patch” has become “much more symbolic”.

After learning that these bandages were only distributed if they were donated, she launched a campaign to get them back. He grew up fast. “I started this project last year and was able to raise 11,000 and this year I’m just over 16,000 and that number continues to grow,” she said.

On Thursday, Collon donated the dressings to Beaumont Royal Oak in hopes of bringing smiles to pediatric patients. “When I watch this, I deliver 16,000 smiles to the clinic,” she said.

Mother-of-2’s family mourns after fatal hit-and-run

After a tragic and unexpected hit and run that left a 32-year-old mother dead four days later, her family and friends I got the update they had prayed. The driver who struck and killed Iris Laciaga in southwestern Detroit surrendered to police on Thursday.

Iris Laciaga was walking to work when a van hit her as she was standing on the median strip waiting to cross the street. It happened Monday afternoon in the Livernois and Vernor area southwest of Detroit. “It’s crazy that she always told us about this street and that it happened on the same street, which she always warned us about,” said Jason Colon, a family member.

Iris worked as a janitor at Harms Elementary School and was well known and loved by many. “My nephew is a co-worker with her – he says he’s devastated, he says he doesn’t want to work there anymore because she’s not there,” Colon said. Iris’ husband and two sons created a GoFundMe in hopes to raise enough money to give iris a proper burial.

“I don’t know how to explain – the most beautiful woman I have ever seen on this planet,” Colon said. “I don’t know how bad things happen to good people.” “(Her) husband didn’t want to come out on camera, he feels like he can’t talk, he can’t say anything on camera because he would burst into tears,” Colon said. If you wish to help the family financially, you will find the GoFundMe page HERE.

Oxford seniors graduate from Pine Knob

The Pine Knob Music Theater had plenty of seats on Thursday night – but two seats were particularly empty at the Oxford High School graduation ceremony. They were for Justin Shilling and Madisyn Baldwin, two elderly people who were killed following the mass school shooting last year.

It was one of many symbols put in place during the tribute ceremony and a small tribute to the victims who had to brave a difficult school year following the tragic act of gun violence.

“When I think of an Oxford Wildcat, I think of resilience. Resilience is the ability to resist and recover quickly,” said Kylie Ossege, speaking from the podium. “Despite the challenges that have been thrown at us this year, we have resumed our school.”

Ossege graduated with honors and was the keynote speaker at the ceremony. She was one of seven people injured in the shooting and spent months in hospital recovering. Thomas Donnelly Jr., the school board chairman, also spoke on Thursday evening. “Who you are and how you are has become as important as what you do. Things like being principled, being caring, communicating,” he told the elderly.

What else are we looking at

  1. A 19-year-old man from Canton was found with a Smith & Wesson short-barreled shotgun in his lap during a traffic stop in Inkster on Thursday evening. He was taken into custody following a traffic stop for speeding.
  2. The Detroit People Mover reopens Friday. Six stations are open and trains will bypass seven others. There is no charge to ride for the first 90 days.
  3. Taylor Schools are hosting their first-ever United Special Olympics Day on Friday. Some 268 student-athletes will be at the school for the opening ceremonies at 9:30 a.m. before the games kick off. A number of medal and non-medal events will be up for grabs.
  4. ‘Cranbrook on the Green’ begins Friday. The Art Museum invites visitors to experience a new dimension of campus with an outdoor, artist-designed mini-golf course. The course will be open from May 25 to September 25.
  5. Clergy, citizens and activists will all hold a press conference at 11 a.m. Friday to address racial tensions that have risen in Oakland County. The incident in question happened at Roeper School in Birmingham, where a class assignment compared Barack Obama to a monkey.

Live on FOX 2

Daily forecast

Temperatures have made a quick turnaround this week and are now trending towards 80 degrees on Friday. It might come with rain in the morning. More rain and slightly lower temperatures are expected over the weekend.

Baby formula vs. breast milk: Doctors explain what parents should do if there’s a shortage of formula

Many American parents are looking for formula milk amid a combination of short-term and long-term issues facing US infant formula brands, causing anxiety among many families and expectant mothers.

“My baby isn’t even here yet and I’m anxious about this shortage even though I plan to breastfeed if possible,” said Taylor Gassel, a Michigan resident who is expecting her first child in October.

Nationwide, about 40% of major retail stores are out of stock, up from 31% in mid-April, according to Datasembly, a data analytics firm. More than half of US states are experiencing stock-out rates between 40% and 50%, according to the firm, which collects data from 11,000 locations.

Here’s what doctors say parents should deal with the formula shortage.

The first synodal church | National Catholic Journalist


“I have called you friends” (John 15:14).

Acts 15:22-31; John 15:12-17

The diocese here is completing a study on the deanery that will culminate when the bishop presents a plan for 18 of the city’s parishes. Changing demographics and the shortage of priests have largely led to the closure and merger of some. The consultation was impacted by two years of pandemic and low participation. Using an external consultant with templates and a timeline has produced administrative decisions that will take time to digest.

Today’s readings look at life in the early church as it wrestled with one of its most critical decisions at the first Jerusalem Council: should full church membership be offered to the Gentile communities evangelized by the missionaries Paul and Barnabas. The consensus was that Gentiles did not need to submit to Torah, circumcision, and other Jewish requirements to be welcomed into the church. The only requirement was faith in Jesus, his saving death and resurrection. Without this key decision at the outset, the church would have remained a sect within Judaism instead of universal in scope to anyone drawn to Jesus and the gospel.

Fierce disputes over having separate Eucharists for Jewish and Gentile converts had brought Peter and Paul into open conflict and threatened the unity of the church. In the end, these complex issues were resolved unanimously because the Holy Spirit had clearly blessed the missionary efforts.

The expansion of the Church was blessed by the active presence of the risen Jesus, whose gifts of healing and reconciliation flowed freely from the hands of the missionaries. These graces reproduced the many signs and wonders of the gospel story of Jesus as the crippled were healed and opposition through trial and imprisonment did not prevent transformed preachers from proclaiming Jesus as the Christ.

Most remarkable in the accounts of the Council of Jerusalem was the confidence of “the whole Church” that God was with them and that their decisions were made by “us and the Holy Spirit”, with an outpouring of joy and freedom. Likewise, members of the movement shared the spirit of friendship with Jesus. Love went far beyond obedience or fearing a God on a mountaintop. Jesus had been among them, sharing our humanity. He had submitted to death on the cross to affirm God’s unconditional mercy for sinners. He had loved them not as servants but as friends and he had told them to love each other as a sign that he was one with God.

It was an overwhelming experience to be chosen, named, loved and sent to the ancient world. It is this same love emanating from a Jesus who is always with his church and from a Spirit that moved Pope Francis to call believers to the same synodal church. God is alive in the love shared by those who walk together, encountering truth in one another and trusting God to help them apply the gospel to the difficult issues of our time.

We are now, after all, the same church, and as we look forward to Pentecost, we must trust that the Holy Spirit will come as promised to fill us with the courage we need to pass on our faith as the first generation. What would we be without their example and their courage?

From Turning Red to Encanto, animated films that tackle child psychology and challenge parenting styles


In recent years, animated films have moved away from the romantic and adventurous themes of fairy tales and settled into a very real world, with more relatable characters. This takes nothing away from the magical and fun world of animated films. On the contrary, it gives creators a space to address crucial issues for the children and their parents who watch these films.

Previously, fairy tales didn’t have much screen space for the protagonist’s parents, or the protagonist being a parent. Either their mother was dead (Beauty and the Beast), or they had an evil stepmother (Cinderella) or were estranged from their mother (Tangled).

Now, recent and highly rated films have something in common too: they are about families, sometimes even extended families! These families are not perfect. They’re real and raw with their imperfections and we see most of the characters struggle to balance their relationships and go through struggles and challenges to understand each other.

Check out these amazing movies you must watch with your kids. These confront our generational traumas and biases in tangible ways, with the required sensitivity while maintaining top-notch entertainment.

Wonder Twins Movie Canceled In Latest Warner Bros. Merge Discovery Fallout


Originally planned as an HBO Max exclusive, The Wonder Twins was to star Isabel May and be written by Black Adam scribe Adam Sztykiel.

The merger of Warner Bros. with Discovery resulted in an instant shift in the company’s production landscape. It looks like one of the casualties of the changes at the top is the Wonder Twins movie, according to The Hollywood Reporter. The film was slated to shoot this summer and head to HBO Max next year. Starring 1883’s Isabel May and Riverdale’s KJ Apa as the titular DC duo, the film was to be written and directed by Black Adam co-writer Adam Sztykiel and was to bring the characters to life in a very different from the 1970s. Hanna- Barbera cartoon that inspired the comic book characters.


Despite rumors that the Wonder Twins movie would be shelved, the allegations were denied until earlier this month, but the fate of the project has not been confirmed for “several weeks”. The main reason for the cancellation appears to be a change in direction for the Warner Bros. release. DC since merging with Discovery, with new CEO David Zaslav pushing for all DC movies to aim for theatrical release and not head straight to HBO Max in the future. Although this seemed to lead the likes of Blue Beetle to head to theaters, the Wonder Twins were considered “too niche” to have any chance of being a theatrical success. With other rumors suggesting the film’s budget was another big deal, it seems the Wonder Twins would have needed a miracle to stay in contention to get the cameras rolling in July as planned.

Related: DC’s Blue Beetle Will Now Debut In Theaters In 2023, Not On HBO Max

Isabel May was thrilled to be a part of The Wonderful Twins Film

The Wonderful Twins were originally part of the cartoon series The All New Super Friends Hour, but DC Comics later adapted the alien siblings into their world. Although the characters are pretty obscure compared to all the other superheroes brought to the big and small screen recently, Isabel May was eager to help bring the duo to a wider audience. Speaking on The Playlist’s The Bingeworthy podcast, May said:

“I am so excited to work with [Sztykiel] and Marty Bowen, who’s the producer – it’s his project as much as Adam’s, and it’s really cool to be a part of that world. I like to learn about certain characters, so I read everything [of the comics]. I know they’re kind of the butt of the joke, sort of, but that’s what’s so fun is that you can go anywhere with them. And so I read all the comics they’re in and even watched the show [‘Super Friends’], and that’s not it, okay? It’s a different time, and we’re doing something different. “I had never heard of them, to be honest. And I myself am someone who is more of a Japanese Anime/Manga lover. I could talk about this all day, but not necessarily Marvel or DC Comics. I don’t mean to lie – it’s just the truth, but I’ve learned everything there is to know about the Wonder Twins now. Which I’m delighted with – I guess I can’t really say anything, but I think [the approach] is really unique and fun.

Later in the podcast, May was asked if she had ever seen any costume designs for her character Jayna, to which she replied, “Not yet. I’m almost there. It’s a long process. It seems to be a long process that the actress was destined not to complete. With so many DC shows canceled on The CW in the past week, the cancellation of this project is just another blow to DC Comics fans.

Wonder Twin

HBO Max’s Wonder Twins Movie Finds Its Superhero Siblings

Read more

Tina Fey Movies & Shows Ranked


We classify movies and shows from Tina Fey. We start with his Certified Fresh works, including the oft-cited 30 Rockthat saw the Saturday Night Live alum stay in the NBC wheelhouse, with the high school classic mean girls and the sequel to Disney’s Muppets revival Most Wanted. Fey’s cool movies include A romantic datethe rom-com that seemed almost inevitable starring fellow quirky and awkward comedy titan Steve Carrell, and two films starring Amy Poehler, Baby Mom and sisters.

Adjusted score: -1%

Consensus of critics: Only murders in the buildingThe silly take on the truly crime-obsessed is both hilarious and insightful, thanks in large part to its hugely charming central trio.


Adjusted score: 120317%

Consensus of critics: A film as beautiful to contemplate as to see, Soul proves that Pixar’s ability to deliver exceptional entertainment for all ages remains intact.

Synopsis: Joe is a middle school music teacher whose life hasn’t quite turned out the way he planned. His real passion is jazz… [More]

Adjusted score: -1%

Consensus of critics: 30 RockThe final season of is an excellent but bittersweet farewell to one of the most hilarious and incisive pop culture satires of its time.

Adjusted score: -1%

Consensus of critics: Brandishing his trademark stupidity with vigor, 30 RockThe third season kicks off with a bang and solidifies its reputation as one of television’s smartest and funniest comedies.


Adjusted score: 97169%

Consensus of critics: Although not Miyazaki’s best film, Ponyo is a visually stunning fairy tale that is a gently poetic treat for children of all ages.

Synopsis: During a forbidden excursion to see the surface world, a goldfish princess meets a human boy named Sosuke, who gives her… [More]

Adjusted score: -1%

Consensus of critics: Liz Lemon continues to fire tart zingers in a resilient fifth season that keeps 30 Rockseries of innovative – if somewhat incoherent – ​​gags, achieved with a formidable heart.


Adjusted score: 91695%

Consensus of critics: Raised by a brilliant screenplay and outstanding ensemble cast, mean girls finds fresh, feminine humor in the high school experience.

Synopsis: Teenage Cady Heron (Lindsay Lohan) was educated in Africa by her scientist parents. When his family moves to the suburbs… [More]

Adjusted score: -1%

Consensus of critics: It’s not as funny as it could be, given his pedigree, but 30 Rock is a smart, wacky comedy that boasts a strong ensemble cast.


Adjusted score: 88683%

Consensus of critics: Even if it does not reach the delirious heights of The Muppets, Most Wanted Muppets still contains enough clever gags, catchy songs and celebrity cameos to satisfy fans of all ages.

Synopsis: Dominic Badguy (Ricky Gervais), the Muppets’ new manager, convinces the gang to embark on a world tour. Kermit the frog… [More]

Adjusted score: -1%

Consensus of critics: 30 RockThe return of not only avoids the pitfalls of a second season, but finds the series hitting its jubilant pace with a treasure trove of ingenious banter and gags.

Adjusted score: -1%

Consensus of critics: 30 Rock is content to spin its goofy wheels in a sixth season nonetheless punctuated with good gags and an infectious sense of fun.


Adjusted score: 78175%

Consensus of critics: It regurgitates plot points from previous animation efforts, and isn’t as funny as it should be, but a top-notch voice cast and strong visuals help make it Megamind a pleasant, if unspectacular, diversion.

Synopsis: Despite being the most successful supervillain the world has ever seen, Megamind (Will Ferrell) is the least successful. Foiled over and over again… [More]

Adjusted score: -1%

Consensus of critics: Although a tad uneven and perhaps a victim of its own success, 30 RockThe fourth season nonetheless continues to deliver plenty of subversive satire and hearty laughs.


Adjusted score: 80475%

Consensus of critics: While WTF is a far cry from FUBAR, Tina Fey and Martin Freeman are barely enough to overcome the picture’s flippant predictability and limited worldview.

Synopsis: In 2002, cable news producer Kim Barker (Tina Fey) decides to shake up her routine with a bold new… [More]


Adjusted score: 75421%

Consensus of critics: A clumsy mix of action and comedy, A romantic date doesn’t quite live up to the talents of its two leads, but Steve Carell and Tina Fey still manage to shine through most of the film’s flaws.

Synopsis: Caught up in the daily grind, suburbanites Phil (Steve Carell) and Claire (Tina Fey) attempt to reinvigorate their marriage by… [More]


Adjusted score: 70687%

Consensus of critics: wine countryThe comedy may not be as robust as fans of this set would expect, but it has a sweet nose and a well-rounded finish.

Synopsis: Six women question their friendships and their futures when they travel to Napa Valley, California to celebrate their 50th anniversary…. [More]


Adjusted score: 69818%

Consensus of critics: Baby Mom is a light and predictable comedy that prides itself on the strength of its performers.

Synopsis: When bachelor Kate Holbrook (Tina Fey) decides it’s time to finally have a baby, she hires a… [More]


Adjusted score: 66198%

Consensus of critics: sisters‘s shrill mix of pathos and vulgarity, plus the effervescent chemistry of Tina Fey and Amy Poehler, are more than enough to make up for the handful of laughs this coming-of-age comedy leaves on the table.

Synopsis: When their parents decide to sell their home, siblings Maura (Amy Poehler) and Kate (Tina Fey) learn they have… [More]


Adjusted score: 62926%

Consensus of critics: It doesn’t quite deliver on its promise and relies too heavily on worn rom-com tropes, but The invention of lies is singularly sly and funny.

Synopsis: Mark Bellison (Ricky Gervais) is an unlucky writer who lives in a world where lies are completely unknown. When Mark suddenly… [More]


Adjusted score: 50197%

Consensus of critics: This is where I leave you has its moments, but given the amount of talent gathered on screen, the rather pedestrian results can’t help but feel like a disappointment.

Synopsis: When their father dies, four adult, world-weary siblings return to their childhood home and are prayed to – with a… [More]


Adjusted score: 44327%

Consensus of critics: Admission has an immensely likeable pair of leads in Tina Fey and Paul Rudd, but it wastes them on a contrived (and clumsily directed) script.

Synopsis: When Princeton University Admissions Officer Portia Nathan (Tina Fey) makes a recruiting visit to an alternative high school, she… [More]

Who is DC’s Christopher Chance, aka Human Target? Origin Explored As Character Gets Black Label One-Shot Comic


One of the most intriguing characters DC has given us is Human Target. First appeared in action comics #419 in December 1972 as Christopher Chance, the peculiar character who had many live appearances, now has a Black Label One-Shot comic.

Human Target has been in some of the most amazing stories protecting heroes and villains by impersonating them. He impersonated kings, criminals, politicians, and even billionaire playboys like our very own Bruce Wayne.

But what made Chance the passionate imitator and fierce protector he is today? Let’s explore its roots and uncover the mystery.

The Origin Story of Human Target

Action Comics #422 (Image via DC Comics)
Action Comics #422 (Image via DC Comics)

Christopher Chance’s story began when he was little. He was walking with his father in the neighborhood when a mysterious man tried to shoot him. Christopher tried to protect his father by jumping into the path, but was brushed aside.

The moron was a professional killer, Dancer, sent by a local loan shark, Amos Sharkey, who wanted to kill Christopher’s father because of constant late payments. He chose to kill him to make an example of him.

As Christopher’s father lay in his arms dying, he told Christopher to be the man he never could be. Christopher then swore not to let this happen to anyone else. Over time, he became fearless. He became proficient in martial arts and weapons and honed his investigative skills.

Action Comics #422 (Image via DC Comics)
Action Comics #422 (Image via DC Comics)

He also became exceptionally good at impersonating people. He made tools and equipment that allowed him to look like anyone, and he learned the arts of mimicry, acting, disguise, and muscle memory to further aid him in his activities.

He got so used to being another person that he forgot to be himself. In most continuities, Human Target cannot form personal relationships because it is difficult for him to know whether the sentiment is genuine or a side effect of his impersonations.

Our hero used his special talents to save lives by impersonating influential figures. He did not fear death and could face it every day. He even impersonated Bruce Wayne to make him and Batman look like different entities, to dispel Vicki Vale’s justified doubt.

If you don’t read The Human Target, we’d love to hear your excuse…because we can guarantee it isn’t a good one. https://t.co/12VR6gFmBv

A little disturbing and much more interesting was the origin story of our own human target. While you patiently wait to check out his new Black Label One-Shot comic, we recommend giving action comics #422 a read, so you can check out its origin story before getting into the new stuff.

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How a Vancouver lawyer became a Pulitzer Prize-nominated cartoonist


Zoe Si says she was ‘shocked and in disbelief’ when she heard her name among Pulitzer Prize nominees for Editorial Cartoons

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Two years into a new career, Zoe Si’s tongue-in-cheek observations of life during the pandemic, beautifully illustrated in one-panel cartoons, have earned her some of journalism’s best plaudits.

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Si said it was surreal to be named one of three finalists for a Pulitzer Prize for her editorial cartoons for The New Yorker magazine, in the Illustrated Reporting and Commentary category which was won by New York Insider.

“I was in shock and in disbelief,” the 31-year-old Vancouver lawyer-turned-cartoonist said after hearing her name called during the ceremony, which was live-streamed last week. “It’s really cool that they’re moving in a direction that would allow someone like me — someone who cares about the things I care about — to have that seat at the table.”

As a child of immigrants, Si had to go to college and pursue a profession. She earned a law degree at the University of British Columbia and focused on family law after graduating in 2013.

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On the side, however, she pursues a childhood dream of illustrating and drawing.

“It’s always been a pipe dream,” she said.

During her freshman year of law school, Si made a commitment to create one piece of art a day. She posted her work on Instagram, steadily gaining a following.

In 2016, she got her first book contract to illustrate a children’s book. A fan of comic books, she also started doodling cartoons based on her life as a lawyer.

His first cartoon submissions to The New Yorker, mailed in 2015, were rejected. She submitted a handful more, and then in 2019, the magazine resumed her work.

When the pandemic hit in 2020, she decided to quit law and, with the encouragement of her husband Kevin Regamey, pursue her passion full-time. The couple tied the knot during a pandemic-induced runaway days after Si’s last day of work.

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Si didn’t intend to be an editorial cartoonist, but because of current events, some of her funny things have become social commentary on life under the Donald Trump administration and the pandemic.

Mindful of her platform, Si has made it a point to have inclusive characters in her work.

“Even a cartoon about a silly thing, I’ll try to have a same-sex couple or people of color,” she said. “I want to try to normalize POCs and make them visible, and this is one way for me to try to do that.”

the Pulitzer Prize website describes Si’s work this way: “Cartoons that use simply drawn figures, inclusive representation and well-observed punchlines to capture political realities and daily life during the pandemic, inviting reflection and empathy .”

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Si, who was nominated by her editors, said she was grateful and still incredulous “that the things that I find fun and important are also viewed that way by the jury, and probably by more people than I think”.

And she has more plans for the future.

Her ninth illustrated children’s book comes out in June, and another will be published in the fall. She would like to write a children’s book and a graphic novel. And she plans to continue drawing cartoons for The New Yorker and honing her craft.

“There’s value in silly, timeless humorous cartoons – it’s a skill in itself to do this sort of thing,” she said. “And it’s also a skill to do current events and talk about difficult topics.

“I have a long way to go to learn all these things.”

[email protected]


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The Best Multiverse Stories Not From DC or Marvel


Philip Pullman’s “His Dark Materials” trilogy is one of the most sophisticated and controversial works of children’s literature. The first book, “The Golden Compass,” is the simplest: it’s an adventure story set in a world where human souls take on the physical form of animal-shaped dæmons. The second book, “The Subtle Knife”, finds the young heroine Lyra traveling to other universes, including our own. The final book, “The Amber Spyglass,” gets even more ambitious, introducing even stranger worlds and featuring a full multiversal war over the fate of paradise.

Hollywood attempted to adapt the series for film with 2007’s “The Golden Compass.” This adaptation, which significantly toned down the source material’s curated criticism of religion in a failed attempt to avoid controversy, received critical mixed and bombed at the US box office, killing any chance of a sequel. However, the BBC and HBO eventually collaborated on a fuller, more faithful TV adaptation from 2019 (with the final season due to air in late 2022).

Pullman himself is back in the world of Lyra for a new trilogy, “The Book of Dust”. Two volumes have been released at the time of this writing – the prequel to “His Dark Materials” “La Belle Sauvage” and the sequel “The Secret Commonwealth” – although neither of these contains any crossovers with the others. universe of the original trilogy.

Every Sonic Cartoon TV Show, Ranked


Some of the older heads I like to talk to say, “I was there, man,” referring to Woodstock. They’ll have that distant look in their eyes like they can see a band right in front of them on stage, and I can do the same. But, instead of Woodstock, it’s Sonic the Hedgehog, since “I was there, man,” when the blue blur debuted in 1991 on the Sega Genesis. (With his explosive treatment!) Sonic has come a long way, and he even has a new Netflix show called Prime Sonicwho will soon rush into our homes.

In fact, being there from the beginning, I saw rough years for Sonic, both in video games and TV shows, because Sonic has been a TV star for almost as long as he has been a video game star. And just recently he even became a movie star (I actually consider the first Sonic movie the best video game movie of all time), making Sonic more popular than ever these days.

So, I’d like to take a trip down the Green Hill Zone lane and look back at all the Sonic shows that have aired and rank them. But, I won’t take too much of your time, because, you know. Gotta go fast.

Manic and Sonia in Sonic Underground

(Image credit: DIC Entertainment)

5. Sonic Metro (1999)

If any Sonic cartoon sounds like fanfiction, this is it. Sonic Underground the story is like a fever dream. In this one, Sonic is a prince from a royal line. He also has a brother and a sister, respectively named Manic and Sonia. And, get this, all are voiced by Steve Urkel himself, Jaleel White. They were all separated at birth due to a prophecy involving Dr. Robotnik, and they came together to stop him. Much of the plot is about medallions transforming into instrumental weapons, and it’s as bonkers as it sounds.

Sadly, it’s not crazy in a fun way. Do you want to hear Sonic sing? Nope? Then this isn’t the show for you. Sonic Underground somehow feels and looks the cheapest of all Sonic cartoons, even though it was released in 1999. I’ve never met a single person who liked this show, and it sits below all the others Sonic cartoons. Sonic UndergroundIn effect.

Tails and Sonic in The Adventures of Sonic the Hedgehog

(Image credit: DIC Entertainment)

4. The Adventures of Sonic the Hedgehog (1993)

the OG sonic the hedgehog cartoon, this show left a lot to be desired, even at the time. Jaleel White voiced the titular Hedgehog (it was his first gig as Sonic), while Christopher Welch voiced his pal, Tails. The show basically had a number of adventures, hence the title, where Robotnik would come up with a giddy plot, and Sonic would beat him in every episode. Wash, rinse and repeat. At the end, Sonic would have a segment titled Sonic Sez (I’m sorry, “Says”) where he would offer some sort of PSA. This was often the best part of the whole episode!

That’s kind of the reason why this show is so low on the list. The First Sonic Show was the only Sega-related cartoon in town at the time, putting it in direct competition with some of the Nintendo cartoons of the time. But, there was nothing really impressive or interesting about The Adventures of Sonic the Hedgehog other than the fact that it contained Sonic and Tails. The stories were bland, the voice acting was pretty cringe, and the plots were predictable and a bit lame. So it was a little better than Sonic Undergroundbut not by much.

Sonic in Sonic X

(Image credit: 4Kids Entertainment)

3.Sonic X (2003-2005)

The fourth Sonic cartoon, sonic x was actually an import from Japan, as it was an anime. The story concerns Sonic’s teleportation to Earth after a fight with Dr. Eggman, and he meets a boy named Chris Thorndyke who helps him along the way. Most of the stories involve the Chaos Emeralds, and just about every major Sonic character, including Tails, Amy, and Knuckles, make appearances, but some are pretty obscure as well, like Cream the Rabbit, Rouge the Bat, and Espio. . chameleon. It’s good.

For some people, sonic x is their favorite Sonic cartoon, and I get it. It’s definitely heavy on fan-service, and it’s action-packed. It’s also probably the best looking Sonic cartoon with its anime style. But, I really think it all depends on when you grew up with Sonic.

If you grew up with it in the early 90s, this version might be a bit too frenetic for you, and the fan-service doesn’t hit quite as hard. It also contains a bit too many human characters. But, if you grew up with Sonic Adventure like your first Sonic game, so I get why you’d love this one so much. I mean, the first hit is from Big the Cat. So he already has that going for him, right?

Sonic and company in Sonic Boom

(Image credit: Lagardère Entertainment)

2. Sonic Boom (2014-2017)

Ok, so your mileage may vary with Supersonic Detonation if you don’t like your funny Sonic. But I do, which is why this lands so high on the list. Remember how I mentioned that Sonic had fallen on hard times when it came to his games? Well, the real Supersonic Detonation video game is a testament to this statement. But the Supersonic Detonation related cartoon was the best thing to come out of this miserable situation.

Each episode is its own separate storyline, without a few, and it all plays out more like a sitcom than anything. The characters are great, including Tails, played by the amazing Colleen O’Shaughnessy, but particularly Dr. Eggman, voiced by Mike Pollock. He’s the funniest character in the series! Again, if you want something with more action then sonic x is your show. But, I compare Supersonic Detonation as of 2012 Ninja Turtles series, which I think is one of the best Ninja Turtles animated TV shows of all time. It’s the characters, silly! They are all so good Supersonic Detonation!

Princess Sally in Sonic the Hedgehog

(Image credit: DIC Entertainment)

1. Sonic the Hedgehog (1993-1994)

It’s weird to think that sonic the hedgehog was released the same year as the very inferior The Adventures of Sonic the Hedgehog, but it’s done, and it’s wonderful. Instead of being happy like TAOSTH, this version features a hellscape where Doctor Robotnik is probably the most sinister he’s ever been (Jim Carrey being a complete weirdo, he isn’t). Sonic, again voiced by Jaleel White, is joined with other freedom fighters who must free the other animals, whom Robotnik wishes to enslave and rule with an iron fist.

sonic the hedgehog is the best Sonic cartoon because the series told gripping stories and each episode felt like an event. The freedom fighters, including Tails, Princess Sally, Rotor the walrus, Antoine Depardieu, Bunnie Rabbot (who’s a real cyborg!) and Dulcy the dragon are all fantasy characters with distinct personalities. And again, Doctor Robotnik is actually menacing in this series, giving off some serious Dr. Claw vibes from Inspector Gadget Fame. No question, sonic the hedgehog is the best Sonic cartoon, and it’s not even close.

We’ll see soon enough if Prime Sonic comes close to the 1993-1994 series, but these are very big red and white shoes to fill. For more Sonic the Hedgehog news, be sure to spin here often!

The best sci-fi shows on Netflix


Looking for a quality sci-fi series to gorge yourself on? Netflix has an excellent international library, including Dark German Sci-Fi Gem — one of the best series on Netflix period. Of course there is also stranger things, black mirror and the OAa surprisingly unique sci-fi thriller.

Scroll down for the best Netflix Originals and great international deals.

Read more: Best Roku device deals


Love, Death + Robots (2019—)

This adult animated anthology series spans a range of genres, with many episodes hitting the Black Mirror comparison button. Robots in a post-apocalyptic city, farmers piloting mechanical suits, and a space mission gone wrong all appear in the first season. Although the episodes can be hit or miss (some have been criticized for their treatment of women), you’ll find plenty of awesome and thought-provoking animations.


This apocalyptic sci-fi from Belgium will probably get you out of the air anytime soon. Set on an airplane, Into the Night sees a red eye hijacked by a soldier who, along with the rest of the passengers, ends up surviving a deadly world event on the ground. Can they get the plane moving long enough to get them to safety? This premise alone should be enough to entice you to catch this excellent, tense thriller.


Hilary Swank is the big star at the heart of Away’s space drama. She plays Emma Green, a NASA astronaut and commander of a Mars expedition. Things start badly and Emma’s international team fills her with doubts about her ability to command. With time split between Earthbound drama and dependable entertainment above the stratosphere, Away mostly manages to land a full trip.


Do you like sci-fi series that play with two timelines? Do you have a special place for cults and mysteries? Meet Archive 81. The multi-genre show stars Mamoudou Athie as Dan Turner, an archivist who takes a gig to restore a collection of damaged videotapes from the 90s. He gets way more than he got planned, drawn into an investigation into a mysterious cult and a young woman who may or may not be dead. A supernatural thriller with horror, mystery, noir and sci-fi seeped into its spooky atmosphere, Archive 81 has it all.


Stranger Things (2016—)

It wouldn’t be a better list without Stranger Things. If you somehow missed the Duffer Brothers’ ode to ’80s horror and Steven Spielberg, things are about to get tubular. We follow El, an almost mute girl who has been the subject of scientific experiments. She develops telekinetic powers, which she uses to fend off monsters invading from a creepy alternate dimension. The world of Indiana Hawkins is lovingly detailed for anyone in need of a nostalgic 80s hit and the misfit characters, played by a stellar young cast, are part of everything that makes this show a feat.


Full disclosure: Netflix unfortunately canceled Travelers after its third season, but this well-plotted sci-fi out of Canada manages to end with an ambitious bang. We start with Marcy, a disabled woman who is beaten after helping a friend escape thugs. She dies – then comes back to life. This strong, character-driven sci-fi reveals its secrets in clever ways, following agents from the future tasked with preventing the collapse of society, but also navigating the tricky territory of living a double life.

Laurie Sparham/Netflix

While Charlie Brooker’s dark tech anthology series can be random, at its best, Black Mirror packs its mini-movies with an exploration of futuristic technological ideas through painfully human stories. One of them is San Junipero, which follows two women in the 80s (cue banging soundtrack) as they fall in love in ways they couldn’t in their “real” life outside of of the seaside town. The technical aspect is revealed with brilliant timing and, in general, the show explores the consequences of our wired lives in disturbing and sometimes uplifting ways.

Screenshot Warner Bros./YouTube/CNET

If The 100 sounds like your standard teen drama, get ready to exceed your expectations. There’s a reason this post-apocalyptic series has scored seven seasons: The 100 brings rich world-building and moral dilemmas that push stereotypical characters into unique and fascinating places. The 100 in question are a generation of juvenile inmates sent to Earth to determine if it is habitable after the apocalypse. 100 percent try this one.


Germany’s response to Stranger Things deliberately takes its time before getting into some completely intriguing and quirky locations. A sci-fi noir, Dark weaves together time travel, conspiracies and estranged families in an intergenerational story sparked by the disappearance of a child. If those kind of meticulously crafted layers are what you’re looking for in your storytelling, settle in. All three seasons of Dark’s meditative look at time travel and its effects on human nature are waiting to hit you hard.

JoJo Wilden/Netflix

Netflix cancellations don’t get any more criminal than The OA’s cancellation. This wildly unique story follows Prairie Johnson, a blind young woman who returns after being missing for years, now with the ability to see. She claims to be the “original angel” and convinces a small group of townspeople to listen to her impossible story, involving kidnappings and grand escapes. The OA is the genre of grounded sci-fi that catches you and its heroes completely off guard when it presents its fantastical concepts. Watch the flawless first two seasons on Netflix and pray the third will be picked up elsewhere.


Lost in Space (2018-2021)

The reboot of the 1965 series of the same name takes us to the year 2046, two years after humanity found itself on the brink of extinction. The talented Robinson family sets off with a crew to colonize a new planet. Along with unmissable family drama, they face strange new environments and a strange alien robot who befriends young Will. The mystery, heart, and a memorable villain in Parker Posey’s Dr. Smith give Lost in Space plenty of fuel to get off the ground (Seasons 2 and 3 are much improved over Season 1).


Yeah, Gong Yoo from Squid Game is in. What else do you need to know? This South Korean sci-fi mystery follows a crew of astronauts on a mission to an abandoned research facility on the moon. Their target: a sample of an unknown substance for unclear purposes. Betrayal, government lies and personal secrets rock this addictive space journey.


Modified Carbon (2018-2020)

Altered Carbon is set in a cyberpunk world where human consciousnesses can be transferred into different bodies. This sees investigator and ex-soldier Takeshi Kovacs transported in the body of Joel Kinnaman in Season 1 and Anthony Mackie in Season 2. Initially, Kovacs’ story involves solving a murder, before he embarks on a quest to find out what happened to his own Lost. love. Altered Carbon can be clunky at times, but its visual candy and entertainment value hoist you through the exposition and overbearing social commentary.

Murray Close/Netflix

From the creators of The Matrix comes another story that plays with reality. Sense8 follows eight strangers from around the world who discover they are mentally and emotionally connected. Not only do these windows into vastly different lives teach tolerance, but “sensates” can also tap into each other’s skills in the face of a sinister organization hunting them down. If you love the diverse characters of Sense8, you’ll fall head over heels in love with this heartfelt and sultry sci-fi drama.

More streaming tips

Our First Look at the Gremlins Prequel Characters Features A+ Voice Talent and Beautiful Animation


Time and again, Warner Bros. tried to keep the Gremlins franchise goes into the world of cinema, with the always elusive Gremlins 3 give birth to crazy ideas, only to constantly stall ahead before productions could begin. The world of small-screen animation has provided the next best thing thanks to the development of the streaming series Gremlins: Secrets of the Mogwai. Ahead of the premiere coming later this year, we now have our first look at the characters from the prequel series alongside the A+ voice talent who will voice them.

Announced as a streaming original for HBO Max subscribersthis new Gremlins The series hits the current online home of the two films that precede it. Previously we learned that Gremlins: Secrets of the Mogwai would focus on Sam Wing (voiced by Izaac Wang), the young boy who will eventually become Gizmo’s caretaker. Now we can share your first look at Sam and his family, thanks to this official promotional image released by the platform:

Ming-Na Wen, James Hong, BD Wong and Izaac Wang pictured side-by-side with their characters for Gremlins: Secret of the Mogwai.

(Image credit: HBO Max)

Joining Izaac Wang for the HBO Max prequel series is lineup that feels like a dream. Freshly returned to Disney + Boba Fett’s BookMing-Na Wen will play Sam’s mother, Fong, with Jurassic World: Dominion’s BD Wong as Hon, Sam’s father. Rounding out the Wing Family cast is acting legend James Hong, who recently spoke to us about his role in Everything everywhere all at onceas the patriarch of the grandfather family.

Also part of the A+ voice cast for Gremlins: Secrets of the Mogwai is Matthew Rhys, who is already part of the HBO family thanks to his leading role in Perry Mason. He plays the industrialist who apparently has an army of Gremlins to command, so it looks like we’ll get a first-hand look at how Sam learned those three infamous rules everyone remembers.

Bringing this saga to life in any format seems like a step in the right direction, with original stars like Zach Galligan always eager to realize that potential Gremlins 3 on the live action front. Having a prequel series in place would be a great test to see exactly where fans want to see the story go next, with both the past and the future presenting intriguing options. Those thoughts will have to go unanswered for now, as we still don’t know when we’ll see these adventures from the past come to HBO Max.

At least the voice cast for Gremlins: Secrets of the Mogwai will be nothing short of epic, as this information is meant to fuel the curiosity of those awaiting its arrival. Currently, the show is slated to premiere sometime in 2022, both as a streaming original for HBO Max and a title in ACME Night broadcast programming for Cartoon Network.

Whenever that date comes to light, you can bet she’ll join the rest of the 2022 TV Schedule in a short time. As of this writing, fans can also watch both Gremlins movies, as part of HBO’s streaming library.

10 Best Live Adult Swim Shows


For nearly two decades, the Adult Swim nighttime block on Cartoon Network has entertained late-night viewers with its unique brand of experimental, surreal humor. Whether it’s their own original programming or syndicated shows from other networks, if there’s one thing that can be said about the block, it’s that it’s definitely never boring.

Although they are best known for being the hub of their original animated shows, like Robot Chicken, rick and morty, and even the revival of Toonami, they also had quite a bit of live success. Some are still running and continue to evoke laughter from the masses, while others may have been canceled far too soon, but which managed to leave a more lasting impact?


Off The Air (2011 – Present)

A cat on the poster for Off the Air on Adult Swim

Unlike most Adult Swim shows, off the air is not so much a TV show as an ongoing experiment. There’s no plot to be found and no recurring characters in sight, but rather a series of random psychedelic images and bizarre shorts, usually based around a chosen theme.

RELATED: The 10 Best Current Adult Swim Shows, According To Ranker

Although it remains mostly unknown to casual viewers due to its much later timeslot, it continues to be one of the oldest shows on the block and has developed a cult following over the past decade. For all viewers looking for a TV-induced acid trip in the 4:00 cemetery slot, off the air and its 11-minute battery life will certainly do the trick.

Loiter Squad (2012 – 2014)

Yes Chappelle show and MTV Donkey were mixed in a blender, the resulting mixture would be Loafer Squad. Featuring hip-hop group Odd Future, the show features each of the members in a variety of comedy skits and pranks, featuring celebrity guests as well as original music performed by the group.

RELATED: 10 Forgotten Adult Swim Shows That Need To Make A Comeback

They may not be as well-known for comedy, but Odd Future’s wild antics and sense of humor fit the aesthetic of Adult Swim perfectly. While the show was a hit with the ratings when it first aired, band member Tyler the Creator announced in 2015 that the team would unfortunately not be returning for a fourth season as the band wish to pursue independent projects.

NTSF:SD:SUV:: (2011 – 2013)

From the mind of Paul Scheer, NTSF:SD:SUV tackles cliches from some of the best (and worst) procedural crime shows, as well as action movies, in this series of hilarious and absurd parodies. As members of an anti-terrorist organization, agents Trent Hauser, Piper Ferguson and Alphonse Inuit, undertake ridiculous and violent missions in the name of peace.

Compared to most other scripted live-action shows on Adult Swim, the comedy NTSF:SD:SUV somehow manages to be even faster and crazier. According to Scheer, the show has not been officially canceled, but is instead on an indefinite hiatus with no current plans for a comeback. It’s such a shame too because this beautifully silly and funny satire has been one for ages and is sure to be missed by fans.

Black Jesus (2014 – 2019)

Although he did not return as showrunner for the fourth and final season of his hit anime series, The Boondocks, Aaron McGruder still managed to maintain a good working relationship with Adult Swim when he created his sitcom, black jesus. Located in Compton, California, Jesus Christ attempts to spread love, harmony, and the good word of God to its troubled and sometimes violent community.

black jesus does not follow the typical path of religious satire that one would expect from this kind of premise, but instead focuses on its characters and their ongoing situations. For this reason, his comedy comes across as relatively harmless and surprisingly tamer than the controversial satire of The Boondocks, but the hilarity of McGruder’s writing still shines through.

Check it out! With Dr. Steve Brule (2010 – 2016)

The comedy duo known as “Tim and Eric” have contributed to six different shows for Adult Swim over the past 18 years, but Check it out! with Dr. Steve Brûlé is arguably their biggest hit, given that it’s also their oldest. John C. Reilly portrays the show’s title character, the socially awkward and naive host of a public access show covering human interest stories.

Almost all of Reilly’s dialogue is improvised and his caller reactions are completely authentic, resulting in some of the most hilarious and awkward moments in all of Tim and Eric’s series. The character of Dr. Steve Brule is both hilarious and even tragic (as revealed throughout the progression of the series) and is one of Reilly’s best characters.

Your Pretty Face Goes to Hell (2013 – Present)

Swimming Quiz For Adults - Your Pretty Face Goes To Hell

As a workplace comedy set in the fiery depths of the underworld, Your pretty face is going to hell is just as far-fetched as its premise sounds. From Casper Kelly, longtime Adult Swim collaborator and co-creator of Aqua Teen Hunger ForceDave Willis, the show follows Gary, a cubicle-dwelling demon who longs to climb the corporate Hell ladder, despite his kind heart, laziness, and stupidity preventing him from doing so.

Under the creative control of Dave Willis, the show carries a comedic tone and spirit similar to Aqua Teen Hunger Force and it’s an exceptional placeholder for anyone who hasn’t yet passed the end of the show 7 years ago. It’s definitive proof that when it comes to comedy, hell has no fury like an Adult Swim original series.

The heart, she screams (2011 – 2014)

Patton Oswalt in The Heart She Holler

Blending dark comedy and horror with the aesthetics of low-budget soap operas, The heart, she screams leaves viewers simultaneously cringe and howl with laughter. Patton Oswalt stars in his Southern Gothic fever dream as Hurlan Heartshe, the mindless heir to the Heartshe family dynasty, who becomes entangled in a sibling rivalry with his sisters, Hershe and Hambrosia, after being named leader of the small town of Heartshe Holler by his late father.

RELATED: 10 Best Patton Oswalt Movie & TV Roles, Ranked (According To IMDb)

The heart, she screams is perhaps one of the most uncomfortable live-action comedies ever to air on Adult Swim; unafraid to get gross and weird (even scary, at times), and completely unapologetic in its execution. For anyone who can stand its darker tone and grotesque immaturity, it’s a real scream of pleasure for anyone who needs a laugh.

Joe Pera Speaks With You (2018–present)

Comedian Joe Pera’s disarmingly soft-spoken comedy may seem out of place among Adult Swim’s generally bizarre and subversive humor, but it seems part of the joke with Joe Pera speaks with you. The show features a fictionalized version of Pera, living in Michigan as a middle school choir teacher, who, similarly to Mr. Rogers Neighborhoodcaters to the public with mundane topics and activities like chair building and hiking.

Where most of the other shows on Adult Swim’s lineup are more like the quick downing of an energy drink, Joe Pera speaks with you, is a surprisingly comfortable change of pace that, just as Pera anticipated, is more like sipping hot apple cider. It’s unlike anything on TV, both funny and relaxing, and one of the most wholesome shows that’s sure to lift people’s spirits.

Children’s Hospital (2010 – 2016)

Part of the cast of Children's Hospital

What NTSF: SD: SUV was for criminal proceedings, children’s hospital was for medical dramas. Created by and starring Rob Corddry, the series follows the bizarre staff of the titular children’s hospital and the absurdity of their daily lives in the workplace; think “Scrubs acid.”

With Corddry’s genius and crew satire, plus an impressive cast featuring Henry Winkler and Lake Bell to carry it all through, Childrens Hospital is one of those shows that could have lasted a little longer. if the creators and the network had really wanted it. for. It’s one of Adult Swim’s most memorable series, and a brilliant parody of all the famous cliches plaguing medical dramas.

The Eric Andre Show (2012 – Present)

the poster for the eric andré show

If there’s one live show that truly captures the chaotic essence of Adult Swim, it would undoubtedly be The Eric André show. Along with his sidekick, Hannibal Buress, comedian Eric Andre plays an incredibly upgraded version of himself, as he interviews and tortures his celebrity guests, and in the meantime pulls off various public pranks much to the shock and surprise of passers-by. New York.

A little like Check it out!, all of Andre’s guest reactions are genuine, and more often than not, their reactions are even funnier than his questions and behaviors that make them all stand out. With its endless amount of nonsensical non-sequences and surreal high energy, The Eric André show is everything viewers look for and hope for in an adult swim show, and the perfect one to introduce uninitiated newcomers to the block comedy style.

NEXT: 10 Quotes From The Eric Andre Show That Are Weirdly Thought Provoking

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COLUMN: Political cartoons are landmarks in history


In this week’s column, History Hound Richard MacLeod highlights the role of satirical editorial cartooning as a valuable historical document

I have always been a keen observer of the various political cartoons that have graced our local newspapers and magazines. I have often wondered how it all started and how they evolved into the art of portraying the odd points of politics or public policy through the various characters that become the target of their satire.

I’ll share what I’ve discovered, starting by defining what a political cartoon is, then looking at the history of political cartooning with a focus on Canada.

A political cartoon is an editorial rendering that uses graphics with caricatures of public figures to express an opinion on an event, policy or trend. The artist is known as an editorial cartoonist, combining artistic skill, a touch of hyperbole and the ability to satirize or question authority to draw attention to corruption, political violence and other ills social.

Developed in England in the latter part of the 18th century, political cartooning was pioneered by James Gillray. At the time, his prints and others in the thriving English industry were often sold as individual prints at print shops. Founded in 1841, the British periodical Punch (where I first discovered the joys of political cartooning) appropriated the term “cartoon” to designate its political cartoons, which was to lead to the generalization of the term in the whole world.

John W. Bengough is credited with first perfecting the art of political cartooning as we know it in the 1870s when he began publishing his satirical magazine, Grip. In its pages, Bengough derided Canada’s first prime minister, John A. Macdonald, and since then every successive prime minister has had an alter ego with a sketchbook: Sir Wilfrid Laurier had to compose with Henri Julien, Mackenzie King with Arch Dale, John Diefenbaker with Duncan Macpherson, Pierre Trudeau with Jean-Pierre Girerd, Brian Mulroney with Aislin (Terry Mosher) and Jean Chrétien and Paul Martin with Serge Chapleau.

Art is quite often ephemeral, with artists needing to create a new series of caricatures daily, a new commentary on a current event. Once the cartoons appeared, they became as relevant as yesterday’s newspaper. They are neither comics drawn to tell a story and make people laugh, nor illustrations created by graphic designers. They often overstep the bounds of fair editorial commentary and are generally drawn in to make their subjects look ridiculous.

The earliest famous example in Canada is the work of Brigadier-General George Townshend, who served with General James Wolfe at Quebec in 1759. Townshend apparently drew sketches to undermine his commanding officer’s reputation. Wolfe will soon demand an investigation, but he dies on the Plains of Abraham.

It was not until Punch’s arrival in Canada in the 1840s that editorial cartoons began to appear regularly. Punch would hatch other local publications such as Grinchuckle, Canadian Illustrated News and L’Opinion Publique.

Canada quickly produced its own style of political cartooning. Working for Quebec’s first comic strip newspaper, La Scie (the Saw), which began in 1863, cartoonist Jean-Baptiste Côté became legendary for associating his simple woodcuts with the motto Le rire correcte l’abus. He became famous for attacking the political elite and the civil service with such passion that in 1868, after portraying a civil servant “at his job”, he was arrested and thrown in prison, doing making him the first and only Canadian cartoonist to achieve this distinction.

In 1877, Le Canard was published in Montreal by pioneer caricaturist Hector Berthelot. This publication, like many before it, was supported by editors and publishers who drew the cartoons themselves.

I’m sure we all wonder, when we see a particularly biting cartoon, how did they manage to print it? Canadian cartoonists began to exercise a great deal of independence, separating from the art department and creating a separate editorial entity, becoming autonomous.

Stories abound of Duncan Macpherson not being afraid to challenge his editors, doing so repeatedly, threatening to get his way or quit. This stemmed from MacPherson’s general distaste for publishers. He had witnessed the mistreatment of his predecessor at the Toronto Star newspaper, Les Callan, who after 25 years was unceremoniously cast aside.

Prior to Macpherson, most cartoonists were part of the newspaper’s editorial team that decided what would go on the page that day. Macpherson refused to join the team or go to meetings and insisted on obtaining independent contributor status to the editorial page.

For many years it was quite common for an editorial cartoon to contradict the stated editorial position of his newspaper. However, in the early 2000s, the position of personal cartoonist would come under increasing attack, with newspaper chains beginning to eliminate staff positions, opting to employ the cheapest freelancers instead, or using labor unions. This way the cartoon could be “cherry picked” to coincide with the newspaper’s position, a huge step backwards.

The growth of the Internet has led to the rise of independent cartoons now marketed worldwide by huge publishing syndicates. These sites serve as web portals where a publisher or business can upload new political cartoons, cartoons, caricatures, illustrations, and illustrations from various cartoonists.

The best press cartoonists are members of a select club. There are no more than two dozen employees at any one time in Canada. My personal favorites were Duncan Macpherson with the Toronto Star and Andy Donato with the Toronto Sun. As I do a lot of research for these items in the old days of Newmarket, I have come to appreciate the cartoons of Cargill and Stanley, who I believe were union cartoonists of the time.

By 1949 cartoons had become so persuasive that the Canadian National Newspaper Awards decided to honor those who “embodied a clearly apparent idea, good drawing and striking pictorial effect”.

There are important institutions that house and glorify this art form around the world, institutions like the Center for the Study of Political Graphics in the United States and the British Cartoon Archive in the United Kingdom.

What about modern political cartoons today? Political cartoons can usually be found on the editorial page of many newspapers, although a few (such as Garry Trudeau’s Doonesbury) are sometimes mixed in with the usual comic book page.

I love political cartoons because they contribute to political discourse by enhancing political understanding and laying bare events. From my travels, I have discovered that there are no fundamental differences in how Canadian political cartoonists and foreign political cartoonists assess politics and public life.

A political cartoon works by putting two unrelated events together and bizarrely bringing them together for humorous effect. Humor can reduce people’s political anger and thus serve a useful purpose.

There can be controversies associated with political cartoons. We certainly remember the controversy over the Jyllands-Posten Muhammad cartoons and the Charlie Hebdo shootings (resulting from the publication of cartoons linked to Islam).

And finally, I thought you might enjoy this primer on how to interpret and appreciate a political cartoon from an elementary school lesson plan I found.

Students are first asked to examine the cartoon and use the included questions to help them decode the cartoon’s message. They are asked to be as specific as possible and to include as much detail as possible. They are asked to reference aspects of the cartoon when answering questions.

They are first asked to take a look at the cartoon and explain their first instinctive response. They are asked to consider their background knowledge such as what they already know about the context of the cartoon as to time, place, situation, etc. How do image techniques help present the message?

They are then asked to review the text. How words, numbers, etc. of the drawing express ideas or identify people or objects? What message do labels send to readers?

They are asked to go back to the characters and notice the people in the picture. How do their facial expressions (exaggerated, oversimplified emotional characteristics of the characters) add to the effect of the image? What message does this send to the reader? They are asked to identify the symbols (clothing, religious, cultural, etc.). What do these signs or images represent? Is there a lack of symbols in the image, why? How does this add to the message of the image?

Finally, they are asked to draw some conclusions: What general impression can you draw from this? Can they identify possible biases and decide which perspective or point of view is being expressed in the cartoon? They are asked to explain the general message of the cartoon.

The political cartoon is considered a valuable historical document, an indicator of what was important at that particular time and of prevailing attitudes.

I suggest the next time you come across a political cartoon, try following this exercise above and see what effect the cartoon has on you. A well-crafted cartoon will move you in some way, regardless of your personal feelings about the content.

Sources: The Art of Controversy: Political Cartoons and Their Enduring Power by Victor S. Navasky; Political cartoon from Charles Press; Toons Mag political cartoon story; The Power of Cartoons, a TED Talk; Political Cartoons – Complete Guide to Political Cartoons on the Web from About.com; The Hecklers: A History of Canadian Political Cartooning by Peter Desbarats and Terry Mosher; Grade 9 social studies exercise – Political cartoons by M. Dufresne.

Newmarket resident Richard MacLeod — the History Hound — has been a local historian for over 40 years. He writes a weekly feature on our town’s history in partnership with NewmarketToday, organizes heritage talks and local interest walking tours, and conducts local oral history talks.

MCU Fans Hope Ghost Rider Is As Badass As In ’90s Cartoons


Marvel Studios maintains a tight grip on the rights to ghost rider since 2013, and despite the onslaught of rumors and speculation that floods the internet quite regularly, Kevin Feige has yet to announce if he has any plans in store for the Spirit of Vengeance, if he even has any at all.

While Nicolas Cage was the perfect casting choice on paper to play a daredevil biker who makes a deal with the devil and turns into a flame-headed bounty hunter, 2005’s ghost rider and its spooky sequel weren’t the adaptation the character’s popularity warranted, though seeing Johnny Blaze gulping down jellybeans out of a martini glass was about what we expected from the main man.

Gabriel Luna seemed ready to follow up on his well-received turn in Agents of SHIELD with a Hulu spin-off series, but that also ended up falling through the cracks. Midnight Sons chatter isn’t going anywhere either, but fans just want Ghost Rider to be as badass as he was in the 1990s The Fantastic Four animated series, which surely isn’t too much to ask.

Much like the Punisher, it took three failed attempts to bring the cult comic book hero to life before Jon Bernthal hit the nail on the head with his impressive turn. daredevil, so maybe the same will ring true for Ghost Rider. You should think it’s on its way eventually, but the fandom has now set its sweet spot that any reboot will have to live up to.

Cartoon alien aims to ease culture shock ahead of World Cup in Qatar


DOHA, Qatar (AFP) – A series of cartoons about an alien who crash-landed in Qatar, the host country of the World Cup, aims to ease a culture clash between more than a million foreign football fans and the people of this conservative state.

Like arriving fans, Kawkabani, star of the series launched by Qatar’s premier animation studio, must learn Arabic pronunciation, how to drink coffee and find out that Qataris cook way too much food for their guests.

Creators Hossein Heydar and Amal al-Shammari also want Qataris to get the message that they will have to make cultural concessions to the beer-drinking, good-time-seeking masses that converge on their country in November and December.

The first two 10-minute episodes of “Kawkabani” – which means “The Nobody’s Planet” in Arabic – have already been released on YouTube by their company, Nefaish Animation.

“As an animation studio, we looked at content from the region, even in Qatar, and we felt there was a lack of content that represents Qatari culture,” said Shammari, Creative Director of Nefaish. .

The Arabic words were sometimes scrambled and the costumes not always quite right.

“We felt we needed a studio in Qatar that pays attention to all of these details and represents Qatari culture in the right way,” he said.

This photograph taken on April 20, 2022 shows an exterior view of the al-Janoub Stadium in Doha, which will host matches for the 2022 FIFA World Cup. (Photo by KARIM JAAFAR / AFP)

The triumph of little Qatar in obtaining the right to host the World Cup gives it the opportunity to show its traditions and customs.

“We want to explain a lot of things and share our culture with visitors,” said Shammari, who wrote the screenplay.

Nefaish only hired artists from the Middle East with knowledge of Arab culture, added Heydar, in charge of animation.

Besides Kawkabani, the series has three main Qatari characters representing what the creators consider to be the main components of the 270,000 strong indigenous community, which lives alongside more than 2.5 million foreign workers.

coffee culture

Faisal is a traditional Bedouin community that inhabited the desert.

“You know they’re more proud of their culture, and sometimes they overreact,” Shammari said.

But “they would support you no matter what. They will always be there for you.

Saad, another of the Qatari characters, is a more “modern” city dweller. “He’s open to different cultures, he’s open to people, he wants to be a businessman,” the writer said.

As for Khalifa, he represents the growing mixed community in Qatar. Vegan, his mother is British and his father Qatari.

Each of the five episodes of the first series – translated into English, French, Spanish, Hindi, Mandarin Chinese and Japanese on YouTube – shows the Qatari way of life, especially food and drink.

Kawkabani gets in trouble for not knowing the right hand gesture used to indicate drinking too much coffee.

Illustrative: Qatari men sit in a street cafe next to two portraits of the Emir of Qatar, Sheikh Hamad bin Khalifa al-Thani, right, and his crown prince and son, Sheikh Tamim bin Hamad al-Thani, left, at Souk Wagef, in Doha, Qatar, January 16, 2011. (AP Photo/Hussein Malla)

But the series also pokes fun at Qataris.

With up to 1.4 million visitors expected in Qatar for the World Cup, Shammari said the cartoon seeks “to explain to Qataris that there has to be an acceptance of these cultures… and to help them ( visitors) to co-exist or understand Qatari culture as well”.

Kawkabani was partly funded by Qatar World Cup organizers Supreme Committee for Delivery and Legacy, as well as the Doha Film Institute and telecommunications giant Vodafone.

Although early programs did not address controversial issues such as the rights of migrant workers and women, Heydar insisted that there was complete artistic freedom.

“It’s our show and the sponsors have been very supportive of us and they’ve given us all the freedom to make it the way we see it,” he said.

The couple are already planning two more series of Kawkabani alongside other projects to showcase Arab culture.

“Our heritage is full of stories, full of characters, full of heroes and we want to present them from Qatar or the Arab region to the whole world,” he said.

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Residents of the Ukrainian city of Kharkiv pause for breath as Russian forces retreat


Kharkiv is a city that can now breathe, but not necessarily relax.

Ukrainian forces have pushed invading forces back towards the Russian border over the past week and a half, loosening a deadly grip that has threatened the country’s second-largest city since the early days of the war.

Streets and sidewalks are lined with craters and crumbling buildings, while some shops have simply been shredded by shellfire, particularly in Saltivka, the now devastated suburb at the city’s northeast corner.

Many residents still traumatized are struggling to figure out what normalcy will look like and wonder if they will ever find it.

“Nobody knew what the situation was, where to hide, where to run, because the shelling was all over the city,” said Ludmilla Ivanivna, the head nurse of the adult surgery wing of the clinical hospital in the city of Kharkiv, known as Meshchaninov. .

She and her colleagues appeared physically and emotionally drained on Saturday as they recounted the nearly three harrowing months of relentless warfare as Russian armored columns tried to force their way through the city.

life in the hospital

Elsewhere in Ukraine, hospitals have been targeted with abandon by Russian artillery and missiles, although Moscow denies having such a policy. Meshchaninov staff took no such risks and lined up stretchers in the hallway ready to pull patients away from windows that would have exploded if hit.

Throughout these dimly lit corridors you find lives forever changed.

“I [have] lived in hospital [for] 80 days. Two and a half months. From day one to date,” said Dr. Oleksandr Dukhovsky, one of the hospital’s trauma surgeons and chief of pediatrics.

Oleksandr Dukhovsky, one of the trauma surgeons and head of pediatrics at Kharkiv City Clinical Hospital, known as Meshchaninov, has been living in the hospital for 80 days. (Murray Brewster/CBC)

Other staff and even patients have done the same – some out of a sense of duty, but in other cases because they have nowhere to go.

When Russian shells hit civilians queuing for help in Kharkiv in March, it was Dukhosky who treated them, and sometimes in the most horrific of conditions.

“It’s very moving to talk about it,” Dukhovsky said after a long pause.

Patients with nowhere to go

On March 6, in a building one kilometer from the hospital, a shell landed almost at the top of the building. The resulting explosion blew through windows and sent the kitchen door flying towards 18-year-old Diana Zinchenko.

Diana Zinchenko, 18, right, and her mother Viktoria at Kharkiv Clinical Hospital. Diana was seriously injured in a Russian artillery strike on March 6, which destroyed her apartment. (Murray Brewster/CBC)

The young woman’s face and head were smashed. Upon arrival at the hospital, Dukhosky struggled to save her with two surgeries and facial reconstruction.

She survived, although she lost her left eye and had a significant scar on the side of her head. She is still in the hospital.

Diana’s mother, Viktoria, was eager to show off photos of her daughter, a recent high school graduate with long, flowing hair and a formal dress, from those happier, more innocent days.

“She’s so beautiful,” Viktoria said as her daughter sat up in her hospital bed and gave her a shy smile, as if embarrassed by all the attention she was getting.

With their apartment in ruins, they have nowhere to go. They live in the hospital room, which they share with Diana’s grandfather, who seemed upset that his granddaughter was being interviewed, photographed and adored.

” Thank you. Thank you,” he repeated in Russian.

Throughout the city, there were more people unsure where to go or what to do in the relative safety of Kharkiv.

Turn an air raid shelter into a house

Across town, a former Soviet-era bomb shelter housed up to 150 people at the height of the fighting for the ancient city, which sits in the heart of intersecting rivers.

The old shelter, with framed photos of long-dead Communist Party commissars, is dark, damp, dusty and cramped. Residents have converted army stretchers into makeshift beds. Some brought home comforts, pictures they hung on the wall, favorite blankets, pillows and reading lamps.

Some areas between families were protected with blankets and tarps. There was a play area for the kids, where some of them were drawing on the concrete walls with crayons.

Valentina Turchina is among the residents who have yet to leave a Soviet-era bunker in Kharkiv, despite the city being declared safe. (Murray Brewster/CBC)

“BOOM” a child wrote on the wall, surrounding the words with a cloud of smoke. The design was located alongside an assortment of sketched cartoon characters.

“When people first came here, the shelling was so intense that they felt like jumping here for three days, but then they realized they were very safe here,” said Valentina Turchina, l one of the residents who hasn’t left the bunker yet.

Her adult son, with whom she lived, died a few weeks after the start of the war. She said he committed suicide, but did not elaborate.

Turchina said she didn’t know if it was safe to return to the surface.

She may be right.

As night fell over the city, more and more aerial sirens and the sound of distant artillery – both incoming and outgoing – cut through the darkness.

It was a visceral reminder that Kharkiv’s agony is far from over.

A former Soviet-era bomb shelter has become home to 150 people in Kharkiv. Families continue to live here long after the city was declared safe. (Murray Brewster/CBC)

REMEMBER THIS: Political cartoons are landmarks in history


In this week’s column, History Hound Richard MacLeod highlights the role of satirical editorial cartooning as a valuable historical document

I have always been a keen observer of the various political cartoons that have graced our local newspapers and magazines. I’ve often wondered how it all started and how they evolved into the art of portraying the odd points of politics or public policy through the various characters that become the target of their satire.

I’ll share what I’ve discovered, starting by defining what a political cartoon is, then looking at the history of political cartooning with a focus on Canada.

A political cartoon is an editorial rendering that uses graphics with caricatures of public figures to express an opinion on an event, policy or trend. The artist is known as an editorial cartoonist, combining artistic skill, a touch of hyperbole and the ability to satirize or question authority to draw attention to corruption, political violence and other ills social.

Developed in England in the latter part of the 18th century, political cartooning was pioneered by James Gillray. At the time, his prints and others in the thriving English industry were often sold as individual prints at print shops. Founded in 1841, the British periodical Punch (where I first discovered the joys of political cartooning) appropriated the term “cartoon” to designate its political cartoons, which was to lead to the generalization of the term in the whole world.

John W. Bengough is credited with first perfecting the art of political cartooning as we know it in the 1870s when he began publishing his satirical magazine, Grip. In its pages, Bengough derided Canada’s first prime minister, John A. Macdonald, and since then every successive prime minister has had an alter ego with a sketchbook: Sir Wilfrid Laurier had to compose with Henri Julien, Mackenzie King with Arch Dale, John Diefenbaker with Duncan Macpherson, Pierre Trudeau with Jean-Pierre Girerd, Brian Mulroney with Aislin (Terry Mosher) and Jean Chrétien and Paul Martin with Serge Chapleau.

Art is quite often ephemeral, with artists needing to create a new series of caricatures daily, a new commentary on a current event. Once the cartoons appeared, they became as relevant as yesterday’s newspaper. They are neither comics drawn to tell a story and make people laugh, nor illustrations created by graphic designers. They often overstep the bounds of fair editorial commentary and are generally drawn in to make their subjects look ridiculous.

The earliest famous example in Canada is the work of Brigadier-General George Townshend, who served with General James Wolfe at Quebec in 1759. Townshend apparently drew sketches to undermine his commanding officer’s reputation. Wolfe will soon demand an investigation, but he dies on the Plains of Abraham.

It was not until Punch’s arrival in Canada in the 1840s that editorial cartoons began to appear regularly. Punch would hatch other local publications such as Grinchuckle, Canadian Illustrated News and L’Opinion Publique.

Canada quickly produced its own style of political cartooning. Working for Quebec’s first comic strip newspaper, La Scie (the Saw), which began in 1863, cartoonist Jean-Baptiste Côté became legendary for associating his simple woodcuts with the motto Le rire correcte l’abus. He became famous for attacking the political elite and the civil service with such passion that in 1868, after portraying a civil servant “at his job”, he was arrested and thrown in prison, doing making him the first and only Canadian cartoonist to achieve this distinction.

In 1877, Le Canard was published in Montreal by pioneer caricaturist Hector Berthelot. This publication, like many before it, was supported by editors and publishers who drew the cartoons themselves.

I’m sure we all wonder, when we see a particularly biting cartoon, how did they manage to print it? Canadian cartoonists began to exercise a great deal of independence, separating from the art department and creating a separate editorial entity, becoming autonomous.

Stories abound of Duncan Macpherson not being afraid to challenge his editors, doing so repeatedly, threatening to get his way or quit. This stemmed from MacPherson’s general distaste for publishers. He had witnessed the mistreatment of his predecessor at the Toronto Star newspaper, Les Callan, who after 25 years was unceremoniously cast aside.

Prior to Macpherson, most cartoonists were part of the newspaper’s editorial team that decided what would go on the page that day. Macpherson refused to join the team or go to meetings and insisted on obtaining independent contributor status to the editorial page.

For many years it was quite common for an editorial cartoon to contradict the stated editorial position of his newspaper. However, in the early 2000s, the position of personal cartoonist would come under increasing attack, with newspaper chains beginning to eliminate staff positions, opting to employ the cheapest freelancers instead, or using labor unions. This way the cartoon could be “cherry picked” to coincide with the newspaper’s position, a huge step backwards.

The growth of the Internet has led to the rise of independent cartoons now marketed worldwide by huge publishing syndicates. These sites serve as web portals where a publisher or business can upload new political cartoons, cartoons, caricatures, illustrations, and illustrations from various cartoonists.

The best press cartoonists are members of a select club. There are no more than two dozen employees at any one time in Canada. My personal favorites were Duncan Macpherson with the Toronto Star and Andy Donato with the Toronto Sun. As I do a lot of research for these items in the old days of Newmarket, I have come to appreciate the cartoons of Cargill and Stanley, who I believe were union cartoonists of the time.

By 1949 cartoons had become so persuasive that the Canadian National Newspaper Awards decided to honor those who “embodied an idea made plainly apparent, good drawing and striking pictorial effect.”

There are important institutions that house and glorify this art form around the world, institutions like the Center for the Study of Political Graphics in the United States and the British Cartoon Archive in the United Kingdom.

What about modern political cartoons today? Political cartoons can usually be found on the editorial page of many newspapers, although a few (such as Garry Trudeau’s Doonesbury) are sometimes mixed in with the usual comic book page.

I love political cartoons because they contribute to political discourse by enhancing political understanding and laying bare events. From my travels, I have discovered that there are no fundamental differences in how Canadian political cartoonists and foreign political cartoonists assess politics and public life.

A political cartoon works by putting two unrelated events together and bizarrely bringing them together for humorous effect. Humor can reduce people’s political anger and thus serve a useful purpose.

There can be controversies associated with political cartoons. We certainly remember the controversy over the Jyllands-Posten Muhammad cartoons and the Charlie Hebdo shootings (resulting from the publication of cartoons linked to Islam).

And finally, I thought you might enjoy this primer on how to interpret and appreciate a political cartoon from an elementary school lesson plan I found.

Students are first asked to examine the cartoon and use the included questions to help them decode the cartoon’s message. They are asked to be as specific as possible and to include as much detail as possible. They are asked to reference aspects of the cartoon when answering questions.

They are first asked to take a look at the cartoon and explain their first instinctive response. They are asked to consider their background knowledge such as what they already know about the context of the cartoon as to time, place, situation, etc. How do image techniques help present the message?

They are then asked to review the text. How words, numbers, etc. of the drawing express ideas or identify people or objects? What message do labels send to readers?

They are asked to go back to the characters and notice the people in the picture. How do their facial expressions (exaggerated, oversimplified emotional characteristics of the characters) add to the effect of the image? What message does this send to the reader? They are asked to identify the symbols (clothing, religious, cultural, etc.). What do these signs or images represent? Is there a lack of symbols in the image, why? How does this add to the message of the image?

Finally, they are asked to draw some conclusions: What general impression can you draw from this? Can they identify possible biases and decide which perspective or point of view is being expressed in the cartoon? They are asked to explain the general message of the cartoon.

The political cartoon is considered a valuable historical document, an indicator of what was important at that particular time and of prevailing attitudes.

I suggest the next time you come across a political cartoon, try following this exercise above and see what effect the cartoon has on you. A well-crafted cartoon will move you in some way, regardless of your personal feelings about the content.

Sources: The Art of Controversy: Political Cartoons and Their Enduring Power by Victor S. Navasky; Political cartoon from Charles Press; Toons Mag political cartoon story; The Power of Cartoons, a TED Talk; Political Cartoons – Complete Guide to Political Cartoons on the Web from About.com; The Hecklers: A History of Canadian Political Cartooning by Peter Desbarats and Terry Mosher; Grade 9 social studies exercise – Political cartoons by M. Dufresne.

Newmarket resident Richard MacLeod — the History Hound — has been a local historian for over 40 years. He writes a weekly feature on our town’s history in partnership with NewmarketToday, organizes heritage talks and local interest walking tours, and conducts local oral history talks.

Movies that managed to get made before we even knew about them


Richard Linklater’s “Before” trilogy is beloved by many, and arguably one of the most vivid and authentic portrayals of love (and its daily remnants after the so-called “happy ending”) in history. the cinema. But to make that happen, the “Dazed and Confused” filmmaker had to reunite cast/collaborators Ethan Hawke and Julie Delpy in relative secrecy to try and recreate the largely spontaneous chemistry created in the 1995 classic “Before Sunrise.” and teased in its 2004 follow-up “Before Sunset”.

Before 2012, fans were well aware that nine years had passed between “Sunrise” and “Sunset,” and now nine more were about to expire, so a third part looked like it was on its way in 2013. also ended with one hell of a cliffhanger, because ‘Baby, You’re Gonna Miss That Plane’ had become a modern-day classic in the final lines of movies – and people had spent nearly a decade wondering where a date perceived would drop Jesse and Celine.

In the summer of 2012, Hawke told Indiewire that filming for the sequel would begin soon. her co-star Delpy denied it a month later. Sure enough, in September 2012, news of the film was officially confirmed with a report from Deadline which said it “wrapped late last night”.

“It’s great to be together again,” Linklater, Delpy and Hawke said in a statement, “this time in beautiful Greece to revisit the lives of Celine and Jesse nine years after Jesse was set to miss out. his flight.”

The resulting film, “Before Midnight”, was a critically acclaimed masterpiece that is not only considered by many to be the best film in the trilogy, but also offers viewers the all-too-rare opportunity to watch a married couple grapple with the hard, arduous day-to-day work that ultimately determines whether a marriage lasts. Since the last time they saw them, ‘Before’ fans have learned that they have become parents to two daughters – and have faced ups and downs, constantly returning to the same disagreements that threaten to diminish. the passion and love that audiences remembered so fondly from the previous two films.

Ultimately, “Midnight” ended on a mixed note after a devastating fight, with the depiction of their relationship feeling more real than ever; 2022 marks nine years after “Midnight” – and fans would love nothing more than to wake up one morning to another “wrapped up late last night” announcement.

Six new TV shows to watch this weekend


True crime can be very random to me – a disturbing scene in the second episode of The staircase was enough to get me off the show – but I was really compelled by FX’s limited run Under the banner of heaven, starring Andrew Garfield as a Mormon policeman investigating the grisly murder of a woman and her 15-month-old baby by religious fundamentalists. (Many others have been similarly coerced; it’s the most requested new show right now according to data reported in the Wrap)

The series is an adaptation of John Krakauer’s 2005 non-fiction book of the same title, and like the book, it investigates two twin histories: that of the Church of Latter-day Saints (or LDS, a movement of Christian restorationist who practices Mormonism), and the 1984 murder of Brenda Lafferty and her daughter Erica. (Honestly, I’m not that big of a fan of historical flashbacks; I think I’m too intellectually lazy at this point in my life. I should just read the Wikipedia page on LDS history and I’ll really understand what’s going on .) The modern story is interesting enough on its own: who are these men with braided beards who are currently suspected of the murder – aside from almost certainly polygamists and violent misogynists – and who are they targeting next? I also love watching Andrew Garfield, who is wonderful as always. —Shannon Keating

Where to watch: Hulu

I like it for you

I only saw four episodes of I like it for youand it would generally be difficult for me to make a strong recommendation after seeing so few shows, but this one is an exception.

The show stars SNL alum Vanessa Bayer as Joanna Gold, a childhood cancer survivor who dreams of becoming a host on home shopping channel SVN. When an opportunity arises for an opening on the beloved network, Bayer seizes it. She finally gets to work with her longtime hero, Jackie Stilton, a 30-year channel veteran played by the ever-perfect Molly Shannon. But the job isn’t as easy as it seems, and right after a disastrous moment on camera that costs the network money, Bayer is fired by the head of the network, Patricia (the iconic Jenifer Lewis). . To save herself, Bayer lies and says she has cancer, even though she hasn’t had the disease since she was a child. Patricia sees it as an opportunity to play on viewers’ emotions and boost sales.

Joanna keeps her lie close to the waistcoat (the only people who know about it are her parents), and you see the internal strife it causes as she rises through the ranks of the network while her co-workers grow increasingly jealous. Las Culturistas’ Matt Rogers notoriety shines as the irascible Darcy, Patricia’s devoted assistant, fulfilling all of his bosses’ wishes even as he sometimes opposes the logic behind his thinking. Darcy, along with Ayden Mayeri’s skeptical Beth, are co-workers who are complaining about Joanna’s apparent overnight rise on the network, which means it may only be a matter of time before the fake cancer story begins to unravel. Even if Darcy or Beth don’t find out Joanna’s secret, the ending of episode 4 complicates her lie in a way that will surely make viewers more uncomfortable the longer she continues the charade. The show is a delight, and the four episodes I saw left me wanting more, wishing I could binge the rest of the season. —Michael Blackmon

Where to watch: Showtime

Venture capitalists seek big returns with NFTs


Venture capitalists are pouring millions into digital art, virtual lands and online collectibles, the new frontier for investors seeking big returns in crypto.

Digital objects known as non-fungible tokens burst into mainstream culture last year, quickly becoming a multi-billion dollar market ranging from computer-generated artwork to cartoon characters costing thousands of dollars. dollars.

Andreessen Horowitz and Paradigm, two of the biggest cryptocurrency venture fund managers, have started investing directly in NFTs, according to people familiar with the purchases. Several specialist fund managers have also raised tens of millions of dollars in new NFT funds.

Interest from professional investors reflects the belief that digital items will gain value as more people spend time in a new version of the internet curated by cryptocurrencies.

But NFTs, which can be even more volatile than the broader cryptocurrency market, also present many new risks for fund managers. Many traders expect the vast majority of the market to fall to zero, and the legal status of digital collectibles continues to evolve.

This week, turmoil in so-called stablecoins Terra and Tether has raised concerns about contagion to broader cryptocurrency markets, underscoring the speculative nature of digital assets.

Fundraising has been strong in recent months. 1confirmation, an early investor in the dominant OpenSea NFT marketplace, has raised $50 million for an NFT fund that could ultimately earn investors up to $100 million, according to regulatory filings.

Punk6529, a pseudonymous internet personality with over 350,000 Twitter followers, recently raised $75 million for a fund that buys blue-chip NFTs.

Some mainstream venture capitalists have also jumped in, buying into popular collections such as the Bored Ape Yacht Club, which have surged in price over the past year due to celebrity endorsements and social media hype.

“When we think about buying NFTs, it aligns with our investment strategy, which is to invest in things that have the potential to generate very many multiples of the fund,” said Ophelia Brown, managing partner of the equity fund. -risk Blossom Capital. .

Blossom, an early investor in payments startup Checkout.com, owns several Bored Apes and a CryptoPunk. The fund also considered acquiring an Azuki, a collectible with an entry price of around $20,000.

Brown said the investments don’t represent a “significant” part of Blossom’s first $85 million fund, but have the potential to grow much larger in size.

Andreessen and Paradigm declined to comment on details of the NFT investments. Both companies have made significant investments in start-ups that create NFTs. Last month, Andreessen led a $450 million investment in Yuga Labs, the company behind Bored Apes, which valued it at $4 billion.

Bored Ape Yacht Club. NFTs burst into mainstream culture last year and quickly became a multi-billion dollar market ranging from computer-generated artwork to cartoon characters costing thousands of dollars © Yuga Labs

Punk6529, who declined to give his birth name due to privacy concerns, said he decided to raise funds to provide a “NFT-native” outlet for the wave of big-money investors he is following. waiting to enter the market. He said NFTs would become essential to what he calls the “open metaverse,” a vast virtual playground where 3D avatars can mingle.

“That money is going to go into the space anyway,” Punk6529 said. “The alternative is that it will go through a few guys from Goldman Sachs.”

Some investors have privately wondered if such large funds could find enough profitable investments in today’s market. NFTs on the Ethereum blockchain had a total market value of $31.4 billion at the end of last year, with over 80% in cultural collectibles and profile picture projects such as Bored Apes , according to 1confirmation estimates.

Early buyers have already made stunning returns. The value of one NFT Index developed by three university cryptocurrency researchers rose 295% from the start of 2018 to this week, even after a 50% drop since the start of this year.

An index tracking the five most valuable collections, including Bored Apes and CryptoPunks, has climbed 1,700% since 2018, according to the same researchers.

Cryptocurrency investors said it can still be difficult to judge the skill of NFT fund managers, as no one has developed a standard benchmark for the entire market.

“NFTs, as they currently stand, are really not an asset class to invest in,” said Aleh Tsyvinski, an economics professor at Yale University who helped build the NFT indices. NFT funds “buy the equivalent of different homes in the San Francisco area” in hopes of giving investors “exposure to the entire US housing market.”

Interest in NFT funds has only recently increased. Andrew Steinwold, managing partner of investment firm NFT Sfermion, tried unsuccessfully to raise money for a fund in the summer of 2020.

However, his fortunes quickly turned when wealthy cryptocurrency holders started turning to NFTs, and Sfermion debuted with a $5.3 million fund in January last year. “We were the only girl at the party,” Steinwold said.

Institutions such as endowments have still not shown much interest in NFT specialty funds. Instead, many are backed by big cryptocurrency investors and wealthy family offices, which often have a higher appetite for new risky assets.

Sfermion is preparing a series of funds that will only invest in NFTs in individual categories. The company has set a goal of $100 million for the first gaming-focused fund, two people briefed on the details said.

Steinwold said Sfermion aimed to hold NFTs for more than a year, but often sold the investments sooner due to market pressures.

“Ideally we would like to go further than that, but we are also aware of the larger market and how things are developing there,” he said. “We’re not going to say ‘no’ to outrageous short-term gain.”

Video: Soaring NFT sales are reshaping the art market | FT Movie

Mads Mikkelsen to star in spy thriller The Black Kaiser


Mads Mikkelsen is set to return to Netflix Polar universe with the next spy thriller The Black Kaiser. Although we still don’t know for sure how the two films are related, they are both adaptations of the Polar spanish cartoonist webcomic series Victor Santos.

The Black Kaiser will adapt a graphic novel of the same name that unites Santos’ first arc Polar webcomic series. The film’s title refers to the world’s greatest assassin (Mikkelsen), who uncovers a murderous plot protecting a syndicate of killers and becomes the number one target of several killers. The story takes place before the events of Polar: came from the coldthe second graphic novel in the series, which served as inspiration for Netflix Polar.

In addition to bringing Mikkelsen back as the titular deadly assassin, The Black Kaiser also sees the return of Polarthe director Jonas Akerlund and writer Jayson Rothwell. This time around, Rothwell is sharing screenwriting duties with Mikkelsen himself. Producers Jeremy Boulon and Robert Külzer also jump from Polar for The Black Kaiser. So, with the main cast and crew reunited for another adaptation of the Polar universe, we’re bound to get the same gory, exhilarating experience that the Netflix movie delivers.

RELATED:‌ “Polar”: Mads Mikkelsen and Jonas Åkerlund on the Popularity of the Hitman Genre

After bringing Netflix Polar to life, production companies Constantin Film, JB Pictures and Dark Horse Entertainment are joining forces to The Black Kaiser. The film is produced by Martin Moszkowicz, Michael Richardson, Keith Goldbergand Mikkelsen.

The Black Kaiser is heading to the Cannes market, where it will most certainly find a suitable distributor, be it Netflix yet again or some other party. Polar was streamed to over 130 million Netflix subscribers and became the most popular movie on iMDB’s Movie Meter for over two weeks, so it shouldn’t be difficult for The Black Kaiser to attract the attention of multiple buyers.

Commenting The Black Kaiser announcement, Bolt said:

“We are very excited to be working with the brilliant Mads Mikkelsen and the visionary Jonas Akerlund on what will be an explosive, action-packed, funny, unexpected and slightly crazy and emotional journey.”

Mads Mikkelsen is best known for his villainous roles in Casino Royale and the series Hannibal. However, films such as another round and Arctic underline the dramatic scope of Mikkelsen and attest to the remarkable work of the Danish star. Mikkelsen recently appeared in Fantastic Beasts: Dumbledore’s Secrets and will be seen next in Indiana Jones 5. Mikkelsen has also appeared in two of Hollywood’s biggest franchises, with roles in the Marvel Cinematic Universe. strange doctor and Rogue One: A Star Wars Story.


Bill Skarsgård’s ‘The Crow’ Reboot Hits the Market in Cannes

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Prioritizing IT Projects: How to Do It All (On a Budget)


Do you remember the Japanese arcade game Whac-A-Mole?

Five cartoon-like moles pop out of holes inside a random waist-high box. The object is to hit the moles with a soft, black mallet to score points.

If you’ve worked in IT long enough, chances are you’ve had several “Whac-a-Mole” days! For example, suppose you’ve finally caught up with your last patch management when dozens of Slack notifications suddenly slip across your monitor.

Several team members inform you of a “503 Service Unavailable” error on the company’s website – yikes. It seems like just when you’ve finished solving an urgent problem, another challenge pops up without warning! That’s part of the fun, right?

IT managers, administrators, and managed service providers (MSPs) must constantly prioritize project wants versus needs. Of course, amid competing user demands, departmental goals, and technical emergencies, prioritizing tasks isn’t easy.

Every day, IT management must ruthlessly weigh corporate initiatives, security priorities, and resources. If this all sounds familiar, this article is for you. Here, we’ll look at how to prioritize concurrent tasks and ensure computing resources are spent as efficiently as possible.

Prioritization of IT projects

What is IT project prioritization?

Let’s start by defining our topic:

Prioritization of IT projects is the process of identifying the most critical tasks needed to achieve IT-related goals. Effective prioritization improves time management, organizational security, business profitability, and employee satisfaction, among other benefits.

That said, each IT department will rank tasks based on their own unique factors. While some teams are driven by the need to maximize ROI, others may have more resources at their disposal. Additionally, organization size, industry, and risk factors also come into play.

Most small and medium-sized businesses (SMBs) operate with limited budgets and lean IT teams. For these organizations, it is imperative that IT departments devote money, time and energy to the right projects (and products) at all times.

Weighing Competing organizational needs

IT departments should prioritize projects based on the value they bring to the organization as a whole. The biggest challenge (Read more…)

ScreenSkills Film and Animation Funds Receive Record Levels of Industry Contribution | News


Films shot in the UK over the past year have contributed a record £1.4 million to the ScreenSkills Film Skills Fund.

A total of 66 productions paid £1.4m for the year to the end of March.

Productions are encouraged to contribute 0.5% of UK production expenditure to the fund. The cap was £61,000 for 2021/22.

The previous record was £1.08million in 2019/20, with a drop to £474,000 in 2020/21 when production was halted by pandemic lockdowns.

Contributors included Wonka (Heyday Films, Warner Bros.), Downton Abbey: A New Era (Universal Pictures, Carnival Films), Dungeons & Dragons (Paramount Pictures), drag queen documentary Maisie (Own Charlie Productions),Persuasion (Netflix, capital of media rights), by Steve Coogan The lost king (Margaritz Productions, Baby Cow Productions, Pathe, BBC Film, Ingenious Media), George Clooney’s Boys in the boat (Tempesta Films, Lantern Entertainment, MGM), and the murder mystery See how they work (spotlight images, Disney).

Short film true colorsmade in Northern Ireland, was the smallest contributor at £12.50.

The Animation Skills Fund, which relaunched in 2019 after a period of inactivity, also saw a record total of £187,030 in contributions from productions. The cap for animation contributions was £44,500.

The boards and working groups of both funds are currently meeting to confirm training priorities to meet demand and skills needs across the sector. The skills funds are invested alongside the BFI’s National Lottery funds as part of its Future Film Skills strategy, which ends this year.

Among the trainings supported by contributions from the Film Skills Fund last year were the transfer program for people experienced in working with black hair and makeup for people of color, hiring and managing jobs. a team, deaf awareness and virtual production training.

10 Most Obvious TV Mistakes That Still Made It Into The Series


Television productions are high-intensity, with many larger projects requiring an effort equivalent to that of a Hollywood film. Due to the incredible amount of work required to complete these TV shows – as well as the amount of moving parts involved – a mistake occasionally creeps in.

RELATED: 10 TV Shows That Killed Their Best Character Too Soon

Unfortunately for the production teams of many incredible shows, even the smallest mistake is forever cemented in the minds of viewers. Whether it’s a Starbucks cup on the shelf of The iron Throne or Rachel and Chandler meeting four times Friendseach of these little mistakes is destined to remain a part of the series’ legacy, whether for better or for worse.

ten Game of Thrones actors need a drink too

The iron Throne is famous for the incredible production quality that went into creating the eight-season fantasy epic. Sadly, the final season ditched that production quality. Famous for its many slip-ups and a general plot miscarriage, Season 8’s troubles are perfectly captured in the infamous Starbucks Coffee Mug. In Season 8 Episode 4, Daenerys can be seen at a banquet with a drink that is definitely not at home in Westeros: a Starbucks coffee mug. The mistake is repeated later in the finale, this time with actors sitting next to plastic water bottles. The community follows The iron Throne rallied around these errors as a sign of the decline in production quality over the past season.

9 Stranger Things Nostalgia forget the year

stranger things is a hit show on Netflix with an intense commitment to capturing 1980s nostalgia. An intense effort has been put into each season to make stranger things the most accurate rendition of the 1980s there is. However, more than once an error has crept in. For example, the monster that stalks the main characters throughout the first season, the Demogorgon, is based on a Dungeons & Dragons character that won’t be released until the following year.

RELATED: 10 Best TV Series To Look Forward To In Summer 2022

Moreover, several times throughout stranger things, cars appear in the 1983 series that weren’t made until the late ’80s, such as Barb’s ’88 Volkswagen Cabriolet. Certainly small errors, they are surprising considering The Stranger Thing commitment to nostalgia and an accurate historical interpretation of small town America from the 80s.

8 The smoke monster hidden in Lost

Lost is a show that has gone down in history for its mystery and open ending. The classic show, completed over ten years ago, is still much debated even today due to the mystery that still remains. As a result, fans began to tear through the show frame by frame, looking for hidden meanings and secrets. One such secret was uncovered in the very first episode.

The mysterious smoke monster that haunts the entire cast Lost can be seen sabotaging crashed Flight 815, destroying the engine. Initially believed to be a hitherto unknown secret, it was later clarified that it was a CGI error, breaking the heart of Lost fans around the world.

7 Mix of supernatural names

Sam and Dean Winchester from Supernatural fame have become television icons since the first season was released in 2005. The names Sam and Dean quickly became embedded in television culture, as the two brothers traveled the United States in search of monsters and demons. At first, however, it seems the names weren’t as iconic as they would later become, as a famous mistake in early seasons occurs when Dean Winchester calls his brother “Jared” – the actor’s name. playing Sam rather than the character himself. The humorously remembered error is always fun to see when rewatching the show.

6 Boy Meets World’s Three Dads

boy meets the world follows a group of school children as they navigate the world and grow, encountering the world. One of these characters, Topanga, is a main character in the series. However, something observant viewers of the series would notice is that her parents seem inconsistent, as they are recast throughout the series. Topanga’s father in particular has a humorous reputation, as he is chosen three times throughout the series. Ever-changing parents are an amusing inconsistency, if not addressed, throughout the boy meets the world.

5 Buffy the Vampire Slayer vampires don’t breathe

buffy the vampire slayer – a series first aired in 1997 – establishes early on that vampires can’t breathe, when unable to give Buffy CPR. However, this introduces a whole host of problems, as vampires are constantly doing things that require breathing during the series – like smoking.

RELATED: 10 TV Heroes Who Have No Dreams Or Aspirations

In fact, one of the vampires, Spike, is even tortured by drowning. So the question remains, how could this happen if vampires can’t breathe? Not to mention, how do they talk? Unfortunately, since this has never been addressed, it probably never will.

4 firefly Missing yoke

Space cult classic western Firefly follows the crew of the Serenity, a now iconic spacecraft, as they journey through the fringes of the star system. However, it’s hard to imagine the Serenity being easy to pilot when the yoke, the instrument used to pilot said ship, is downright absent. This is the case in the pilot episode, where actor Alan Tudyk can be seen piloting the spacecraft with his hands on a non-existent yoke. Quite a humorous mistake, apparently due to issues with the set as the yoke couldn’t be in position for the desired shot and so the scene went ahead without it.

3 Rachel and Chandler have met four times Friends

Friends is a show famous for its flashbacks, which are used to show how the show’s friends become as intertwined as they are now. It’s a fun and consistent joke throughout the series, and it’s an interesting way to develop the relationship between the characters in the series. Two of the characters, Rachel and Chandler, are to be introduced to each other on the pilot. However, later seasons’ flashback episodes amusingly reveal that Rachel and Chandler met at least four times before the start of Friends. Eventually, the introduction stuck and they became close friends, as the series title suggests.

2 Killer Bob’s surprise appearance at Twin Peaks

For those unfamiliar with the 90s mystery-horror show twin peaks, it takes place in the titular town of Twin Peaks, in which nothing is as it seems. Following FBI agent Dale Cooper as he investigates the murder of a high school student, it’s a weird series with an air of mystery and not quite fairness permeating its entire essence. One character that perfectly captures this is the antagonist, Killer Bob. Oddly enough, Killer Bob’s original appearance was completely accidental, as set trainer Frank Silva was caught in the background of a shot when he accidentally got trapped on set. The director loved the presence he brought to the shot so much that the character of Killer Bob was born and later became a central character in the narrative.

1 The necklace of Melisandre in Game of Thrones

A show of intensely high production like The iron Throne is prone to slipping through errors purely due to the scale of the production, and while the series has become prone to setting errors in later seasons, one error in Season 4 was never truly fixed. and left a pretty significant plot hole. All along The iron Throne, Melisandre wears a large enchanted ruby ​​necklace that hides her true identity. When she takes it off in season 6, viewers finally see her true form, but observant viewers will remember that this isn’t the first time she’s taken her necklace off. In Season 4 Episode 7, the Red Priestess is in a bath with her necklace removed. Although she is not wearing the enchanted jewelry, she still appears as herself. The plot hole, later treated as a mistake, was a blatant deception to viewers for years.

8 Continuity Errors In Old Sitcoms That Make Them Hard To Watch

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Whiteland High School brings Charlie Brown to the stage


The Whiteland Community High School cast hope their performance is worth more than peanuts when they perform “You’re a Good Man, Charlie Brown” this weekend.

The spring production, which runs Thursday through Sunday, is the first musical the school has put on in four years, meaning all of the actors on stage are taking part in their first high school musical. Director Tara Sorg relaunched the theater program in the fall with “12 Angry Jurors,” a drama. With the spring show, she wanted to give the audience something lighter, Sorg said.

“This is the first year that the theater program is a thing again and we want to keep the cast small, the show simple and to keep it family friendly. We want people to care about what we do,” she said. “It’s not super plot-driven. It’s a bunch of vignettes, short stop-motion scenes from comic books. Musical numbers expand the concept of comics. The script calls it “a day in the life of Charlie Brown”.

These vignettes include Charlie Brown at a baseball game, at school, at lunch, and on Valentine’s Day, among other scenes. About 25 students auditioned for the play, but Sorg had to narrow it down to a cast of just 10.

“I knew I needed kids who could play something young. I was looking for singing abilities and it’s a kid-oriented show, so I needed guys with a good upper range. This n t’s not a serious play, I don’t need Charlie to be more serious than he already is. It’s hard work. Charlie and Lucy were my hardest workers in ’12 Angry Jurors.’ They have proven their hard work and dedication.

Senior Eli Parr plays Charlie Brown, following his role as Juror No. 7 on “12 Angry Men” in the fall.

“I didn’t think I would try because it was a musical. I never really sang before, but I did it just to see. I wasn’t going to expect to do a role, but I started listening to the (soundtrack). I never tried to sing, just like I never tried to act. I gave 110% on the audition and got the lead,” Parr said. “In the ‘Charlie Brown’ comics and TV shows, he’s extremely depressed and monotonous. I realized you couldn’t do that on stage. It’s not as funny as seeing an animated character do it. I have to energize a bit, there are a lot of hand gestures and emotions behind it.

Parr keeps essential elements of the Charlie Brown persona intact, such as a lack of confidence and slow speech, he said.

Anna Muir, also a senior, will play Marcie, Peppermint Patty’s best friend.

“I wanted to do a musical with the school my whole high school career,” Muir said. “I grew up watching ‘Peanuts’ and reading the comics, and it’s kind of like a bit of my childhood, playing the characters that I grew up watching and reading. It’s good for It’s good for adults to see their own childhoods and good for kids to create a new generation of people who love these characters.

Isabelle Wilson will end her high school career playing Snoopy.

“I’ve always been into theater in a way, it intrigued me, but I haven’t been very involved in theater since middle school. It’s fun to get involved again as a senior,” Wilson said. “There’s definitely a bit of comic relief with our baseball game and Snoopy is still considered not really speaking, but here I actually have parts that interact with other characters.”

People with a longing for nostalgia will enjoy the production, said Garrett Godsey, the play’s musical director, which focuses on vocals, while band manager Pete Sampson conducts the pit orchestra.

“The play, it’s lovely,” Godsey said. “It’s nostalgic in many ways. The small cast in the room makes it feel lighthearted and lots of good positive energy emanates from the stage.

Fahmida Azim, Anthony Del Col, Josh Adams and Walt Hickey win the Pulitzer Prize


These 2022 finalists follow controversy in the 2021 awards when NO winner was selected in the Cartooning categorya snub that Matt Bors written about:

In June, many of us in the field were appalled that for the first time since 1973 – and in one of the most politically tumultuous years of our lives – the Pulitzer Prize Board refused to award a prize for editorial cartooning. The AAEC released a fiery statement to “call for radical structural reform of the award to assess modern opinion cartoons by 21st century standards”. As far as I’m concerned, the decision confirmed that the stewards of the old media are no longer of interest to us. I left at the right time.

Reuben Bolingone of the last finalists, and Tom Tomorrow also talked about it in this Panel to Panel podcast.

It was another sign that the role of editorial cartoonist, a position once so influential that it changed elections and history, had shrunk to almost nothing as print gave way to the internet – where to be paid for any type of creative work is a triumph of the human spirit.

For 2022, the Pulitzer Committee has completely revamped the cartoon category to recognize “a distinguished portfolio of editorial cartoons or other pictorial works (still, animated, or both) characterized by political insight, editorial effectiveness, or value of public service”. The expanded category leaves room for longer works, like the 2022 winner, cartoons — and even beyond TikTok, in theory.

The other 2022 finalists present the expansion of the category. Zoe Si is a cartoonist from New York, with all that suggests, finding humor in the quirks and quirks of life.

Ann Telnaes is a traditional editorial cartoonist, and one of the greatest, who won the Pulitzer in 2001, only the second woman to win it, at the time. As a Library of Congress article noted, only 5% of editorial designers are women.

The level of diversity among “graphic reporters” is much higher – I would estimate that 50% or even more of graphic reporters are female or non-binary.

In any case, the 2022 Pulitzer winner is deserving, and if he marks the changing of the guard and the end of the era – the editorial comic award was given even 100 years and was the most prestigious award in American cartooning.

That said, it also recognizes the variety of media we consume today and gives an even wider range of creators a chance.

The LA Latino Int’l Film Festival comes alive for the 21st edition


Oscar-nominated actor Edward James Olmos, founder of the Latino Film Institute, today announced this year’s full lineup Los Angeles International Latin Film Festival (LALIFF) taking place June 1-5 at the iconic TCL Chinese Theater and TCL Chinese 6 in Hollywood.

This year’s edition will open with Disney Original Documentary’s mijadirected by Isabel Castro, and ends with Warner Bros. Pictures and HBO Max The father of the bride, directed by Gaz Alazraki. The complete lineup includes 17 feature films from North America and Latin America; animated and live action shorts and episodes; master classes and musical performances. Toon enthusiasts will find even more to enjoy with the second annual Animation Day, which builds on the success of the 2021 edition.

“You’ll find some of the most daring films, TV series and music, with 50% of the program directed by women,” said Diana Cadavid, artistic director of LALIFF. “One of our goals at LALIFF is to ensure that Latino storytellers have a world-class venue to showcase their work. We provide a platform for our artists to connect with a diverse and multicultural audience, as well as with major industry players.

Entertainment dayorganized with LFI LatinX in animationwill include the premieres of two Mexican animated series: Frankelda’s Ghost Bookby Arturo Ambriz and Roy Ambriz, and Rey Mysterio Against Darkness by Los Hermanos Calavera.

This animation festival will also present Cafecito talks which cover a wide range of perspectives in the world of animation, featuring industry leaders and various talents and artists, as well as a special presentation and Q&A from the Oscar-nominated Brazilian filmmaker Ale Abreu (The boy and the world) on his upcoming animated feature, Perlimps. Guest speakers include:

  • Octavio Rodriguez (Spider-Man: Through the Spider-Verse)
  • Abe Audich (Bugs Bunny Builders)
  • Luis Gadea (Bugs Bunny Builders)
  • Karissa Valencia (Spirit Rangers)
  • Aaron Davidson (Senior Director, Original Programming, HBO Max)
  • Gita Rebbapragada (Marketing Director, Crunchyroll)
  • André de Abreu (Senior Director of International Business Operations, Crunchyroll)
  • Raphael Chaidez (Marvel’s Moon Girl & Devil Dinosaur)
  • Janelle Martinez (fire buttons)
  • Melinda Carrillo (Alice’s Wonderland Bakery)
  • Christine Benitez (SVP Multicultural and Brand Marketing, Paramount Pictures)

LALIFF shorts

The festival offers three juried film competitions: the brand new Short Episodic category, Live Action Short and Animated Short. The entertainment jury includes Guillermo Martinez (director, Sony Pictures Animation) and Nicole Rivera (VP, Original Series Development, Cartoon Network Studios).

LALIFF 2022 animated shorts:

  • Canicas – Eduardo Altamirano (Mexico)
  • Chilly and Milly – William D. Caballero (USA)
  • It is raining – Carolina Corral & Magali Rocha (Mexico)
  • It was raining – Ignacio Lillini (Argentina)
  • My year of dicks – Sara Gunnarsdottir (USA)
  • Repairs – Wilson Borja (Colombia)
  • something in the garden – Marcos Sánchez (Chile)
  • Tamgu – Isabel Loyer & Luis Paris (Argentina/France)
  • The girl behind the mirror – Iuri Moreno (Brazil)
  • The weight of it – Olivia Marie Valdez, Sandra Afonso Rodríguez, Einar Soler Fernández (Spain)
  • Uninhabited – Camila Donoso Astudillo (Chile)
  • We are here – Domenica & Constanza Castro (USA)

LALIFF shorts

Other highlights of the program include the return of LALIFF Music, amplifying exceptional and diverse Latin talent, building community through its Music Industry program, music panels and networking lounges. In collaboration with AltaMed Health Services, LALIFF will celebrate the work of Harry Gamboa Jr., Chicano artist, author, educator and current Director of Photo/Media Program at CalArts, with a showcase of his photography and video works spanning more than six decades . And in partnership with TVCortos for its second year, the festival’s best selection “LALIFF en TVCortos” will reach global audiences, airing on TVCortos in Latin America and Spain and sister channel ShortsTV in the US and Europe.

The event will also feature LALIFF’s Industry Days, a flagship program designed to connect filmmakers, musicians and artists with industry professionals including sales agents, buyers, producers, production managers, artisans, financiers, festival programmers and publicists. In addition to one-on-one meetings and networking events, the festival will feature a series of panels and talks, tackling relevant topics such as crowdfunding, navigating a screenwriting career, the art of sound production and a panel of actors from the Latino National Committee of SAG-AFTRA.

Legacy, LALIFF’s student film festival, will be back for this edition and will present more than 100 films shot and produced by the students of the Youth Cinema Project. YCP works in California public school classrooms, implementing a rigorous filmmaking curriculum that incorporates social-emotional learning and English language arts. The two-day event (June 4-5) will include student film premieres, panels, Q&As, special events, workshops, and special screenings and performances.

Find the full program and buy your tickets for LALIFF 2022 on laliff.org.

How the Candy Montgomery Affair Became 2 TV Shows in 2022


Candy’s portrayal in the series reflects how the trial unfolded in real life. In court, Candy’s defense attorney, Don Crowder, called witnesses who described his client as a loving and social mother, unlike Betty, who was “indifferent” and “prone to depression”. The women’s pastor testified that he found Betty difficult, while Candy was friendly. So it was apparently not exaggerated for the jurors to imagine that Candy was really the victim of all this sordid affair.

In Candy’s court testimony, which is dramatized on the show, Betty had somehow found out about the affair (Allan said he didn’t know if his wife knew anything about it). Candy said that when she arrived at Betty’s house that day, Betty confronted her about cheating, told her she had to kill her, and rushed at her with an axe. Afterwards, Candy testified that she went into a dissociative state as she fought for her life (Candy blamed her reaction on childhood trauma, which she remembered after sessions with a hypnotist).

“When Betty Gore came to Candy Montgomery, she was no longer a human being – she was an animal,” Crowder told the jury, both in real life and on screen.

History is written by the victors, and in this case, Betty and Candy’s tale was determined by the woman who survived their deadly encounter. The press covered Candy favorably before she disappeared from public view. In a dispatch written after her acquittal, Candy told the reporter, as she had champagne and cake at a “little victory party” at her home, that she had received constant support from her friends and of his family during and after the trial. (She also told the reporter she “wasn’t dangerous” after opening the door with a knife in her hand.)

This instinct to center Candy in the story rather than Betty or Betty’s family continued into Candy. Before watching the show, I read the Texas Monthly series, but was surprised to find that there was little other information publicly available. The murder had not been covered by true crime blogs or dissected on Websleuths; there was no “Candy” podcast. In order to find coverage of the murder and the trial, I had to search newspaper archives and read old reports from 1980. With its publication, amateur sleuths are likely to skim through old news articles as I have did, speculating if Candy had run away. of murder or if Betty really charged her with an axe. A new audience will learn the name Betty Gore in a negative light.

Watching the show, I kept wondering who it was for. No one is asking the courts to revive or reopen the case; Candy is alive but cannot be retried for the same crime. There are no mysteries to be solved here, no bodies or suspects to be found. I couldn’t find Candy, but I can’t imagine her being too thrilled with the publicity. The Gore family member told me that Betty’s two adult children grew up happy and successful, and turned down numerous requests over the years to appear on real crime shows interested in featuring their mother’s case. The family is upset that all of this is being unearthed, and their family trauma will once again be in the spotlight.

“It’s one thing for shows like Deadline making a fuss with family involvement and input, but that goes too far,” they said.

So why bring crime back into the public eye now? The answer is quite simple. The show is for us: the viewers who fuel the massive true-crime industrial complex, demanding juicier, more shocking cases for our consumption. If the story is good, it doesn’t matter that Betty’s children will now have to relive their childhood tragedy when they never sought anything but intimacy. It doesn’t matter if Betty was really as obnoxious as the show makes her seem, if Candy was as innocent as it makes her seem, or what really happened that day; what matters is that we will watch.

At the end of Candy, Candy testifies to her last meeting with Betty. At the back of the courtroom, Betty appears. She looked under her pageboy haircut, silently judging Candy’s version of events. What is she thinking? That Candy is wrong? Or that she wished she had killed Candy instead?

We’ll never know because Betty never explains. As the jury announces that they have found Candy not guilty, Betty just looks distraught, then fades away. She never manages to tell us her side of the story. ●

The 10 Best Nickelodeon Movies, Ranked (According To IMDb)


Nickelodeon was (and still is) a giant in children’s entertainment, so it’s no surprise that they dabbled in releasing movies on the big screen. While not exactly household names in theater, the films themselves are still loved by kids and adults who are still kids at heart.

Humble beginnings with Harriet the spy and Rugrats the movie to award-winning films such as rango and The Adventures of Tintin, there’s no denying that Nickelodeon brings all of its talent to the screen whenever possible. What are their best releases, according to IMDb?

ten Jimmy Neutron: Genie Boy – 6.0

Jimmy Neutron with a wide smile from The Adventures of Jimmy Neutron, Boy Genius

Jimmy Neutron is probably the second franchise that comes to mind (after Sponge Bob SquarePants) when people think of Nickelodeon. What a lot of people might not know is that before it was a series, it was actually a theatrical movie. It would gross $103 million against a budget of $30 million, a big hit for the fledgling film studio.

RELATED: The 10 Most Popular Anime Shows Of The 2010s, According To IMDb

The film centers on Jimmy Neutron communicating with an alien civilization called the Yolkians. Upon seeing Earth, they decide to abduct all the adults and feed them to their giant chicken god, Poultra. Now they have to save their parents from this alien threat.

9 The Spongebob Squarepants: Sponge Out of Water movie – 6.0

SpongeBob SquarePants movie information

The movie Spongebob Squarepants: Sponge Out of Water is the standalone sequel to The Spongebob Movie, and was written by writing duo Jonathan Aibel and Glenn Berger (who wrote kung fu panda). It centers on the theft of Krabby Patty’s secret formula by Burger Beard the Pirate (Antonio Banderas), which causes chaos in Bikini Bottom.

The film’s first act is done in the traditional 2D animation style, but the second half takes place entirely in the “real world”, where they all become superhero versions of themselves (but not their costumes in Mermaid Man and Barnacle Boy V).

8 Rugrats in Paris – 6.1

Rugrats in Paris is the second (and best-received) film in the franchise and is set between the series’ sixth and seventh seasons. As the title so subtly suggests, the film is set in France and deals with giant Reptar robots and the process of healing from the death of a spouse.

Rugrats in Paris manages to strike a good balance between wacky kid-friendly adventures and heartfelt character arcs about struggling families. It’s always been a constant theme of the show to have down-to-earth, schlubby people leading rather goofy lives.

7 Dora and the Lost City of Gold – 6.1

Dora and the lost city of gold is the live-action adaptation of the beloved children’s animated series, Dora the Explorer. Although characters and elements from Dora lore appear, they are very different from their cartoon counterparts.

RELATED: 10 Animated Movies You Didn’t Know Were Based On Children’s Books

The film focuses on Dora rescuing her parents, who have been kidnapped by thieves seeking the legendary Lost City of Gold. Dora is characterized as a wild but highly skilled archaeologist. It also features Danny Trejo as Boots and Benicio Del Toro as Swiper, and that alone should be reason enough to watch this weird movie.

6 The Loud House Movie – 6.2

The Loud House movie

The noisy house is one of Nickelodeon’s biggest hits of modern times and has successfully staved off the curse of the SpongeBob SquarePants timeslot. This runaway success meant the possibility of a theatrical film of their own, and fans weren’t disappointed.

The Loud House movie takes place between the fourth and fifth seasons of the series. The Loud family discovers that their ancestors are from Scotland and that they have the right to become Scottish kings. Unbeknownst to them, however, the castle guardian, Morag, has other plans for them.

5 The Spiderwick Chronicles – 6.5

With the onslaught of fantasy children’s book adaptations in the early 2000s, Nickelodeon was not going to be left out. With the moderate success of Lemony Snicket, a series of unfortunate events, Nickelodeon pumped out another in the form of the obscure but awesome The Spiderwick Chronicles.

The Spiderwick Chronicles centers on the Grace family as they move into the estate of their great-granduncle Arthur Spiderwick, a recluse who spent his time detailing fairies and other fantastical creatures. Although the film cuts a lot, it manages to tell a rather engaging and fun fantasy adventure.

4 A Series of Unfortunate Events by Lemony Snicket – 6.8


Lemony Snicket, A Series of Unfortunate Events is a gothic black comedy (for children) which adapts the first three volumes of A series of unfortunate events, with a few changes here and there to reflect the fact that this is a movie. Despite the shortened script, the film more than makes up for it with its pitch-perfect atmosphere and stellar cast.

The Baudelaire children are fantastic, they all have this sad but obviously brilliant gleam of cunning in their eyes. Jim Carrey, while nowhere near the portrayal of Olaf in the books, was nonetheless incredibly fun to watch on screen and could kick off the menacing vibes in no time.

3 The Spongebob Movie – 7.1

Spongebob and Patrick in the movie SpongeBob SquarePants

The Spongebob Movie was inevitable due to the massive success of the series. A bit of trivia, Stephen Hillenburg has publicly stated that this should be the chronological end of the series. As SpongeBob followed the path of The simpsonsthere’s no denying that this movie was a great swan song for the Hillenburg seasons of the show.

The premise of the film is that Mr. Krabs is finally opening a second branch of the Krusty Krab, and Spongebob is excitedly anticipating getting the manager’s job. Unfortunately, it goes to Squidward instead and it throws SpongeBob into a depression. Meanwhile, Plankton accuses Mr. Krabs of stealing Neptune’s crown and Spongebob is the only chance Bikini Bottom has.

2 Rango – 7.2

The titular character of Rango.

The Oscar winner rango was one of Nickelodeon’s most unique projects, and it’s unlikely he could do something so experimental again. The film was an ode to the spaghetti western and had a very realistic aesthetic that clashed with the cartoonish visuals of other CG animated films.

RELATED: Every Movie Will Win Best Animated Feature of the 2010s, Ranked By IMDb

The film is about Rango, a pet chameleon who falls out of the back of his family’s truck and ends up in the town of Dirt. The town is suffering from a major drought and Rango offers to find a solution while maintaining his fake gunslinger persona.

1 The Adventures of Tintin – 7.3

The Adventures of Tintin is an all-star adaptation of the classic comic of the same name. The film is an animated classic directed by Steven Spielberg, produced by Peter Jackson, written by Steven Moffat and Edgar Wright, and starring Daniel Craig, Andy Serkis, Simon Pegg and Nick Frost.

The Adventures of Tintin focuses on Tintin aboard the Karaboudjan, as they seek to find the Unicorn’s lost treasure, a sunken ship. The captain of the Karaboudjan, Captain Haddock, helps Tintin on this adventure in a race against the evil Sakharine. The film is a very fun time, and the sheer passion that goes into it earned the film a Golden Globe for its troubles.

NEXT: The Highest-Ranking Anime Series of Each Year in the 2010s, According to IMDB

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Zack Snyder’s 10 Best Action Sequences

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14+ Ugly Cartoon Characters: Who Are Strangely Adorable

2022: The Year of the Ugliest Cartoon Characters You’re unlikely to find anything unusual in the title. Today we are going to show you the 15 most gruesome cartoons ever made. Among children, cartoons are a privileged pastime.

Goofy and charming cartoons abound. There are a number of others that are equally unattractive. Not only have cartoons entertained young people, but they have also made adults all over the world laugh.

Cartoons are a favorite pastime for everyone. Even now, some people have their own favorite cartoons. We’d love to hear about your favorite cartoons in the comment section below.

The first thing our children do when they come home from school is turn on the television and watch cartoons. There are a few cartoons that seem to be dirty. Also, you may vomit. Here are some recent cartoons for your enjoyment.

The ugliest cartoon characters of all time

We will cover 15 anime in this article. It’s hard to get excited about them because of their unattractive appearance. How can I explain these comics to someone else? You may have the impression that we are going to reveal everything to you. The names of the 15 terrible cartoons have been provided below. One by one, we are going to review these cartoons.

  • Beavis and Butthead
  • Rocky and Bullwinkle
  • Dr. Two Brains
  • Peppermint pancake
  • Mr Mackey
  • Squid tentacles
  • Edna Fashion
  • gargamel
  • Sideshow Bob
  • Mr Crocker
  • Olive oil
  • Otherwise. Coyote
  • Ren & Stimpy
  • Hébert the pervert
  • Toot Braunstein

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1. Beavis and Butthead

They sound like Beavis and Butthead, at least to me. Either way, they’re both horrible. If you agree with both characters, then your name is an appropriate choice. Beavis and Butthead are the names given to the first of the two. It’s a show where the protagonists and antagonists are both smart. In each of these cartoons, the characters absolutely lack social skills.

Their only purpose is to consume food and observe. They could be a problem for everyone when they go to school. If you’ve seen this cartoon series before, you’ll have a great time.

These drawings are disgusting, but they also pose a serious threat. This series was produced by Mike Judge. The two cartoons in this series show no respect or affection for each other.

2. Rocky and Bullwinkle

The show is the longest-running animated series in American television history. Two cartoons clash, a la Beavis and Butthead. Rocky and Bullwinkle are two of the characters featured in the cartoons. The “Ugly Cartoon Characters” tiles in this article explain why they fight. As a result, they are both unattractive.

“Rocky and Bullwinkle” isn’t the only common name for this cartoon. It is often considered the best American animated television show. This anime series requires a stable internet connection to watch. To get buffer-free streaming, make sure you’re connected to the MetroNet Internet.

3. Dr. Two-Brains is a well-known psychiatrist. Dr. Two Brain Ugly Cartoon Character

The cartoon is based on the appearance of a man. The character is built from scratch. This comic features a mad scientist. Besides being a mad scientist, he’s also a trickster. Doctor. The cartoon character Two Brains is a well-known cheese thief. What makes this animation different is that it’s about an obsessive cheese eater. Who travels so far for cheese? In other words, committing a crime is no longer frowned upon.

Dr. The Two Brains cartoon is well known for its cheese collecting methods. It will be great fun for kids and their parents.

4. Peppermint pancake

Peppermint pancake was ranked as one of the worst cartoon characters of all time. He is an invented character. Peppermint Patty, the main protagonist of the series, is a female cartoon character. In my opinion, it is completely uninteresting. She doesn’t pay attention. Stubborn as a mule.

When this character gets into trouble, she has the ability to blame others. Peppermint Patty has a strong sense of self-determination. He has a big nose. That’s why it looks so out of place.

5. Mr Mackey

The character of Mr Mackey is too repulsive. It’s hard to believe Mr. Mackey’s face. He can’t even say his own name correctly. It doesn’t matter that he has a southern accent. It has a really obnoxious visual impact. However, he has a lot of intelligence. This could be because his head is too huge. The average age of the character is 40 years old. The figure is well known among children when in middle age.

6. Squidward Tentacles Ugly Cartoon Characters

In our collection, “Ugly Cartoon Characters” is the most wonderful cartoon character. Squidward tentacles is the term given to the character. It’s just a cheap copy. He is a trusted neighbor. Do your best or pretend to be what you pretend to be. This is something Squidward doesn’t appreciate. This is a cartoon aired on Nickelodeon.

7. Edna Fashion

He’s a character you’ve seen in a cartoon before. To reiterate: you have surely seen the cartoon or the movie The Incredibles. If the answer is yes, then he is a fictional character. How does it sound? What is Edna Mode’s real name? Edna Mode has a strong distaste for superheroes. She has an unusual wardrobe.

Edna Mode is a fashionista through and through. In doing so, she intends to attract the attention of the entire public. She has many admirers, but they also consider her an attractive woman.

8. Ugly Gargamel Cartoon Characters

This photo makes it very obvious. An unusually patched outfit can be seen on the anime character. Gargamel is the name of the cartoon character. The character’s torso has a small sag. In addition, his teeth are decayed. The cartoon character also seemed to share this sentiment. Because it can compete with the biggest, this product has an undeniable advantage. For his own benefit, Gargamel is able to persuade anyone. It is also able to delete.

Gargamel’s best quality is that he is a cowardly creature. Gargamel runs away if something goes wrong or there is danger. Our tagline, “Ugly Cartoon Characters”, perfectly describes this cartoon character.

9. Sideshow Bob

Having to attend this show is a terrible experience. The Simpsons presents the cartoon. It’s up there with the ugliest cartoon characters ever made for animated television. Sideshow Bob’s character is depicted as a member of the Republican Party. It was revealed on the Sideshow that the cartoon Bob is a self-proclaimed genius.

10. Mr. Crocker

Mr. Denzel Quincy Croker is the full name of the cartoon character. Mr Crocker, the main character, has an unflattering physique. The cartoon character is captivating. As a character in this Nickelodeon cartoon, he is seen as the adversary. This guy, Mr Crocker, is a genius!

It’s easy to see Mr. Crocker as a loner who spends most of his time immersed in fantasy worlds. When Mr. Crocker uses magic, he can be described as a seductive fairy. There are always new tricks to learn. However, his misfortune is so terrible that he has yet to catch a single angel. Its students are also spread across the country. He will be able to have a lot of fun.

11. Olive Oil

The character depicted in the cartoon is out of this world. Her hair is styled in a new way. A large, long pair of eyes. Olive Oyl is the name of the cartoon character of Olive Oyl. He is at a loss for words. He is pretentious, insensitive and irritated. Is he familar to you. We couldn’t have found a better name for this cartoon than ‘Ugly Cartoon Characters’.

An animation by Fleischer Studios can be found here. Fleischer Studios is responsible for some of the most hysterical and repulsive works in animation. One of the characters is Olive Oyl from the Olive Oyl cartoons.

12. Wile E. Coyote

Merrie Melodies and The Loney Tunes are both responsible for the Wile E. Coyote cartoons that have become so popular.

The character depicted in the cartoon is out of this world. Wile E. Coyote is the name given to the character. Even though it’s only a few meters long, it’s enough to make everyone laugh out loud. Despite the fact. The coyote is frequently seen looking for prey.

You can tell he’s hungry because of his appearance. You may have seen or heard of Road Runner. If you only know this, you will be able to follow the story of this Wile E. Coyote comic.

13. Stimpy and Ren

Viewers are familiar with Ren & Stimpy, a popular anime series. Ren & Stimpy were invented by Jonh Kricfalusi. Ren has a lot of feelings. Stimpy, on the other hand, is an adorable but naive character. Both cartoons do a great job of highlighting the absurdity. As a result, these two cartoons have been placed on our list of ugliest cartoons.

14. Herbert the Pervert

Herbert is the Pervert. The cartoon is an old cartoon. I’m sorry, but this is all just a hoax. It’s on the list of the most disgusting cartoon characters ever created. Herbert from The Pervert Family Guy is the protagonist of the series. This was created by Mike Henry.

15. Toot Braunstein

Toot Braunstein was also included in our list of the 15 ugliest cartoon characters. Toot Braunstein is a heavy drinker. Self-destructive behavior is depicted in the cartoon. The food is out of Toot Braunstein’s hands. You’ll see what I mean if you go see the show.

However, Toot Braunstein has yet to reach the endgame. It’s all in your head. In this, everyone looks absolutely stunning. A big hit with men. Toot Braunstein appears to us as a cheerful character.

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We hope you had a good time reading our list of the 15 worst anime characters. This hairstyle may not have occurred to you as an option for studying while wearing glasses. If you enjoyed the article, share it on your social network. It was a pleasure to have you share it with us. Diamond painting from the Netherlands

Abundant life | National Catholic Journalist


“I came that they might have life and have it abundantly” (John 10:10).

Acts 11:1-18; John 10:1-10

Today’s two readings offer us a window into the early church towards the end of the first century as it struggled to grow beyond its original Jewish roots and deal with divisiveness and heresy. inside. Peter’s vision eliminating ritual dietary rules is an insight into disputes over whether converts to Jesus had to become Jews through circumcision and obedience to the law in order to be Christians.

Peter supports the position taken by Paul during his missionary journeys among the Gentiles, where the gift of the Spirit and faith in Jesus were sufficient for membership. The Fourth Gospel and the Letters of John later confronted heretical positions on who Jesus was and the behavior of bad shepherds in emerging Christian communities.

Jesus is the Good Shepherd, and his goodness is seen in stark contrast to other supposed rulers who apparently abused their positions for personal gain, cheating the flocks entrusted to them. Images of “thieves and murderers” entering the sheepfold over the wall or not entering through the door give us an idea of ​​the crises these early communities may have faced. The images refer to the prophet Jeremiah, who condemned the corrupt shepherds who ravaged and scattered the people of Israel in his day.

Without the Law and the full observance of Jewish rituals, personal faith in Jesus became the authenticating measure of church membership. Baptism and participation in the Eucharist and in the Scriptures were the criteria for belonging to the body of the risen Christ. Those who believed in him heard the voice of Jesus as sheep responding to the voice of their true shepherd.

Prior to the doctrinal councils of the fourth century, the memory of Jesus and the example and professions of early preachers and martyrs helped preserve the church through persecutions and internal strife as traditions took hold . People experienced the power of the Holy Spirit in their lives and communities grew as more converts were drawn to their joy and vitality.

Pope Francis is today calling on believers to walk with each other, to share their struggles and the influence of faith in their lives. These synodal meetings and conversations have always been the basis of the sensus fidelium who has strengthened the church over the generations. Sharing the scriptures and experiencing the graces found in communion deepen trust in the living presence of God in our daily lives. Seeing faith at work in others is the very essence of knowing the one Spirit at work in each of us.

Jesus promises abundant life as a sign that God guides and corrects us on the way. We go to God the ordinary way, to do the best that we can as things come up, day by day.

John Wick director Chad Stahelski to helm Kaiju Nemesis TV series project


Stahelski is in high demand, and it’s yet another perfect project for the talented action director. He directs the next “Classified” for New Line, “Shibumi” for Warner Bros. and “Ghost of Tsushima” for Sony – and let’s not forget that “John Wick 4” is still on the way with a March 2023 release date. My god, man!

Here’s the official synopsis for the novel, which gives people a pretty good idea of ​​the potential plot of the TV series:

Jon Hudson, lead investigator at the Department of Homeland Security’s Fusion Center-P, thinks his job is a joke. While other fusion centers focus on countering terrorist activity, Hudson’s division is tasked with handling paranormal threats to national security, none of which occurred during his years at DHS. When another sighting of Sasquatch leads to a research facility disguised as an abandoned Nike missile site in the woods of Maine, Hudson’s job gets deadly serious.

Hudson and local sheriff, Ashley Collins, suddenly find themselves on the run from a ruthless ex-Special Forces security team, but the human threat is short-lived as something very unhuman destroys the facility and heads towards the civilization, leaving only one clue behind – a name scribbled in blood: Nemesis. Together with his Fusion Center-P team, Sheriff Collins and a surly helicopter pilot named Woodstock, Hudson pursues the creature known as Nemesis, attempts to uncover the corporate secrets behind its creation and accidental release. , and tries to figure out why several clues lead to a murdered little girl named Maigo.

But as the body count explodes, along with the monster’s size, it quickly becomes clear that nothing less than a full military response can slow Nemesis’ progress. In coordination with all branches of the U.S. military, Hudson simultaneously searches for clues to Nemesis’ origins and motivations, and leads the counterattack that will hopefully stop the monster before it reaches Boston and its million inhabitants.

A vengeful kaiju born of a Greek goddess and a murdered little girl? An X-Files-style homeland security division focused on paranormal threats? A helicopter pilot with the same name as a little yellow bird? Sign me up, baby. With Stahelski’s action chops, this could be a really cool series.

10 Games From The Franchise That Could Inspire The Animated Movie


Although the mario the movie may have been delayed until 2023 (via Collider), avid fans of the plumber are still excited to see what the devs have in store. It’s possible the creative team is looking for more inspiration when it comes to storytelling and picture visuals and there are, of course, plenty of fantastic Nintendo titles to look at when creating this film.

From standalone titles featuring supporting characters in the Mario universe to video games that showcase the titular hero himself, there are plenty of imaginative ideas that could be incorporated. While the gameplay elements are actually less important here, visually and in terms of the arcs themselves, they’re an integral part of Mario’s story.

Mario Kart 8 (2014)

Bowser racing in Mario Kart 8.

Mario Kart 8 from Nintendo is a fantastic title and while the initial release was hugely celebrated, the Deluxe Edition on Nintendo Switch has become even more beloved. The continued DLC releases demonstrate why this is one of the best entries in the series and a perfect homage to past iterations.

RELATED: 10 Best Mario Games, According To Ranker

Although there is no narrative attached to the Mario Kart franchise, the visuals of these wacky characters navigating extraordinary trails are completely iconic. the mario The movie has to nod to the famous series to some degree, even if it’s a short competition or chase sequence involving some of those famous vehicles.

Donkey Kong Country (1994)

Donkey Kong and Diddy Kong hang from a rope in Donkey Kong Country.

Of all the classic platformers that should also be released single-player, donkey kong country is one of the most significant. Indeed, it looks like the character will have a huge role to play in the mario a movie and a spin-off also appear to be in the works, with the same production team.

The game, which was developed by Rare and originally released on the SNES, is an essential part of the Donkey Kong series; he even bragged about his own spin-off TV show. It’s a simple premise but one that sees both Diddy Kong and his uncle team up to get their stolen bananas back. It’s a ridiculous idea but one that could play into a comedic way in the movie.

Luigi’s Mansion 3 (2019)

Luigi's Mansion 3 promotional image

Luigi’s mansion 3 is the pinnacle of the franchise and features some of the spookiest houses to date. It’s so much fun watching Luigi fight through these different minds on the Switch, as his alternate night job takes him to the most unusual places. The premise in general could surely play into the film in some way.

Although the brothers are usually plumbers, this haunted career path could come in handy if the duo were up against an antagonist like King Boo. Next Level Games has also crafted one of the most beautiful games of all mario release, with those stylized elements perhaps becoming a factor in choosing the animation style for the big-screen debut.

Donkey Kong (1981)

Donkey Kong throws barrels at Mario in the 1981 game

the original donkey kong The arcade game is where it all started. This is where the protagonist Mario was introduced, the classic platformer hosting a bit of video game history. It’s hard to ignore the cultural impact of this Nintendo, Atari and Sentient Software project.

RELATED: 5 Reasons Kirby Is The Strongest Nintendo Character (& 5 Ways It’s Super Mario)

Although it may seem so simple compared to more modern versions, donkey kong the beauty is in its simple design. The story of Mario retracing the course, to save the princess from the clutches of the gorilla, is in the fabric of the saga’s DNA. This must be taken into account in the film.

Super Mario Odyssey (2017)

Super Mario Odyssey Easter Eggs in the Mushroom Kingdom

The Nintendo title, which is currently available on the Nintendo Switch, is an essential game for fans of the series. It incorporates some of the classic elements of mario that audiences know and modernize them in a way that takes advantage of next-gen consoles and updated visuals.

Mario can explore countless kingdoms in Super Mario Odyssey, as the game does a great job of further carving up the universe itself. It’s an important piece of world-building and should perhaps serve as a guide for movie developers, who are looking for the perfect Mario experience.

Bowser’s Fury (2021)

Bowser shoots Mario in Bowser's Fury

Another recent release that helps bring the franchise into today’s world of gaming, Bowser’s Fury isn’t quite considered a classic like its other contemporaries, but is perhaps one of Nintendo’s most underrated titles right now. However, its quality reviews live up to the game.

The level of detail throughout the title is staggering, but as the name suggests, it’s a brilliant game to establish the dynamic between the plumber and the beastly Bowser who is sure to have an antagonistic role in the film. There might not be a better portrayal of the villain than this.

Yoshi’s Crafted World (2019)

Screenshot of Yoshi's Crafted World on Nintendo Switch.

Fans often forget that the world of Mario is much bigger than the two brothers. Supporting characters like Toad, Donkey Kong, or Yoshi have their own fantastic titles that could help inform their roles in the big-screen adaptation. In doing this research, the Illumination production team should not ignore Yoshi’s craft world.

RELATED: 10 Mario Games Before Super Mario Bros You Didn’t Know Existed

It’s another example of the number of types of visual perspectives in this universe and the different settings that movies could explore. While the MacGuffin-centric plot is as straightforward as other Nintendo titles, the stylized choices made here by Good-Feel and the heroic little character development for Yoshi could certainly be used elsewhere.

Paper Mario: The Origami King (2020)

Ending image may include Secret Gold Fist and Gold Heart banners in Paper Mario: The Origami King

Each slice of paper mario essentially takes up the classic components and the clichés of a mario game and adds his own style to them. One of the most recent releases in the series from Intelligent Systems, The king of origami expands the concept further than many might have expected.

His story is really exciting as the heroic Mario is embarked on another adventure, but if the movie wanted to at least reference the series, then a version of Paper Mario wouldn’t hurt. After all, it would be a meta shift to suddenly have a number of sticker 2D characters running across the screen in a game-like transformation sequence.

Super Mario Bros. (1985)

Mario jumping on Goomba in Super Mario Bros (1985)

Die-hard fans know enough about Super Mario Bros. to know that the release of this name is one of the most defining pieces in the history of video games. It was the episode that solidified the franchise and demonstrated that there was so much potential for this fictional world.

Side-scrolling is nothing short of exceptional and has helped display elements that have continued to appear in video games ever since. The NES release should be Illumination’s starting point to build their movie as it contains the essential how-to. mario what it is.

Super Smash Bros. Ultimate (2018)

It may seem unlikely that the Bandai NAMCO and Nintendo title will make its way to the screen, but Super Smash Bros Ultimate on the Nintendo Switch is the best designed iteration of this brawling concept. Mario and his roster of heroes and villains are an integral part of the title.

Crossovers of this scale are all the rage in cinemas right now, so why can’t Nintendo do something similar? It is plausible that as a small Easter egg, a Smash Bros. a reference is included so that if these franchises become more successful, a similar narrative can be presented in theaters.

NEXT: 10 Classic Retro Platformers Currently Available On Switch

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Virtual YouTubers earn millions in Japan

YouTubers voice and animate characters designed to make fans feel like they’re connecting with their animated idols. Some fans even pay hundreds of dollars to have their comment highlighted on a livestream

  • By Tomohiro Osaki / AFP, TOKYO

Mayu Iizuka ditches her soft-spoken persona and begins cackling, screaming and flailing wildly in a makeshift studio in Tokyo as her avatar appears on a livestream in front of hundreds of fans.

Virtual YouTubers like Iizuka, who voices and hosts a character called Yume Kotobuki, have turned a niche Japanese subculture into a thriving industry where top accounts can rake in over $1 million a year.

The videos are designed to make fans feel like they’re interacting directly with their favorite anime idols – with viewers sometimes paying hundreds of US dollars for a single comment to be highlighted on a live stream.

Photo: AFP

“When I play video games on my channel and achieve something, my fans give me praise and tips” to show their support and appreciation,” Iizuka said.

The 26-year-old uses a laptop, webcam and motion sensor worn around her neck to appear on screen as Yume, whose facial expressions are controlled by a producer.

With her squeaky voice, short skirt, and big purple eyes, Iizuka’s avatar follows a popular model for “VTuber” characters, who often resemble the hyper-feminine heroines of Japanese anime.

Photo: AFP

Since its emergence around five years ago, the world of VTuber has grown rapidly, with around 16,000 active streamers worldwide, data firm User Local said.

Fanbases are also growing on other platforms such as TikTok and gaming site Twitch.

Regional governments in Japan have used them for promotion, and The Batman stars Robert Pattinson and Zoe Kravitz even gave a recent interview to a prominent Japanese VTuber.

Photo: AFP

VTubers generate money the same way traditional live streamers do, including through YouTube’s “Super Chat” system, where the more a fan pays out, the more attention their comments get.

The nine highest-earning YouTube accounts in the world for “Super Cat” last year were all VTubers.

All nine are affiliated with a Tokyo-based talent agency and each earned between $700,000 and $1.7 million from cash donations, data analytics website Playboard said.

Most fans only spend a few hundred yen per comment, but the most dedicated ones sometimes spend ¥50,000 (US$383) to post impassioned missives to their virtual idols.

Kazuma Murakami, a 30-year-old auto parts inspector, is known to have spent ¥10,000 to have his comments highlighted in red and seen by his favorite VTuber.

“I really want her to notice that I’m here again, visiting her channel,” Murakami said.

Another VTuber fan, who asked to be identified only by his first name, Kazumi, adorned his small one-room apartment near Tokyo with posters, framed photos and keychains featuring his favorite character, Mio Ookami. .

The 30-year-old computer engineer spends time after work and on weekends immersing himself in Mio’s videos and creating digital illustrations of the black-haired “wolf girl.”

“I spend five, even 10 hours just thinking about her,” he said. “She’s like family to me.”

This devotion and fans’ willingness to pay big bucks is tied to how other fan subcultures operate in Japan, said Noriyuki Nagamatsu, digital business specialist at advertising firm DA Consortium.

“Super Chat is basically an extension of a long-standing culture where idol and anime fans try to support their oshi, or favorite, by splurging on their merchandise,” he said. “It’s also a way to get their beloved’s attention and feel superior to other fans.”

VTubers generally keep the person behind the character – often referred to as their “soul” – out of the picture, and like many fans, Kazumi has stated that her love is directed towards Mio the avatar, not the one playing her.

However, the line between virtual and real can become blurred.

A Japanese court recently ruled in favor of a VTuber actor who said online slander against her character amounted to an attack on her.

Virtual YouTubers can “transcend gender, age, or physique…but what’s important is that there’s a real person talking and reading the comments in real life,” Kazuhito said. Ozawa, plaintiff’s attorney.

For Iizuka, a professional voice actress, making the rare decision to reveal her identity after four years of making videos as Yume was nerve-wracking.

“Part of me was worried that fans of Yume, who has those big, shiny eyes and a perfect belly, would be disappointed to find out what the ‘real’ person is like inside,” she said, adding that “so far, the fan response has been very kind.

The more outspoken and lively personality of Yume’s virtual self even gradually rubs off on Iizuka, she said.

“I used to shy away from speaking in public, but Yume is such an experienced live streamer that my identity as her has helped me speak with more confidence,” she said.

Comments will be moderated. Keep comments relevant to the article. Remarks containing abusive and obscene language, personal attacks of any kind or promotion will be removed and the user banned. The final decision will be at the discretion of the Taipei Times.

More to come 515: Interview with Sofia Warren

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Asheville Parks & Recreation offers free movies under the stars at Pack Square Park


Asheville Parks & Recreation offers free movies under the stars at Pack Square Park

A tradition for many mountain families returns to Pack Square Park on Friday 13 May.

Asheville Parks & Recreation’s popular Movies in the Park series kicks off its 2022 season with a screening of Encanto. Community members are encouraged to bring blankets, lawn chairs and snacks for the free viewing, which begins at dusk. Prior to the screening, the Rec n Roll Play Zone opens at 7 p.m. with games, giveaways, and other activities for kids and teens. Additional movies are scheduled for the second Friday of the month throughout the summer.

“Friday night movies are a popular pastime and it’s bringing people out of their homes to enjoy fan favorites on the big screen with a spectacular backdrop – the artfully decorated exterior of the hotel from flanked by soaring mountains and a night sky full of stars,” according to Nikki Cales, coordinator of Movies in the Park. “We’re thrilled to offer this free movie series to people who want to spend time together outdoors.”

If you are going to

  • All movies begin at dusk at Pack Square Park on 80 Court Plaza in downtown Asheville.
  • Rec n Roll Fun Zone lineup begins at 7 p.m.
  • Pets, smoking and alcohol are prohibited.
  • Free parking is available in marked spaces on city streets and in city-owned lots on Marjorie Street after 6 p.m.

Films in the park’s 2022 programming:

May 13: Encanto (rated PG for some thematic elements)

-The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in an enchanted place called the Encanto. The magic of the Encanto blessed each child in the family with a unique gift – each child except Mirabel. However, she may soon be the Madrigals’ last hope when she discovers that the magic surrounding the Encanto is now in jeopardy.

June 10: Space Jam: A New Legacy (rated PG for some cartoon language and violence)

– When LeBron James and his young son Dom are trapped in digital space by a rogue AI, LeBron must get them home safely by leading Bugs, Lola Bunny and the entire gang of notoriously unruly Looney Tunes to victory over the digitized AI champions on the court: a roster of pro basketball stars like you’ve never seen them before. It’s Tunes vs. Goons in the biggest challenge of his life, one that will redefine LeBron’s bond with his son and shine a light on the power of being yourself.

July 8: Jungle cruise (rated PG-13 for adventure violence)

– Take a thrilling ride down the Amazon with crafty skipper Frank Wolff and intrepid researcher Dr Lily Houghton. Lily travels from London, England to the Amazon jungle and enlists the dubious services of Frank to guide her downstream on La Quila, his ramshackle but charming boat. Lily is determined to discover an ancient tree with unparalleled healing abilities, possessing the power to change the future of medicine. Pushed together on this epic quest, the unlikely duo encounter countless dangers and supernatural forces, all hidden within the deceptive beauty of the lush rainforest. But as the secrets of the Lost Tree unfold, the stakes get even higher for Lily and Frank, and their fates – and those of humanity – hang in the balance.

August 12: Honey, I shrunk the kids (PG rated)

– When kids sneak into inventor Wayne Szalinski’s upstairs lab to retrieve a stray baseball, his experimental shrink ray miniaturizes them. When Szalinski returns home, he destroys the device – which he thinks is a failure – and throws it in the trash, throwing the children with it. The four children, now 1/4 inch tall, must survive the trip home through a yard where sprinklers cause treacherous storms and garden ants scurry around like elephants.

Asheville Parks and Recreation

Established in 1954, the Asheville Parks and Recreation Department manages a unique collection of more than 65 public parks, playgrounds and open spaces throughout the city in a system that also includes comprehensive recreation centers, swimming pools, the Riverside Cemetery, sports fields and courts, and community centers that provide a variety of wellness, educational, and cultural programs for Ashevillians of all ages. With 8 miles of paved greenways and numerous natural surface trails, its comprehensive portfolio acts as the foundation of a vibrant center allowing Asheville residents to connect with their neighbors and explore a city’s natural beauty. habitable and pedestrian.

Driven by the promise that Asheville is a better, safer place where everyone, from infants to retirees, has the opportunity to be supported, healthy and prosperous, Asheville Parks & Recreation was the first municipal recreation service nationally accredited in the United States. For the latest updates, follow the department on Facebook @aprca and Instagram @ashevilleparksandrecreation or visit www.ashevillenc.gov/parks.

3D Engineering Animation Market Overview with In-Depth Analysis and Expert Review Report 2021-2027 – Queen Anne and Mangolia News


Global 3D Engineering Animation Market: By Technique (3D Modeling, Motion Graphics, 3D Rendering, Visual Effects), By Component (Hardware, Software, Services), By Deployment (On Premise, On Demand), End Use (Media & Entertainment, Architecture & Construction, Education & Academics, Manufacturing, Healthcare & Life Sciences, Government & Defense, Others) and By Region – Global Industry Sizing, Growth, Trend, Opportunities and Forecast (2021-2027 )

The 3D Engineering Animation Market report covers an in-depth analysis of market dynamics, business models, segmental/regional analysis, and respective market shares and strategies adopted by key market players operating in the world. It involves an in-depth analysis of factors influencing the global market and market statistics indicating market share/growth analysis by region and segment. The report study will present one of the most comprehensive market analyses, capturing all aspects of the 3D Engineering Animation market.

Get Full Sample PDF Copy of Report: https://www.marketstatsville.com/request-sample/3d-engineering-animation-market

3D Engineering Animation Industry Outlook

The global 3D Animation market size was valued at USD XX Billion in 2020 and is projected to register a growth of 11.70% CAGR from 2020 to 2027. The expansion of the media and entertainment industry and increasing use of media are key adopters contributing to the growth of the 3D animation market. The growing trend in 2D and 3D animation is to implement 2D overlays with motion. A big budget is there for commercial videos and small-scale digital ads, offering promising growth opportunities in the market.

Factors affecting the 3D Engineering Animation industry over the forecast period

  • The entertainment industry makes heavy use of VFX (visual effects) to create visually enhanced images using animations and computer graphics. 3D animation software plays a vital role as it helps to bring out real effects where it is used.
  • In the 3D technical animation market, the skill level is low.
  • These are opportunities for the advent of stereoscopic 3D games using 3D animation technology and the emerging use of 4D and 5D technologies to drive the animation market.

Inquire Before Buy @: https://www.marketstatsville.com/buy-now/3d-engineering-animation-market?opt=2950

Impact of COVID-19 on the 3D Engineering Animation Market:

The outbreak of the COVID-19 pandemic has significantly affected the global 3D engineering animation market. Due to the pandemics, there is a decrease in the growth of high cost advanced technologies due to supply chain disruption and business investment. In the COVID-19 situation, Nickelodeon had announced the launch of the KidsTogether initiative, Cartoon Network, to create public service announcements to help with pandemic education.

Report scope

The report outlines the global 3D Engineering Animation market research based on technique, component, deployment, and end use.

On the basis of technique, the 3D engineering animation market has been segmented into –

  • 3D modeling
  • Animated graphics
  • 3d rendering
  • Visual effects

On the basis of component, the 3D technical animation market has been segmented into:

  • Material
  • Software
  • Services

On the basis of deployment, the 3D engineering animation market has been segmented into:

On the basis of end-use, the 3D technical animation market has been segmented into:

  • Media and Entertainment
  • Architecture & Construction
  • Education and academics
  • Manufacturing
  • Health and life sciences
  • Government & Defense
  • Others

Request for Full Table of Content and Figures & Graphs @ https://www.marketstatsville.com/table-of-content/3d-engineering-animation-market

3D Engineering Animation Market: Regional Outlook

Based on region, the 3D technical animation printing market has been segmented into five geographical regions, namely North America, Asia-Pacific, Europe, South America, Middle East and Africa. In 2020, North America held the largest share of the global 3D engineering animation market, followed by Europe. It is further estimated that Asia-Pacific will dominate the global 3D engineering animation market during the forecast period.

Key Competitors in the Global 3D Engineering Animation Market include-

The global 3D engineering animation market has a large number of players across the globe. Leading 3D Engineering Animation manufacturers operating in the global market are-

  • Arise Engineering Services
  • CMG designs
  • Industrial3D Inc
  • LePro3DStudio
  • Total OutSource, Inc.
  • CAD Services
  • Vee Technologies
  • Video Cart

Request for Report Description @ https://www.marketstatsville.com/3d-engineering-animation-market

The 3D Engineering Animation Market report provides an in-depth analysis of macro-economic factors and market attractiveness of each segment. The report will include an in-depth qualitative and quantitative assessment of the industry/regional outlook with the presence of market players in the respective segment and region/country. The information concluded in the report includes the entries.

3D Engineering Animation Market Report Covers Comprehensive Analysis on:

  • Market Segmentation and Regional Analysis
  • 10 year market size
  • Price analysis
  • Supply and demand analysis
  • Product life cycle analysis
  • Porter’s Five Forces and Value Chain Analysis
  • Analysis of developed and emerging economies
  • PEST analysis
  • Factor analysis of the market and forecasts
  • Opportunities, risks and market trends
  • Conclusion and recommendation
  • Regulatory landscape
  • Patent Analysis
  • Competition Landscape
  • More than 15 company profiles

Regional Analysis of 3D Engineering Animation Market Includes:

  • North America (United States, Canada, Mexico)
  • South America (Brazil, Argentina, Colombia, Peru, Rest of Latin America)
  • Europe (Germany, Italy, France, United Kingdom, Spain, Poland, Russia, Slovenia, Slovakia, Hungary, Czech Republic, Belgium, Netherlands, Norway, Sweden, Denmark, Rest of Europe)
  • Asia-Pacific (China, Japan, India, South Korea, Indonesia, Malaysia, Thailand, Vietnam, Myanmar, Cambodia, Philippines, Singapore, Australia and New Zealand, Rest of Asia-Pacific)
  • The Middle East and Africa (Saudi Arabia, United Arab Emirates, South Africa, North Africa, Rest of MEA)

3D Engineering Animation Market: Target Audience

  • 3D Engineering Animation Makers
  • Manufacturers of surgical equipment and 3D engineering animations
  • Manufacturers, Distributors and Healthcare Providers
  • Trade publications and magazines
  • Government authorities, associations and organizations

The daily cartoon and the live briefing: Friday, May 6, 2022


Weather: Sunny. Highs in the lower 90s. Southwest winds 10 to 15 mph. Friday night: Partly cloudy in the evening, then mostly cloudy with showers and thunderstorms likely after midnight. Low around 70. Southwest winds 10 to 15 mph gusting up to 25 mph. Chance of rain 60 percent.

Today’s Editor’s Look:

In class: Philip Martin, who a jury in February found guilty of three counts of sexually assaulting an 11-year-old girl, is sentenced at 10:30 a.m. in Courtroom 401 at the County Courthouse Flagler, by Circuit Judge Terence Perkins. Martin, 56, faces life imprisonment. See: “Convicted of all counts, 56-year-old Philip Martin of Palm Coast faces life in prison for 11-year-old ‘massage’ girl.”

Free for every Friday on WNZF: Host David Ayres greets Flagler County School Board Chairman Trevor Tucker, beginning shortly after 9 a.m. with my commentary on the impending approval of prayer in schools by the Supreme Court.

Update from Noah Smith: Sheriff Rick Staly and Crime Stoppers of Northeast Florida will announce at a press conference a $15,000 reward for leads in the shooting death of 16-year-old Noah Smith in Bunnell in mid-January. The 1:30 p.m. press conference is by a new billboard advertising the award at 1108 South State Street (US 1) in Bunnell. See: “16-year-old FPC student Noah Smith is shot dead in a drive-by shooting in Bunnell.”

First Friday at Flagler Beach: The monthly music, food and entertainment festival is scheduled tonight at Downtown’s Veterans Park, 105 South 2nd Street, from 5-9 p.m.

City Repertory Theater stages “Waiting for Godot” at 7:30 p.m., performances will take place in CRT’s black box theater at City Marketplace, 160 Cypress Point Parkway, Suite B207, Palm Coast. Tickets are $20 adults and $15 students, available at crtpalmcoast.com, by calling 386-585-9415, or onsite just before showtime. Preview: ‘Waiting for Godot’ finally arrives as the City of Palm Coast rep brings Beckett’s absurd masterpiece to life.”

“Proof”, the play by David Auburn, is staged at the Flagler Playhouse, 301 E Moody Blvd, Bunnell. 7:30 p.m., tickets are $15-$20. Winner of the Pulitzer Prize for Drama, the Tony Award for Best Play, and the Drama Desk for Best Play. David Auburn’s first play is a play about family, mental health and math. Catherine, a graduate student in mathematics, has found a solution to a previously unsolvable proof. At the same time, she takes care of her father, a brilliant mathematician in decline. With the evidence as a backbone, Catherine must come to terms with her discovery and her father’s legacy. This program contains foul language.

Particularly: Today is the birthday of Orson Welles (1915), and we forgot to mention the birthday of Suzie Johnston, mayor of Flagler Beach, yesterday. She turned 41.

Now this:

The Live Calendar is a collection of local and regional political, civic and cultural events. You can enter your own calendar events directly on the site as you want them to appear (pending approval of course). To include your event in the live calendar, please complete this form.

April 2022

Saturday April 23 – Friday, June 24

Dave Bowers exhibition at the Grande Galerie

May 2022

pierre tristam on wnzf radio

friday 06 may

Free for Every Friday with Host David Ayres on WNZF

Philip Martin

friday 06 may

Philip Martin Conviction

Flagler County Courthouse

First Friday returns to Flagler Beach in September.  (© FlaglerLive)

friday 06 may

First Friday at Flagler Beach

friday 06 may

“Proof” by David Auburn at the Flagler Playhouse

Earl Levine is Tarragon in the City Repertory Theater production of

friday 06 may

“Waiting for Godot” at the City Repertory Theater

City Repertory Theater at City Market

picnics and pops from the palm coast arts foundation

saturday 07 may

First Saturday Creative Bazaar Arts & Crafts Market

Palm Coast Arts Foundation in the city center

saturday 07 may

“Proof” by David Auburn at the Flagler Playhouse

Earl Levine is Tarragon in the City Repertory Theater production of

saturday 07 may

“Waiting for Godot” at the City Repertory Theater

City Repertory Theater at City Market

Sunday 08 May

“Proof” by David Auburn at the Flagler Playhouse

Earl Levine is Tarragon in the City Repertory Theater production of

Sunday 08 May

“Waiting for Godot” at the City Repertory Theater

City Repertory Theater at City Market

No events found!

For the full schedule, go here.


A stupid man’s report of what a smart man says is never accurate, because he subconsciously translates what he hears into something he can understand.

–Bertrand Russell A History of Western Philosophy (1945).

The archive of cartoons and live briefings.

Why Sam Raimi’s Spider-Man Shows What’s Wrong With Marvel

Entire articles could be devoted to Kirsten Dunst’s MTV Award-winning upside-down kiss between Maguire and Mary Jane, but in short, it’s both iconic and epitomizes the film’s old-school romance: it Also noteworthy is that Parker’s storytelling is as much about Mary Jane as the life he leads as Spider-Man. In Raimi’s design, this Mary Jane (stepping into the shoes of canonical first girlfriend Gwen Stacy, whom Dunst initially thought she was chosen for), is a simpler, more down-to-earth version of his character in the comics: the archetypal girl next door, but also someone with insecurities, family struggles, and financial issues that play out onscreen.

Mary Jane is also something like Lois Lane from Spider-Man’s Superman – someone who, as a result of being in constant danger, begins a romantic relationship with the mysterious symbol in front of the man himself, further strengthening the estrangement that Peter feels between these two parts. of his life. This tension between his two selves, the shy geek and the Amazing Spider-Man, the teenage love interest and action hero, his growing pains and that oft-mentioned responsibility, all lead to one of the most blockbuster endings ever. miserable people of his time – one where even when the hero saves the day, he still loses. Because while Mary Jane declares her love to Parker, he feels obliged to reject her in order to protect her from her perilous double life, of which she is still unaware of the existence. It’s an ending that’s quintessential Spider-Man, and one that also completes the film in a way that crucially allows it to stand on its own – something that feels particularly rare as of our days seemingly every superhero movie requires homework and must have an ending – trolling character credit cameos from other upcoming movies.

An intoxicating mix of genres

Above all, it’s Raimi’s skill at handling diverse genres and tones that makes the film such a rich tapestry. Empire associate editor Amon Warmann agrees: “My favorite superhero movies are often the ones with great tonal balance, and Spider-Man achieves that masterfully,” he says. “There’s a lot of funny humor and purely entertaining heroism, but when the movie gets serious, those moments hit just as hard.”

Indeed, there are so many disparate elements in Spider-Man that shouldn’t make sense when mixed together, but work perfectly: Raimi’s aforementioned horror roots revealing themselves after the fatal spider bite Peter’s radiation look like a huge contrast to the absurd comedy of wrestler “Macho Man” Randy Savage’s appearance as “Bonesaw McGraw” in the formative cage match that solidifies Spider-Man’s identity. As Hunt says, “Raimi was the only director who really understood that Spider-Man is both a romance, a comedy, a horror, a sci-fi and an action franchise, and he shot it like if it was all those things with a consistency that we haven’t seen since.”

Sena’s Priyanka Chaturvedi in a sweep against Raj Thackeray


Taking a dig at MNS leader Raj Thackeray over his call for the removal of loudspeakers atop mosques, Shiv Sena MP Priyanka Chaturvedi on Thursday tweeted a video of late Sena founder Bal Thackeray and said that people who copy would always be several steps back.

Notably, the MNS chairman had tweeted a video on Wednesday, reminding his cousin and Maharashtra Chief Minister Uddhav Thackeray of the latter’s father (Bal Thackeray) stance on loudspeakers and people offering namaz on the roads.

“The original. For all the cheap copies, a lesson: the people who copy will not always be one step away, but several steps behind,” Chaturvedi tweeted along with a music video from Bal Thackeray.

In the video posted by Chaturvedi, Bal Thackeray is seen frisking his nephew Raj Thackeray, saying someone is mimicking his speaking style.

Raj Thackeray was once considered Bal Thackeray’s political heir. The MNS was founded in 2006 after Raj Thackeray left the Shiv Sena.

Meanwhile, Shiv Sena MP Sanjay Raut also hit out at Raj Thackeray without taking his name, saying Bal Thackeray never used any loudspeaker to pursue his policies.

Bal Thackeray used his cartoons and speech to “tear down” leaders, Raut said.

“We thought Balasaheb’s legacy (as a cartoonist) would be continued, but the BJP strangled him,” Shiv Sena chief spokesman said, alluding to Raj Thackeray.

Renowned designer, Bal Thackeray had edited “Marmik”, a magazine devoted to cartoons. His nephew Raj Thackeray is also a talented draftsman.

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Posted: Thursday 05 May 2022, 15:15 IST

10 Movies With Better TV Spinoffs, According To Reddit


Peacemaker is one of the biggest successes of the past year, as it has managed to become arguably more beloved than The Suicide Squad. And now there’s another suicide squad spin-off series in development on Amanda Waller. But this isn’t the first time a TV spin-off has been as successful as the original movie, and in some cases the shows have even improved on the movies.

The editors have teamed up with the series which they believe is much better than the films they are based on. Some are in line with the general consensus and some are massively unpopular opinions, but either way users are making great points.

ten The Avengers (2012)

Coulson and Simmons in Agents of SHIELD S7E03

After The Avengersa spin-off show from the prequel, Agents of SHIELD, followed the success of the film. The show follows SHIELD’s Agent Coulson and Marvel super-producer Kevin Feige has denounced the show and claimed it’s not canon.

RELATED: 10 Movies That Would Have Benefited From A Different Director, According To Reddit

Few people rate Agents of SHIELD strongly, especially after Marvel Studios invested hundreds of millions of dollars in high-quality Disney+ series like Wanda Vision and Loki. However, Thatoneguy112358 thinks the show is actually better than the movie, and not only that, but “Agents of SHIELD is a Phase 1 spinoff of the MCU, and it’s better than everything else in the MCU.”

9 Hercules (1997)


Hercules: The Legendary Voyages was a massive and epic show that even had multiple feature lengths, but SenorBigbelly refers to the morning cartoon. The show was a continuation of the 1997 Disney movie about the Greek god, and, almost afraid to say it, the Redditor mentions, “You know what? I’m gonna say Herculesthe Disney animated series based on the 90s film.”

There was actually a lot of production value in the show, because not only was the animation great, but many of the movie’s voice actors returned for the show, and there were tons of guest stars. Some of the stars who have lent their voices to the series include Craig Ferguson, Vince Vaughn, and Will Ferrell, making it one of the best animated shows based on a movie.

8 The Suicide Squad (2021)

peacemaker and vigilante

Peacemaker is the latest example of a TV spin-off from a movie, as director James Gunn took the best part of the soft reboot, The Suicide Squad, and gave it its own platform. Affectionate_Box7818 thinks that not only is the show an awesome and creative continuation of the movie, it’s even better than the movie.

RELATED: 10 Movies With The Most Misleading Titles, According To Reddit

If anything. the show has proven that John Cena can be a leading man, and the character will hopefully get several more seasons and maybe even his own movie. And since James Gunn is the best at developing adorable CGI creatures, whether it’s Baby Groot in Guardians of the Galaxy vol. 2 or King Shark in the 2021 film, fans have become obsessed with Peacemaker’s sidekick Eagly.

7 The Indiana Jones Series

Young Indiana Jones

The Chronicles of Young Indiana Jones is a prequel to IndianaJones series, and it capitalizes on the best part of The Last Crusade, which is a flashback of young Indy stealing the Golden Crucifix. The series had such a huge budget at the time, and due to low viewership, that was ultimately what led to its cancellation. But it also means that what exists of the series is epic and has a far greater reach than any other series from the 1990s.

Tealcandtrip postulates, “I maintain that the ‘Phantom Train of Doom’ is the best 90-minute prequel to the original trilogy that we will ever have.” The Redditor refers to a specific feature film episode, which sees Indy attempt to destroy a train carrying a giant German cannon. It’s as action-packed and grounded in history as anything in the movies, and it’s one of the many great episodes of the canceled TV series.

6 Buffy the Vampire Slayer (1992)

Buffy standing up and looking sad in Buffy the Vampire Slayer

buffy the vampire slayer is an interesting spin-off/reboot, as it managed to become much more popular than the original movie and some don’t even know the series is based on an older movie. The 1992 release underperformed at the box office and was quickly forgotten, but the series ran for seven seasons and even had an equally successful spin-off, Angel. When considering movies with better TV spinoffs, Bokbreath wastes no time, saying that “there are several more but buffy is a perfect example.”

Although the series is more of a TV reboot than a spin-off, creator Joss Whedon was the helm of both. But with the TV format, it deepened the lore and built a weird, fantastical world. The movie doesn’t even have the same tone, as it’s more of a teen comedy than a coming-of-age horror. And the show is so beloved that fans want a buffy the comeback.

5 What We Do in the Shadows (2014)

What we do in the shadows is one of the funniest mockumentaries to come out since Borat, as it follows a group of roommates who happen to be vampires. Although the film exceeded viewers’ expectations, the series went above and beyond. MrRickSter puts it best by explaining, “What we do in the shadows is now in its 3rd series with an excellent television spin-off.”

As is the case with Buffy the Vampire Slayer, What We Do in the Shadows delves deeper into world-building, only it keeps the same comedic tone. The show is far more ambitious and features funnier and more interesting characters than any character in the movie, like Baron Afanas. However, the film series has not been abandoned, as creator Taika Waititi has been talking for years about a sequel to the 2014 cult hit, which is titled werewolves.

4 Stargate (1994)

The cast of Stargate SG-1

Director Roland Emmerich found his signature in the 1990s, when he combined the disaster movie genre with science fiction and directed both independence day and Godzilla. But before that, he created the universe spanning stargate. The movie is a fun but messy sci-fi popcorn flick, but three years later it’s been turned into a melodramatic and surprisingly engaging TV series, Stargate SG-1.

RELATED: 9 Movies That Should Never Have Been Made, According To Reddit

Trylobyte claims the show is better than the movie, and the TV series was so successful that it spawned not just one spin-off, but several of them. Atlantis Stargate and Stargate Universe expanded the world, and there was even the spin-off anime series, Stargate Infinity.

3 Fargo (1996)

Fargo Season 4: Chris Rock as Loy Cannon and Tommaso Ragno as Donatello Fadda.

Uxasls quote ABC series Fargo as being better than the Coen Brothers directed film on which it is based. The film is a cold and thrilling murder mystery film, it features some of the best cinematography of the 1990s, and it has such a unique sense of humor. And, somehow, the spin-off series manages to top-Fargo the Coen brothers. classic.

The TV spin-off has become one of the best anthology series of all time, as each season follows a different antagonist or crime syndicate. The show is perfectly faithful to the beloved Coen Brothers classic, as it maintains the same weirdly funny tone, and just like the film’s iconic opening scene, each episode begins by telling viewers it’s based on a story. true, which is absolutely not the case. t.

2 The Terminator Series

Terminator Sarah Connor Chronicles Lena Headey

Unfortunately, there are now more bad terminator films only good, as the four recent films have had mostly negative receptions compared to the beloved first two films. It even got to the point where the movies were so bad that Terminator: Dark Fatethe sixth film in the series, was called a return to form even though it sits at a miserable 6.2 on IMDb and has lackluster reviews.

But Vidzphile reminds users Terminator: The Sarah Connor Chronicles, which unfortunately only lasted two seasons. While it’s clearly made for TV and by no means has the epic blockbuster effects and production value of its cinematic counterparts, there’s a lot to like about the series in terms of storytelling. If the film series took inspiration from the TV show, it could have been far more successful and critically acclaimed than it is now.

1 The Evil Dead Series

Ash versus dead evil Ash Williams

the evil Dead is one of the most iconic horror franchises of all time, and even though the third film, army of darknessended on a cliffhanger, the series continued with the TV show, Ash vs. the Evil Dead, years later. BertoPRIME feels the series is better than the movies, which is a big claim and might ruffle some fans’ feathers.

Redditor’s claim that the series is better is widely debated, as the first film is a classic, evil death 2 has one of the most shocking endings of all time, and army of darkness is one of the funniest horror comedies of the 90s. However, the series is still entertaining, hilarious and self-referential, and it’s kind of a swan song for Ash (Bruce Campbell) because, sadly, Campbell said he would never play Ash again.

NEXT: 10 Older Movies That Surprisingly Haven’t Been Remade Yet, According to Reddit

Saoirse and Timothée Featured Image

10 things to know about Timothée Chalamet and Saoirse Ronan’s friendship

beware of my power animated movie


Last October, the next slate of DC animated originals was revealed during DC FanDome, which included Green Lantern: Beware of my power. Today thanks to a IGN exclusive, the first trailer for the Green Lantern: Beware of my power animated film came out.

As mentioned during FanDome, this latest film is part of the current producer-supervised DC animated film canon. Butch Lukic. I’m sure most assumed the film would focus on Hal Jordan, so it’s a pleasant surprise to see John Stewart shine in his own animated feature. Fear not, because Hal Jordan does appear in the movie, but given that it looks like he’s biting him at first, that might not be very comforting. I think it’s safe to say that Stewart’s rise in popularity is largely due to his role in the Justice League animated series. With the tragic death last week of the artist neal adams who co-created the character with the writer Denny O’Neilthere’s something very poetic about seeing John Stewart in the spotlight in his own DC animated film.

Although the film is an original story, based on the trailer, it clearly draws inspiration from the Sinestro Corps Wars story from writer GL’s epic series. Geoff John. In addition to John Stewart, the trailer also features other DC characters set to appear in the film, including Martian Manhunter Hawkgirl, Vixen, Green Arrow, and Adam Strange. Presumably the actor Ike Amadi will reprise Martian Manhunter after first voicing him in Superman: the man of tomorrow.

Keep your eyes peeled for more details, including the voice cast!

Green Lantern: Beware of my power arrives on 4K, Blu-ray and digital on July 26, 2022.

In Green Lantern: Beware My Power, recently freed Marine sniper John Stewart is at a crossroads in his life, which is complicated only by receiving an alien ring that grants him the powers of the Green Lantern of Earth. Unfortunately, the ring doesn’t come with instructions – but it does come with baggage, like a horde of interplanetary killers bent on eliminating every Green Lantern in the universe. Now, with the help of the light-hearted Green Arrow, Adam Strange and Hawkgirl, this reluctant soldier must journey into the heart of a Rann/Thanagar galactic war and somehow succeed where all the other Green Lanterns failed. The film’s supervising producer is Butch Lukic.

One of the most innovative shows on TV today


HBO has a history of highly publicized and well-regarded original television shows that have been associated with quality television for over two decades. Since The Sopranos for true blood for The iron Throne, these are series that have become pop culture phenomena. One of their latest series, How To With John Wilsonis very different from some of HBO’s most famous series, but it’s a unique show that costs a fraction of those other series and yet has managed to gain a passionate following.

Produced by Nathan Fielder of Nat for you Fame, How To With John Wilson is a comedy documentary series. The show follows filmmaker John Wilson as he attempts to offer advice on personal issues in the form of tutorials, filmed and cut with footage he acquired while walking around New York or other areas. that he visits. The series is generally off topic from the original tutorial, but returns at the end, and while the audience never actually learns to deal with the topic the episode is named after, they can learn a bit more about themselves and the human. condition or understanding of the world.

Although not the flashiest show on HBO, the series has been critically acclaimed since its premiere in 2020 and after airing season two in 2021, was renewed for season three, which is likely to to air in 2022. The show has captivated audiences for its incredibly unique take on the world that is both profound and hilarious. Here is what makes How To With John Wilson such an innovative show, and one of the best on television right now.

A familiar style made with a new vision

The series is a nifty send-off of two familiar videos that audiences are very familiar with: popular nature documentaries and video tutorials. Even if someone doesn’t quite know the language to describe them, the audience probably understands the rhythm and configurations of each, and How To With John Wilson plays beautifully with both.

As for the video tutorials, each episode is framed around a question. While the tutorials primarily answer questions, the series uses them as a starting point to explore other concepts. For example, episode five of season two, “How to Appreciate Wine,” begins as the title suggests, trying to figure out wines, but ends up (somehow) moving organically. to Wilson covering his own personal encounter with controversial cult band NXIVM and its founder Keith Raniere and Smallville star Allison Mack while in college as part of an acapella group.

Related: Why Our Flag Means Death Is The Queer Feel-Good Show We Needed

That’s not even the only detour in this wine episode, as eventually the filmmaker finds himself throwing a party for Jack Owoc, the founder of Vital Pharmaceuticals and owner of energy drink brand Bang. This strange rabbit hole through elitism, wealth, and sense of belonging may seem random, but it captures the kind of way the human mind ponders simple questions about larger issues and ultimately finds a way to tie everything together. In a way, it’s the perfect representation of the hyperlinked stream of consciousness that many people inhabit in the digital age, jumping from website to website and thought to thought.

The other format of the show is the traditional documentary, in particular the anthropological and nature documentaries, more precisely that of Earth. Earth is known for its incredibly stunning visuals framing the beauty and wonder of what the Earth has to offer, all told through the soothing yet commanding voice of David Attenborough. How To With John Wilson uses Wilson’s soft, humorous voice from the weird and absurd videos he captures in New York City to create a humorous juxtaposition. While the contrast between the two is hugely funny, it also shows the power of exposed cinema, as image and storytelling always find a way to create meaning. He finds beauty in the absurd, and how there’s still a wonderful world outside his front door even though it doesn’t seem like it at first glance.

John Wilson discovers the beauty of human relationships

The central premise at the heart of every How To With John Wilson The episode is all about finding a way to connect with other people, so much so that the title of the first episode of the series is “How To Make Small Talk”. In each episode, John Wilson interviews people from different backgrounds and understands them better, showing how many different types of people there are.

For John Wilson and the audience, it’s about finding a way to understand and connect with people. From the romantic relationship he has with his elderly landlady (one of the most touching relationships on TV right now), who insists he call her “Mom”, to a young loner he meets and who he bonds with on vacation, the series features a number of interactions that you can’t expect to tug at the heartstrings, but do.

Related: Watchmen: How The HBO Show Deconstructs The Superhero Genre

No more evident than in episode five of season two, “How to Remember Your Dreams,” which sees the series creator join a fan base for the 2009 film. Avatar released on Christmas Eve. While Avatar was the highest-grossing film, there has been much discussion about its lasting impact and why James Cameron would want to make four sequels. However, the episode features a small but extremely passionate fanbase who found the message of Avatar to be genuinely, without irony, moving, and how this film created a bond between a small group of people who feel isolated.

For many, this movie helped them find others like them and saved their lives. That’s the beauty of the show, finding ways, however small, for people to come together and not feel alone, to be Avatar fans, referees, supporters of the Mandela effect and many others.

How To With John Wilson is perfect for a post-COVID world

How To With John Wilson premiered on HBO in October 2020, six months after the COVID-19 pandemic began. Although each episode stands on its own, viewers watching the first season may notice a pattern around certain key events taking place in the background. The series began filming in 2019 and early 2020. In the final episode of the first season, COVID-19 enters the storyline and the five episodes leading up to it were lessons on issues that, a once the pandemic hit, now seemed impossible, like “How to make small talk” and “How to split a check.”

John Wilson’s smooth voice provides the perfect comfort for audiences who needed something heartwarming, funny, thoughtful and beautiful in a rather dark time. While everyone was stuck at home, with the idea of ​​vaccination still months away and an uncertain future, How To With John Wilson has become a snapshot of what it was like before the world stopped and what it could be back to with some useful lessons that hopefully can make everyone feel a little better.

Justin Theroux standing by a window in the Leftovers.

Here’s Why The Leftovers Is HBO’s Most Underrated Show

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About the Author

The power of playful learning

When she entered the workforce as a recent business graduate, HGSE Masters student Maureen Bunney had no idea she would create educational products for children, let alone the games and media that would reach today. 90% of American schools today.

“I was always a creative kid. I used to write stories and songs, play instruments, do leatherwork, and even sing in a band,” Bunney said. “But my mom said that even if you’re a creative person, you have to major in something practical. So I majored in business as an undergrad. But I missed creative work, so after college I went back to college to study children’s communications and media to learn how education can also entertain and achieve learning outcomes.”

Her first job was in Disney’s newly formed education division, where she worked on apps for preschoolers featuring Winnie the Pooh and The Lion Kingit’s Timon and Pumbaa. The film ties highlighted for Bunney the possibilities of bringing together education and entertainment.

“I loved my job. It allowed me to dream endlessly,” says Bunney.

After several years as Vice President of Educational Games and Product Development at Leapfrog Education, in 2010 Bunney’s dreams led her to found the creative agency Powerful game. With clients in the US and Europe including Disney, Nickelodeon, Zynga’s Farmville and Common Sense Media, Mighty Play’s team of subject matter experts and learning designers develop and produce learning games and other school products. Products range from mobile apps for language learning, digital safety and financial literacy to games featuring beloved cartoon characters like Mickey Mouse and Dora the Explorer.

The company began by designing for preschool and elementary school children, focusing on literacy, Bunney says. “The power of being a fluent reader propels children to remarkable success in any field of their choice – be it science, history, philosophy or business. Being a fluent reader is be free.”

With its list of major media clients, Mighty Play’s focus quickly grew to include products for kids in middle school through college. The company also designed a customized social-emotional learning (SEL) program for San Diego National University, including educational resources and professional development tools available online and free of charge.

Among his many significant projects, Bunney considers Mighty Play’s partnership with Common Sense Education Media on his digital passport as one of the most significant of his career. In response to adult concerns about children’s safety on the internet – especially as it has become more common for children to own mobile phones at a younger age – Digital Passport offers classroom games around citizenship digital. Exercises include teaching children the importance of creating secure passwords, managing their time and distraction on cell phones, understanding cyberbullying, and learning the consequences of sharing information such as images and thoughts online. Additionally, there is a main dashboard for teachers to review how children are interacting with the platform, including if, how, and when students complete game tasks. Digital Passport is part of Common Sense’s broader portfolio of digital citizenship products for kids, many of which were researched in conjunction with HGSE’s Project Zero team.

“So many people think edtech is a superpower, which it is, but it’s not the only superpower in the learning ecosystem.”

“What we did with Common Sense was groundbreaking,” Bunney says, noting that the product is used in nearly 90% of elementary schools in America. “There are many concerns about digital child safety. Common Sense has come to us with approximately 1,000 pages of printed program on child digital safety. We have translated and transformed this program into a series of educational games and a platform where children can experience social media, texting and email in different scenarios and role play.We taught them a new digital culture.

Despite her success, Bunney felt she had more to learn. So she applied to HGSE’s Learning Design, Innovation, and Technology (LDIT) program, not to become a subject matter expert, but to find out how people learn, create inclusive environments, and develop social-emotional skills in a constantly changing and digitizing world.

“I’ve worked in edtech for many years, and frankly, I wanted to expand my impact by helping more learners succeed,” says Bunney. “I wanted to understand the non-academic factors that play into success. How do people learn? How do they become expert learners? I also wanted to understand how to evaluate what we’re doing to make sure we’re helping and not hurting. Many of the strategies and characteristics that I have learned here at HGSE are strongly correlated to academic and life success. My goal is to support students in these strategies through educational games and learning technologies. These characteristics inherent skills can be honed and developed through educational games and are strongly correlated with success in school and in life.”

At HGSE, Bunney was exposed to many different viewpoints from her classmates and professors which she says enriched her understanding of how students from all backgrounds learn and interact with technology. And she continues to see the promise of technology to help solve emerging problems in education, she says, but not at the cost of the meaningful relationships built inside and outside the classroom.

“Technology is a great resource, but it’s no substitute for teachers, human factors, social services,” Bunney says. “Its greatest power is in its reach and engagement. The worlds of storytelling and fantasy ensure that learners are engaged in content and skills that are challenging for their level for their age. Technology must always respond to context, to the school and the learning community. As much as people think of edtech as a superpower, it is, but it’s not the only superpower in the learning ecosystem.”

After graduation, Bunney will return to Mighty Play in his previous role as CEO and Chief Product Officer.

Read this now: the heart takes center stage


In April 2020, St. Louis-based illustrator Steenz has taken over the daily comic heart of the city, making him the second non-binary black cartoonist on the mainstream fun pages. Originally launched in 1998 by Mark Tatulli, heart of the city follows Heart Lamarr, a precocious Philadelphia teenager, her family and friends as they navigate life’s daily ups and downs.

Taking the reins of the longtime comic, Steenz, who also teaches cartooning at Webster University, gave comics a new look and moved Heart and his friends to middle school, where they’re experiencing hardships. such as a teachers’ strike, Heart’s first school play and a mystery Halloween party. The heart takes center stagewhich comes out this month, is the first compilation of their work for heart of the city. It’s a sweet collection of stories that all ages can enjoy, culminating in the introduction of Steenz’s first new character, Charlotte.

Charlotte, a theater tech and proud geek, quickly gains best friend status alongside original characters Kat and Dean, and she’s delightful in her role as “school’s resident weirdo girl,” chasing ghosts and arriving at a Halloween costume party as Lydia Deetz at her sister’s Beetlejuice.

Kids and kids at heart can pick up this delightful collection of comics locally from May 3 at The Sorcerer’s Cart, betty’s booksand Fantastic books and games.

Facebook advertisers eager for change as bugs plague its attribution technology

Facebook marketer Rok Hladnik woke up last Thursday to find that more than half of the 140 Facebook advertising accounts he operates had been randomly deactivated. The previous week, campaigns were spending too much in the wee hours of the morning, when they should have been inactive.

2021 has been the year of cicada swarms in the United States. But the bugs came for the metaverse this year, apparently.

Hladnik, founder and CEO of a boutique performance agency specializing in social media and DTC brands, is one of many Facebook ad specialists dealing with a bug-ridden new platform instead of the machine. to spin the steering wheel which brings in money. are used to using.

After bugs appear, issues are usually resolved within a day of Hladnik’s agency, Flat Circle, reporting the issue to their Facebook representative, he said. “They’re making changes to the backend and reacting to how it’s messing up the campaigns.”

But when campaigns are regularly derailed by bugs, trust is lost.

Facebook advertisers have treated the platform and Google as essentially “sources of truth,” said Madan Bharadwaj, co-founder and CTO of ad attribution firm Measured. But over the past six to 12 months, he said, “almost all of them have accepted that is no longer the case.”

However, Facebook’s bugs put attribution and agency companies in a tough spot. Marketers are used to judging campaigns by Facebook reports. These reports can show dramatic swings in targeting or return on ad spend these days. A few years ago, these fluctuations would be a sign that something strange was happening with the targeting or the creation of the campaign, or perhaps with the linked landing page.

In other words, Facebook campaign reports were telling the marketer something they should address, not Facebook.

But wild swings are now the norm for Facebook’s attribution reports and may say nothing about the campaign, except that Facebook is tinkering with its own machinery as it finds a new attribution system.

“The biggest problem is communication,” Hladnik said.

Facebook tries headlong to fix the ad platform as gears and springs fly off like a cartoon pocket watch.

To be fair, Facebook has warned advertisers and ad tech partners that this year will be a mess and it’s using more modeled attribution, rather than attributing actual conversions.

But Facebook can do more to help its partners through this difficult course correction, said social advertising consultant David Herrmann.

On the one hand, it’s clear that when Facebook works on platform updates, its own tinkering causes a cascade of odd results in ad campaign reports, Herrmann said. Facebook can notify agencies or ad buyers of specific days it will be working on platform upgrades, for example.

“It is very difficult to manage expectations [with clients]said Hladnik, echoing Herrmann’s concerns.

Marketers are focused on achieving their goals and are often not practical practitioners aware of the nuances of different advertising platforms.

If the ad buyer can alert the brand that Facebook is working on the backend and anticipating some weird results these days, it can ease the tension on some tough, urgent calls when reports come in with weird numbers.

Another big problem is the delay in data communication. With its third-party network of pixels and SDKs, Facebook captured virtually every visit or conversion to another site or app. This data was fed into campaign reports in real time.

Now, data comes in large batches that are uploaded simultaneously for thousands of accounts every two or three days, Hladnik said.

Again, Facebook warned advertisers to expect slow reporting and not to optimize campaigns without a few days to build up a level of data so the platform can model results.

And some advertisers are less affected. Big brands, especially with more expensive items, are less affected by Facebook’s upheaval, Hladnik said.

Toyota’s profit margin isn’t dependent on the Facebook ad platform, and a massive brand with a diverse ad budget, like McDonald’s, is relatively unaffected by a two- or three-day delay in reporting.

But the mechanics of Facebook’s advertising platform are built into many e-commerce businesses. Startups or small niche brands have succeeded on Facebook in part because they themselves are great do-it-yourselfers. They’re targeting carefully, changing spend levels, and optimizing more often because they have to slice and dice platform audiences to find those perfect leads.

Facebook’s consistent response has been to be patient and, well, slow down. In February, Facebook acknowledged it was still underreporting attribution, but said it had reduced the margin of error from 15% to 8%.

Says who?

If every time the butterfly of the Facebook advertising platform flaps its wings, a tsunami hits the attribution reports, ad buyers will stop trusting Facebook’s data or promises of performance improvements.

The tools Facebook is building to fix the black box advertising platform are an even darker box, Herrmann said. “What are they doing to gain the trust of media buyers or publishers? Because Facebook doesn’t provide details about what’s being worked on or fixed in the background, even if that work changes ad campaign performance.

Even more than Google, Facebook has built its advertising dominance on the idea that its data and algorithms are the best on the market, according to Hladnik. You didn’t have to trust Mark Zuckerberg; Advertisers trusted Facebook’s results.

“But that is no longer the case. You can’t trust the data,” he said. “It makes me question the data from before too.”

Animated Series Screenwriter Welcomes New Robert April to ‘Strange New Worlds’ – TrekMovie.com


Another canon character included in Star Trek: Strange New Worlds, who debuts this week, is Robert April. In the new series, April is played by Adrian Holmes. This news leaked over the weekend from one of the first (supposedly spoiler-free) reviews, before being officially revealed today by Paramount+ along with their preview material. While some fans have expressed issues with the character looking different from the only appearance in Star Trek: The Animated Seriesthe writer of this episode expresses his excitement at seeing the character brought to life in Star Trek live-action.

Fred Bronson welcomes Adrian Holmes in April

The character of Robert April first appeared in 1974 in the season 2 episode of Star Trek: The Animated Series “The counter-clock incident.” April was created to be the first captain of the USS Enterprise, preceding Captain Pike and Captain Kirk. In the episode, he visits the Enterprise with the rank of Commodore, approaching his retirement age of 75. Through an encounter with an “inverted universe”, April rejuvenates for a time, before returning to her original age.

While the canon status of The animated series is debatable, April was listed as one of Starfleet’s most decorated captains in the first season Discovery episode “Choose Your Pain”. The second season Discovery the episode “Brother” also confirmed April as the Enterprise’s first commander with Christopher Pike as first officer. April’s name actually goes back to star trek the original pitch by creator Gene Roddenberry; he eventually changed the Enterprise commander’s name to Captain Pike for “The Cage”.

Robert Avril in Star Trek: The Animated Series

On Star Trek: Strange New WorldsApril is played by Adrian Holmes, an award-winning Canadian actor born in Wales in 1974. He currently stars in Peacock’s Fresh Prince of Bel-Air to restart Bel-Air as Uncle Phil and may be known to genre fans for his recurring role in Arrow as Police Captain Frank Pike. In Strange new worlds April is an Admiral who first appears in the series premiere, piloting a shuttle to visit bearded Captain Christopher Pike.

Adrian Holmes as Admiral April

The TAS episode “The Counter-Clock Incident” was written by Fred Bronson under the pseudonym John Culver. This morning he reached out to Holmes to thank the actor, saying he’s been ‘waiting’ for someone to bring him to life since 1974.

There was some debate online about choosing a black actor to play April, but when asked about the “upset anti-fans,” Bronson said he was unaware controversy, although he acknowledged that the 48-year-old Holmes was younger. than he imagined April.

Okuda joins

The representation in The animated series isn’t the only time we’ve seen April before. In the 1994 Star Trek Encyclopedia reference book, there was a picture of Robert April that put star trek Creator Gene Roddenberry’s head on Captain Kirk’s body. This book was written by Star Trek design veteran Michael Okuda, who added his voice to welcoming Adrian Holmes to the franchise as Robert April.

Star Trek: Strange New Worlds debuts Thursday, May 5 exclusively on Paramount+ in the US, Latin America, Australia and the Nordics. The series will air on Bell Media’s CTV Sci-Fi channel and stream on Crave in Canada. In New Zealand it will be available on TVNZ and in India on Voot Select. Strange new worlds will arrive via Paramount+ in select countries in Europe when the service launches later this year, starting with the UK this summer.

Find more stories from the Star Trek universe.

The house featured in the Kath & Kim TV show will be demolished


The iconic house used in the Kath & Kim TV series will be demolished this week.

Known affectionately in the series as “Chateau Kath”, the four-bedroom property is said to reside in the fictional suburb of Fountain Lakes.

Located in the Melbourne suburb of Patterson Lakes, the home last sold in 2016 for $1.485 million.

The ABC rented the house during the series from 2002 to 2007.

The house has performed onstage in many iconic scenes over the four seasons of the television series.(ABC News)

The house was newly renovated in 2019, after the owner of the house hosted an open house to raise money for Carrie’s Beanies 4 Brain Cancer.

Pete Rowsthorn, who played Brett on the TV show, said the house was both memorable and eerie.

“It was a weird house, if I bought it I would probably tear it down too,” Rowsthorn told ABC Melbourne radio.

“There were very small parts…the rear door creaking, it was all natural sound. There was no noisemaker to put that on.”

A house being demolished
Demolition was underway on Monday, with tiles being removed from the roof.(ABC News)

Rowsthorn said the house hosted a large number of stars over the course of the series.

“I played cricket in the garden with Shane Warne, I danced in the garage with Kylie Minogue, I sat and dined with Barry Humphries dressed as a monk,” he said.

But he played down any rumors of a reunion for the programme’s 20th anniversary.

“Not that I’ve heard of it, but I’m always the last to know,” he said.

“I always contact Glenn [Robbins] and everyone else, nothing has been said so far.”

Doctor Strange 2 Star Elizabeth Olsen Says She Needs a Break Before a Scarlet Witch Movie

Elizabeth Olsen has been one of the busiest Marvel actors in all of Phase 4. Immediately after finishing her work on Wanda Visionshe hit the set for Doctor Strange in the Multiverse of Madness where she serves as a lead alongside Benedict Cumberbatch’s Master of the Mystic Arts. This is why if a possible scarlet witch movie happens to enter development, Olsen says she’ll need at least a little break to catch up.

“I don’t know, but if they have a good story to tell, I’ll be there,” Olsen said during the Multiverse of Madness press tour. When asked if she needed a break from Marvel’s busy schedule, the Wanda Vision the former student adds, “Yeah, exactly or just a little bit. Just one version of a break.”

Multiverse of Madness director Sam Raimi previously hinted at Olsen’s role in his follow-up, explaining that he can’t wait for fans to see two of the franchise’s most powerful characters come face-to-face.

“Wow. This is a question I’ve been asking kids on the playground since third grade. Who’s stronger, this character or that one? Well, I think Wanda’s magic, from the Marvel lore, is more powerful than nearly every other character in this photo, but Doctor Strange has the knowledge of the mystical arts that Wanda doesn’t, and he has the help of Kamar-Taj,” Raimi surmised. “If you were to pit them against each other, different altered versions of themselves…there could be a Doctor Strange more powerful than our Wanda. Or there could be a Wanda out there who is more powerful than our Wanda here. So, because of these modified versions, everything is a mixture of possibilities.”

Disney’s official synopsis for the film can be found below.

“To restore a world where everything is changing, Strange enlists the help of his ally Wong, the Sorcerer Supreme, and the Avengers’ most powerful Scarlet Witch, Wanda. But a terrible threat looms over humanity and the entire universe. which can no longer be done by their power alone.Even more surprisingly, the universe’s greatest threat looks exactly like Doctor Strange.

Doctor Strange in the Multiverse of Madness hits theaters on May 6. What other characters do you think will end up appearing in the next feature film? Let us know your thoughts in the comments section or by hit up our writer @AdamBarnhardt on Twitter to discuss all things mcu!

Alison Bechdel, Melanie Finn and Shanta Lee Gander win the 2021 Vermont Book Awards | Books | Seven days


Click to enlarge

  • Courtesy of Elena Seibert
  • Alison Bechdel

After a two-year hiatus, the Vermont Book Award returned with a ceremony Saturday at Vermont College of Fine Arts’ Alumnx Hall in Montpellier.

A masked crowd dressed in nines came to honor the best books published by Vermonters in 2021. Attendees mingled, drank cocktails made from local liquors, nibbled on desserts, then sat down to watch the nomination of the three winners : Alison Bechdel for creative non-fiction (The secret of superhuman strength; read our review), Melanie Finn for fiction (Hare; read our review) and Shanta Lee Gander for poetry (Ghettoclaustrophobia: Dreaming of mom while trying to speak Woman in waking tongues; read our review).

This is the first time the Vermont Book Award has been presented in three separate categories. From the inaugural award in 2015 to 2019, there was only one annual winner.

This is not the only change. Created by VCFA in 2014, the award is now presented by a coalition of the college (which runs respected MFA programs in writing), Vermont Humanities and the Vermont Department of Libraries.

Vermont Humanities Executive Director Christopher Kaufman Ilstrup opened the ceremony by introducing Katherine Paterson. The author of children’s classics such as Bridge to Terabithia made the announcement of the 2022 title for vermont bed.

This year, the statewide reading program will focus on The Costliest Journey: Stories of Vermont’s Migrant Farm Workers Drawn by New England Cartoonists. A publication of the Vermont Folklife Center, the graphic anthology “bring[s] to life the challenges faced by migrant farmworkers, from debilitating loneliness to the constant specter of deportation,” as Melissa Pasanen wrote in Seven days last fall.

While the Bolton Bechdel cartoonist was unable to attend the ceremony, she accepted her award in a heartfelt music video in which she spoke of the fascination that originally drew her to “a dimension called Vermont “.

VCFA President Leslie Ward presented the fiction award to Finn for her feminist literary thriller about a naive young woman who follows a charismatic man through a harrowing life in rural Vermont.

Vermont State Librarian Catherine Delneo presented the Poetry Prize to Gander, who is also a visual artist and performer, with a multimedia exhibit currently on display at the University of Vermont’s Fleming Museum of Art.

Past winners of the Vermont Book Award are poets Kerrin McCadden and Major Jackson, fiction writer Jensen Beach, baker/writer Martin Philip and cartoonist Jason Lutes. See the full list of this year’s finalists here.

7 new TV shows to watch this week: April 30 to May 6


It’s another week of unstoppable television. As we roll toward the end of Emmy eligibility, the mix of nerd prestige fare (like “The Staircase”) and four-quadrant blockbusters (like the Mike Myers-directed “The Pentaverate”) keeps coming. . Plus, we’ve got new documentaries about Sheryl Crow and a Social Security crook you won’t believe, Guillermo del Toro’s masterful “Nightmare Alley” like you’ve never seen it before, and the Muppets invading “Holey Moley.” . Buckle up. It’s a big week.

On the way with television!

“The Pentaverate”

Thursday, May 5, Netflix

Mike Myers in

Mike Myers was off the radar for a little while. His last film appearances were in 2018 (including a small role in Oscar-winning ‘Bohemian Rhapsody’), the same year he came out as Dr. Evil in a pair of appearances. in “The Tonight Show Starring Jimmy Fallon”. Now he’s back. And true to form, it’s a hugely ambitious, genre-changing comedy that sees Myers take on multiple roles. ‘The Pentaverate’ picks up on an idea Myers first introduced in his 1993 comedy ‘So I Married An Ax Murderer’ – that a secret society has been working for the good of mankind since the days of the Black Death. . In other words, a benevolent Illuminati! Little is known about the series except for a brief trailer and a supporting cast including Ken Jeong, Keegan-Michael Key, Debi Mazer, and Jennifer Saunders. We’re ready for a dose of unfiltered Myers madness. Schwing! [TRAILER]

spring tv watchlist finale

“Knight of the Moon”

Wednesday, May 4, Disney+

marvel studios

By far the most experimental and quirky Marvel Studios series since “WandaVision,” “Moon Knight” stars Oscar Isaac as Marc Spector/Steven Grant, a man who suffers from dissociative disorder and may be the human avatar of an immortal Egyptian god (voiced with gritty intensity by F. Murray Abraham), who transforms him into the nocturnal vigilante Moon Knight. The show has played so much ping pong in its first five episodes, both sonically and aesthetically (from superhero spectacle to “Mummy” style horror adventure to WTF-worthy mind-bending thriller) , which makes the finale even more unpredictable and exciting. Will Marc/Steven come to terms with his mental instability and defeat fanatic Arthur Harrow (Ethan Hawke), who wants to resurrect a genocidal god? And perhaps most temptingly, how does this character fit into the rest of the Marvel Cinematic Universe? (Can you imagine this guy fighting alongside, say, Captain Marvel?) The only way to find out is to watch. [RECAP]

spring tv watchlist movie


Friday, May 6and 9 p.m. Showtime

Show time

This documentary, which focuses on the life of singer-songwriter Sheryl Crow, promises to lift the curtain, promises to be both raw and revealing. “Sheryl,” directed by Amy Scott (who directed Hal Ashby’s 2018 documentary “Hal”), premiered at this year’s South by Southwest film festival and features talking head interviews with Laura Dern, Keith Richards, Joe Walsh and Emmylou Harris and charts the singer’s track record from The Breakthrough of the 90s to his battle with cancer in the early 2000s to his life and career today. Even if you haven’t listened to it since “All I Wanna Do” was released in the year of Grace 1993 (and you’ve been humming it ever since), this documentary should be a must-watch. [TRAILER]

spring tv watchlist documentary

“The Great Conn”

Friday, May 6, Apple TV+

The big con

How many crooks is too many crooks? Although we’ve been riddled with scam artists, both in drama series based on real cases (like “The Dropout” and “WeCrashed”) and documentaries (like “The Invisible Pilot” and “The Tinder Swindler” ), there is still something completely captivating about their tales of scam and greed. The latest documentary to follow in this long succession is “The Big Conn,” a fiery, unbelievable, at times deeply tragic tale of a clairvoyant West Virginia Social Security attorney who somehow succeeded. another to mislead the federal government and all of its customers. Directed by James Lee Hernandez and Brian Lazarte, the filmmakers behind HBO’s highly addictive “McMillion$,” the four-part “Big Conn” shows you that when it comes to con stories, the more crazy. [TRAILER]

spring tv watch list rewatch

“Nightmare Alley: Vision in Darkness and Light”

HBO Max / Hulu

Nightmare Alley black and white Guillermo del Toro Bradley Cooper
Projector images

Just before Guillermo del Toro’s masterful “Nightmare Alley” racked up a handful of Oscar nominations, it was briefly shown in a black-and-white version, which played for a few weeks in a limited number of theaters. Now, that black-and-white version is finally available to stream. And that might be the definitive way to watch the film, which stars Bradley Cooper as a morally compromised drifter who falls into a traveling circus (run by Willem Dafoe) and ends up becoming a mentalist for the wealthy, teaming up with an even more unscrupulous. psychiatrist (Cate Blanchett). The velvety black and white emphasizes the film’s film noir origins (it was once made in 1947 by Edmund Goulding) and gives the images a deeper resonance and greater dimension. If you’ve seen “Nightmare Alley” once in color and didn’t like it, try it again in black and white and you might love it. [WATCH or WATCH]

best of rest spring tv watch list


Sunday, May 1 at 11 p.m., Showtime

The singular late-night talk show/variety show returns after nearly a year. “Ziwe” features comedian Ziwe Fumudoh, whose interview style is both lovable and antagonistic. Frankly, this season tops our most anticipated list, if only because we can’t wait to see her interview Chet Hanks about his faux “island” accent and frequent appropriation of black culture. (Also, because Adam Pally has, for some reason, decided to return.) If you’ve never seen this charming lo-fi wonder produced by A24, it’s never too late to start. And don’t worry, there will be more “Ziwe” very soon. After these first six episodes, there will be others in the fall! [TRAILER]

“Holey Moley”

Tuesday, May 3 at 8 p.m. ABC

No kidding, “Holey Moley,” ABC’s insanely competitive miniature golf show, might be one of TV’s best shows. If you’ve never seen it before, it features elaborate (and sometimes deeply silly) courses that get mini-golf enthusiasts into some insane situations. (One year, the final course involved flaming windmills.) Hosts Rob Riggle and Joe Tessitore add even more comedic commentary (as does executive producer and occasional star Steph Curry). And if things weren’t weird enough, this year’s episode (“Holey Moley Fore-Ever,” because, you know, it’s season four) also features the Muppets. Talk about Gonzo. [CLIP]

“Disney Gallery: The Book of Boba Fett”

Wednesday, May 4, Disney+

After specials detailing the making of “The Mandalorian” seasons one and two, we get one for “The Book of Boba Fett.” Have you already forgotten about this “Mandalorian” spin-off? Fair enough! But we’re sure the series’ making, from the recreation of the iconic armor to the technology used to bring the oversized sets to life, will be no less captivating. Hope we can see how they built a better Rancor! [RECAP]

“The Staircase”

Thursday, May 5, HBO Max

The 2004 true-crime documentary series “The Staircase” (directed by French filmmaker Jean-Xavier de Lestrade) is still one of the genre’s greatest of all time, especially since it hit before the boom in high-profile true-crime series and podcasts. Now the inevitable dramatic narrative is here. And it looks like a humdinger. Colin Firth plays Michael Peterson, a novelist accused of killing his wife after she is found in a bloody heap at the bottom of the titular staircase. It only gets wilder from there. The supporting cast is incredible and includes Toni Collette, Rosemarie DeWitt, Juliette Binoche, Parker Posey, Sophie Turner, Dane DeHaan and Michael Stuhlbarg, with directing duties split between Antonio Campos (who directed episodes of “The Sinner”) and Leigh Janiak (last of the year’s excellent “Fear Street” trilogy). Hope they don’t forget the owl theory. Either way, it will be a hoot. [REVIEW]

“Star Trek: Strange New Worlds”

Thursday, May 5, Paramount+

There is a season, round, round, round. As season 2 of “Picard” draws to a close, a new “Star Trek” series is coming to Paramount+. A spinoff of ‘Star Trek: Discovery’ and a prequel to the original ‘Star Trek’ series, ‘Star Trek: Strange New Worlds’ follows Captain Pike (Anson Pike), Number One (Rebecca Romjin) and Spock (Ethan Peck ) as they travel the galaxy on the USS Enterprise. If you love this new show, you’ll have reason to be happy — filming for season 2 has already begun, starring Paul Wesley as a fringe “Star Trek” character named James T. Kirk. Go boldly. [TRAILER]

10 weirdest animated movies of all time


Since Steamer Willie for Encanto, animation has long occupied a prominent place in the world of cinema. It has evolved considerably over the last century; Once a painstaking process of hand-drawing animation cels, modern animated blockbusters are now rendered via state-of-the-art computer technology.

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Yet what hasn’t changed is the propensity for weirdness within the medium. From the chilling fantasies of Tim Burton to the unforgettable weirdness of Fancy, animation allows artists to express themselves in a way that is not possible via conventional cinema. While many avant-garde anime offerings are overlooked by the general public, these ten are definitely worth a watch.

ten Heavy Metal (1981)

A still from the 1981 movie Heavy Metal.

Striking, elegant and undeniably strange, 1981 heavy metal is an anthology film that tells the story of six individuals from across space and time who have encountered the strange orb of catastrophic power known as Loc-Nar.

Replicating the ethos of the titular magazine on which it was based, heavy metal is full of sex and violence, so much so that it would have been considered incredibly taboo at the time. While the only audiences interested in the film today are likely nostalgic for the decade it was released, it’s a landmark alt-animated film that likely influenced modern animated releases like Love, death and robots and Electric dreams.

9 The Black Cauldron (1985)

The story of a teenager named Taran who embarks on a high-fantasy adventure to challenge the evil Horned King, 1985s The black cauldron is often considered one of Disney’s worst animated productions. Released a few years before the Disney animated film revival in the 1990s, The black cauldron was so poorly received that it nearly bankrupted the studio.

That said, the film has, in recent years, achieved cult status among Disney fanatics for its dark undertones and spooky nature. It doesn’t look anything like a Disney movie, but, for some, that’s part of the appeal.

8 Fantastic Planet (1973)

An image from the avant-garde animated film Fantastic Planet.

Easily confused with the iconic 1996 alternative rock album of the same name by band Failure, 1973’s fantasy planet is relentlessly eerie and tells a dark tale of mass murder and interspecies struggle in a distant world inhabited by both ordinary humans and large blue human-like beings.

RELATED: 10 Weirdest Avant-Garde Movies From The ’50s, Ranked

In a sense, fantasy planet is a sort of anti-Disney movie. While most animated films of the time sought to tell heartwarming stories of triumph and true love, fantasy planet is a morbid film that takes itself very seriously. Imaginative animation contrasts with a grim story to create something misanthropically beautiful.

7 Food Fight (2012)

An image from the 2012 animated film Food Fight.

In stark contrast to the distant fantasy realms of most weird animated movies, food fight is instead a bizarre and partly maligned production, riddled with glitches and product placement. Originally conceived as a blockbuster slated for release in 2003, the film floundered for years until the production company defaulted on a loan, prompting a straight-to-video release in 2012.

Featuring recognizable celebrities such as Charlie Sheen and Hillary Duff, food fight sees anthropomorphized food brand icons seek to save Marketopolis from Brand X domination. It’s awkward, confusing, and downright hideous in places, but it’s also weird enough to serve as the quintessential example of cinematic weirdness.

6 The Last Unicorn (1982)

An image from the 1982 animated fantasy film The Last Unicorn.

Produced by Rankin/Bass, the studio best known for stop-motion animated Christmas specials such as Rudolph the red nosed reindeer and Santa Claus is coming to town, The last unicorn is a fantastic adventure which, like The black cauldron, failed to catch on when first created. However, it has since gained a major cult following.

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The plot is about a unicorn looking to find other members of its species, but it quickly turns into some pretty weird territory. With all manner of beasts, villains, and truly hair-raising moments, The last unicorn offers an unforgettable viewing experience even four decades after its debut.

5 Watership Down (1978)

An image from the 1978 animated film Watership Down.

Based on the 1972 novel of the same name by author Richard Adams, boat down tells the story of a group of rabbits struggling to find a new home after their warren is threatened by urban development. While the author fervently asserted that there was no greater meaning behind the tale, many compared it to classic tales of freedom and totalitarianism and the classic epics of Homer and Virgil.

The 1978 anime adaptation, however, is known for ditching its idyllic source material, instead playing horror and war themes. Horrifying and blood-soaked, while the movie was probably aimed at kids, it’s a tough watch even for adults.

4 Consume Spirits (2012)

An image from the 2012 animated film Consuming Spirits.

Painful saga of conflict and self-pity, Chris Sullivan’s Consume spirits is an animated feature that uses several different styles of animation to create something that feels uniquely misanthropic. The story of three people who all work for a local newspaper, the film is an examination of the dark secrets hidden by otherwise normal people.

Undeniably avant-garde, Consume spirits is certainly not for everyone, but those who enjoy the surreal weirdness of movies like Scrub or Céline and Julie go boating will definitely like it.

3 Yellow Submarine (1968)

An image from the 1968 animated film Yellow Submarine.

The Beatles are probably the most recognizable musical group of all time. Influencing almost every aspect of modern music and creating some of the most famous albums of the 20th century, every music lover is at least aware of the Fab Four.

That said, only the true Beatles faithful have probably seen the 1968s. yellow submarine. Companion to the album of the same name, yellow submarine was arguably the pinnacle of the band’s psychedelic era. Filled with eerie, brightly colored pop art imagery and advancing no sort of cohesive narrative, it’s an eerie watch that pairs perfectly with the equally eerie album.

2 Gandahar – Light Years (1987)

A promotional image for the cult animated film Gandahar Light Years.

The idyllic planet of Gandahar has not been threatened by any kind of outside force for ages, and the planet’s inhabitants have cultivated a passive and friendly society untainted by war or political unrest. However, this changes when a machine race targets the planet and begins to assimilate the population.

An allegory of fascism and the struggle to maintain an individualistic mindset, Gandahar is often compared to the equally odd animated feature fantasy planet. Both are extremely weird, though their eye-catching art styles and striking aesthetics have earned them cult followings over the years.

1 The Cosmic Eye (1986)

Directed by animation pioneer Faith Hubley, The cosmic eye is a bizarre series of almost inexplicable sequences that seem to tell the story of an alien race visiting Earth. Loaded with eerie imagery and evoking a kind of sketchbook style, The cosmic eye has to be one of the weirdest movies to come out in the last half century.

Although obviously not destined for commercial success, The cosmic eye, as was the case with the rest of Hubley’s work, helped advance the medium and break down the boundaries of the film world. It’s an unconventional piece, but, for many, that’s what makes Hubley’s work so appealing.

NEXT: 10 Disney Animated Movies With The Most Songs, Ranked

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Why is the Titanic dividing so much now (despite making so much money)?


Titanic is one of the most successful films in the history of cinema, and although it was critically acclaimed upon its release, revised reviews and new reviews were not so kind, and it has become quite a controversial film. Thanks to movies like The Terminator and AvatarJames Cameron has become primarily associated with the fantasy and science fiction genres, but one of his most ambitious projects is far from those worlds: Titanica disaster drama film released in 1997 and based on the real-life tragedy of the title ship.

Titanic tells the story of Rose DeWitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio), two passengers of opposite social classes who fall in love aboard the ship on its ill-fated maiden voyage. In just four days, Jack and Rose meet, fall in love, and defend their relationship against all who stand in their way, primarily Rose’s fiancé, Cal Hockley (Billy Zane), and her mother, Ruth (Frances Fisher). Jack and Rose are fictional characters, but through them, Titanic featured others based on real-life passengers on the infamous ship, such as Molly Brown (Kathy Bates) and J. Bruce Ismay (Jonathan Hyde), but the focus was on the fleeting romance of Jack and Rose, l impact she had on Rose, and Brock Lovett’s (Bill Paxton) search for the Heart of the Ocean necklace.

Related: Titanic: Rose’s Funniest Line Is An Actual Historical Inaccuracy

Titanic was a major hit and broke different records, won numerous awards, and was a critical and commercial success – however, that doesn’t mean it has stood the test of time. While Cameron’s accomplishments with Titanic are undeniable, the story has received a lot of criticism since its release in the late 1990s, and some critics have even changed their initial opinion and rating of the film to a much lower one. So why is it Titanic so controversial now after its huge success when it was released?

How Titanic Became One of the Greatest Movies of All Time

Titanic Rose Jack Leonardo DiCaprio Kate Winslet

by James Cameron Titanic isn’t the only movie based on the sinking of the title ship, but it’s certainly the most famous. Cameron’s inspiration for the film came from his fascination with shipwrecks, which led him to shoot footage of the wreckage of the Titanic for the film. These actual images actually helped Cameron convince Fox to promote Titanicand all these expeditions, together with a lot of research, helped the production team to reconstruct the Titanic and its smallest details to make it as real as possible, this is how Titanic became the most expensive film ever made at the time (with a budget of $200 million).

Real pictures of the Titanica meticulous recreation of the ship and the biggest-budget production at the time were already reason enough to grab the public’s attention, but there are two other factors that helped Titanic achieve as much success: its main actors, Leonardo DiCaprio and Kate Winslet. Back then Titanic went into production, DiCaprio was already one of the most critically acclaimed young actors thanks to his performance in What eats Gilbert Raisin and had just established himself as a teen idol thanks to Romeo + Juliet, so starring in one of the biggest productions of the 1990s made perfect sense for his career. Kate Winslet was also an acclaimed actress at the time she was cast in Titanicthanks to his performance in celestial creatures and Sense and sensitivity. DiCaprio and Winslet’s on-screen chemistry was evident, and it was key to making the story work.

Titanic was praised for its cultural, historical and political impacts, visuals, “emotional power”, and performances, and was mostly called a “show” and a film that needed to be “experienced”. Titanic became the highest-grossing film of all time until Cameron Avatar surpassed him in 2010 and broke other records such as the most Oscar nominations (14, tied All about Eve) and most Oscars won (11, tied Ben Hur). It is therefore not surprising that Titanic was considered one of the greatest films ever made, but over the years opinions about Titanic changed drastically, and it even made lists of the “worst movies of all time.”

Related: The First Titanic Movie Released 85 Years Before Cameron’s (But It’s Lost)

The Titanic is surprisingly divisive – Why?

Leonardo DiCaprio as Jack and Kate Winslet as Rose in Titanic

Even when it was released in the late 1990s, Titanic wasn’t everyone’s cup of tea, with some critics finding the visuals spectacular but the story and dialogue “weak”, pointing out the “lack of interesting emotional elements” and even calling Cameron not qualified enough to write “this kind of movie”. Modern criticism has not been kind to Titanic either, and the complaints about it cover just about everything – from its long length to the dialogues, the story, and the seemingly never-ending debate over whether Jack could have fit in the floating door with Rose or nope. Titanic has been called appalling, absurd, lacking in emotion, a story that “demonizes wealthy Americans and educated Englishmen”, and even one of the “worst films of all time”, with some critics going so far as to say that its success and awards are a result of its box office performance, but not its quality.

The public also expressed their views on Titanic on social media and different forums, and the biggest complaints seem to be about the story. A first-class girl like Rose crossing paths with a young third-class man like Jack would have been unlikely due to third-class segregation from the rest, and even if they had, he wouldn’t have gone unpunished for the clumsy. situation he ended up in with Rose when they met, even though Rose stood up for him. Cal has been called a “cartoon villain” and the romance between Jack and Rose has been seen as disrespectful to the victims of the Titanic tragedy and distracting from the real history of the ship, its passengers and the crew. There are also a lot of reviews on TitanicRose’s message about “true love” and how the ending failed Rose’s husband and family, because in the end she finds Jack and the rest of the Titanic victims.

James Cameron’s Titanic Defense Explained

Of course, James Cameron has already defended Titanic from all the backlash and negative reviews. In 1998, Cameron defended Titanic explaining that it isnot a movie that sucks people in with flashy hype and spits them out onto the streets feeling let down and ripped off“, but it is an experience that takes them for more than three hours and “taking others with them” so they can share the emotion. Cameron added that people of all ages and from all walks of life were “celebrating their own essential humanity” through the experience of watching Titanic and defended his script as “serious and direct“, intentionally incorporating “universals of human experience and emotion», and that his success was possible thanks to his treatment of archetypes. Cameron defended Titanic again in 2017 after Mythbusters proved that Jack could have walked in the door with Rose and saved himself, saying that their theory wouldn’t work at all because it would have only killed Jack and Rose, even saying that, while he loved doing that show, “they are full of shit”.

Does the Titanic really deserve the hate?

Titanic Rose Jack Deleted Scene

It is not surprising that the opinion on Titanic has changed over the years, and we can actually expect that because of how the public has matured, their views have changed, their experiences have broadened, and the way the general perception of certain issues, social issues, etc. continues to evolve. Movies, like any other kind of art, are subjective, and even the most praised stories will have their weaknesses and not everyone will agree on what makes them great – for example, the “greatest movie ever made”. “often considered. Citizen Kane, has also received a lot of backlash and negative reviews over the years, but it’s still considered one of the greatest films in cinematic history. Surely, Titanic has many weak points and its overarching message of “true love” won’t resonate with modern audiences, but its value goes beyond the Jack and Rose story, as its production accomplishments are undeniable. Titanic may not deserve the hate, but ultimately the opposing viewpoints only add to the legacy of the film and the work of James Cameron, and set the stage for more conversations about it, to his legacy and all of his good and bad points.

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Mets Pitching Combined No-Hitter Thru 8 Innings Vs Phillies | Sports News


NEW YORK (AP) — New York Mets starter Tylor Megill and a trio of relievers combined to pitch eight hitless innings against the Philadelphia Phillies.

The Mets lead 3-0 at Citi Field on Friday night.

Megill contested the first five rounds. He struck out five and walked three while making his 23rd major league start.

Drew Smith struck out four and walked one in 1 1/3 innings. He was relieved by Joely Rodríguez, who made an inning. Seth Lugo got the last two outs in the eighth.

Mets center fielder Brandon Nimmo made the most notable defensive plays. He had catches going to finish the first and second innings, then slid to trap Jean Segura’s flowing liner to finish the third.

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There have been no hits in the majors this season.

Megill was the fourth pitcher to be retired after throwing at least five innings without a hit this year. Dodgers ace Clayton Kershaw was put out after seven perfect innings, San Diego’s Sean Manaea left after seven hitless innings and Padres teammate Yu Darvish went out after six hitless innings.

Also, six Tampa Bay Rays pitchers combined for a hit in the 10th inning of a scoreless game against the Boston Red Sox last Saturday. The Red Sox broke the no-hitter and scored twice in the top of the 10th but the Rays came back to win 3-2.

Johan Santana threw the Mets’ lone hit on June 1, 2012, when he struck out eight and needed 134 pitches in an 8-0 win over the St. Louis Cardinals.

More AP MLB: https://apnews.com/hub/MLB and https://twitter.com/AP_Sports

Copyright 2022 The Associated press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

MythForce’s wonderful cartoon co-op nostalgia is dampened by skeletal action


I have a fondness for cartoons. Growing up in the 80s, these wonderful, poorly animated, cheesy toons had a big impact on me, sparking an interest in all things sci-fi and fantasy that blossomed into a love for history, mythology, technology and, you guessed it, computer and/or video games. Heck, I’m wearing an Ulysses 31 T-shirt as I write this! If it hadn’t been for Masters of the Universe and Thundercats, I wouldn’t be here. I would probably be rich, successful and very boring.

In other words, I was always going to want to take a look at Mythforce, the first person, co-op, roguelite that stabs them from Beamdog. Knowing it was too big a job for just one woman, I sent a message to a hand-picked team of specialists, setting off a humorous montage of their beeping communication watches interrupting their daily lives and forcing them, I don’t don’t know, handing their chats over to random strangers before rushing to answer the call to action. Alone, I may just be Caelyn Ellis, freelance gaming journalist, but when joined by my elite group of gaming legends, we become MYTHFARCE!

Mythforce had already piqued my interest before I was asked to check it out. Even without the wonderful ’80s cartoon aesthetic, first-person melee combat will still pique my interest, and I’m still up for a little co-op with my buddies. If you’ve ever played Left 4 Dead or Warhammer: Vermintide, you’ll have a good idea of ​​what Mythforce is. Grab some friends (or random strangers, or just go solo), choose a character, and try to get to the end of the level without falling prey to the monster and traps that stand in your way. The main difference is that instead of having handcrafted levels, Mythforce uses a series of procedurally generated arenas with fixed backdrops along the way.

Here’s a MythForce gameplay trailer for an idea.

Having just launched as an early access title, the game currently only has the first “episode”, the wonderfully dubbed “Bastion of the Beast Lord”, meaning one level and four playable characters, each with their own special abilities. There’s a tanky slow knight, a backstabbing rogue, a glass cannon mage, and a ranger, because they needed another ranged class I guess. Nothing massively original, but that’s obviously not what they’re looking for. That said, the character designs look great and the banter between them is fun, if still a bit rare at this point.

Mythforce’s biggest selling point is the cartoonish 80s look and that’s something Beamdog absolutely nailed. It looks gorgeous in screenshots and videos, and even more so when you’re actually playing and can take time to look around the environments. Please someone make a sandbox RPG that looks like this so I can hang out and just rock. It’s not just a pretty face either, as the visual style is also practical. Backgrounds and level geometry are all textured in a hand-painted style, while players, mobs, traps, and other interactive objects are all cel-shaded. Not only does this replicate the look and feel of a cartoon, especially those on a low budget where the difference between animated cels and still backgrounds is particularly pronounced, but it makes it easier to analyze the action at hand. screen, even with the chaos of a full, four-player party.

MythForce preview - in a tomb-like area, two cartoon skeletons run towards the player, who has a magic tome equipped with ready-to-use spells.

That’s a good thing, too, because even when playing solo, you’ll regularly have three or more enemies charging towards you at once, while another couple stand in the back throwing arrows and spells at you. your general management. However, they don’t do much more than that, with the AI ​​seemingly limited to standing and shooting or charging. As a result, you’ll frequently find yourself having fought everything in any given arena without going more than a few strides away from the entrance. Skeletons continue to get caught on the edge of platforms, stuck in a forward walking animation with no apparent tendency to jump. That’s until you find the stairs to where they were, only to find they plucked up the courage to jump while your back was turned. Figuratively, it is. They’re skeletons, they don’t really have guts.

There’s plenty of time for Beamdog to turn things around, although it will require a major rework to the core systems, not just a few content drops. I really hope they do…

Yes, I’m sad to report that at this point the nice visual style is all the game has to offer. Mythforce is just very slow. I took this as a positive at first, not liking jittery games and expecting a little more deliberate swordplay, but that’s just not the case. It somehow manages to be both crushing and chillingly paced, with the characters shuffling through the arenas as if wading through molasses. Each character has three abilities, ranging from teleport to shield throw, and they take a while to recharge. So you wait to use them until you really need them, but they don’t have enough impact for you to think they’re worth saving. The basic combat is equally heavy, with each action consuming a lot of stamina, making it all too easy to end up in an exhausted state, watching the bar slowly rise again so you can act again. It wouldn’t be so bad if enemies could be taken down quickly, but even the most basic enemies are arrow sponges, taking more than half of your stamina bar attacks to defeat and that’s before you take in. count blocking and dodging.

MythForce preview - player strikes beige mushroom-like enemy with sword up close, shield equipped in spare hand.

It’s especially shocking because it goes against every expectation the 80s cartoon aesthetic gave me. I wanted to cleave evil throwable minions in half, without having to carefully ration my strikes while fighting off two Jason and the Argonauts Rejects and a Goblin. I am here to be a princess of power, not a pauper. This is the very beginning, Beamdog expects the game to be in Early Access for at least a year, but they have a lot of work to do to make Mythforce worthwhile. I can’t help but compare it to Vermintide, and aesthetic preferences aside, the Warhammer-bound rat splatter and its sequel are light years ahead of Mythforce in every way.

There’s plenty of time for Beamdog to turn things around, although it will require a major rework to the core systems, not just a few content drops. I really hope they do, as I wish I had reason to spend more time in its beautiful surroundings. Right now though, if this was an 80s cartoon, Mythforce would be Thundercats; great intro, not much else goes for it.

Laika Studios announces slate of adult animated films for 2022


Laika Studios is ramping up its production of adult animated films, hopefully developing some serious threats to Disney’s dominance at the Best Feature Oscars in recent years. Two feature films look promising, both stop motion animated films with Travis Knight as studio president.

First, Knight teams up with Caleb Deschanel to take charge wild forest, set in Portland, Oregon, inspired by Colin Meloy’s fantasy novels of the same name. Netflix, Prime Video and AppleTV+ are potential contenders. The other, The night gardener a gritty neo-noir folk tale about a young Missouri man who struggles to keep his family together. Here is a first look at the two:

Courtesy of Laika

“Beyond the city limits of Portland is Wildwood. You’re not supposed to go there. You’re not even supposed to know it exists. But Prue McKeel is about to enter this enchanted wonderland. Her baby brother Mac has been taken by a murder of crows deep into the forest, and she – along with her unfortunate schoolmate Curtis – goes to retrieve him. Prue may think she’s too old for fairy tales, but she’s just found herself at the center of a fairy tale…full of strange talking animals, mischievous bandits and powerful characters with the darkest intentions. darker.

Courtesy of Laika

A neo-noir folk tale about a young man from Missouri who struggles to keep his family together.

‘Rude Dog & the Dweebs’ reimagined as an adult animated series


Red20’s Nic Izzi announced on Thursday that he is developing a new version of the 1980s animated children’s show “Rude Dog and the Dweebs,” which is reimagined as an animated series for adults.

The character, created by Brad McMahon in the 1980s, was originally a Sun Sportswear mascot. In 1989, he got his own animated series from Marvel Productions and became part of the CBS Saturday morning lineup. Rob Paulsen, who voiced Yakko on “Animaniacs” and Pinky on “Pinky and the Brain,” provided the pooch’s voice with the rugged ‘tude.

“Rude Dog and his brand left an indelible mark on his generation,” Izzi said. “The story of Rude Dog turns into a satire of the broken institutions that left the working class behind. Audiences have embraced adult animation’s broad spectrum, from joke-filled comedies to sophisticated rebuilding stories, which is exactly the vibe conjured up by Rude Dog.

The adult animated series evokes an anti-hero vibe, as “The Man” attempts to muzzle Rude Dog and his moronic pals.

After a long brand quest that was finally resolved in 2018, Rude Dog is back home with its creator. “When I started drawing Rude Dog in 1985, I was grooveing ​​to New Wave music and Ska-2 Tone, which Rude Dog originated from,” McMahon explained. “His original design reflected the music of that era: angular, stark, black and white, muscular, punchy and alternative. Somewhere in this anthropomorphic dog are hints of a bull terrier and someone you know.

The success of the Rude Dog brand has lasted beyond television, as the merchandising is still going strong after 30 years, with surf and skate shirts and shorts still in high demand.

Izzi produced the Netflix thriller ‘1BR’ and ‘The Chaperone’, which starred Haley Lu Richardson as silent film star Louise Brooks and was based on the bestselling novel by Julian Fellowes. He also produced the 2018 documentary Magnetic Film “The Case” about Vladimir Putin and the mysterious death of his mentor Anatoly Sobchak.

Izzi is replaced by Will Jacobson at Goodman, Genow, Schenkman, Smelkinson & Christopher.

The death of a major character to come in “Death Falls”


The death of a major character is approaching the flash. While the idea of ​​someone close to Team Flash dying in Season 8 isn’t new – showrunner Eric Wallace has previously teased that the events of Season 8 will drastically change Team Flash going forward and the title of an upcoming episode is literally “Funeral For a Friend” — TV line confirms that a major character will die in “Death Falls” next week. According to the outlet, the character’s death will come despite Team Flash’s best efforts to stop Deathstorm, though the exact person who will die remains a surprise.

Of course, after this week’s “Death Rises,” fans have already started speculating that the flash possibly preparing to kill one of the last remaining members of the original Team Flash, specifically Caitlin Snow (Danielle Panabaker). This week’s episode saw Deathstorm’s (Robbie Amell) plan revealed, with that plan being to make Caitlin his bride in order to end his own loneliness. He even managed to go so far as to kidnap Caitlin to start the process, but she wasn’t quite ready yet, but given the amount of grief that seems to be inside Caitlin after the encounter, as well as the physical pain she is experiencing, it is safe to say that the transformation is underway.

Killing Caitlin would be a blow to Team Flash, one that would certainly suit the permanent changes Wallace teased for the season after “Armageddon.”

“We’re going to explore that and work through that throughout the season, but we’re still sticking to our graphic novel format,” Wallace said of Iris’ time-sickness. “So ‘Armageddon’ was the first graphic novel of Season 8, and then we have our first interlude episode as we like to call them – those are more standalone episodes, and we’ll have a few. And then our next graphic novel will kick off in the middle of the season with a brand new Big Bad. And there will actually be another one at the end of the season. We’re going to try something new this year with three graphic novels. We’re gonna see how much action we can put into Season 8. It’s going to be a very wild ride, but I have to warn people that what happens emotionally is going to change Team Flash permanently. And I’m not kidding.

the flash airs Wednesdays at 8/7c on The CW. “Death Falls” will air on May 4.

Ford Loses $3.1 Billion, Hit by Investment and Chip Shortage | Economic news


By DAVID KOENIG, AP Business Writer

DALLAS (AP) — Ford Motor Co. said Wednesday it lost $3.1 billion in the first quarter, weighed down by its investment in an electric vehicle startup, and its revenue tumbled as a chip shortage limited supply of pickup trucks and SUVs in North America.

Company executives walked away from the loss and turned to results that ruled out the lower value of its stake in Rivian. Ford said it made $2.3 billion in pretax profit and was still on track to meet its annual target for the metric.

Chief Financial Officer John Lawler said the quarter produced mixed results.

“Clearly the demand for our new products is very strong,” Lawler said, “but we continue to have chip supply issues, which has limited us, and particularly here in North America, it hit us disproportionately on our large vehicles.”

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The chip shortage has caused Ford and General Motors to close several North American plants for a week or two at a time, including plants that build popular full-size pickup trucks.

Ford said it sold 966,000 vehicles in the first quarter, down 9% from a year earlier.

Lawler said the company also faced inflationary pressures from suppliers, but was able to recoup them thanks to rising vehicle prices. He said he couldn’t rule out “additional pricing” if inflation continues to run high.

The first quarter loss of $3.11 billion compared to a profit of $3.26 billion in the same period last year. Revenue was down 9% from a year ago to $34.48 billion. Ford said it earned 38 cents per share in the past quarter after adjusting to exclude one-time items.

Analysts had expected Ford to earn an adjusted 37 cents per share on revenue of $34.53 billion, according to a FactSet survey.

The Dearborn, Michigan-based company maintained its goal of achieving annual earnings before interest and taxes of $11.5 billion to $12.5 billion.

The shares rose 3% after hours trading after gaining 1% in the regular session.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

The Best Dinosaur Movies That Aren’t the Jurassic Park Movies


Dinosaurs may be gone, but they’ve been on screen for over a century, from movies like Brute force and Gertie the dinosaur in the 1910s paved the way. Creatures got a massive resurgence in popularity with Steven Spielberg’s masterpiece jurassic park, reviving the profitability of the dinosaurs. Countless memorable images have depicted the prehistoric creatures to some degree, with many becoming more beloved and entertaining moviegoers that moviegoers can’t get enough of. From heartwarming animated tales to adrenaline-pumping adventure films to live-action monster movie adaptations, the big screen has been home to some spectacular dinosaur creations.

Whether you’re in the mood to watch John Goodman and Rick Moranis help bring the famous Stone Age family The Flintstones to life, or embark on a heartbreaking adventure in the animated comedy The Ice Age: Dawn of the Dinosaurs, there is bound to be a prehistoric image to satisfy your needs. With Jurassic World Dominion roaring in theaters gearing up to hit theaters this summer and the dinosaur craze is set to come back strong, what better way to prepare for its release than to gorge on fantastic movies that showcase dinosaurs in all their glory. Here are the best dinosaur movies that aren’t the jurassic park movies.

We are back! The story of a dinosaur

Based on the Hudson Talbott children’s book of the same name, the 1993 animated comedy adventure We are back! The story of a dinosaur tells the dazzling tale of a time-traveling scientist who travels back to prehistoric times and feeds four funny dinosaurs with a magic cereal that increases their intelligence; the anthropomorphized creatures land in modern New York City where they go on a series of hilarious adventures.

The heartwarming film features an impressive voice cast including John Goodman, Jay Leno and Martin Short, and should have capitalized on the dinosaur craze in pop culture after jurassic park came out six months early, but didn’t have much box office impact (despite Steven Spielberg producing both films). We are back! earned praise for its vocal performances and animation, brilliantly blending traditional and computer animation, but was largely overshadowed by the enormous jurassic park.

The Ice Age: Dawn of the Dinosaurs

Ray Romano, John Leguizamo and Denis Leary star in the 2009 animated adventure comedy The Ice Age: Dawn of the Dinosaurs, which takes place in a lost tropical world buried under the ice and once again focuses on three entertaining heroes: the woolly mammoth Manny, the ground sloth Sid and the saber-toothed tiger Diego. The friends attempt to rescue Sid after he is taken by a female Tyrannosaurus after stealing her eggs.

Related: Ice Age Film Franchise Characters, Ranked

The third part of Ice Age film franchise, the hit picture was decided on as a “more hypothetical adventure” and added the element of dinosaurs and a secret world to the series, with Blue Sky Studios describing it “like finding the giant ape in King Kong or a Shangri-la in the middle of the snow. The Ice Age: Dawn of the Dinosaurs went on to have the highest-grossing opening for an animated film, and its success led to two more popular sequels in the franchise: 2012 Ice Age: Continental Drift and 2016 The Ice Age: Collision Course.

The land before time

Following the adventures of a group of young dinosaurs living in prehistoric times, the 1988 animated adventure drama The land before time centers on a “Longneck” named Little Foot who is orphaned when his mother is killed by a vicious Tyrannosaurus, and flees famine and trouble to seek out the Great Valley. On his inspiring journey, Little Foot encounters a group of mismatched dinosaurs who become his close companions and friends, who also wish to reunite with their families in the Sacred Valley.

Don Bluth’s animated film explores the issue of prejudice between different species and the hardships they endure, with Don Bluth having explained, “…we had another idea that none of these dinosaurs get along , they all hate each other. From birth, they are taught not to associate, it’s racism. The land before time received rave reviews for its stunning animation and engaging message, and went on to generate 13 direct-to-video sequels.

The Flintstones

Based on the beloved 60s TV cartoon series, the 1994 family comedy The Flintstones brings the iconic Stone Age family and their pet dinosaur Dino to life, following well-meaning but dimwitted factory worker patriarch Fred Flintstone as he lends money to his neighbor and friend near Barney Rubble, so he could adopt a baby. After being promoted on the back of Barney’s favor, Fred finds himself embroiled in the schemes of his greedy boss.

John Goodman takes on the epic role of Fred Flintstone, beautifully capturing the essence of the character while starring alongside Elizabeth Perkins, Rick Moranis and Rosie O’Donnell; the veteran actor beat out other stars like John Candy, Chevy Chase and Bill Murray for the coveted role. Audiences and fans of the cartoon were congratulated The Flintstones for its faithfulness to its source material, visual effects, costume design and performances, and it went on to be a box office hit, eventually inspiring the 2000 prequel titled The Flintstones at Viva Rock Vegas.

Journey to the Center of the Earth

Adapted from the classic sci-fi novel by Jules Verne, the 2008 sci-fi action-adventure film Journey to the Center of the Earth depicts the harrowing quest of Professor Trevor Anderson, his nephew Sean and their guide Hannah as they become trapped on an expedition to Iceland and discover a mystical and dangerous lost world at the center of the earth. As the brave trio travel deeper and deeper inside the planet on their only escape route, they find themselves encountering strange places and wondrous creatures, including terrifying dinosaurs.

Related: Batgirl Star Says Brendan Fraser Was a ‘Huge Teddy Bear’ On Set

With Brendan Fraser, Josh Hutcherson and Anita Briem, Journey to the Center of the Earth takes audiences on an incredible adventure, masterfully merging modern visuals and technology with the beloved old-school storyline and thrilling moviegoers in the process. Fraser is in all his charming, swaggering glory, with NewsBlaze proclaiming, “The playful strength of Brendan Fraser’s personality rules, 3D or not 3D, one of the few funny guys who could catch a dinosaur’s attention in mode assault, in the center of the earth or anywhere else on the planet.


Walt Disney’s jaw-dropping 2000 animated film live-action and by computer Dinosaur tells the story of a young orphan Iguanodon who is raised by a family of lemurs on a tropical island and must embark on an arduous trek to sanctuary after a devastating meteor shower destroys his family home. With a budget of $127.5 million, Disney’s picture would have been the most expensive computer-animated film at the time and became the fifth highest-grossing film of 2000, with $350 million in the world.

Dinosaur received praise for its beautiful opening sequence and outstanding animation, but was ultimately criticized for its lack of originality and similarities to The land before time; nevertheless, the animated film led to numerous exhibitions and a video game and was a smash hit with the release of a home video in 2001.

King Kong

Famous Peter Jackson directed the 2005 epic adventure monster movie King Kong, which is set in 1933 and centers on an ambitious filmmaker who coerces his cast and crew to travel to the mysterious Skull Island to create their image. On their journey, the group encounter frightening prehistoric creatures living on the island as well as the legendary massive gorilla known as Kong, whom they capture and bring to New York.

In the cinematic marvel, Naomi Watts, Adrien Brody and Jack Black headline the gripping film, and in one heartbreaking scene, their characters narrowly avoid a dinosaur rush; an epic confrontation takes place between Kong and two T. rexes, with the giant gorilla protecting Ann Darrow from Watts. King Kong won three Oscars and grossed over $500 million, acclaimed for its stunning special effects, direction and dynamite performances.

The good dinosaur

2015 Disney and Pixar animated adventure film The good dinosaur wonderfully explores an alternate history where non-avian dinosaurs never died out, and focuses on a young and sheepish Apatosaurus named Arlo who makes an unlikely human friend on his quest to return home after being swept downstream by a rainstorm. The studios and director Peter Sohn wanted to find out what dinosaurs would represent in the President’s day, with filmmaker Bob Peterson revealing, “It’s time to make a movie where you get to know the dinosaur and get to be with a dinosaur.”

The good dinosaur features nature as the antagonist to main character Arlo and pays homage to the western genre and its themes, character development, and beautiful North American landscapes. Despite a lackluster box office performance, the animated film received rave reviews from critics, with the Los Angeles Times describing it as “antique and unexpected as well as homiletic, filled with subversive elements, goofy creatures and some of the most beautiful landscapes ever seen in a computer-animated film.

Mufasa and Simba

Best Animated Movies of the 90s, Ranked

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Best Animated Movies of the 90s, Ranked


The 90s are one of the most influential sources of nostalgia in modern pop culture. It was a time of transition for media – technology began to propel animation forward, and the decade gave way to some of the most recognizable fictional characters of all time. It was a simpler time: Disney shows were goldmines, Saturday morning cartoons were sacred, and kids couldn’t wait to get home and pop their favorite movie into the VHS player.

In terms of the best films of the 90s, it was an unforgettable decade for animation. As computer animation began to blossom and creators found more effective ways to turn storyboards into immersive experiences, we saw a slew of incredible films that are still popular today. Let’s revisit some of the best animated movies of the 90s and see how they stack up.

Related: Best 80s Animated Movies, Ranked

space jam

At one point, you might not have believed that animation and live action could mix on screen. Walk in space jam! Released in 1996, we see Michael Jordan as he chooses to retire from his illustrious basketball career. However, things take an unexpected turn when the Looney Tunes win and beg his help in a basketball game against a team of alien monsters. The premise is as far-fetched as it gets, and the way the creators lean into the chaos is honestly spot-on.

The beauty and the Beast

A tale as old as time, The beauty and the Beast is one of the most endearing love stories in animated history, and we’ve all seen it again and again since its release in 1991. Unbeknownst to the prince-turned-dumb, the charming Belle yearns for more than sedentary life in his small hometown. When Belle volunteers to take her father’s place as a prisoner of the Beast in an enchanted castle, the two gradually build a friendship that will blossom into true love, strong enough to break a decades-old curse.

The Prince of Egypt

Something about the 1998 animation style The Prince of Egypt makes us catch our breath again. This fascinating take on the story of Moses is presented in a new light: we see him growing up as the adoptive brother of Ramses, who will inherit the kingdom of Egypt. Their relationship is at the forefront of the story, and we see them take different paths as Moses begins to fight for the freedom of the Jewish people.

perfect blue

A more adult entry on the list, perfect blue came out in 1997 and left audiences captivated and bewildered for years. We meet Mima, a J-pop idol who is going through an identity crisis after starting a rocky acting career. When some of her colleagues are murdered, she realizes that her mental instability may be affecting her more than she lets on. The mystery will keep you on the edge of your seat until the very end, and seeing Mima reclaim his own is a victory we can all appreciate.


Long confused as part of the Disney Princess List, 1997 Anastasia is actually a Don Bluth film that focuses on the young Grand Duchess of Russia. Young Anastasia barely escapes a curse from the sorcerer Rasputin, though she develops amnesia in her attempt to break out of the palace; at 18, she goes on an adventure to find her long-lost family. Our titular heroine is absolutely adorable, and her coming-of-age story is filled with heart, genuine love, and a dazzling animation style.

The Nightmare Before Christmas

Tim Burton fans can explain the unbridled fun and whimsy of the 1993 holiday movie The Nightmare Before Christmas. We first meet Pumpkin King Jack in Halloweentown after a big party, but quickly learn he’s disenchanted with his predictable lifestyle. When he mistakenly wanders into Christmastown, he falls in love and decides to take charge of the holiday for himself. His fellow Halloween harbingers get involved in the festivities, and it’s impossible not to sing along to their songs. The claymation is truly charming, and the creepy denizens of Halloweentown are surprisingly wholesome.

Related: 5 Best Tim Burton Movies, Ranked

toy story

toy story was a milestone for Pixar in 1995, and it continues to be a fan favorite around the world. Of all the toys in young Andy’s room, Woody was always the favorite – until Buzz Lightyear showed up. After they go missing, we follow Woody and Buzz as they travel home before moving day. The voice cast is nothing short of phenomenal, and many of the franchise’s most quoted moments come from this film.

Princess Mononoke

It’s hard to pick a favorite Studio Ghibli movie, but the one from 1997 Princess Mononoke is easily one of the best. Prince Ashitaka finds himself cursed by a demon while defending his village, and he quickly ventures west in hopes of finding a cure. Along the way, he encounters many unforgettable characters, including the namesake wolf princess herself. The film offers a crucial lesson in deforestation and neglect of the planet, and Ashitaka’s relationship with San is nothing short of wonderful.

The iron giant

Although it performed poorly at the box office, The iron giant is now a beloved classic that took viewers on an adventurous emotional roller coaster when it was released in 1999. The story features Hogarth Hughes, a bright young boy who befriends a massive alien robot during war cold. It doesn’t take long at all for the Iron Giant to wow viewers, and the ending is still enough to leave us in tears. No wonder he was nominated for so many awards!

The Lion King

Is there anyone who wouldn’t start following the opening notes of “Circle of Life” in The Lion King? This 1994 Disney rendition of Hamlet has it all – a rich and colorful world populated by memorable characters, an engrossing story, a gorgeous soundtrack, and voice talent for days on end. Watching young Simba as he struggles to come to terms with the death of his father to finally return home as the king his pride needs still gives us chills.

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Doctor Strange: Things to know before watching Multiverse of Madness

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‘Better Things’ Finale Top 5 Pamela Adlon TV Interviews – The Hollywood Reporter


[Warning: This story contains spoilers from the series finale of FX’s Better Things.]


When FX and Pamela Adlon announced in October that the fifth season of better things would be the last in the series, the writer-director-comedy star said, “It’s going to be a wrap on Sam Fox (for now).”

Fans of the series may be keeping their fingers crossed on the “for now” part of the equation, hoping that Sam, Max (Mikey Madison), Frankie (Hannah Riley) and Duke (Olivia Edward) might come back to our TVs sooner than later, but if Monday’s (April 25) series finale was truly the end of the Fox clan, it was a thoroughly satisfying conclusion.

We had another fantastic pre-credit music video, Sam got new artwork for his upstairs landing and there was a wedding that brought back many of the show’s beloved supporting characters. for another celebration and some Monty Python. Then, at the end, Sam envisioned his place both in the social universe of his family and friends “village” and in the universe as a whole, with shooting stars, northern lights and, if you hold on to ‘at the end, a very unusual and inexplicable event.

Adlon joined The Hollywood Reporterit is Top 5 TVs podcast for a broad and wonderfully digressive conversation about the show’s journey in our second standalone Showrunner Spotlight podcast, following our January season recap with the creators of Showtime’s yellow jackets.

Listen to the full interview.

Adlon was the last in-person guest for Top 5 TVs in March 2020, sparking many nostalgic memories of the changed world.

In the interview, Adlon tells hosts Lesley Goldberg and Daniel Fienberg that she knew season five would be the show’s last before she started writing it and although she suspects FX would have let her do more if she was asked: “It feels good to finish showing her feeling good and not falling apart towards the finish line. It was a very mutual decision.

She recognizes that every day she experiences new things that go into her “notes” folder that could have been better things storylines, but “I wanted the story to go on as if the stories were going on. I don’t consider that to be the end for better things, which is how I live my life. People are like are you grieving? I felt like people wanted me to be sad and have this moment. The truth is that it has been seven years of my life. When I started this show, my life was very different. All my children lived at home, there have been many scorched earth moments over the years. I lost a lot of people, I had to make adjustments in terms of pivots and big life changes.

It’s been a tough season to put together, and Adlon discusses the various production challenges amid COVID-19 (and why COVID wasn’t part of the season). The series’ final song choice, “Always Look on the Bright Side of Life,” recalls Monty Python’s use of “Galaxy Song” in the season five premiere, a nod to old fans, new and future.

Adlon said: “When we end on ‘Always Look on the Bright Side of Life,’ it was saying goodbye to the fans, goodbye to the people who watch this show, goodbye to the people who haven’t discovered the show yet. show. Because I know what my show is and I always knew it was a marathon and not a race. Eventually people will catch up with it. It’s still not there and it hasn’t many eyeballs of these giant giant shows that have so many eyeballs and people talk about hating watching a show they’re watching which is so much the opposite of what’s happening with better things. I would take the sighting of hate, multitudes of eyeballs. Look over here! There is something for every taste !

In the 78-minute conversation, Adlon talks about bringing his own genealogical experience to Find your roots in the season explains how the baseball cards became a key part of the season arc and she talks about how the night sky in the final shots came together and what this unidentified flying object means to her.

Oh and what comes next for Adlon? She drops some clues.

Listen to the full Top 5 TVs Special Showrunner Spotlight episode, above. Top 5 TVs is a weekly TV podcast hosted by Goldberg (West Coast TV Editor) and Fienberg (Chief TV Critic) that features news, analysis, reviews and interviews with new and established showrunners. Subscribe here.

The 16 best fantasy TV shows to watch on Netflix


Netflix is ​​stacked with fancy TV shows. There’s so much quality it’s hard to know where to start.

Here are our picks for the best fantasy shows on Netflix. If you’re after fantasy movieshead here.

Arcane (2021—)


Arcane is so good.

Based on League of Legends characters and lore, Arcane is just an absolutely beautifully animated show about family, trauma, and the impact of poverty. Just a surprisingly good sight to watch.

The Dark Crystal: Age of Resistance (2019)

Kevin Baker/Netflix

Based on the 1982 cult classic, The Dark Crystal: Age of Resistance was pretty good for an exercise in nostalgic baiting. Unfortunately, production fees caused Netflix to cancel it before we got a second season. That doesn’t mean you can’t check out the first one.

The Witcher (2019—)


When I first heard that Henry Cavill had starred as Geralt in The Witcher TV show, based on a novel that became a wildly popular video game, I thought, “That can’t be to be good.”

Then I watched the first episode and thought, “This is not Well.”

But then, ultimately, the show was somehow good? Then it became a phenomenon. It is now one of the most popular shows on Netflix.

Shadow and Bone (2021—)


Shadow and Bone is based on a series of young adult fantasy novels written by Leigh Bardugo. There’s a feeling that this show wasn’t enough as good as some might have hoped, and didn’t enough go as mainstream as some expected. But that doesn’t mean you shouldn’t check it out.

Castlevania (2017-2021)


OK, let’s do this one more time…

i can’t believe i have Three TV shows based on video games on this list! But again, Castlevania is very Well. A dark fantasy spectacle based on the video game of the same name, Castlevania is super popular, captivating, and spectacularly well-animated. Give it a chance, even if you’ve never heard of the game.

Merlin (2008-2012)


A BBC TV show based on Arthurian legends, Merlin adds a Doctor Who aesthetic to the fantasy genre.

It’s a little dated, sure, but Merlin has a cult following thanks to fantastic performances. Don’t expect Game of Thrones-level production values.

Chilling Adventures of Sabrina (2018-2020)

Gonzalo Jimenez/CNET

Based on Sabrina’s children’s sitcom The Teenage Witch, The Chilling Adventures of Sabrina reinvents itself as a dark drama focused on the occult. Miraculously, it works.

Prepare for a weird ending, but this show delivers.

Read more: Best fantasy movies on Prime Video



Hellbound is a dark fantasy show about supernatural creatures that lead people to hell. If you’ve just finished Squid Game and are craving more Korean TV, look no further. This rules.

Sweet Tooth (2021—)


Sweet Tooth is a fantasy drama based on the comic book of the same name. After a pandemic — stay with me here — hybrid babies are born, half-human, half-animal.

As one might expect, a schism appears. Some people cannot handle the emergence of this new hybrid and blame them for the pandemic. The show has been renewed for a second season, so now is a good time to catch up.

the OA


We officially called it the second best show on Netflix. Is it a fantastic show? Kind of. It certainly contains some weird fantasy elements and, regardless, is worth your time. The story centers on Prairie Johnson, a woman who returns home after being missing for years. The twist: She used to be blind, now she can see.

Anything that comes from this weird twist just gets weirder and weirder. Give it a shot.

Stranger (2014—)


As a Scottish man, I am both grateful for Outlander and resentful of him.

It made Scottish men cool again, but also gave people ridiculously inflated and unfair expectations of us. We can’t hope to compete with Sam Heughan, who plays the main character Jamie Fraser. Ridiculous.

Outlander is a strange time travel show whose main character, Claire, is transported back in time from World War II to 1743 Scotland. It’s definitely romance novel nonsense, but it’s self-aware romance novel nonsense. It is built for binging.

Avatar: The Last Airbender (2005-2008)


Avatar: The Last Airbender has to be one of the best animated shows already. Aang is the last titular airbender, a type of messiah who can control the four main elements: air, fire, water, and earth.

But even trying to describe what makes Avatar so charming, smart, and surprisingly heavy is pointless. Do yourself a favor and watch it.

The Legend of Korra (2012-2014)


I can’t put Avatar on the list without adding The Legend of Korra.

Set in the same universe, years after the events of the original Avatar, The Legend of Korra is a much more adult take on the series, dealing with surprisingly mature themes. It is dramatically underestimated. Look at this.

Demon Slayer (2019—)

Weekly Shonen Jump

Can I get away with adding anime to this list? Sorry, I do.

If you’re an anime fan, chances are you’ve already watched Demon Slayer, or at the very least are aware of its existence. Right now, it’s probably the most popular anime on the planet. Demon Slayer is basically a show about a guy who kills demons. The twist: His sister is also part demon, and they travel together. It’s beautifully animated and the fight scenes are ballistic.

Attack on Titan (2013-2022)


Since we’re doing anime now, might as well do Attack on Titan.

Attack on Titan is an anime set in a vaguely medieval universe where humans are constantly threatened by humanoid, skyscraper-sized “Titans” who eat humans.

It’s absolutely insane. You should watch this.

The Dragon Prince (2018—)


The Dragon Prince is often compared favorably to another legendary show on this list – Avatar.

That’s about the praise you can get for an animated fantasy show.

Judges clear admissions policy at prestigious high school | New Policies


WASHINGTON (AP) — The Supreme Court has denied an appeal by parents to block a new admissions policy at a prestigious northern Virginia high school that a lower court ruled discriminates against Asian American students. .

The high court on Monday did not explain its order allowing Thomas Jefferson High School for Science and Technology to continue using its admissions policy while the Fairfax County School Board appeals the lower court’s decision.

Judges Samuel Alito, Neil Gorsuch and Clarence Thomas said they would have granted a request from parent group, Coalition for TJ, to suspend the admissions policy.

In February, the group persuaded U.S. District Judge Claude Hilton that a new policy that boosted representation of blacks and Hispanics amounted to impermissible “racial balance” at the selective school near the nation’s capital. It is often ranked as one of the best public high schools in the country.

Asian American students made up over 70% of the student body. Under the new policy, used to admit the school’s current freshman class, Asian American representation dropped to 54%. Black students increased from 1% to 7% and Hispanic representation increased from 3% to 11%.

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Hilton had ordered the new policy stayed, but the federal appeals court in Richmond, Va., said it could be used while the case continues in court.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Disney+ Docuseries Sketchbook Will Herald Studio’s Return to Hand-Drawn 2D Animation


Ahead of its 100th anniversary in 2023, Disney is releasing the six-part Disney+ documentary series “Sketchbook” to spotlight six of their top artists as they show viewers how to draw some of the most iconic characters in Disney history. ‘business. However, the show goes beyond an educational resource as the artists discuss the collaborative process behind the animation and the many people involved in creating a character like The Genie from “Aladdin” or Olaf from “Frozen “.

In addition to the new show, this renewed commitment to hand-drawn animation has come in the form of a 12-month training program led by Walt Disney Animation Studios Chief Creative Officer Jennifer Lee and President Clark Spencer. The six animators chosen from more than 2,000 applicants will be mentored by 2D animators Rachel Bibb, Mark Henn (who draws Simba from “The Lion King” on “Sketchbook”), Randy Haycock and 2D director-animator Eric Goldberg (who is featured in the show’s Genie episode) as they focus on animating and cleaning up characters and effects. In an interview with IndieWire to promote the behind-the-scenes docuseries, Goldberg shared his excitement for a renewed interest in hand-drawn animation:

“I’ve been a long-time advocate for training people to hand-draw, and as CG movies became more and more popular, that idea became less and less important to the studio. But now we have an atmosphere and a group of people who recognize that it’s part of the legacy here, and having content that requires hand-drawn animation is absolutely brilliant, thank goodness we have people who can do both here, but commit really to train a new generation is a wonderful thing and I think perfectly appropriate for [us].”

Unfortunately, while Goldberg says upcoming 2D projects “run the gamut from legacy to originals to hybrids and will include features and series,” he doesn’t go into detail on where and when we’ll see the beloved animation style next. I don’t want to give the impression that I’m in the “I’ll believe it when I see it” camp because, as a lifelong Disney fan, I’m rightfully excited to hear these new developments, especially since they are just in time for the 100th anniversary. However, I will keep the excitement level around five for now until something is announced. At that point, I’ll be more than happy to go up to eleven.

An intimate educational documentary series, “Sketchbook” takes us to the offices and into the lives of talented artists and animators. Each episode focuses on a single artist teaching us how to draw a single iconic character from a Walt Disney Animation Studios film. As we learn the stages of drawing these characters, we also discover that the artists themselves each have a unique story to tell about how they got to Disney and the character they got. selected. From the creators of “Chef’s Table,” this exclusive experience will give viewers of all ages a new understanding of how these beloved characters come to life on screen while introducing them to a new cast of real-life characters along the way. .

Disney’s “Sketchbook” will premiere April 27, 2022 on Disney+.

The sisters of Christina Haack’s husband, Joshua Hall, have appeared on several reality TV shows


Christina Haack has a new husband, Joshua Hall, and fans will get to see more of him in the HGTV star’s all-new upcoming show, Christina in the countryside. Hall’s family are no strangers to reality television — her sisters have appeared on several shows. This is where fans may have seen Hall’s sisters and the surprising bond one of them has with Haack’s ex-husband, Tarek El Moussa.

Christina Haack’s husband Joshua Hall to appear on her upcoming reality show ‘Christina in the Country’

On April 7, Christina Haack revealed in an Instagram post that she had a new series called Christina in the countryside coming to HGTV “late 2022”. She is also filming season 4 of Christina on the coast.

“Excited to share what we’ve been working on behind the scenes. ‘Christina In The Country’ has officially been picked up by @hgtv for 6 episodes,” said the Flip or Flop shared in his caption. “It feels good doing what I love with who I love. Josh and I have the most creative and supportive producing partners and we can’t wait to create fun content. Expected to air late 2022. Life is beautiful 🙏🤍”

Haack’s new husband, Joshua Hall, is working with her on Christina in the countryside. The couple started a production company together called Unbroken Productions, and they co-produce both shows with HGTV.

Hall left an enthusiastic comment on Haack’s post. “You mean I spend more time riding a RZR and sweating it down south?? OK. 😁,” he wrote. “It’s an honor to work with such an amazing team, keep it up!”

Stacie Hall and Jessica Hall | Tibrina Hobson/Getty Images

The sisters of Christina Haack’s husband, Joshua Hall, have appeared on several reality TV shows

While Christina Haack’s husband Joshua Hall will soon be making his reality TV debut on HGTV, his two sisters are no strangers to reality TV. Jessica Hall and Stacie Adams have both appeared in several reality series (per The List).

Stacie Adams was on two seasons of MTV The hills, where she was known as “Stacie the bartender”. She was also on Bravo Vanderpump Rules as one of Scheana Shay’s bridesmaids.

Jessica Hall also appeared on The hills. His best friend is the former The girls next door star Kendra Wilkinson and Hall were on Wilkinson spin-off shows Kendra on top and Kendra.

Jessica Hall and Heather Rae Young smile and pose together at an event.

Jessica Hall and Heather Rae Young | Michel Tran/Getty Images

One of the HGTV star’s husband’s sisters has a surprising bond with her ex, Tarek El Moussa

Along with appearing on several reality TV shows, one of Christina Haack’s husband’s sisters, Joshua Hall, had an intriguing connection to Haack’s ex-husband, Tarek El Moussa.

Jessica Hall is good friends with Heather Rae Young, who stars in the Netflix reality series sell sunset. El Moussa married Young after divorcing Haack.

Jessica Hall is so close to Young that the two friends had their own podcast titled Flashbacks. Ancient Bachelorette star DeAnna Stagliano apparently replaced Young on the podcast in February 2021, and the show is now titled Flashbacks with Jessica Hall and DeAnna Stagliano.

RELATED: How fans reacted to Tarek El Moussa allegedly calling Heather Rae Young ‘hotter and richer’ than ex-wife Christina Haack in Verbal Tirade

Moon Knight Costume Designer Made Practical Costumes Even For CGI Characters


moon knightThe introduction of the Egyptian Ennead allowed Marvel Studios to expand its visual effects, designing stellar models for Khonshu and Taweret, two gods of the ancient pantheon. Although both characters are entirely computer generated, Meghan Kasperlik and her costume design team created costumes for both characters for production reference.

“The Khonshu costume is a fully functional costume,” Kasperlik tells us. “Taweret’s costume is also designed and produced from head to toe. Both Khonshu and Taweret are made in-house, so that was really exciting.”

The costume designer adds that Taweret’s design is her favorite thing she’s worked on for the show, teasing her “incredible” design in future episodes.

“The Taweret costume that we just saw very, very briefly, the costume itself, there’s so much detail in there,” she adds. “There’s the helmet with the birthing dance and the birthing prayer from ancient Egypt, because Taweret means birth mother. Every one of the hieroglyphs on the front that you can barely see at this point is amazing.”

Kasperlik concludes: “But there are hieroglyphics there and under all the ornamentation she has a phenomenal skirt that you can hardly see, but my team cut those strips by hand and then sewed them with a way so amazing. I hope it’s one of those costumes that gets on display because it’s just…in person, it’s amazing.”

A member of the Ennead, Taweret is the goddess of childbirth and fertility. Across four episodes, the character appeared in a single scene. She is voiced by Antonia Salib.

four episodes of moon knight are streaming now on Disney+, and new episodes will be released every Wednesday.

What do you think of the series so far? Let us know your thoughts in the comments section or by hit up our writer @AdamBarnhardt on Twitter to discuss all things MCU!

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Explosion at illegal oil refinery in Nigeria kills over 50 | world news


By CHINEDU ASADU, Associated Press

ABUJA, Nigeria (AP) — More than 50 people were killed and scores injured when an explosion rocked an illegal oil refinery in southeastern Nigeria, state officials and police said Saturday.

The death toll could be over 100, according to a report by the Lagos-based Punch newspaper. The fire reportedly spread to neighboring properties.

The fire started on Friday evening and quickly spread to two fuel storage areas of the illegal crude oil refinery, causing the complex to be ‘engulfed in a rapidly spreading fire’ in the area said Declan Emelumba, the Imo state information commissioner.

The immediate cause of the explosion and the extent of the deaths, injuries and damage are under investigation, Emelumba said.

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Several videos posted on social media showed a gruesome scene, with people’s charred remains reduced to skeletons and ashes. The Associated Press has not been able to independently verify them.

“A lot of people died. The people who died are all illegal operators,” said Michael Abattam, spokesman for the Imo State Police Command.

The Imo state government was looking for the owner of the refinery where the explosion occurred and declared him wanted, an official said.

Illegal refineries are common in Nigeria, where shady commercial operators often avoid regulations and taxes by locating refineries in remote areas, out of sight of authorities.

Nigeria is Africa’s largest crude oil producer, but it has very few official refineries and as a result most gasoline and other fuels are imported, creating an opening for illegal refinery operators.

The practice is so widespread that it affects crude oil production in the oil-rich region of the Niger Delta.

Copyright 2022 The Associated press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Sequels No One Asked For – and Sequels We Still Need


Apparently, even Lionsgate knew the “Divergent” sequels were a failure – the studio didn’t even bother to complete the franchise.


Andrew Cooper/Lionsgate

Following the mega-success of “The Hunger Games” franchise, all other dystopian young adult sagas were turned into a series of films (“Maze Runner”, “Ender’s Game”, “The Host”), but the only one that came relatively close to replicating that success was “Divergent,” which was released in 2014.

“Divergent” starred Shailene Woodley as Beatrice, a 16-year-old who lives in a society divided into five factions based on personality traits, but Beatrice has multiple traits and is known as “Divergent.” Confused? Naturally, perhaps that’s why the first film barely had a cultural impact and has a low 41% on Rotten Tomatoes.

However, two more sequels were produced (“Insurgent” from 2015, which has 28%, and “Allegiant” from 2016, which has 11%). As was the custom in the 2010s, the final book in the series was to be split into two films, “Allegiant” and “Ascendant”, but the reception of “Allegiant” was so poor that the conclusion of the franchise has been cancelled.

So, we wonder: Did we really need “Insurgent” and “Allegiant” if there was not a fourth and final film? The answer is no.

The best Netflix original movies: April 2022 edition


by Judd Apatow the Bubble.
Picture: Laura Radford/Netflix

It wasn’t an April Fool’s joke, though now it feels like one: on the first of the month, Netflix released not one but two feature films by marquee American directors with moderate (that would be satire calamitous pandemic by Judd Apatow The bubble) to non-existent (spellbinding time capsule by Richard Linklater Apollo 10½: A Childhood in the Space Age) promotional campaigns. The latter is surely one of the service’s best additions of the year so far, and it’s in respectable company with a goofy, hard-to-resist coming-of-age image about young metalheads and a southern cop thriller. -hard-nosed korean. Beat the annual April showers, stay indoors and catch the latest Netflix Original movies:

God bless Richard Linklater. His third rotoscope-animated feature (moving to a looser, lighter place after the philosophically heavy waking life and A dark scanner) barely holds up like a film. It’s closer to a hundred-minute monologue, detailing how awesome it was growing up in late ’60s Texas. Anyone not inclined to roll their eyes at this obsessively watched exercise in nostalgia will be wowed by the level of commitment to the bit; the narrator (Jack Black, an apparent stand-in for the filmmaker himself) churns out dozens of TV shows, records, and other cultural ephemera, setting the stage for this time and place. Linklater praises a happy moment with golden sentimentality even as he acknowledges the corporal punishment and lax security standards that seem insane in retrospect. But he’s non-judgmental, more interested in cataloging the ways unsupervised children entertained themselves before the insularity of the computer and smartphone.

Everyone has reacted to the upheavals of the pandemic in their own way. Some of us have learned how to make the perfect stew or how to make macrame; Judd Apatow assembled a production crew in a well-appointed English mansion to precipitate order into existence for this bewildered and unfunny-for-the-moment reaction. A misplaced sense of duty to make the weary masses laugh clearly motivated his follow-up parody of the filming of a fake blockbuster and the cast of pampered actors are gradually losing their marbles in a world of 14-day isolation periods and sanitization regulations. Put aside the problems of rhythm and writing (dear Lord, another TikTok interlude?), and there is always the fundamental problem that, in such a difficult time, the last thing ordinary people care about is the inconvenience and boredom of showbiz guys. The movie even admits it, and yet that realization wasn’t enough to convince anyone to stop and rethink the unfortunate approach to the material.

The first Italian teen crying trilogy draws to a close in this final installment, which lacks any meaningful narrative challenges for cystic fibrosis survivor Marta (Ludovica Francesconi). The film begins as she emerges from the medically induced coma used as a cliffhanger for the last one, but once she is cleared by her doctors, writers Roberto Proia and Michela Straniero struggle to come up with something with a comparable gravity to do. Their best shot is “navigating the choppy waters of real estate,” as Marta searches for an apartment with her boyfriend while her former roommates work out an Airbnb scheme. The emotional core of the film is about Marta mending fences with the grandmother who wasn’t around enough when she was orphaned at age 3, but the mishandling of the tone leaves those scenes just as insignificant as the relationships with owners and the search for guarantors. . Once the stakes have been set for life or death, you can’t go back to the agony and ecstasy of improving your credit score.

The uncanny preponderance of Polish-language crime thrillers in the Netflix Original catalog dictates finding some form of novelty in each successive instance, and director Cyprian T. Olecki doesn’t seem up to the challenge. The hook for his inexcusably overlong gangster photo sends an undercover informant into the ranks of his brother’s soccer hooligan team to free him from drug trafficking charges. This puts him on the path to a crisis of conscience between his obligation to the law and his loyalty to his family, a setup so done to death that there is a 30 Rock joke about it. While the brutal gallows humor and hearty fight scenes are better than most, it’s too predictable to hold anyone back for the two-plus hours the film demands, and the muddled digital cinematography only gives us not much to look at while waiting. What should have been the distinguishing factor – the unique role that organized crime plays in Polish society – is decontextualized and ironed out in a vast inner struggle like any other.

As the movies say, there are few jobs as psychologically demanding as being a ballerina. by Jota Linares Black Swan The riff begins with the suicide of a prima donna and then shows us the cocktail of internal and external pressures that could very well lead the next big face to a similar fate. National Classical Ballet’s new talent, Irene (María Pedraza, a Netflix favorite for her roles in Money theft and Elite) immediately begins to see why his predecessor jumped on it as his own eating disorder and associated insecurities combine with the constant battery of emotional abuse from draconian instructor Norma (Mona Martínez). She finds solace only in the company of junior dancer Aurora (Paula Losada), with whom she forms a dark and illusory bond of comfort. It’s all captivating enough on paper, but Linares’ use of neither camera movement nor color conveys the visceral sense of mental distortion that has made previous entries in the unsteady ballerina canon stick with the times. landing.

Metalheads have a bad rap as violent ne’er-do-wells with tastes for everything from wanton destruction to murder (it happened, like, once), but Peter Sollett’s movie fury investigates the pathos behind headbutts and pentagrams. In the bond between lifelong best friends Hunter (Adrian Greensmith) and Kevin (Jaeden Martell), their band roster soon expanding to include singer Emily (Isis Hainsworth), metal’s anti-everybody ethic serves as a pillar around which they can organize their own mini-community. Screenwriter and former The iron Throne Showrunner DB Weiss leans towards the juvenile in his attempt to divide the difference between his characters’ childhood and adulthood, so they articulate their solidarity through silly language that often strays into a ballroom anathema. corn to the true metal mentality. Ultimately, however, there is a trace of authenticity in the way Hunter translates his own personal frustrations into music that empowers the powerless.

The location of the Chinese city of Shenyang, just north of the border with North Korea, makes it a hotspot for espionage, as spies from both countries, as well as South Korea, Russia and Japan, jostle to get ahead of each other’s plots. South Korean prosecutor Ji-hoon (Park Hae-soo, best known for the popular series squid game) gets an assignment to clear up some corruption charges in Shenyang, but falls into a much grander plot aimed at the covert ops group he’s supposed to be working with. He and the team’s leader, Kang-in (Sol Kyung-gu, the star of Lee Chang-dong’s Peppermint candies), must earn each other’s trust if they are to survive the traps, sabotages and tortures that await them in this neon playground. With this vibrant backdrop, they form the expected rapport and fight the expected fights, though predictability isn’t an issue in either case due to the accomplished execution. Both actors bring gruff credibility to their archetypal personas, the spotted tough guys who populated American cinema in the ’70s.

Netflix Cancels Multiple Shows Amid Huge Subscriber Loss


Netflix is ​​already canceling several shows and movies after its recent subscriber and financial issues.

According to The Wrap, the streaming giant has unplugged many Netflix shows in development. The company’s animation department has been hardest hit by the issues currently plaguing Netflix, which has suffered a decline in market value and subscriber base since the start of the year.

Yesterday (April 21) we reported on Netflix’s announcement that it had lost 200,000 subscribers since the start of 2022. Additionally, the streaming company’s recent pullout from Russia due to the war in Ukraine cost him an additional 700,000 viewers (per Reuters). Netflix estimates it will lose another two million paying customers before June 2022 – news that has knocked the company’s market value down by $50bn (per BBC).

As it counts with its first loss of subscribers in more than a decade, as well as a huge drop in the valuation of its shares, Netflix has apparently decided to proactively fight against further financial instability. And that means canceling several projects in development.

Eleven screams as she activates her powers in Stranger Things Season 4

Netflix’s hit shows like Stranger Things are immune to cancellation. (Image credit: Netflix)

According to The Wrap’s report, the director of creative leadership and development for Netflix original animation – Phil Rynda – was fired, along with numerous members of his staff, earlier this week.

Not only that, but the streaming giant has also canceled numerous in-house animation projects, including an adaptation of Roald Dahl’s The Twits. A highly anticipated animated series based on Jeff Smith’s beloved comic book series Bone, as well as Lauren Faust’s Toil and Trouble, were other productions unceremoniously dropped by the streamer.

But it’s not just the highly anticipated Netflix series that have been scrapped. Netflix movies, including Bright 2, a fantasy film sequel starring Will Smith, have also been dropped by the streaming company, according to What’s on Netflix. Bright 2’s cancellation is likely to have closer ties to the 2022 Oscars slapgate incident, which saw Smith physically assault Chris Rock live on stage. We previously reported that Netflix and Sony pulled out of Will Smith projects in development following the incident. But, according to Lucas Shaw, Bloomberg reporterNetflix claimed Bright 2’s cancellation had little to do with Smith’s Oscar showdown.

It’s unclear how many Netflix TV series and movies are similarly scheduled for the chopping block. However, it looks like some of the streamer’s biggest hits – Stranger Things, The Witcher, Arcane, and Squid Game to name just four – are all safe.

It looks like new movies and shows in development are in danger of falling through the cracks. But, as we’ve seen before on Netflix, the streaming giant isn’t averse to unplugging fan-favorite productions if deemed necessary. We’re looking at you, Archive 81 and The Dark Crystal: Age of Resistance.

We’ve reached out to Netflix for additional comment on the above and will update this story if we get back to you.

Analysis: Tough Times Ahead for Netflix

Press image of a woman using Netflix on her laptop

These are tough times for the biggest streamer in the world. (Image credit: Shutterstock/sitthiphong)

These are certainly tough times for Netflix. Sure, the streaming company is still the biggest such service in the world, but there’s no denying it’s been rocked by recent subscriber losses and a major drop in market share.

Netflix faces increased competition from Disney Plus, Prime Video and HBO Max. The streaming trio also offers value for money and high-quality entertainment for viewers, so Netflix no longer has full control of the streaming market as it once did. Add to that the growing influence of Apple TV Plus in the streaming industry – Netflix’s recent Best Picture Oscar nomination is sure to have caught the eye of Netflix executives – and Netflix’s dominance. in the streaming market decreases over time.

The skyrocketing cost of living in some countries, such as the UK, has also had a negative effect on Netflix’s subscriber base. As food, fuel and energy prices rise around the world, households are having to make tough choices about where to spend their money. If it’s a decision between feeding your family/heating your house or continuing to pay for Netflix, there’s no contest: Netflix will lose every time.

And then there’s the company’s decision to crack down on password sharing between households. Netflix recently announced that it will no longer turn a blind eye to subscribers freely sharing their account information with family or friends who live elsewhere. To prevent this, Netflix has started testing a new paid feature “Add Extra Member”, whereby account holders can pay an additional $2.99 ​​per month to allow people living at another address to use their account. . Based on the reactions of several Reddit users over the past few days and weeks, it’s a move that’s proving very unpopular.

Whether Netflix can recover from these setbacks remains to be seen. Yes, the streamer’s 220 million global subscriber base means it should be fine for now. Netflix also hopes that these issues are only temporary and that Netflix’s next big hit will entice users to come back in the future and start paying for the privilege of re-watching its content.

There’s no denying, however, that Netflix must navigate choppy waters right now. His next steps could be crucial in determining whether he can win back viewership support, or if things will only get worse from this point on.